| Melodies for Beginners Volume 8 Contrebasse, Piano (duo) [Conducteur et Parties séparées] - Facile Editions Marc Reift (Swiss import)
Contrabass & Piano or CD Play Back / Play Along - Grade 2 SKU: MA.EMR-54513(+)
Contrabass & Piano or CD
Play Back / Play Along -
Grade 2 SKU:
MA.EMR-54513
Melodies pour
Debutants / Melodien fur
Anfanger. Composed by
Karel Chudy. Score and
parts. Duration 23'54.
Editions Marc Reift #EMR
54513. Published by
Editions Marc Reift
(MA.EMR-54513).
Solemn March /
Thema Con Variazioni /
Waltz / Bach's Cello /
Rondo / Nocturne / Fairy
Tale / Polka / Adieu /
Tango Buero. $22.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Piano Concerto [No. 21] in C major K. 467 Breitkopf & Härtel
Basso (cello/double bass) (solo: pno - 1.2.0.2 - 2.2.0.0 - timp - str) SKU: B...(+)
Basso (cello/double bass)
(solo: pno - 1.2.0.2 -
2.2.0.0 - timp - str)
SKU:
BR.OB-15106-26
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Norbert
Gertsch. This edition:
cello/double bass part.
Stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag EB 10766 is
printed in score form;
two copies are needed for
performance. Our edition
EB 8578 contains Ferrucci
Busoni's cadenzas for the
Piano Concerto in C major
K. 467. Solo concerto;
Classical. Part. 12
pages. Duration 30'.
Breitkopf and Haertel #OB
15106-26. Published by
Breitkopf and Haertel
(BR.OB-15106-26). ISBN
9790004339213. 10 x 12.5
inches. The
editorial quality of the
new edition is guaranteed
not only by Schiff's
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Norbert Gertsch
to whom Henle has
entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozart's handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozart's own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.Die
Editionen werden den
Intentionen des
Komponisten so weit wie
moglich gerecht. Gemass
Mozarts Anweisungen in
den Autographen ist
beispielsweise im unteren
Klaviersolosystem sowohl
der Partituren als auch
der Klavierauszuge
durchgangig die
Bassstimme des Orchesters
wiedergegeben. (Andreas
Friesenhagen,
FonoForum)L'interet
particulier de cette
nouvelle edition reside
dans les notations
complementaires des
parties de violon ayant
pour source la premiere
execution de l'oeuvre par
Joseph Joachim et Robert
Hausmann avec, tres
probablement,
l'autorisation du
compositeur, ces notes de
jeu refletant les
pratiques de l'epoque.
(Crescendo). $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Allegro, Air and Hornpipe (from 'water Music') Orchestre à Cordes [Conducteur et Parties séparées] Carl Fischer
For String Orchestra. By George Frideric Handel. Arranged by Joseph Compello. St...(+)
For String Orchestra. By
George Frideric Handel.
Arranged by Joseph
Compello. String
orchestra. For Violin I,
Violin II, Violin III,
Viola, Cello, Double
Bass, Piano, Violin I,
Violin II, Violin (Viola,
Treble Clef), Viola,
Cello, Double Bass,
Piano. This edition:
complete set. Carl
Fischer Young String
Orchestra Performance
Series. Baroque. Level:
Easy to Medium Easy.
Score and parts. 11
pages. Published by Carl
Fischer.
$55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Focus [Complete Set] Orchestre à Cordes [Conducteur et Parties séparées] Jazz Lines Publications
By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Dubo...(+)
By Stan Getz and Beaux
Arts String Ensemble. By
Eddie Sauter. Edited by
Rob Duboff, Jeffrey
Sultanof, Alex Chilowicz,
and Andrew Homzy.
Arranged by Eddie Sauter.
For string ensemble
(score and parts)
(Soloist (parts in
concert, B-flat, and
E-flat), Violin I (8
parts), Violin II (8
parts), Viola (5 Parts),
Cello (5 Parts) , Double
Bass (3 Parts), Harp,
Piano/Celeste, Percussion
(Snare Drum, Marimba,
Tambourine)). Advanced.
Score and parts.
Published by Jazz Lines
Publications
$399.98 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Double Concerto Violon [Conducteur] Wilhelm Hansen
Violin, Piano and String Orchestra SKU: BT.WH31276 For Violin, Piano a...(+)
Violin, Piano and String
Orchestra SKU:
BT.WH31276 For
Violin, Piano and String
Orchestra. Composed
by Hans Abrahamsen.
Classical. Score Only.
Composed 2011. 62 pages.
Edition Wilhelm Hansen
#WH31276. Published by
Edition Wilhelm Hansen
(BT.WH31276). ISBN
9788759821916.
English. Commission
ed by The Royal Danish
Orchestra and The Swedish
Chamber Orchestra. Full
Score. Ensemble Violin
Solo Piano Solo bring a
Marimba mallet for
playing inside the Piano
String Orchestra
(6-6-4-4-2) the number of
string players may be
doubled, 12-12-8-8-4 if
doubling the strings then
Desk 1 means Desk 1+2,
Desk 2 means 3+4 etc.
Performance Notes
General: The set-up on
stage is important, with
two Violin groups on each
side on the platform:
Vilin 1 lefts and Violin
2 right, as seen from the
audience 1st Movement :
In bar 1 &, 7 the
entire string group
should adjust their
intonation to the Double
Basses and their natural
harmonics. In the rest of
the movement
normalintonation should
be used. The slow and
rhythmical vibrato pulse
should follow the accents
2nd Movement : The 10/5
meter is divided into two
beats, and the dotted
lines show the position
of the second beat in
each bar 3rd Movement :
no comment 4th Movement :
The very high harmonics
are intended as mostly a
high 'airy' sound. The
small gliss/portamenti
that will invariably
occur in the fast shofts
of positions are
intended. $70.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Classical Highlights Orchestre à Cordes [Conducteur et Parties séparées] - Débutant De Haske Publications
String Orchestra - very easy SKU: BT.DHP-1094713-070 Arranged by Nico Dez...(+)
String Orchestra - very
easy SKU:
BT.DHP-1094713-070
Arranged by Nico Dezaire.
De Haske String Orchestra
Series. Set (Score &
Parts). Composed 2009. 24
pages. De Haske
Publications #DHP
1094713-070. Published by
De Haske Publications
(BT.DHP-1094713-070).
ISBN 9789043131919.
9x12 inches.
English-German-French-Dut
ch. The De Haske
String Orchestra
Series offers
attractive pieces
especially composed and
arranged for string
orchestras. Students and
teachers are treated to a
great variety of musical
styles. Each part
presents a challenge to
the player. The Viola
part can be replaced by a
3rd Violin part, and the
Double bass part can be
replaced by a 2nd Cello
part. The Piano part is
mainly meant for support,
but it occasionally adds
new motifs as well.
Classical
Highlights is a
collection of six
arrangements of classical
themes dating from 17th
to 19th century. The
parts have been kept easy
and attractive; at the
same time they stay close
to the
original.
De
De Haske String
Orchestra Series
biedt u aantrekkelijke,
speciaal voor
strijkorkest
gecomponeerde en
gearrangeerde werken. De
stukken zijn geschreven
in verschillende stijlen:
van klassiek en folk tot
moderne, populaire
muziek. Iedere partij is
zo geschreven dat elke
speler in het orkest een
uitdaging heeft. De
partij voor altviool kan
door een derde viool
worden vervangen. De
partij voor contrabas kan
ook door een tweede cello
worden gespeeld. De
pianopartij dient als
ondersteuning, maar voegt
soms ook nieuwe motieven
toe aan de muziek.
Classical
Highlights is een
verzameling arrangementen
van klassieke
thema’s die
dateren uit de 17e tot en
met de 19e eeuw. De
partijen zijn eenvoudig
en aantrekkelijk
geschreven:
tegelijkertijd blijven de
arrangementen dicht bij
het origineel.
Die De Haske
String Orchestra
Series bietet
attraktive, speziell fu r
StreichÂorchester
komponierte und
arrangierte Stu cke in
einer stilistischen
Vielfalt von Klassik u
ber Folk bis zu modernen
U-Musikstilen. Jede
Stimme stellt dabei
besondere
Herausforderungen an die
Spieler. Die Violastimme
kann durch eine dritte
Violine und der
Kontrabass durch ein
zweites Cello ersetzt
werden. Die Klavierstimme
dient zur Unterstu tzung,
fu gt aber zuweilen auch
neue Motive hinzu.
Classical
Highlights enthält
Bearbeitungen von sechs
klassischen Themen aus
der Zeitspanne vom 17.
bis zum 19. Jahrhundert.
Die Stimmen wurden
einfach und ansprechend
gestaltet und sinddoch
zugleich getreu dem
Original. Die Ausgabe
enthält ein
Rigaudon von Henry
Purcell, das berühmte
Menuett aus der
Feuerwerksmusik
von Händel, ein
Andante von Haydn
(das Thema mit dem
berühmten
Paukenschlag), das Thema
aus Beethovens
Violinkonzert,
Das große Tor von
Kiew aus Bilder
einer Ausstellung von
Modest Mussorgsky und
schließlich noch
España von
Waldteufel und Chabrier.
De Haske
String Orchestra
Series : Les
compositions et les
arrangements réunis
sous ce label sont en
parfait accord avec le
niveau ciblé, et
proposent des styles
très variés. Chaque
publication est
accompagnée d'un
compact disc contenant la
version de
démonstration des
œuvres publiées
dans cette collection.
L’instrumentation
est toujours la
même : Violons 1
& 2, Alto (ou Violon
3), Violoncelle,
Contrebasse (ou
Violoncelle 2) et
Piano. Classical
Highlights est un
recueil qui réunit six
arrangements de grands
thèmes classiques du
XVIIe au XIXe siècle.
Les parties sont
motivantes et facilement
accessibles, explorant
avec justesse
l’oeuvreoriginale.
De Haske
String Orchestra
Series è una nuova
raccolta pensata per i
suonatori di archi
principianti. Le
composizioni e gli
arrangiamenti raccolti
sotto questa etichetta
sono perfetti per chi
inizia a suonare e
prongono stili variegati.
La strumentazione è
sempre la stessa: violino
1 & 2, viola (o
violino 3), violoncello,
contrabbasso (o
violoncello 2) e
piano.Classical
Highlights è una
pubblicazione che
raccoglie sei
arrangiamenti di grandi
temi classici del XVII e
XIX secolo. Brani
motivanti e facilmente
accessibili, che rendono
onore
all‘originale.Tracc
e Demo:1. Rigaudon2.
Minuet3. Andante4.
Allegro5. Great Gate of
Kiev6. EspanaPer
effettuare il download
delle tracce demo, clicca
sul titolo selezionato e
scegli “Salva
come†nel
menu. $45.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Allegro, Air and Hornpipe from Water Music Orchestre à Cordes [Conducteur] Carl Fischer
Full Score. By George Frideric Handel. Edited by Amy Rosen. Arranged by Joseph C...(+)
Full Score. By George
Frideric Handel. Edited
by Amy Rosen. Arranged by
Joseph Compello. String
orchestra. For Violin I,
Violin II, Violin III,
Viola (Treble Clef),
Viola, Cello, Double
Bass, Piano. Carl Fischer
Young String Orchestra
Performance Series: Easy
to Medium Easy. Full
Score - Large. 11 pages.
Published by Carl
Fischer.
$8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Piano Concerto in A minor Op. 54 Breitkopf & Härtel
Double bass (solo: pno - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-15121-27<...(+)
Double bass (solo: pno -
2.2.2.2 - 2.2.0.0 - timp
- str) SKU:
BR.OB-15121-27
Urtext. Composed
by Robert Schumann.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano concerto in Urtext
- In Cooperation with G.
Henle Verlag EB 10660 is
printed in score form;
two copies are needed for
performance. Solo
concerto; Romantic. Part.
12 pages. Duration 30'.
Breitkopf and Haertel #OB
15121-27. Published by
Breitkopf and Haertel
(BR.OB-15121-27). ISBN
9790004340165. 10 x 12.5
inches. Schumann's
A minor concerto is
considered as the
ultimate romantic piano
concerto. Since the
Schumann anniversary year
2010, musicians will be
able to base their
performance on a complete
Urtext edition. The state
of the sources is
unfortunately patchy, as
the original version of
the first movement, a
Phantasie of 1841 that
was given two trial
performances, can no
longer be reconstructed.
On the other hand, the
posthumously published
score raises certain
questions, since it
diverges from the
editions (solo part and
orchestral parts)
authorized by Schumann
and published in 1846,
after the first
performance. The pianist
Mitsuko Uchida
contributed the fingering
for the version for two
pianos. Schumann's great
solo concertos are thus
available in their
entirety from Breitkopf,
in editions prepared with
the expert help of major
interpreters: the Cello
Concerto with Heinrich
Schiff and the Violin
Concerto with Thomas
Zehetmair. Dans
l'incomparable qualite de
gravure de la plus
ancienne maison d'edition
musicale au monde!
(L'education
musicale). $8.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Appalachian Winter Shawnee Press
Choral (digital production kit) SKU: HL.35028867 Composed by Joseph M. Ma...(+)
Choral (digital
production kit) SKU:
HL.35028867 Composed
by Joseph M. Martin.
Harold Flammer Christmas.
Advent, Cantata,
Christmas. Published by
Shawnee Press
(HL.35028867). UPC:
884088888633. 5.25x7.5
inches. From the
composer of Festival
of Carols and The
Winter Rose comes a
cantata that celebrates
the legacy of early
American carols and
hymnody. Composed in the
spirit of folk music, the
cantata combines
traditional sounds with
more rustic elements
creating a blend that is
fresh and pleasing.
Popular American carols
like Away In a
Manger and O
Little Town of
Bethlehem dance with
traditional spirituals
such as Children, Go
Where I Send Thee and
Go, Tell It on the
Mountain. Sacred Harp
tunes are re-tooled for
Advent and stand
alongside new versions of
Shaker hymns and
Appalachian melodies.
Thoughtful narration
weaves the movements
together in a meaningful
tapestry of song and
Scripture. Two orchestral
options are available
allowing maximum
flexibility in
performance. A full line
of support products is
also available. Available
separately: SATB, CD-ROM
Full Orchestration (Score
& Parts for Flute 1 & 2,
alto recorder,
Oboe/English Horn,
Clarinet 1 & 2, Bassoon,
Horn 1 & 2, Trumpet 1-3,
Trombone 1 & 2, Bass
Trombone/Tuba, Timpani,
Percussion, Acoustic
Guitar, Banjo, Harp,
Piano, Synth, Solo
fiddle, Violin 1 & 2,
Viola, Cello, Double
Bass), Printed Full
Orchestration,
Appalachian Consort
Orchestration (Score &
parts for Flute, Violin,
Cello, Mandolin, Guitar,
Percussion and Piano),
StudioTrax CD
(accompaniment only),
SplitTrax CD, Listening
CD, 10-Pack Listening
CDs, Preview Pack
(Book/CD combo),
RehearsalTrax CDs (part
predominant,
reproducible), Digital
Resource Kit (PowerPoint,
Choir Devotionals,
Poster, Program, Flyers,
Children's Program PDFs).
Duration: approx. 40
min. $64.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Tightrope Walker Merion Music
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabas...(+)
Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabassoon, Double
Bass, English Horn, Flute
1, Flute 2, Flute 3,
Harp, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe 1,
Oboe 2, Percussion,
Piano, Piccolo, Timpani,
Trombone 1, Trombone 2
and more. SKU:
PR.446413400 High
Wire Act for
Orchestra. Composed
by Michael Boyman. Study
Score. With Standard
notation. Duration 8
minutes. Merion Music
#446-41340. Published by
Merion Music
(PR.446413400). UPC:
680160667406. 9 x 12
inches. Tightrope
Walker is my first piece
for full orchestra. Given
the large forces
available to me, I wanted
to write something
exciting, colorful and
visceral. I remembered
back to when I was a kid
going to see the Cirque
du Soleil. That trip made
a big impression on me,
especially the high wire
performers. These were
artists performing
super-human feats high in
the air, where even the
slightest mistake
guaranteed a fatal
ending. This idea of
danger, of risking one's
life to entertain an
audience has stayed with
me, and Tightrope Walker
is my attempt at
recreating that special
childhood experience. The
opening of the piece
hints at what's to come -
a steady, walking pulse
interrupted by missteps
in the woodwinds. These
missteps increase until
the entire orchestra
comes crashing down - not
a good sign for our
Tightrope Walker. The
tempo slows and the
atmosphere becomes tense.
The primary themes of the
piece are presented in
fragments, most notably
the Tightrope Walker's
theme in the horns. The
orchestra gradually
recovers from the
previous fall, becoming
more lively and coherent
until the original,
faster tempo is restored.
We are now at the circus,
excited and expectant,
and the fragmentary
themes heard previously
are now presented in
their full forms. The
anticipation builds until
we hear a solo drum roll
- the main act is about
to begin. The second half
of the piece depicts the
Tightrope Walker
performing for his
audience. But from the
outset, as in the
beginning of the piece,
we hear there are
problems. The pressure
mounts, the audience
clamoring for more, until
Tightrope Walker comes to
a decisive and
potentially fatal
end. Tightrope
Walker is my first
piece for full
orchestra. Given the
large forces available to
me, I wanted to write
something exciting,
colorful and
visceral. I
remembered back to when I
was a kid going to see
the Cirque du Soleil.Â
That trip made a big
impression on me,
especially the high wire
performers. These
were artists performing
super-human feats high in
the air, where even the
slightest mistake
guaranteed a fatal
ending. This idea of
danger, of risking
one’s life to
entertain an audience has
stayed with me,
and Tightrope
Walker is my attempt
at recreating that
special childhood
experience.The opening of
the piece hints at what's
to come - a steady,
walking pulse interrupted
by missteps in the
woodwinds. These
missteps increase until
the entire orchestra
comes crashing down - not
a good sign for our
Tightrope Walker. The
tempo slows and the
atmosphere becomes
tense. The primary
themes of the piece are
presented in fragments,
most notably the
Tightrope Walker's theme
in the horns. The
orchestra gradually
recovers from the
previous fall, becoming
more lively and coherent
until the original,
faster tempo is
restored.We are now at
the circus, excited and
expectant, and the
fragmentary themes heard
previously are now
presented in their full
forms. Â The
anticipation builds until
we hear a solo drum roll
- the main act is about
to begin. The second
half of the piece depicts
the Tightrope Walker
performing for his
audience. But from
the outset, as in the
beginning of the piece,
we hear there are
problems. The
pressure mounts, the
audience clamoring for
more, until Tightrope
Walker comes to a
decisive and potentially
fatal end. $43.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tightrope Walker Merion Music
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabas...(+)
Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabassoon, Double
Bass, English Horn, Flute
1, Flute 2, Flute 3,
Harp, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe 1,
Oboe 2, Percussion,
Piano, Piccolo, Timpani,
Trombone 1, Trombone 2
and more. SKU:
PR.44641340L High
Wire Act for
Orchestra. Composed
by Michael Boyman. Large
Score. With Standard
notation. Duration 8
minutes. Merion Music
#446-41340L. Published by
Merion Music
(PR.44641340L). UPC:
680160667413. 11 x 17
inches. Tightrope
Walker is my first piece
for full orchestra. Given
the large forces
available to me, I wanted
to write something
exciting, colorful and
visceral. I remembered
back to when I was a kid
going to see the Cirque
du Soleil. That trip made
a big impression on me,
especially the high wire
performers. These were
artists performing
super-human feats high in
the air, where even the
slightest mistake
guaranteed a fatal
ending. This idea of
danger, of risking one's
life to entertain an
audience has stayed with
me, and Tightrope Walker
is my attempt at
recreating that special
childhood experience. The
opening of the piece
hints at what's to come -
a steady, walking pulse
interrupted by missteps
in the woodwinds. These
missteps increase until
the entire orchestra
comes crashing down - not
a good sign for our
Tightrope Walker. The
tempo slows and the
atmosphere becomes tense.
The primary themes of the
piece are presented in
fragments, most notably
the Tightrope Walker's
theme in the horns. The
orchestra gradually
recovers from the
previous fall, becoming
more lively and coherent
until the original,
faster tempo is restored.
We are now at the circus,
excited and expectant,
and the fragmentary
themes heard previously
are now presented in
their full forms. The
anticipation builds until
we hear a solo drum roll
- the main act is about
to begin. The second half
of the piece depicts the
Tightrope Walker
performing for his
audience. But from the
outset, as in the
beginning of the piece,
we hear there are
problems. The pressure
mounts, the audience
clamoring for more, until
Tightrope Walker comes to
a decisive and
potentially fatal
end. Tightrope
Walker is my first
piece for full
orchestra. Given the
large forces available to
me, I wanted to write
something exciting,
colorful and
visceral. I
remembered back to when I
was a kid going to see
the Cirque du Soleil.Â
That trip made a big
impression on me,
especially the high wire
performers. These
were artists performing
super-human feats high in
the air, where even the
slightest mistake
guaranteed a fatal
ending. This idea of
danger, of risking
one’s life to
entertain an audience has
stayed with me,
and Tightrope
Walker is my attempt
at recreating that
special childhood
experience.The opening of
the piece hints at what's
to come - a steady,
walking pulse interrupted
by missteps in the
woodwinds. These
missteps increase until
the entire orchestra
comes crashing down - not
a good sign for our
Tightrope Walker. The
tempo slows and the
atmosphere becomes
tense. The primary
themes of the piece are
presented in fragments,
most notably the
Tightrope Walker's theme
in the horns. The
orchestra gradually
recovers from the
previous fall, becoming
more lively and coherent
until the original,
faster tempo is
restored.We are now at
the circus, excited and
expectant, and the
fragmentary themes heard
previously are now
presented in their full
forms. Â The
anticipation builds until
we hear a solo drum roll
- the main act is about
to begin. The second
half of the piece depicts
the Tightrope Walker
performing for his
audience. But from
the outset, as in the
beginning of the piece,
we hear there are
problems. The
pressure mounts, the
audience clamoring for
more, until Tightrope
Walker comes to a
decisive and potentially
fatal end. $90.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Orchestra Musician's CD-ROM Library, Volume 9 Double Bass CD Sheet Music
SKU: SU.00220225 Composed by Richard Strauss. Strings, Contrabass. CD (PD...(+)
SKU: SU.00220225
Composed by Richard
Strauss. Strings,
Contrabass. CD (PDF
Scores). CD Sheet Music
#00220225. Published by
CD Sheet Music
(SU.00220225).
AVAILABLE FOR
SALE TO U.S. CUSTOMERS
ONLY The complete
Double Bass parts
[CD-ROM] for the 50
orchestral works included
in The Orchestra
Musician's CD-ROM
Libraryâ„¢, Volume 9:
Strauss, Sibelius and
more. If these parts were
purchased separately,
this collection could
cost several hundred
dollars. Parts are easily
viewable and printable on
either PC or Mac using
embedded Adobe® Reader
technology. Contents:
BLOCH Schelomo; J.
STRAUSS II Fledermaus
Overture, Gypsy Baron
Overture, Perpetuum
Mobile; R. STRAUSS Alpine
Symphony, Also sprach
Zarathustra, Aus Italien,
Bürger als Edelmann
(Le Bourgeois
Gentilhomme), Burleske
for Piano and Orchestra,
Cäcilie, Dance of the
Seven Veils, Death and
Transfiguration, Don
Juan, Don Quixote, Ein
Heldenleben, Freundliche
Vision, Horn Concerto No.
1 in Eb, Macbeth, Morgen
(2 keys), Das Rosenband,
Rosenkavalier Waltzes,
Symphonia Domestica, Till
Eulenspiegel's Merry
Pranks, Zueignung (2
keys); SIBELIUS Andante
festivo, En Saga,
Finlandia, Karelia Suite,
Lemminkäinen Suite
Nos. 1-4, Pelleas and
Melisande, Pohjola's
Daughter, Symphonies Nos.
1-5, Valse triste, Violin
Concerto; SCHOENBERG
Chamber Symphony No. 1,
Gurrelieder, Pelleas and
Melisande, 5 Pieces for
Orchestra, Pierrot
lunaire, Verklärte
Nacht; WEBERN
Passacaglia, Op. 1 Visit
for more
information Ple
ase note, customers using
Macintosh computers
running macOS Catalina
(version 10.5) have
reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Double Bass Concerto "No. 1" Breitkopf & Härtel
Piano Trio (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - timp(ad lib.) - hps - s...(+)
Piano Trio (solo: db -
0.2.2.2.(bsn ad lib.) -
2.2.0.0 - timp(ad lib.) -
hps - str(vl obl))
SKU: BR.EB-10721
With violino obbligato
- Urtext. Composed by
Franz Anton Hoffmeister.
Edited by Tobias
Glockler. Arranged by
Christoph Sobanski.
Chamber music; Softbound.
Edition Breitkopf. In
Cooperation with G. Henle
Verlag Solo concerto;
Classical. Piano
reduction. 80 pages.
Duration 18'. Breitkopf
and Haertel #EB 10721.
Published by Breitkopf
and Haertel
(BR.EB-10721). ISBN
9790201807218. 9.5 x 12
inches. Thanks to
its imaginative richness
and sterling writing,
Hoffmeister's Double Bass
Concerto No. 1 has
advanced to the rank of a
popular audition
concerto. But when
compared with the
transmitted sources, the
previously available
first edition of 1966
proved to be filled with
errors. Tobias Glockler,
double-bass player of the
Dresdner Philharmonie,
now presents a reliable
Urtext in this edition.
Through his competence as
an instrumentalist, he
even goes considerably
further and offers
various performance
possibilities: the solo
part can be played not
only in solo and
orchestral tuning, but
also in the historical
Viennese tuning. The
C-major version, which is
offered on hire, allows
performances in
orchestral tuning. The
orchestral material in D
major (sales material) is
suited to the other two
tunings. A beautiful and
easy to read score,
elegantly laid-out and
with illuminating and
informative preface
notes. This concerto is
among our most beautiful
classical concerti,
lyrical and inventive. It
is a great pleasure to
see our classical
repertoire appear in such
critical editions. (Rob
Nairn in Bass World). $31.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| All Together - Easy Ensemble! Vol.1 Instrumentation Flexible - Facile Universal Edition
(Flexible Four-Part Concert Pieces). By James Rae. For Part 1: Flute / Oboe / Vi...(+)
(Flexible Four-Part
Concert Pieces). By James
Rae. For Part 1: Flute /
Oboe / Violin / Bb
Clarinet / Eb Saxophone,
Part 2: Flute / Oboe /
Violin / Bb Clarinet / Eb
Saxophone, Part 3: Violin
/ Bb Clarinet / Bb
Saxophone / Viola /
French Horn, Part 4:
Cello / Double Bass /
Bassoon / Bb Bass
Clarinet. 11 pages.
Published by Universal
Edition
$29.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Double Bass Concerto "No. 1" Breitkopf & Härtel
Harpsichord/piano (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - timp(ad lib.) - ...(+)
Harpsichord/piano (solo:
db - 0.2.2.2.(bsn ad
lib.) - 2.2.0.0 - timp(ad
lib.) - hps - str(vl
obl)) SKU:
BR.OB-15114-12
With violino obbligato
- Urtext. Composed by
Franz Anton Hoffmeister.
Edited by Tobias
Glockler. Arranged by
Matthias Grunert.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag Solo
concerto; Classical.
Part. 16 pages. Duration
18'. Breitkopf and
Haertel #OB 15114-12.
Published by Breitkopf
and Haertel
(BR.OB-15114-12). ISBN
9790004339770. 10 x 12.5
inches. Thanks to
its imaginative richness
and sterling writing,
Hoffmeister's Double Bass
Concerto No. 1 has
advanced to the rank of a
popular audition
concerto. But when
compared with the
transmitted sources, the
previously available
first edition of 1966
proved to be filled with
errors. Tobias Glockler,
double-bass player of the
Dresdner Philharmonie,
now presents a reliable
Urtext in this edition.
Through his competence as
an instrumentalist, he
even goes considerably
further and offers
various performance
possibilities: the solo
part can be played not
only in solo and
orchestral tuning, but
also in the historical
Viennese tuning. The
C-major version, which is
offered on hire, allows
performances in
orchestral tuning. The
orchestral material in D
major (sales material) is
suited to the other two
tunings. A beautiful and
easy to read score,
elegantly laid-out and
with illuminating and
informative preface
notes. This concerto is
among our most beautiful
classical concerti,
lyrical and inventive. It
is a great pleasure to
see our classical
repertoire appear in such
critical editions. (Rob
Nairn in Bass World). $17.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The Orchestra Musician's CD-ROM Library, Volume 8 Double Bass CD Sheet Music
SKU: SU.00220207 Composed by Igor Stravinsky. Strings, Contrabass. CD (PD...(+)
SKU: SU.00220207
Composed by Igor
Stravinsky. Strings,
Contrabass. CD (PDF
Scores). CD Sheet Music
#00220207. Published by
CD Sheet Music
(SU.00220207).
AVAILABLE FOR
SALE TO U.S. CUSTOMERS
ONLY The complete
Double Bass parts
[CD-ROM] for the 48
orchestral works included
in The Orchestra
Musician's CD-ROM
Libraryâ„¢, Volume 8:
Stravinsky, Bartók and
more. If these parts were
purchased separately,
this collection could
cost several hundred
dollars. Parts are easily
viewable and printable on
either PC or Mac using
embedded Adobe® Reader
technology. Contents:
BARTÓK Rhapsody for
Piano and Orchestra,
Suite No. 1, Suite No. 2,
2 Portraits, 2 Images, 4
Pieces, Romanian Folk
Dances; CARPENTER
Adventures in a
Perambulator (Fantastic
Suite); DOHNÃNYI
Variations on a Nursery
Song; ENESCO Romanian
Rhapsody No. 1, Romanian
Rhapsody No. 2; FALLA
Nights in the Gardens of
Spain, La Vida Breve
Dance, The Three-Cornered
Hat Dances; GLAZUNOV
Violin Concerto;
JANÃCEK Lachian Dances
1-6; MILHAUDSuite No. 2
Symphonique, Saudades do
Brasil; PROKOFIEV Piano
Concerto No. 1, Piano
Concerto No. 3, Violin
Concerto No. 1, Symphony
No. 1 (Classical);
RACHMANINOFF Symphony No.
1, Symphony No. 2, Isle
of the Dead, Piano
Concerto No. 1, Piano
Concerto No. 2, Piano
Concerto No. 3; RESPIGHI
Ancient Airs and Dances
Suite No. 1, Fountains of
Rome, Concerto
Gregoriano; STRAVINSKY
Petrushka Suite, The Rite
of Spring (1911 version),
Chant du Rossignol
(original version),
Pulcinella Suite, Suite
No. 1 for Small
Orchestra, Fireworks,
L'Histoire du Soldat,
Scherzo Fantastique, Four
Studies for Orchestra,
Symphony No. 1; VAUGHAN
WILLIAMS Symphony No. 1
(Sea), Symphony No. 2
(London), Symphony No. 3
(Pastoral), Wasps
Overture (Suite),
Fantasia on a Theme of
Thomas Tallis, Fantasia
on Christmas Carols, Five
Mystical Songs Visit for
more
information Ple
ase note, customers using
Macintosh computers
running macOS Catalina
(version 10.5) have
reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Das Tochterlein des Jairus Carus Verlag
Orchestra SSA vocal soli, SSA choir, flute, 2 clarinet, 2 bassoon, 2 horn, 2 tru...(+)
Orchestra SSA vocal soli,
SSA choir, flute, 2
clarinet, 2 bassoon, 2
horn, 2 trumpet, timpani,
2 violin, viola, cello,
contrabass SKU:
CA.5003215 Cantata
for children.
Composed by Josef Gabriel
Rheinberger. Double bass.
Sacred vocal music,
Cantatas. Single Part,
Double Bass. Op. 32. 8
pages. Carus Verlag #CV
50.032/15. Published by
Carus Verlag
(CA.5003215). ISBN
9790007222826. Language:
German. Text: Bonn,
Franz. Text: Franz
Bonn. Immediately
following his first opera
Rheinberger composed a
small dramatic cantata
for children's voices in
1863. It is based on a
story from the Gospel of
St. Mark, arranged as a
rhymed libretto with
various roles by Franz
Bonn (1830-1854). Among
the highpoints of the
cantata are a scene of
awakening fashioned as a
choral recitative with an
expressive piano part and
a large final chorus
Preist laut den Herr.
Both of these helped to
make the cantata very
popular in Rheinberger's
days with boys' and
girls' choirs.
Rheinberger later
arranged it with an
accompaniment by a small
orchestra. Score and part
available separately -
see item CA.5003200. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| More String Town Tunes Orchestre à Cordes [Edition pour professeur] Carl Fischer
For the Developing Ensemble. By Doris Gazda; Ludwig Van Beethoven; Samuel A. War...(+)
For the Developing
Ensemble. By Doris Gazda;
Ludwig Van Beethoven;
Samuel A. Ward. Arranged
by Doris Gazda. String
ensemble. For Violin,
Viola, Cello, Double
Bass, Piano. Classical.
Teachers Book. 88 pages.
Published by Carl
Fischer.
$32.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sonatina Orchestre à Cordes [Conducteur] - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS13F Composed by Muzio...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS13F
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F). ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major. IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Maids of Arrochar Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
By Traditional. Arranged by Michael Hopkins. Orchestra. String Orchestra. String...(+)
By Traditional. Arranged
by Michael Hopkins.
Orchestra. String
Orchestra. String
Alternatives.
Contemporary. Grade 2.5.
Conductor Score and
Parts. 114 pages
$47.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerto in C major K. 299 (297c) Breitkopf & Härtel
Basso (cello/double bass) (solos: fl.hp - 0.2.0.0 - 2.0.0.0 - str) SKU: BR.OB...(+)
Basso (cello/double bass)
(solos: fl.hp - 0.2.0.0 -
2.0.0.0 - str) SKU:
BR.OB-15134-26
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Andras
Adorjan. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag Solo
concerto; Classical.
Part. 8 pages. Duration
27'. Breitkopf and
Haertel #OB 15134-26.
Published by Breitkopf
and Haertel
(BR.OB-15134-26). ISBN
9790004341506. 10 x 12.5
inches. Mozart
excitedly reported to his
father that the Comte de
Guines played the flute
incomparably, while his
daughter was magnifique
at the harp. He
apparently had no
reservations about
writing a double concerto
for this unusual scoring
in Paris in 1778 and even
though he had just
admitted to his father
that he couldnt stand the
flute. It is surprising,
then, that Mozart
produced a singular,
fairly easily performable
work. Could it be that he
exaggerated their
technical abilities for
some reason or other when
he described his patrons
to his father?The source
situation is clear: An
autograph has survived
which is definitive in
every respect, and can be
incontestably included in
a modern Urtext edition,
down to the distinction
between staccato dots and
dashes.Cadenzas in the
piano reduction by Robert
D. Levin. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Hairy the Spider Orchestre [Conducteur et Parties séparées] Carl Fischer
Full Score and Parts. By James Uhl. Arranged by James Uhl. Orchestra. For Violin...(+)
Full Score and Parts. By
James Uhl. Arranged by
James Uhl. Orchestra. For
Violin I, Violin II,
Violin III, Viola (Treble
Clef), Viola, Cello,
Double Bass, Piano. Carl
Fischer Young String
Orchestra Performance
Series: Easy to Medium
Easy. Score and parts. 12
pages. Published by Carl
Fischer.
$55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sweet Honey Bee Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire Jazz Lines Publications
Edited by Dylan Canterbury. Arranged by Duke Pearson. Jazz, Swing. Score and pa...(+)
Edited by Dylan
Canterbury. Arranged by
Duke Pearson. Jazz,
Swing. Score and parts.
Published by Jazz Lines
Publications
(JL.JLP-7330).
$35.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
1 Page suivante 31 61 |