By Herbert L. Clarke. By Herbert L. Clarke. For Concert Band. Concert Band. Belwin Classic Band. Conductor Score. 12 pages. Published by Alfred Publishing.
Level: 3 (Medium Easy) (grade 3).

Composed by Camille Saint- Saens (1835-1921). Edited by Jennifer Seubel, Sally Beck. Stapled. Performance score(s). 31 pages. Baerenreiter Verlag #BA 10926. Published by Baerenreiter Verlag

1-3 flute

SKU: M7.APUE-516018

Composed by Karen North. Sheet music. Performance score. 44 pages. MDS (Music Distribution Services) #APUE 516018. Published by MDS (Music Distribution Services) (M7.APUE-516018).

ISBN 9781875516018.

Enjo y hours of playing with this wonderful collection of 50 pieces of festive music from around the world. There are settings of both sacred and secular works. Music is such an important part of celebrations, and this book brings you a large selection of Christmas songs and carols, as well as music to celebrate the festivals of New Year, Thanksgiving, Harvest, Halloween, Winter Carnival, Cherry Blossom Festival, Doll's Festival, Star Festival, Hanukkah and St Nicholas Day. The arrangements offer maximum flexibility, with solo flute, duet and/or trio settings, and range in standard from Preliminary to Grade 4. FREE recordings of every piece in this collection are available on theyoungfluteplayer YouTube channel. So come and join the celebrations with Festive Flute Fun!

(2+1.2+1.2+1.2/4.3.3.1,ti mp,perc,hp,str,fl solo)

SKU: TM.01280SC

Composed by Giulio Briccialdi. Arranged by Chiaramello. Score. Lucks Music Library #A8329. Published by Lucks Music Library (TM.01280SC).

Solo fl in set. Famous Carnival of Venice.

Performed by Norah Jones. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 80 pages. Published by Hal Leonard. Contents: In The Morning ; Long Way Home ; What Am I To You ; Sunrise ; Carnival Town ; Toes ; Creepin' In ; Don't Miss You At All ; The Prettiest Thing ; Those Sweet Words ; Be Here To Love Me ; Above Ground ; Humble Me.

By Luigi Bassi (1766-1825). For Clarinet and Piano. Chamber music. Published by Potenza Music

By Jaroslav Cimera. transcr. Joseph Koestner. For Trombone. Brass - Trombone Solo. 16 pages. Published by Alfred Publishing.

Score and Parts. By Harold Alford. Band. Size 6.75x10.5 inches. Published by G. Schirmer, Inc.

The Carnival at Pest. By Franz Liszt. Edited by E. Herttrich. Piano (Harpsichord), 2-hands. Pages: VIII and 29. Urtext edition (Paper-bound). Published by G. Henle.

By Camille Saint-SaÌÇns. Arranged by Michael Story and Michael Story. Orchestra. Full Orchestra; Masterworks; Score. Belwin Intermediate Full Orchestra. Form: March; Transcription. Masterwork Arrangement; Romantic. Grade 3. 12 pages. Published by Belwin Publishing

Score and Parts. By Harold Alford. Arranged by Frank Erickson. Score and full set of parts. Hal Leonard Concert Band Series. Grade 4. Published by G. Schirmer, Inc.

((Solo Feature for Flute, Trumpet, Trombone, Baritone, Tuba or Xylophone)). By Julius Benedict. Arranged by Jean-Baptiste Arban and Johnnie Vinson. Score and Parts. Score and full set of parts.. Young Band (Concert Band). Published by Hal Leonard

Orchestra Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass, Piano - Grade 0.5

SKU: CF.BAS89F

Composed by Jordan Hawkins. Bas. Full score. Duration 1:33. Carl Fischer Music #BAS89F. Published by Carl Fischer Music (CF.BAS89F).

ISBN 9781491165140. UPC: 680160924059. Key: E minor.

“Haunt ed Carnival” is a fun, spooky piece that first year students will enjoy performing during the Fall season. Using just five notes, this easy piece can be included on beginning musicians' first concert and was carefully constructed to stay within the limits of their abilities while also maintaining melodic and harmonic interest. The creepy celesta part can be played an octave higher on piano, and is integral to the piece as it establishes the tempo and provides harmonies not found in the string parts. The piece is divided into three main string parts: Violin I, Violin II/Viola, and Cello/Bass. The violin II and viola parts are identical and the cello and bass parts are in octaves. Unison rhythms ensure homogenous playing between sections, building confidence in the young ensemble. Download the free accompaniment track at carlfischer.com/bas89.

About Carl Fischer Beginning String Orchestra Series

Thi s series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:

• Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
• Limited keys and rhythms - only simple 8th note patterns
• Limited independence of parts
• Playable after limited study time
• First position and natural bowings
• Piano for rehearsal and reinforcement

(From The Carnival of the Animals). By Camille Saint-SaÌÇns. Arranged by Michael Story and Michael Story. Concert Band. Concert Band; Masterworks; Score. Belwin Beginning Band. Form: March; Transcription. Masterwork Arrangement; Romantic. Grade 1. 16 pages. Published by Belwin Publishing

(A Complete Concert Including: With Honor and Praise / Sea Chanty / The Carnival of Venice / Grandioso March). By Jack Bullock. Concert Band. Concert Band; Score. Belwin Very Beginning Band. Grade .5. 24 pages. Published by Alfred Music Publishing

(2+1.2+1.2+1.2/4.3.3.1,ti mp,perc,hp,str,fl solo)

SKU: TM.01280SET

Composed by Giulio Briccialdi. Arranged by Chiaramello. Set Type: D. Set of parts. Lucks Music Library #A8329. Published by Lucks Music Library (TM.01280SET).

Solo fl in set. Famous Carnival of Venice.

Concert band concert band - Level 1+

SKU: LO.BO258

Composed by James Swearingen. ConPlus Series. Score and parts. Heritage Music Press #BO258. Published by Heritage Music Press (LO.BO258).

UPC: 000308007329.

Well- crafted medley of international folk tunes arranged by one today's most respected composers. Opens with the lively CARNIVAL OF VENICE and MEXICAN HAT DANCE, moves into a legato FRERE JACQUES, and closes with a tuneful RAKES OF MALLOW and the rousing AMERICAN PATROL. Your students will have a great time with this one!

Violoncello (1(picc).0.1.0 - 0.0.0.0 - glass harmonica.xyl - 2pno - str: 1.1.1.1.1 (or in chorus))

SKU: BR.OB-5321-23

Great Zoological Fantasy - Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Stapled. Orchester-Bibliothek (Orchestral Library).

Score and study score with the lyrics of Loriot

Symphonic poem; Romantic; Late-romantic. Part. 8 pages. Duration 22'. Breitkopf and Haertel #OB 5321-23. Published by Breitkopf and Haertel (BR.OB-5321-23).

ISBN 9790004332740. 10 x 12.5 inches.

... quite unexpectedly, kangaroos with starched white caps start hopping about between the rows of seats, offering refreshments. The Great Zoological Fantasy was composed in February 1886 for a carnival concert in Paris. After the first concerts, Saint-Saens prohibited all further performances and declined to have the work published during his lifetime. He was justifiably fearful that this occasional work could eclipse his more ambitious pieces. The present Urtext edition by Peter Jost is based chiefly on the autograph, which diverges in certain essential points from the standard first edition available up to now. Loriot's well-known text is printed in the Appendix to the score.

By Melody Bober. For Piano. Composers in Focus. Contents: Secret Agent; Sombrero Song; The Wild West; The Pirate Ship; Carnival Clowns; and Batter Up!. Level: Late Elementary. Book / Duets. Published by The FJH Music Company Inc.

Band Concert Band - Grade 2

SKU: CF.YPS200

Composed by Matthew R. Putnam. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+4+2+2+5+2+2+4+4+6+3+3 +2+1+3+16+4+4+2+2 pages. Duration 2:15. Carl Fischer Music #YPS200. Published by Carl Fischer Music (CF.YPS200).

ISBN 9781491152201. UPC: 680160909704. Key: D minor.

Step right up, ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange, or “Circus of the Strange.” This piece evokes a bygone era when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities. Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups and is a great way to expose students to the march form and style without sounding like your typical march.
Step right up ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange. Welcome to the Cirque de L’étrange, known in English as the “Circus of the Strange.” This piece evokes a time of a bygone era, a time when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities that were sources of both delight and horror. While many of these sideshow attractions were deemed fraudulent, it did not deter the crowds from flocking to be shocked and awed. I have always held a special place in my heart for the showmanship of carnivals, because my grandfather dearly loved them. For much of his life, he worked at fairs and carnivals selling cotton candy and candy apples. A large portion of my days when growing up were spent running around fairgrounds and helping my grandfather with his stand. He imparted in me a love for the cunning, magic, and sheer joy that only carnivals and circuses can bring. In Cirque de L’étrange, I sought to capture the the mirthful, yet uncanny mood of the carnivals that I grew up exploring, thus transporting you to a different time.Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups, as it is a great way to expose students to the march form and style while not sounding like your typical march.Opening in D minor, the piece combines the playful feel of a march and a macabre tango. The second time through the First Strain (mm. 5-23), the upper woodwinds and bells add a second counter melody based in D harmonic minor, which heightens the peculiar nature of the piece. The Second Strain (mm. 24-43) by contrast, is a little more upbeat, thus evoking the magical ebullience of a circus, which is further highlighted by the xylophone part. The Second Strain ends in the key of F major and sets up the transition to the Trio in the key of G minor. The Trio (m. 44) begins with the G harmonic minor melody in the clarinets and a counter melody in the bassoon and tenor saxophone. The rest of the woodwinds and bells join in at m. 60 while the percussion adds a Gypsy-like feel with tambourine and triangle. At m. 76 the full band joins in the macabre parade with the trombones and baritones harmonizing the counter melody. The conclusion of the march has the upper woodwinds, adding a second counter melody complete with trills to bring the march to an exciting and dramatic finish.As the World’s Greatest Showman, P.T. Barnum, a man my grandfather greatly admired, once said “The noblest art is that of making others happy.” It is my hope that through this piece you will experience the thrill, delight, and fright that only carnivals can bring as you visit the Circus of the Strange!

Band Concert Band - Grade 2

SKU: CF.YPS200F

Composed by Matthew R. Putnam. Young Band (YPS). Full score. With Standard notation. 16 pages. Carl Fischer Music #YPS200F. Published by Carl Fischer Music (CF.YPS200F).

ISBN 9781491152881. UPC: 680160910380.

Step right up, ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange, or “Circus of the Strange.” This piece evokes a bygone era when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities. Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups and is a great way to expose students to the march form and style without sounding like your typical march.
Step right up ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange. Welcome to the Cirque de L’étrange, known in English as the “Circus of the Strange.” This piece evokes a time of a bygone era, a time when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities that were sources of both delight and horror. While many of these sideshow attractions were deemed fraudulent, it did not deter the crowds from flocking to be shocked and awed. I have always held a special place in my heart for the showmanship of carnivals, because my grandfather dearly loved them. For much of his life, he worked at fairs and carnivals selling cotton candy and candy apples. A large portion of my days when growing up were spent running around fairgrounds and helping my grandfather with his stand. He imparted in me a love for the cunning, magic, and sheer joy that only carnivals and circuses can bring. In Cirque de L’étrange, I sought to capture the the mirthful, yet uncanny mood of the carnivals that I grew up exploring, thus transporting you to a different time.Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups, as it is a great way to expose students to the march form and style while not sounding like your typical march.Opening in D minor, the piece combines the playful feel of a march and a macabre tango. The second time through the First Strain (mm. 5-23), the upper woodwinds and bells add a second counter melody based in D harmonic minor, which heightens the peculiar nature of the piece. The Second Strain (mm. 24-43) by contrast, is a little more upbeat, thus evoking the magical ebullience of a circus, which is further highlighted by the xylophone part. The Second Strain ends in the key of F major and sets up the transition to the Trio in the key of G minor. The Trio (m. 44) begins with the G harmonic minor melody in the clarinets and a counter melody in the bassoon and tenor saxophone. The rest of the woodwinds and bells join in at m. 60 while the percussion adds a Gypsy-like feel with tambourine and triangle. At m. 76 the full band joins in the macabre parade with the trombones and baritones harmonizing the counter melody. The conclusion of the march has the upper woodwinds, adding a second counter melody complete with trills to bring the march to an exciting and dramatic finish.As the World’s Greatest Showman, P.T. Barnum, a man my grandfather greatly admired, once said “The noblest art is that of making others happy.” It is my hope that through this piece you will experience the thrill, delight, and fright that only carnivals can bring as you visit the Circus of the Strange!

By Soon Hee Newbold. For orchestra. FJH Developing Strings. Full set (score and parts). Score only also available: ST6199S. Halloween. Grade 2.5. Score and set of parts. Composed 2009. Published by The FJH Music Company Inc