Away in a Manger Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Gobelin Music Publications
Concert Band/Harmonie - Grade 1 SKU: BT.GOB-000544-010 Arranged by Andrew...(+)
Concert Band/Harmonie -
Grade 1
SKU:
BT.GOB-000544-010
Arranged by Andrew R.
Mackereth. Set (Score &
Parts). 55 pages. Gobelin
Music Publications #GOB
000544-010. Published by
Gobelin Music
Publications
(BT.GOB-000544-010).
In
English-speaking
countries ‘Away in a
Manger’ is one of the
first Christmas songs to
be taught to little
children. It is a moving
song with simple words,
which makes it easy to
understand.
The
song is also known as
‘Luther’s Cradle
Hymn’. This suggests
that Martin Luther was
the author of the lyrics.
According to researchers,
however, this is a
misconception the author
is unknown. In
England ‘Away in a
Manger’ is sung to a
different melody than in
the USA, for example. The
‘English’ melody was
composed by W.J.
Kirkpatrick. Andrew
Mackereth made a touching
arrangement of the
‘English’ melody,
which suits the tender
lyrics
perfectly.
In
Engelstalige landen is
‘Away in a Manger’
een van de eerste
kerstliedjes dat de
kinderen geleerd wordt.
Het is een gevoelig lied
met een eenvoudige en
daarom aansprekende
tekst.
Het lied
staat ook wel bekend als
‘Luther’sCradle
Hymn’. Dit suggereert
dat Martin Luther de
schrijver van de tekst
is. Volgens onderzoekers
is dit een misvatting en
is de auteur
onbekend. In Engeland
wordt ‘Away in a
Manger’ op een andere
melodie gezongen danin
bijv. in de USA. De
‘Engelse’ melodie is
gecomponeerd door W.J.
Kirkpatrick. Andrew
Mackereth maakte een
gevoelige bewerking van
de ‘Engelse’ melodie,
die prima aansluit bij de
tedere tekst.
Away in a Manger Ensemble de cuivres [Conducteur et Parties séparées] - Débutant Gobelin Music Publications
Brass Band - Grade 1 SKU: BT.GOB-000563-030 Arranged by Andrew R. Mackere...(+)
Brass Band - Grade 1
SKU:
BT.GOB-000563-030
Arranged by Andrew R.
Mackereth. Set (Score &
Parts). 28 pages. Gobelin
Music Publications #GOB
000563-030. Published by
Gobelin Music
Publications
(BT.GOB-000563-030).
In
English-speaking
countries ‘Away in a
Manger’ is one of the
first Christmas songs to
be taught to little
children. It is a moving
song with simple words,
which makes it easy to
understand.
The
song is also known as
‘Luther’s Cradle
Hymn’. This suggests
that Martin Luther was
the author of the lyrics.
According to researchers,
however, this is a
misconception the author
is unknown. In
England ‘Away in a
Manger’ is sung to a
different melody than in
the USA, for example. The
‘English’ melody was
composed by W.J.
Kirkpatrick. Andrew
Mackereth made a touching
arrangement of the
‘English’ melody,
which suits the tender
lyrics
perfectly.
In
Engelstalige landen is
‘Away in a Manger’
een van de eerste
kerstliedjes dat de
kinderen geleerd wordt.
Het is een gevoelig lied
met een eenvoudige en
daarom aansprekende
tekst.
Het lied
staat ook wel bekend als
‘Luther’sCradle
Hymn’. Dit suggereert
dat Martin Luther de
schrijver van de tekst
is. Volgens onderzoekers
is dit een misvatting en
is de auteur
onbekend. In Engeland
wordt ‘Away in a
Manger’ op een andere
melodie gezongen danin
bijv. in de USA. De
‘Engelse’ melodie is
gecomponeerd door W.J.
Kirkpatrick. Andrew
Mackereth maakte een
gevoelige bewerking van
de ‘Engelse’ melodie,
die prima aansluit bij de
tedere tekst.
Away in a Manger Fanfare [Conducteur et Parties séparées] - Débutant Gobelin Music Publications
Fanfare Band - Grade 1 SKU: BT.GOB-000545-020 Arranged by Andrew R. Macke...(+)
Fanfare Band - Grade 1
SKU:
BT.GOB-000545-020
Arranged by Andrew R.
Mackereth. Set (Score &
Parts). 47 pages. Gobelin
Music Publications #GOB
000545-020. Published by
Gobelin Music
Publications
(BT.GOB-000545-020).
In
English-speaking
countries ‘Away in a
Manger’ is one of the
first Christmas songs to
be taught to little
children. It is a moving
song with simple words,
which makes it easy to
understand.
The
song is also known as
‘Luther’s Cradle
Hymn’. This suggests
that Martin Luther was
the author of the lyrics.
According to researchers,
however, this is a
misconception the author
is unknown. In
England ‘Away in a
Manger’ is sung to a
different melody than in
the USA, for example. The
‘English’ melody was
composed by W.J.
Kirkpatrick. Andrew
Mackereth made a touching
arrangement of the
‘English’ melody,
which suits the tender
lyrics
perfectly.
In
Engelstalige landen is
‘Away in a Manger’
een van de eerste
kerstliedjes dat de
kinderen geleerd wordt.
Het is een gevoelig lied
met een eenvoudige en
daarom aansprekende
tekst.
Het lied
staat ook wel bekend als
‘Luther’sCradle
Hymn’. Dit suggereert
dat Martin Luther de
schrijver van de tekst
is. Volgens onderzoekers
is dit een misvatting en
is de auteur
onbekend. In Engeland
wordt ‘Away in a
Manger’ op een andere
melodie gezongen danin
bijv. in de USA. De
‘Engelse’ melodie is
gecomponeerd door W.J.
Kirkpatrick. Andrew
Mackereth maakte een
gevoelige bewerking van
de ‘Engelse’ melodie,
die prima aansluit bij de
tedere tekst.
Away in a Manger Fanfare [Conducteur] - Débutant Gobelin Music Publications
Fanfare Band - Grade 1 SKU: BT.GOB-000545-120 Arranged by Andrew R. Macke...(+)
Fanfare Band - Grade 1
SKU:
BT.GOB-000545-120
Arranged by Andrew R.
Mackereth. Score Only. 8
pages. Gobelin Music
Publications #GOB
000545-120. Published by
Gobelin Music
Publications
(BT.GOB-000545-120).
In
English-speaking
countries ‘Away in a
Manger’ is one of the
first Christmas songs to
be taught to little
children. It is a moving
song with simple words,
which makes it easy to
understand.
The
song is also known as
‘Luther’s Cradle
Hymn’. This suggests
that Martin Luther was
the author of the lyrics.
According to researchers,
however, this is a
misconception the author
is unknown. In
England ‘Away in a
Manger’ is sung to a
different melody than in
the USA, for example. The
‘English’ melody was
composed by W.J.
Kirkpatrick. Andrew
Mackereth made a touching
arrangement of the
‘English’ melody,
which suits the tender
lyrics
perfectly.
In
Engelstalige landen is
‘Away in a Manger’
een van de eerste
kerstliedjes dat de
kinderen geleerd wordt.
Het is een gevoelig lied
met een eenvoudige en
daarom aansprekende
tekst.
Het lied
staat ook wel bekend als
‘Luther’sCradle
Hymn’. Dit suggereert
dat Martin Luther de
schrijver van de tekst
is. Volgens onderzoekers
is dit een misvatting en
is de auteur
onbekend. In Engeland
wordt ‘Away in a
Manger’ op een andere
melodie gezongen danin
bijv. in de USA. De
‘Engelse’ melodie is
gecomponeerd door W.J.
Kirkpatrick. Andrew
Mackereth maakte een
gevoelige bewerking van
de ‘Engelse’ melodie,
die prima aansluit bij de
tedere tekst.
Away in a Manger Ensemble de cuivres [Conducteur] - Débutant Gobelin Music Publications
Brass Band - Grade 1 SKU: BT.GOB-000563-130 Arranged by Andrew R. Mackere...(+)
Brass Band - Grade 1
SKU:
BT.GOB-000563-130
Arranged by Andrew R.
Mackereth. Score Only. 8
pages. Gobelin Music
Publications #GOB
000563-130. Published by
Gobelin Music
Publications
(BT.GOB-000563-130).
In
English-speaking
countries ‘Away in a
Manger’ is one of the
first Christmas songs to
be taught to little
children. It is a moving
song with simple words,
which makes it easy to
understand.
The
song is also known as
‘Luther’s Cradle
Hymn’. This suggests
that Martin Luther was
the author of the lyrics.
According to researchers,
however, this is a
misconception the author
is unknown. In
England ‘Away in a
Manger’ is sung to a
different melody than in
the USA, for example. The
‘English’ melody was
composed by W.J.
Kirkpatrick. Andrew
Mackereth made a touching
arrangement of the
‘English’ melody,
which suits the tender
lyrics
perfectly.
In
Engelstalige landen is
‘Away in a Manger’
een van de eerste
kerstliedjes dat de
kinderen geleerd wordt.
Het is een gevoelig lied
met een eenvoudige en
daarom aansprekende
tekst.
Het lied
staat ook wel bekend als
‘Luther’sCradle
Hymn’. Dit suggereert
dat Martin Luther de
schrijver van de tekst
is. Volgens onderzoekers
is dit een misvatting en
is de auteur
onbekend. In Engeland
wordt ‘Away in a
Manger’ op een andere
melodie gezongen danin
bijv. in de USA. De
‘Engelse’ melodie is
gecomponeerd door W.J.
Kirkpatrick. Andrew
Mackereth maakte een
gevoelige bewerking van
de ‘Engelse’ melodie,
die prima aansluit bij de
tedere tekst.
Away in a Manger Orchestre d'harmonie [Conducteur] - Débutant Gobelin Music Publications
Concert Band/Harmonie - Grade 1 SKU: BT.GOB-000544-140 Arranged by Andrew...(+)
Concert Band/Harmonie -
Grade 1
SKU:
BT.GOB-000544-140
Arranged by Andrew R.
Mackereth. Score Only. 8
pages. Gobelin Music
Publications #GOB
000544-140. Published by
Gobelin Music
Publications
(BT.GOB-000544-140).
In
English-speaking
countries ‘Away in a
Manger’ is one of the
first Christmas songs to
be taught to little
children. It is a moving
song with simple words,
which makes it easy to
understand.
The
song is also known as
‘Luther’s Cradle
Hymn’. This suggests
that Martin Luther was
the author of the lyrics.
According to researchers,
however, this is a
misconception the author
is unknown. In
England ‘Away in a
Manger’ is sung to a
different melody than in
the USA, for example. The
‘English’ melody was
composed by W.J.
Kirkpatrick. Andrew
Mackereth made a touching
arrangement of the
‘English’ melody,
which suits the tender
lyrics
perfectly.
In
Engelstalige landen is
‘Away in a Manger’
een van de eerste
kerstliedjes dat de
kinderen geleerd wordt.
Het is een gevoelig lied
met een eenvoudige en
daarom aansprekende
tekst.
Het lied
staat ook wel bekend als
‘Luther’sCradle
Hymn’. Dit suggereert
dat Martin Luther de
schrijver van de tekst
is. Volgens onderzoekers
is dit een misvatting en
is de auteur
onbekend. In Engeland
wordt ‘Away in a
Manger’ op een andere
melodie gezongen danin
bijv. in de USA. De
‘Engelse’ melodie is
gecomponeerd door W.J.
Kirkpatrick. Andrew
Mackereth maakte een
gevoelige bewerking van
de ‘Engelse’ melodie,
die prima aansluit bij de
tedere tekst.
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Bongos, Castanets,
Celesta, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Contrabassoon,
English Horn, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3 and more.
SKU:
PR.16500100F
Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Sws. Full score. 48
pages. Duration 10
minutes, 41 seconds.
Theodore Presser Company
#165-00100F. Published by
Theodore Presser Company
(PR.16500100F).
ISBN
9781491114421. UPC:
680160669783. 9 x 12
inches.
Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected.
Music of the Spheres Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé Anglo Music
Concert Band/Harmonie - Grade 6 SKU: BT.AMP-028-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.AMP-028-140
Composed by Philip
Sparke. Elite Series.
Concert Piece. Score
Only. Composed 2005. 68
pages. Anglo Music Press
#AMP 028-140. Published
by Anglo Music Press
(BT.AMP-028-140).
English-German-French-
Dutch.
The piece
reflects the composer's
fascination with the
origins of the universe
and deep space in
general. The title comes
from a theory, formulated
by Pythagoras, that the
cosmos was ruled by the
same laws he had
discovered that govern
the ratios of note
frequencies of the
musical scale.
(‘Harmonia’
in Ancient Greek, which
means scale or tuning
rather than harmony -
Greek music was
monophonic). He also
believed that these
ratios corresponded to
the distances of the six
known planets from the
sun and that the planets
each produced a musical
note which combined to
weave a continuous
heavenly melody (which,
unfortunately, we humans
cannot hear). In this
work, these six notesform
the basis of the sections
MUSIC OF THE SPHERES and
HARMONIA. The pieces
opens with a horn solo
called t = 0, a name
given by some scientists
to the moment of the Big
Bang when time and space
were created, and this is
followed by a depiction
of the BIG BANG itself,
as the entire universe
bursts out from a single
point. A slower section
follows called THE LONELY
PLANET which is a
meditation on the
incredible and unlikely
set of circumstances
which led to the creation
of the Earth as a planet
that can support life,
and the constant search
for other civilisations
elsewhere in the
universe. ASTEROIDS AND
SHOOTING STARS depicts
both the benign and
dangerous objects that
are flying through space
and which constantly
threaten our planet, and
the piece ends with THE
UNKNOWN, leaving in
question whether our
continually expanding
exploration of the
universe will eventually
lead to enlightenment or
destruction.
Dit
werk weerspiegelt de
fascinatie van de
componist voor het
heelal. Het begint met
een hoornsolo met de naam
t = 0, waarmee
sommige wetenschappers de
oerknal aanduiden. Dan
volgt een weergave van de
oerknal zelf. Het
volgendegedeelte, The
Lonely Planet, is een
meditatie over het
ongelooflijke samenspel
van omstandigheden dat
leidde tot het ontstaan
van de Aarde.
Asteroids and Shooting
Stars beschrijft
objecten in de ruimte.
Het werkeindigt met
The Unknown,
waarmee we in het
ongewisse blijven over de
gevolgen van onze verdere
verkenning van het
universum. In 2005 won
Philip Sparke met
Music of the
Spheres de National
Band Association/William
D.Revelli Memorial Band
Composition
Contest.
Dieses
Werk handelt vom Weltall
und unserem Platz im
Universum, auf dem
Weltbild von Pythagoras
basierend. Am einfachsten
lässt sich diese
außergewöhnliche
Komposition wohl als
Filmmusik ähnliches
Stück beschreiben ?
Musik zu einem
Science-Fiction-Film
eines Ripley Scott oder
Steven Spielberg oder
auch Musik, wie sie ein
John Williams oder Danny
Elfman schreiben
würde: absolut
stimmungsvoll, brillant
instrumentiert mit
Klangfarben, Strukturen,
Effekten und Timbres,
gemischt mit
fließenden
musikalischen Linien, die
die Substanz des Themas
auf den Punkt treffen.
Dieses atemberaubende
neue Stück hebt Ihr
Blasorchester auf ein
höheres Niveau, sowohl
im technischen als
auchmusikalischen Sinn.
Music of the
Spheres evidenza il
fascino che le origini
dell’universo
esercitano su Philip
Sparke. Il titolo
proviene da una teoria
del matematico greco
Pitagora, secondo la
quale il cosmo è retto
dalle stesse leggi che
governano i rapporti di
frequenza tra le note
della scala musicale.
Questa composizione
inizia con un assolo di
corno chiamato t = 0,
nozione che definisce il
momento del big-bang.
The Lonely Planet
(Il pianeta solitario)
è una meditazione
sulle circostanze che
hanno portato alla
creazione della terra.
Asteroids and Shooting
Stars (Asteroidi e
Stelle cadenti) descrive
i molteplici oggetti che
si muovono nello spazio e
che rappresentano
unrischio per il nostro
pianeta. Le battute
finali portano verso
l’ignoto (The
Unknown) sollevando
una domanda la cui
risposta resta in
sospeso: la nostra
continua avanzata
nell’esplorazione
dell’Universo
porter un giorno alla
scoperta o alla
distruzione?
Alto, Mixed choir (SATB), Piano SKU: BA.BA11309 Composed by Camille Saint...(+)
Alto, Mixed choir (SATB),
Piano
SKU:
BA.BA11309
Composed
by Camille Saint-Saens.
Edited by Christina M.
Stahl. This edition:
urtext edition.
Paperback. Score.
Baerenreiter Verlag
#BA11309. Published by
Baerenreiter Verlag
(BA.BA11309).
ISBN
9790006577705. 27 x 19 cm
inches. Text Language:
English.
It is a
small music history
sensation: Thanks to Yves
Grard an unknown and
unpublished manuscript
penned by Camille
Saint-Saëns has been
unearthed in the
Mdiathèque Jean Renoir
in Dieppe in
France.
It is the
top four instrumental
parts which make this
manuscript something of a
sensation. Placed under
each other are
â??Saxophone Soprano en
Si bâ?, â??Saxophone
Alto en Mi bâ?,
â??Saxophone Tnor en Si
bâ? and â??Saxophone
Baryton en Mi bâ?,
strings, soprano solo
with chorus and organ.
Musical history has
hitherto credited
Jean-Baptiste Singele
(1812â??1875) with
having written the first
saxophone quartet, his
opus 53, which he
completed in 1857. Now
this historiography
clearly has to be
revised. The date 1854
has been found under the
first page of the
treasure from Dieppe,
which is pasted over and
also sewn, meaning that
Saint-Saënsâ?? work
was written three years
earlier than that of
Singele.
In
contrast to Singele,
Saint-Saëns does not
have the wind instruments
taking solo parts but
rather uses their tonal
colour to depict textual
moods and nuances. On the
one hand the saxophones
accompany the choral
parts (certainly singable
by amateurs) and support
the human voices in fugal
passages. On the other
hand, they take the
melody in the purely
orchestral
passages.
Saint-Sa
ëns wrote the motet in
the period when he had
taken up his first
permanent appointment as
organist at the Church of
Saint-Merri in Paris. He
revised the work several
times over the decades,
changing the motifs at
the beginning, correcting
obvious mistakes,
reworking the ending,
eventually changing the
instrumentation several
times and even â??
probably in the final
stage â?? replacing the
Latin text with an
English one. Today,
three-and-a-half versions
have been handed down,
one of them stopping
after just a few pages.
The compositional steps
have been successfully
reconstructed by means of
detailed detective work.
Furthermore, the first
saxophone version (BA
11305) and the last
English piano version (BA
11309) have been edited
to produce a
scholarly-critical
edition.
The
present edition of the
English version for
soprano solo, choir and
piano (BA 11309) serves
both as a full score and
as a vocal score due to
the
instrumentation.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Concert Band - Grade 2 SKU: AP.39524 Arranged by Michael Story. Concert B...(+)
Concert Band - Grade 2
SKU: AP.39524
Arranged by Michael
Story. Concert Band;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Belwin Young Band. Folk;
Halloween; Traditional.
Score and Part(s). 124
pages. Duration 2:15.
Belwin Music #00-39524.
Published by Belwin Music
(AP.39524).
UPC:
038081453019. English.
Traditional Folk Song
based on the poem by
Edgar Allan
Poe.
Scored in a
lilting three-quarter
meter, this delicious
melody, by an unknown
composer, was originally
scored to accompany Edgar
Allan Poe's poem of the
same name. The story is
of the narrator's deep
love for a woman who
lived by the sea, and
whose untimely death is
mourned every night by
the narrator as he sleeps
next to her tomb by the
ocean. The beautiful
melody, charismatically
harmonized, musically
depicts that undying love
and provides a meaningful
opportunity to teach
expressive and lyrical
performance. A charming
addition to the
developing band
repertoire. (2:15) This
title is available in
MakeMusic Cloud.
Annabel Lee Orchestre d'harmonie [Conducteur] - Facile Belwin
Concert Band - Grade 2 SKU: AP.39524S Arranged by Michael Story. Concert ...(+)
Concert Band - Grade 2
SKU: AP.39524S
Arranged by Michael
Story. Concert Band;
SmartMusic. Belwin Young
Band. Folk; Halloween;
Traditional. Score only.
16 pages. Duration 2:15.
Belwin Music #00-39524S.
Published by Belwin Music
(AP.39524S).
UPC:
038081453026. English.
Traditional Folk Song
based on the poem by
Edgar Allan
Poe.
Scored in a
lilting three-quarter
meter, this delicious
melody, by an unknown
composer, was originally
scored to accompany Edgar
Allan Poe's poem of the
same name. The story is
of the narrator's deep
love for a woman who
lived by the sea, and
whose untimely death is
mourned every night by
the narrator as he sleeps
next to her tomb by the
ocean. The beautiful
melody, charismatically
harmonized, musically
depicts that undying love
and provides a meaningful
opportunity to teach
expressive and lyrical
performance. A charming
addition to the
developing band
repertoire. (2:15) This
title is available in
MakeMusic Cloud.
ATB vocal soli, SATB choir, orchestra SKU: CA.3113600 Cantata for the ...(+)
ATB vocal soli, SATB
choir, orchestra
SKU:
CA.3113600
Cantata
for the 8th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Christiane
Hausmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Cantatas, Trinity. Full
score. Composed 1723. BWV
136. 36 pages. Duration
22 minutes. Carus Verlag
#CV 31.136/00. Published
by Carus Verlag
(CA.3113600).
ISBN
9790007171636. Language:
German/English.
Translation: Henry
Drinker. Scripture:
Matthew
7:15-23.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part.
4 Saxophones SATBar SKU: AP.1-ADV7426 For SATBar Saxophone Quartet...(+)
4 Saxophones SATBar
SKU: AP.1-ADV7426
For SATBar Saxophone
Quartet. Arranged by
Bill Perconti. Quartet;
Solo Small Ensembles;
Woodwind - Saxophone
Quartet. Advance Music:
Holiday Celebration
Series. Christmas;
Sacred; Traditional;
Winter. Score and
Part(s). Advance Music
#01-ADV7426. Published by
Advance Music
(AP.1-ADV7426).
ISBN
9783892215806. UPC:
805095074260. English.
Traditional.
The
Sleep of the Infant Jesus
is a ballad carol that is
also a lullaby.
Traditionally French, the
tune dates before 1800,
but the composer is
unknown. Although little
known, the tune is a
beautiful and serene
Christmas folk melody.
This arrangement
for saxophone quartet
(SATBar), rather than
favoring a soprano solo
with accompaniment,
strives to include all
the players in the music
making, particularly by
distributing melodic
material. In addition,
all dynamics and
articulations should be
taken as suggestions
only, as performers are
encouraged to make their
own interpretations.
Arranged for saxophone
quartet.
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Trinity. Single Part,
Viola. Composed 1723. BWV
136. 4 pages. Duration 22
minutes. Carus Verlag #CV
31.136/13. Published by
Carus Verlag
(CA.3113613).
ISBN
9790007208134. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
American Fiddle
Tune. Arranged by Bob
Phillips. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Fiddle. Score.
Alfred Music #00-50830S.
Published by Alfred Music
(AP.50830S).
ISBN
9781470668617. UPC:
038081587493. English.
Traditional Fiddle
Tune.
This easy
tune features all
sections with clever
rhythmic variations.
Readily accessible and as
easy to put together as
any Bob Phillips fiddle
tune arrangement, the
traditional melody
appears in all sections
and may be taught
aurally. Though its
origin is unknown,
Spotted Pony appears to
have roots in the Ozarks
in Missouri, Arkansas, or
Texas. Fiddlers in the
early 20th century claim
to have learned it from
their grandparents'
generation, so it most
likely has been played
since the late 19th
century or earlier.
(2:20) Correlates to
Sound Innovations, Book
1, Level 4.
ATB vocal soli, SATB choir SKU: CA.3113605 Cantata for the 8th Sunday ...(+)
ATB vocal soli, SATB
choir
SKU:
CA.3113605
Cantata
for the 8th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Christiane
Hausmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Cantatas, Trinity. Choral
Score. Composed 1723. BWV
136. 8 pages. Duration 22
minutes. Carus Verlag #CV
31.136/05. Published by
Carus Verlag
(CA.3113605).
ISBN
9790007171612. Language:
German/English.
Translation: Henry
Drinker. Scripture:
Matthew
7:15-23.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
available separately -
see item CA.3113600.
Wash Rag for String Quartet Quatuor à cordes: 2 violons, alto, violoncelle - Facile LudwigMasters Publications
String Quartet - Grade 3 SKU: AP.36-52703617 Composed by Alan Shulman. Th...(+)
String Quartet - Grade 3
SKU:
AP.36-52703617
Composed by Alan Shulman.
This edition: Latham
Music. Quartet; Solo
Small Ensembles; String -
Quartet. LudwigMasters -
Latham Music. Book.
LudwigMasters
Publications
#36-52703617. Published
by LudwigMasters
Publications
(AP.36-52703617).
UPC:
735816385521.
English.
This
humorous little vignette
for string quartet was
composed in 1979 and was
originally intended to be
published by Piedmont
Music, the ASCAP division
of EB Marks Classical.
For reasons unknown,
however, it remained in
manuscript form until
2021, when a copy of the
composer's autograph
parts was discovered in
the archives of a
completely different Alan
Shulman piece. This newly
engraved Latham Music
edition therefore
represents the first
publication of Shulman's
delightful work, as well
as the first full score.
As the title suggests,
this is a medium-slow
rag, or cakewalk in a
loose AABA form. The
bluesy and graceful main
melody is introduced by
the first violin in a
call and response
exchange with the rest of
the ensemble. The
restatement of the
primary theme is led by
the second violin, with
the entire ensemble
playing pizzicato, having
the effect of playful
mockery. In the B
section, the first violin
earnestly reasserts the
stately grace from the
opening however, the
cello is clearly becoming
restless and decides to
take over the lead just
before the final reprise.
The lighthearted ending
again has the first
violin doing its best to
bring the tune to a
refined conclusion, but
the rest of the group
still has mischief in
mind. After a couple
moments of seeming
confusion, the ensemble
regroups at last and
plays the final riff with
resolute emphasis. If
you're looking to add a
light moment to a recital
program, or looking for a
short, medium level
contest piece that
players and audiences
alike will enjoy, this
little miniature is an
ideal choice!
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band - Grade 2 SKU: AP.49094 Based on Jingle Bells. Compos...(+)
Concert Band - Grade 2
SKU: AP.49094
Based on Jingle
Bells. Composed by
James Lord Pierpont.
Arranged by Brian Beck.
Concert Band; MakeMusic
Cloud; Performance Music
Ensemble. Sound
Innovations for Concert
Band. Christmas; Winter.
Score and Part(s). 93
pages. Duration 2:20.
Alfred Music #00-49094.
Published by Alfred Music
(AP.49094).
ISBN
9781470645984. UPC:
038081564388.
English.
Haunted
Sleigh Ride is based on
Jingle Bells but shifted
to a minor key,
transforming a winter
favorite into an eerie
adventure into the snowy
unknown. We may not be
laughing all the way.
Brian Beck's setting is
jam-packed with various
style and dynamic
markings as well as
accidentals in every
part, challenging
musicians, and engaging
audiences. Shifting a
piece from major to minor
(or vice versa) will
instantly illuminate a
melody and breathe new
life into a piece. What
was happy is now sad,
what was dark is now
vibrant, and, in this
case, what was cheerful
is now spooky. Correlated
to Sound Innovations for
Concert Band, Book 2,
Level 4. (2:20) This
title is available in
MakeMusic Cloud.
Guitar - intermediate SKU: M7.GHE-917 Cádiz from Suite española ...(+)
Guitar - intermediate
SKU: M7.GHE-917
Cádiz from Suite
española op. 47/4.
Composed by Isaac
Albeniz. Edited by
Stefano Grondona. This
edition: Saddle-wire
stitching. Sheet music.
First Publication. Op.
47/4. 8 pages. MDS (Music
Distribution Services)
#GHE 917. Published by
MDS (Music Distribution
Services) (M7.GHE-917).
American Fiddle
Tune. Arranged by Bob
Phillips. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Fiddle. Score
and Part(s). Alfred Music
#00-50830. Published by
Alfred Music (AP.50830).
ISBN 9781470668600.
UPC: 038081587486.
English. Traditional
Fiddle Tune.
This
easy tune features all
sections with clever
rhythmic variations.
Readily accessible and as
easy to put together as
any Bob Phillips fiddle
tune arrangement, the
traditional melody
appears in all sections
and may be taught
aurally. Though its
origin is unknown,
Spotted Pony appears to
have roots in the Ozarks
in Missouri, Arkansas, or
Texas. Fiddlers in the
early 20th century claim
to have learned it from
their grandparents'
generation, so it most
likely has been played
since the late 19th
century or earlier.
(2:20) Correlates to
Sound Innovations, Book
1, Level 4.
Haunted Sleigh Ride Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
Concert Band - Grade 2 SKU: AP.49094S Based on Jingle Bells. Compo...(+)
Concert Band - Grade 2
SKU: AP.49094S
Based on Jingle
Bells. Composed by
James Lord Pierpont.
Arranged by Brian Beck.
Concert Band; MakeMusic
Cloud; Performance Music
Ensemble. Sound
Innovations for Concert
Band. Christmas; Winter.
Score. 16 pages. Duration
2:20. Alfred Music
#00-49094S. Published by
Alfred Music (AP.49094S).
ISBN 9781470645991.
UPC: 038081564395.
English.
Haunted
Sleigh Ride is based on
Jingle Bells but shifted
to a minor key,
transforming a winter
favorite into an eerie
adventure into the snowy
unknown. We may not be
laughing all the way.
Brian Beck's setting is
jam-packed with various
style and dynamic
markings as well as
accidentals in every
part, challenging
musicians, and engaging
audiences. Shifting a
piece from major to minor
(or vice versa) will
instantly illuminate a
melody and breathe new
life into a piece. What
was happy is now sad,
what was dark is now
vibrant, and, in this
case, what was cheerful
is now spooky. Correlated
to Sound Innovations for
Concert Band, Book 2,
Level 4. (2:20) This
title available in
MakeMusic Cloud.
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Trinity.
Single Part, basso
continuo. Composed 1723.
BWV 136. 8 pages.
Duration 22 minutes.
Carus Verlag #CV
31.136/14. Published by
Carus Verlag
(CA.3113614).
ISBN
9790007208141. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
ATB vocal soli, SATB choir, orchestra SKU: CA.3113649 Cantata for the ...(+)
ATB vocal soli, SATB
choir, orchestra
SKU:
CA.3113649
Cantata
for the 8th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Christiane
Hausmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Organ. Sacred vocal
music, Cantatas, Trinity.
Single Part, Organ.
Composed 1723. BWV 136.
12 pages. Duration 22
minutes. Carus Verlag #CV
31.136/49. Published by
Carus Verlag
(CA.3113649).
ISBN
9790007208158. Language:
German/English.
Translation: Henry
Drinker. Scripture:
Matthew
7:15-23.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
ATB vocal soli, SATB choir, orchestra SKU: CA.3113619 Cantata for the ...(+)
ATB vocal soli, SATB
choir, orchestra
SKU:
CA.3113619
Cantata
for the 8th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Christiane
Hausmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Complete orchestral
parts. Sacred vocal
music, Cantatas, Trinity.
Set of Orchestra Parts.
Composed 1723. BWV 136.
Duration 22 minutes.
Carus Verlag #CV
31.136/19. Published by
Carus Verlag
(CA.3113619).
ISBN
9790007172176. Language:
German/English.
Translation: Henry
Drinker. Scripture:
Matthew
7:15-23.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and parts available
separately - see item
CA.3113600.