(P/V/G). By Various. Songbooks and Methods. Music Sales America. Patriotic, Sacred. Softcover. 320 pages

America's All-Time Favorite Songs for God and Country (Library of Series). Arranged by Amy Appleby. Music Sales America. Gospel, Sacred, Sacred. Softcover. 320 pages. Music Sales #AM985314. Published by Music Sales

Piano Solo. Arranged by Carol Tornquist. Sacred Folio. Size 9.25x12 inches. 248 pages. Published by Word Music.

For voice and organ. Format: organ/vocal songbook (two copies needed for performance). With vocal melody, lyrics, organ accompaniment and chord names. Hymn. 132 pages. 9x12 inches. Published by Hal Leonard.

by William Bay. For trumpet. Sacred, duets. Level: Intermediate. Book. Descants. Size 8.75x11.75. 64 pages. Published by Mel Bay Pub., Inc.

Hymn Arrangements for Every Occasion. Arranged by Gail Smith. For Piano. Hymnal. Sacred. Level: Intermediate-Advanced. Book. Size 8.75x11.75. 208 pages. Published by Mel Bay Publications, Inc.

Budget Books. By Various. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Softcover. 320 pages. Published by Hal Leonard.

By Fred Bock. Fred Bock Publications. Size 8.5x11 inches. 148 pages. Published by Fred Bock Music Company

By Rose. For keyboard/instruments. Reformation; Praise; General. Level: Easy-Moderately Easy. Published by Concordia Publishing House.

By Kosnik. For organ. General, sacred. Published by Concordia Publishing House.
Level: Moderately Easy.

Choral SSAA choir

SKU: CF.CM9570

Composed by John Ratledge. Psalms 47 from the Bible. Jbc. Performance Score. With Standard notation. 8 pages. Duration 1 minute, 44 seconds. Carl Fischer Music #CM9570. Published by Carl Fischer Music (CF.CM9570).

ISBN 9781491153581. UPC: 680160911080. 6.75 x 10.5 inches. Key: Bb major. Latin. Psalms 47 from the Bible.

Psalm 47 was commissioned by the Sigma Alpha Iota Chapter of Hardin Simmons University (Abilene, Texas), Suzanne Watts, conductor, back in 1978. I was a graduate student at the time, and the premiere was a great success. Consequently, the work has received many performances since that time; however, it remained unpublished until now. In a modified tripartite structure, the psalmist uses the imperative verb tense as a command to the people: (you clap), (you shout), (you sing) to exemplify that praise and joy should be public, intelligent, cheerful, and constant. The psalmist admonishes that praise and joy are visual, aural, palpable, and most definitely contagious. The contrasting slow section with a soprano solo should be like an accompanied arioso, where the soloist is supported by lush, major/minor seventh chords in inversion (accompanied recitative). The soloist actually becomes the narrator in this section, the preacher or deliverer of the news that the people will be protected, sustained and blessed. The rapid tempo of the A-section returns and the staggered entrances in the last section/coda indicate the ecstasy knowing that belief can manifest itself in individualized, energized, emotional responses that can change the world. Rise up and claim the power of JOY!.
Psalm 47A was commissioned by the Sigma Alpha Iota Chapter of Hardin Simmons University (Abilene, Texas), Suzanne Watts, conductor, back in 1978. I was a graduate student at the time, and the premiere was a great success. Consequently, the work has received many performances since that time; however, it remained unpublished until now. In a modified tripartite structure, the psalmist uses the imperative verb tense as a command to the people:A (you clap), (you shout), (you sing) to exemplify that praise and joy should be public, intelligent, cheerful, and constant. The psalmist admonishes that praise and joy are visual, aural, palpable, and most definitely contagious. The contrasting slow section with a soprano solo should be like an accompanied arioso, where the soloist is supported by lush, major/minor seventh chords in inversion (accompanied recitative). The soloist actually becomes the narrator in this section, the preacher or deliverer of the news that the people will be protected, sustained and blessed. The rapid tempo of the A-section returns and the staggered entrances in the last section/coda indicate the ecstasy knowing that belief can manifest itself in individualized, energized, emotional responses that can change the world. Rise up and claim the power of JOY!.
Psalm 47 was commissioned by the Sigma Alpha Iota Chapter of Hardin Simmons University (Abilene, Texas), Suzanne Watts, conductor, back in 1978. I was a graduate student at the time, and the premiere was a great success. Consequently, the work has received many performances since that time; however, it remained unpublished until now. In a modified tripartite structure, the psalmist uses the imperative verb tense as a command to the people: (you clap), (you shout), (you sing) to exemplify that praise and joy should be public, intelligent, cheerful, and constant. The psalmist admonishes that praise and joy are visual, aural, palpable, and most definitely contagious. The contrasting slow section with a soprano solo should be like an accompanied arioso, where the soloist is supported by lush, major/minor seventh chords in inversion (accompanied recitative). The soloist actually becomes the narrator in this section, the preacher or deliverer of the news that the people will be protected, sustained and blessed. The rapid tempo of the A-section returns and the staggered entrances in the last section/coda indicate the ecstasy knowing that belief can manifest itself in individualized, energized, emotional responses that can change the world. Rise up and claim the power of JOY!.
Psalm 47 was commissioned by the Sigma Alpha Iota Chapter of Hardin Simmons University (Abilene, Texas), Suzanne Watts, conductor, back in 1978. I was a graduate student at the time, and the premiere was a great success. Consequently, the work has received many performances since that time; however, it remained unpublished until now.In a modified tripartite structure, the psalmist uses the imperative verb tense as a command to the people:  (you clap), (you shout), (you sing) to exemplify that praise and joy should be public, intelligent, cheerful, and constant. The psalmist admonishes that praise and joy are visual, aural, palpable, and most definitely contagious. The contrasting slow section with a soprano solo should be like an accompanied arioso, where the soloist is supported by lush, major/minor seventh chords in inversion (accompanied recitative). The soloist actually becomes the narrator in this section, the preacher or deliverer of the news that the people will be protected, sustained and blessed. The rapid tempo of the A-section returns and the staggered entrances in the last section/coda indicate the ecstasy knowing that belief can manifest itself in individualized, energized, emotional responses that can change the world.Rise up and claim the power of JOY!

By J. Beck. Arranged by J. Beck. (SATB). Choral Collection. Size 6.8x10.5 inches. 56 pages. Published by G Schirmer, Inc.

For SATB. Modern Christian. Sacred. Hymnal. Published by Brentwood-Benson Music Publishing.

Hymns Re-Harmonized (Creative Chords For The Church Accompanist). Arranged by Carol Tornquist. For Piano/Vocal/Guitar. Sacred Folio. Hymns. Difficulty: medium. Songbook. Vocal melody, piano accompaniment, lyrics, chord names and modulation chart. 120 pages. Word Music #080689315381. Published by Word Music

(Easy Arrangements for Brass Quartet, Quintet or Sextet) Performance part for trombone 1 (as part of a brass quartet, quintet, or sextet). Series: Hal Leonard Brass Ensemble. 16 pages. Published by Hal Leonard.

Easy Arrangements for Brass Quartet, Quintet or Sextet. Arranged by Larry Moore. Brass Ensemble. Size 9x12 inches. 16 pages. Published by Hal Leonard.

(Easy Arrangements for Brass Quartet, Quintet or Sextet) Arranged by Larry Moore. Performance part for keyboard/piano (as part of brass quintet). 32 pages. Published by Hal Leonard. (HL.50485215)

Easy Arrangements for Brass Quartet, Quintet or Sextet. Arranged by Larry Moore. Brass Ensemble. Size 9x12 inches. 56 pages. Published by Hal Leonard.

Easy Arrangements for Brass Quartet, Quintet or Sextet. Arranged by Larry Moore. Brass Ensemble. Size 9x12 inches. 16 pages. Published by Hal Leonard.

Easy Arrangements for Brass Quartet, Quintet or Sextet. Arranged by Larry Moore. Brass quartet, brass quintet, or brass sextet. Brass Ensemble. 16 pages. Published by Hal Leonard.