36 pieces with position changes. Method. Book with Online Audio. Composed 2021. 64 pages. De Haske Publications #DHP 1053839-404. Published by De Haske Publications

Flute and Guitar. By Various. Arranged by Louis Moyse. (Flute). Woodwind Ensemble. Size 9x12 inches. 64 pages. Published by G. Schirmer, Inc.

Piano (Piano)

SKU: HL.48013916

Composed by Rudolf Wagner-Ré and geny. BH Piano. Classical. Bote & Bock #M202502396. Published by Bote & Bock (HL.48013916).

UPC: 073999926767.

Piano Solo.

Piano

SKU: BT.SCHBB101800

Five little pieces. Composed by Rudolf Wagner-Regeny. Book Only. 5 pages. Bote & Bock #SCHBB101800. Published by Bote & Bock (BT.SCHBB101800).

Piano

SKU: FP.FHC02

Composed by Cuthbert Harris. Published by Forsyths Publications (FP.FHC02).

ISBN 979-0-57050-120-5.

Cuthbert Harris's albums of first pieces are loved by teachers and pupils alike for both their playability and the progressive way they challenge and develop the technique of the improving beginner Suggested grade 2-3.

Edited by Willard A. Palmer. Johann Friedrich Burgmuller. For Piano. Piano Collection. Alfred Masterwork Edition. Masterwork. Level: Early Intermediate / Late Intermediate (grade 3/4/5/6). Book. 48 pages. Published by Alfred Publishing.

(The many faces of the guitar, Volume 5). By Various. Arranged by Collectif. For guitar solo. 3. 36 pages

By Edvard Grieg. Edited by Angus Morrison. For Piano solo. Level: 2, 3, 4, 5. 48 pages. Published by ABRSM (Associated Board of the Royal Schools of Music).

Seven Pieces for One Piano, Four Hands. By Peter Schickele. Piano (1 piano, 4 hands). For Piano Duet. Performance score. 15 pages. Duration 6:30. Published by Theodore Presser Company.

Guitar (Guitar) - very easy

SKU: HL.49034646

Composed by Ferdinando Carulli. Edited by Walter Wilhelm Goetze. This edition: Folding. Sheet music. Gitarren-Archiv (Guitar Archive). Softcover. 2 pages. Schott Music #GA313. Published by Schott Music (HL.49034646).

ISBN 9790001096409. UPC: 888680702274. 9.25x12.0x0.047 inches.

Vocal and Piano

SKU: HL.14041996

Music Sales America. TV-Film-Musical-Show. Softcover. Chester Music #CH61682. Published by Chester Music (HL.14041996).

ISBN 9780711982963.

Easy popular pieces for young singers, selected and arranged by Olga Lantham and Jerry Lanning.

This collection of 13 popular melodies has been carefully arranged and graded to provide attractive teaching repertoire foryoung singers. The familiarity of the material will stimulate pupils' enthusiasm and encourage their practice. With piano accompaniment.

Alto recorder (ABFL) - intermediate

SKU: HL.49013128

Composed by Barbara Heller. This edition: Saddle stitching. Sheet music. Originalmusik fur Blockflote (Recorder Library). Classical. Composed 1993. 8 pages. Duration 7'. Schott Music #OFB195. Published by Schott Music (HL.49013128).

ISBN 9790001128360. 9.0x12.0x0.05 inches.

The composer Barbara Heller (b. 1936 and based in Darmstadt) wrote these 5 little pieces evocative of spring in April / May 1993. They are particularly suitable for teaching and for student recitals. Heiter * Sanft * Lyrisch * Sprechend * Frech.

Recorder Duet

SKU: HL.49003934

Composed by Arcangelo Corelli. Edited by Heinz Kaestner. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Playing score. 16 pages. Schott Music #ED2729. Published by Schott Music (HL.49003934).

ISBN 9790001039468. UPC: 073999943238. 5.75x8.5x0.063 inches. German.

For 1 Piano, 4 Hands. By Anton Bruckner. (Piano). Piano. Book only. Size 9x12 inches. 5 pages. Published by Schott.

Soprano- and treble recorder (Recorder)

SKU: HL.49003947

Composed by Georg Philipp Telemann. Edited by Heinz Kaestner. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Playing score. 16 pages. Schott Music #ED 2743. Published by Schott Music (HL.49003947).

ISBN 9790001039581. 5.25x7.5x0.077 inches.

(21 Pieces from Famous and Fun: Pop, Classics, Favorites, Rock, Duets). Arranged by Carol Matz. For Piano. Book; Piano Collection; Piano Supplemental. Famous and Fun. Intermediate. 64 pages. Published by Alfred Music

By Peter Maxwell Davies. (Piano). Boosey and Hawkes Piano. Size 9.25x12.25 inches. 5 pages. Published by Boosey and Hawkes.

Composed by Emmanuel Sejourne. Leduc. Classical. CD only. 34 pages. Alphonse Leduc #AL27624. Published by Alphonse Leduc

10 Little Pieces for Piano. By Henk Badings. Schott. Size 9x12 inches. 16 pages. Published by Schott.

SKU: HL.44003153

De Haske Concert Band. Hal Leonard #011693. Published by Hal Leonard (HL.44003153).

UPC: 073999234558. 6.75x10.5 inches.

Brass Band

SKU: HL.44004126

Brass Band CD. Composed by Various. De Haske Brass Band CD. CD only. De Haske Publications #1027283. Published by De Haske Publications (HL.44004126).

UPC: 073999041262. 5x5.5 inches.

(174 Favorite Piano Pieces by 44 Composers). Composed by Various. For Piano Solo. Misc. 326 pages. Published by Hal Leonard

By ABRSM. For piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

Orchestra String Orchestra - Grade 2-2.5

SKU: CF.YAS13F

Composed by Muzio Clementi. Arranged by Douglas Townsend. Carl Fischer Young String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS13F. Published by Carl Fischer Music (CF.YAS13F).

ISBN 9780825848339. UPC: 798408048334. 8.5 X 11 inches. Key: G major.

IApart from some of his Sonatinas, Opus 36, Clementi's life and music are hardly known to the piano teachers and students of today. For example, in addition to the above mentioned Sonatinas, Clementi wrote sixty sonatas for the piano, many of them unjustly neglected, although his friend Beethoven regarded some of them very highly. Clementi also wrote symphonies (some of which he arranged as piano sonatas), a substantial number of waltzes and other dances for the piano as well as sonatas and sonatinas for piano four-hands.In addition to composing, Clementi was a much sought after piano teacher, and included among his students John Field (Father of the 'Nocturne'), and Meyerbeer.In his later years, Clementi became a very successful music publisher, publishing among other works the first English edition of Beethoven's Violin Concerto, in the great composer's own arrangement for the piano, as well as some of his string quartets. Clementi was also one of the first English piano manufacturers to make pianos with a metal frame and string them with wire.The Sonatina in C, Opus 36, No. 1 was one of six such works Clementi wrote in 1797. He must have been partial to these little pieces (for which he also provided the fingerings), since they were reissued (without the fingering) by the composer shortly after 1801. About 1820, he issued ''the sixth edition, with considerable improvements by the author;· with fingerings added and several minor changes, among which were that many of them were written an octave higher.IIIt has often been said, generally by those unhampered by the facts, that composers of the past (and, dare we add, the present?), usually handled their financial affairs with their public and publishers with a poor sense of business acumen or common sense. As a result they frequently found themselves in financial straits.Contrary to popular opinion, this was the exception rather than the rule. With the exception of Mozart and perhaps a few other composers, the majority of composers then, as now, were quite successful in their dealings with the public and their publishers, as the following examples will show.It was not unusual for 18th- and 19th-century composers to arrange some of their more popular compositions for different combinations of instruments in order to increase their availability to a larger music-playing public. Telemann, in the introduction to his seventy-two cantatas for solo voice and one melody instrument (flute, oboe or violin, with the usual continua) Der Harmonische Gottesdienst, tor example, suggests that if a singer is not available to perform a cantata the voice part could be played by another instrument. And in the introduction to his Six Concertos and Six Suites for flute, violin and continua, he named four different instrumental combinations that could perform these pieces, and actually wrote out the notes for the different possibilities. Bach arranged his violin concertos for keyboard, and Beethoven not only arranged his Piano Sonata in E Major, Opus 14, No. 1 for string quartet, he also transposed it to the key of F. Brahm's well-known Quintet in F Minor for piano and strings was his own arrangement of his earlier sonata for two pianos, also in F Minor.IIIWe come now to Clementi. It is well known that some of his sixty piano sonatas were his own arrangements of some of his lost symphonies, and that some of his rondos for piano four-hands were originally the last movements of his solo sonatas or piano trios.In order to make the first movement of his delightful Sonatina in C, Opus 36, No. 1 accessible to young string players, I have followed the example established by the composer himself by arranging and transposing one of his piano compositions from one medium (the piano) to another. (string instruments). In order to simplify the work for young string players, in the process of adapting it to the new medium it was necessary to transpose it from the original key of C to G, thereby doing away with some of the difficulties they would have encountered in the original key. The first violin and cello parts are similar to the right- and left-hand parts of the original piano version. The few changes I have made in these parts have been for the convenience of the string players, but in no way do they change the nature of the music.Since the original implied a harmonic framework in many places, I have added a second violin and viola part in such a way that they not only have interesting music to play, but also fill in some of the implied harmony without in any way detracting from the composition's musical value. Occasionally, it has been necessary to raise or lower a few passages an octave or to modify others slightly to make them more accessible for young players.It is hoped that the musical value of the composition has not been too compromised, and that students and teachers will come to enjoy this little piece in its new setting as much as pianists have in the original one. This arrangement may also be performed by a solo string quartet. When performed by a string orchestra, the double bass part may be omitted.- Douglas TownsendString editing by Amy Rosen.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

Piano - Grade 3

SKU: BT.WMP2215

2015-2016 Grades 1-3. Composed by Josephine Koh. Teachers' Choice. Method. Book Only. 38 pages. Wells Music Publishers #WMP2215. Published by Wells Music Publishers (BT.WMP2215).

ISBN 9789810924089. English.

Teachers’ Choice, Selected Piano Repertory & Studies for grades 1, 2 and 3 is compiled to provide teachers and students with good options for the 2015 & 2016 ABRSM Piano examinations.

- This collection ofinteresting and appealing Piano pieces contains editorial suggestions for pedagogical purposes. Most teachers will find the performance points helpful in developing stylistic awareness in the students.

-Examinat ionrequirements aside, details on articulation, dynamics, fingering, pedal marks and tempo serve to provide a directed approach for students to strive towards achieving musical excellence and perfection.

-Effect ivetechnicalstudies suited to each level have been carefully selected, forming in themselves, supplementary materials to enhance technical competence.

-Most important of all, enjoy the high standards of music typography suchclear, professionally laid scores supported by modern publishing technology and musical semiotics. The digital print on quality cream-coloured paper ensures comfort in the reading of musical scores.