Spring Concerto 2 Pianos, 4 mains - Intermédiaire Alfred Publishing
(In Four Movements for Solo Piano with Piano Accompaniment). Composed by Alexand...(+)
(In Four Movements for
Solo Piano with Piano
Accompaniment). Composed
by Alexander Peskanov.
For Piano. This edition:
2 copies required for
performance. Book; Duet
or Duo; Graded Standard
Repertoire; Piano Duo (2
Pianos, 4 Hands). Form:
Concerto. Recital.
Intermediate. 36 pages.
Published by Alfred Music
((Concerto No. 1, 3rd Movement)). By Richard Strauss (1864-1949). Arranged by An...(+)
((Concerto No. 1, 3rd
Movement)). By Richard
Strauss (1864-1949).
Arranged by Andrew
Glover. Concert band.
Spotlight Series. Audio
recording available
separately (item
CL.WFR365). Grade 3.5.
Score and set of parts.
Composed 2009. Duration 5
minutes, 23 se. Score and
Parts.
Orchestra - all SKU: PR.816600040 Composed by Wolfgang Amadeus Mozart. CD...(+)
Orchestra - all
SKU:
PR.816600040
Composed
by Wolfgang Amadeus
Mozart. CD Sheet Music
(Version 1). Full Scores
to all of the major works
for orchestra by Mozart -
parts not included.
Classical Period. CD
Sheet Music. 2000
printable pages.
Published by Theodore
Presser Company
(PR.816600040).
UPC:
680160600045. 5.5x5
inches.
This disk
contains study scores of
all 41 of Mozart's
Symphonies, as well as
Concertos for Winds and
Strings (Piano Concertos
are on a companion
CD-ROM), Serenades, Opera
Overtures, Divertimentos,
and other works.
About CD Sheet
Music (Version
1)
CD
Sheet Music (Version 1)
was the initial CD Sheet
Music series distributed
by Theodore Presser. The
CDs include thousands of
pages of music that are
viewable and printable on
Mac or PC. Version 1
titles are a great value
at 40% off, as we make
room in our warehouse for
the newly enhanced CD
Sheet Music (Version 2.0)
series.
For Violin, Viola (or
optional Violin II), and
Cello with String
Orchestra. Composed
by David O'Fallon.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Form:
Concerto; Rondo. Score.
28 pages. Highland/Etling
#00-38487S. Published by
Highland/Etling
(AP.38487S).
UPC:
038081434667.
English.
In an
animated and spirited
showcase, the concertino
group is challenged to
show what they can do
with a number of vividly
contrasting styles. Solo
parts are provided for
violin, viola or violin
2, and cello. The
orchestra will enjoy the
accompaniment parts and
learn about accompanying
in this original
work.
For Violin, Viola (or
optional Violin II), and
Cello with String
Orchestra. Composed
by David O'Fallon.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Form:
Concerto; Rondo. Score
and Part(s). 140 pages.
Highland/Etling
#00-38487. Published by
Highland/Etling
(AP.38487).
UPC:
038081434650.
English.
In an
animated and spirited
showcase, the concertino
group is challenged to
show what they can do
with a number of vividly
contrasting styles. Solo
parts are provided for
violin, viola or violin
2, and cello. The
orchestra will enjoy the
accompaniment parts and
learn about accompanying
in this original
work.
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by for Wind Ensemble a...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Arranged by
for Wind Ensemble
accompaniment by Robert
W. Rumbelow. Concert
Band; Masterworks;
Performance Music
Ensemble; Single Titles.
Donald Hunsberger Wind
Library. Form: Concerto.
Classical; Masterwork
Arrangement. Part(s);
Score. 246 pages. Alfred
Music #00-DHM003.
Published by Alfred Music
For Violin. Contains a printed score and a compact disc featuring both concerti ...(+)
For Violin. Contains a
printed score and a
compact disc featuring
both concerti in
split-channel stereo with
the violinist on the
right channel; then again
in a stereo accompaniment
version minus the solo
violin part. Published by
Music Minus One.
For Violin. Classical (orchestral). Contains a printed score and a compact disc ...(+)
For Violin. Classical
(orchestral). Contains a
printed score and a
compact disc featuring
both concerti in
split-channel stereo with
the violinist on the
right channel; then again
in a stereo accompaniment
version minus the solo
violin part.
Chamber Music Piano, Trumpet SKU: CF.W2682 For Trumpet in E and Piano,...(+)
Chamber Music Piano,
Trumpet
SKU:
CF.W2682
For
Trumpet in E and Piano,
S.49. Composed by
Johann Hummel. Edited by
Elisa Koehler. Set of
Score and Parts. With
Standard notation. 36+8
pages. Carl Fischer Music
#W2682. Published by Carl
Fischer Music (CF.W2682).
ISBN 9781491144954.
UPC: 680160902453. 9 x 12
inches. Key: E
major.
String Orchestra SKU: BT.PWM4901 Composed by Grazyna Bacewicz. Classical....(+)
String Orchestra
SKU:
BT.PWM4901
Composed
by Grazyna Bacewicz.
Classical. Score Only.
Composed 2000. 68 pages.
Polskie Wydawnictwo
Muzyczne #PWM4901.
Published by Polskie
Wydawnictwo Muzyczne
(BT.PWM4901).
Concerto for
String Orchestra - the
magnum opus of Grayna
Bacewicz (1909-1969), the
outstanding composer and
violinist - was composed
in 1948 and at once
became one of the most
frequently performed
works of this Polish
artist. This
masterpieceof
neoclassicism fascinates
as much by its invention
and virtuosic briliance
as its harmonious
combination of formal
elements of a traditional
nature with new tonal
ideas. The form of the
three-movement Concerto
oscillates between that
of the baroqueconcerto
grosso and the early
classical sonata cycle.
The neoclassical tendency
is evident, above all, in
the articulation of the
musical structure in
keeping with the rigours
of periodicity and the
manner of developing
thematic threads derived
fromthem, while the
concertato character of
particular movements and
the generally linear
texture indicate baroque
connections. The first
movement (Allegro) - in
the form of an early
classical sonata allegro
- begins with a subject
with
energeticfigurations,
emblematic for the whole
piece and based on a
constant, pendulum-like
semiquaver movement
anchored securely on D.
It is precisely because
of the nature of this
subject that Bacewiczs
work has been compared to
the Brandenburg
Concertosby Jan Sebastian
Bach The second movement
(Andante), while
retaining its concertato
charakter, is, at the
same time, an example of
the composers ability to
create emotionally serene
lyrical moods, and her
sense of cantilena
derived from the spiritof
romantic song (a
motto-subject presented
at the beginning by cello
solo). In this movement
it is both the process of
evolution and the
instrumental colouring
which constitute the
constructional agents
forming here a
self-containedvalue. In
thethird movement (Vivo)
the composer returns to
her favourite type of
music, understood as an
expression of pure motion
in the form of figural
motives with infinite
transformational
possibilities. The
spontaneity of the music,
the constant mutabilityof
the tonal situations, and
the sophisticated,
acerbic harmonies - as
Witold Lutosawski
described them - form a
colourful mosaic built in
the structural skeleton
of a sonata rondo.
Concerto for String
Orchestra is not only
proof of thestylizing
tendency of the composer
but also of an unerring
intuition concerning the
technical and expressive
possibilities inherent in
a string instruments
ensemble. [Magorzata
Gsiorowska, translated by
Ewa Cholewka].
Easy to Int. Solos 65 Works from Symphonies, Operas, Concertos, Piano Literature...(+)
Easy to Int. Solos 65
Works from Symphonies,
Operas, Concertos, Piano
Literature and Chamber
Music. World's Greatest
Classical Music. Size
9x12 inches. Published by
Hal Leonard.
Violin - Concerto Orchestre, Violon SATB, Orchestre Editorial de Musica Boileau
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumen...(+)
Violin and orchestra
SKU: BO.B.3340
Composed by Jordi
Cervello. Instrumental
Sets. Duration 29:00.
Published by Editorial de
Musica Boileau
(BO.B.3340).
ISBN
9788480207591.
Engl
ish comments: My
dedication to the string
instruments has been a
constant throughout my
compositional career and
I knew that sooner or
later the time would come
to compose a concerto for
violin and orchestra.
That moment came in the
autumn of 2002 and after
ten months of
uninterrupted work I
finished it in August of
2003. It is a work
structured similarly to
the traditional
concertos. An important
impetus for the
elaboration of my
concerto was due to the
ill-fated violinist
Ginette Neveu. Her
version of Sibelius'
Concerto has always
stayed with me. For this
reason the first
movement,
Moderato-Allegro, begins
with a contemplative
atmosphere similar to
that of Sibelius'
Concerto in which the
principal thematic ideas
appear tentatively. These
ideas, two rhythmic and
two melodic, are
reaffirmed through a
broad development that
culminates in an
orchestral fullness. A
calm, mysterious passage
recalls the introduction
and after becoming
blurred, three bars burst
in leading to the rapid
section of the movement.
Soloist and orchestra
engage in a dialectic
struggle of a dramatic
nature. The agitation
subsides leaving only a
tranquil and suggestive
clarinet phrase. This
will be taken up by the
soloist who leads up to
the movement's most
dramatic moment playing
an accelerating triplet
figure supported by an
orchestral pedal in
crescendo. From here the
soloist's cadenza emerges
beginning with soft
double notes. It finishes
with an ascending
progression and the
soloist settles into the
high register to elicit
the orchestra's
intervention in a soft
and transfigured
atmosphere. Once
internalised the second
movement, Adagio poco
sostenuto e leggero
begins. It has a solemn
character and opens with
two trumpet calls
answered by the
violoncellos and the
contrabasses. The violin
soloist introduces and
plays two nostalgic
themes, the first in the
low register and the
second, more extensive,
in the middle register.
The soft and delicate
Misterioso e leggero
begins with the violin
singing on high. The
rhythm of the constant
quaver figures gradually
accelerates until the
soloist provokes a
dramatic full orchestra
as in a cadenza. Once
again, the Calmo, in
which the soloist with
less and less orchestral
attire serenely bids
farewell. A rising series
of double stops by the
soloist serves to
initiate the
Finale-Scherzo. In 6/8
rhythm and with the
character of a rondo it
carries us along in a
carefree, virtuosic
ambiance. The principal
motives, brief and
concise, emerge from the
happy, playful theme
presented by the soloist.
With an intricate
progression of rapid
sixths in double stops it
reaches a tense and
somewhat combative
moment. However this
resolves itself in a
diminuendo that the
soloist peacefully takes
up with the notes re-la
to commence the cadenza.
This culminates in a
series of tied notes to
reintroduce the principal
theme. A moment of
melodic suspension serves
as a farewell before the
brief and jovial final
coda. --The
author
Comentari
os del Espanol: A lo
largo de mi carrera
compositiva mi dedicacion
a los instrumentos de
cuerda ha sido constante
y sabia que, tarde o
temprano, llegaria el
momento de componer un
concierto para violin y
orquesta. Este llego en
otono de 2002 y, tras
diez meses de trabajo
ininterrumpido, lo
termine en agosto de
2003. Se trata de una
obra estructurada de
manera similar a los
conciertos tradicionales.
Un importante impulso a
la elaboracion de mi
concierto lo debo al
recuerdo de la malograda
violinista Ginette Neveu.
Su version del concierto
de Sibelius ha
permanecido siempre
dentro de mi. Por ese
motivo, el primer
movimiento
Moderato-Allegro se
inicia con una atmosfera
contemplativa cercana a
la del mencionado
Concierto, en la que
aparecen cautamente las
principales ideas
tematicas. Con un amplio
desarrollo se llega a un
lleno orquestal en el que
estas ideas -dos ritmicas
y dos melodicas- quedan
reafirmadas. Un pasaje
calmo y misterioso
rememora la introduccion.
Tras desdibujarse,
irrumpen tres compases
que nos llevan a la parte
rapida del movimiento.
Solista y orquesta
establecen un combate
dialectico de caracter
dramatico. La inquietud
desaparece hasta una
tranquila e insinuante
frase del clarinete. Esta
sera recogida por el
solista, quien, a base de
una figuracion de
tresillos cada vez mas
rapidos apoyada por un
pedal de la orquesta in
crescendo, conduce hacia
el momento mas dramatico
del movimiento. De aqui
nace la cadenza del
solista, que se incia con
suaves notas dobles.
Finaliza con una
progresion ascendente y
el solista se coloca en
el registro agudo para
llamar la intervencion de
la orquesta dentro de una
atmosfera suave y
transfigurada.
Interiorizado es el
segundo movimiento Adagio
poco sostenuto e leggero.
Con dos llamadas de las
trompas respondidas por
los violonchelos y
contrabajos inicia el
Adagio de caracter grave.
El violin solista
introduce y canta dos
temas nostalgicos. El
primero en el registro
grave y el segundo, mas
amplio, en el medio.
Inicia el Misterioso e
leggero, de caracter
suave y delicado. Con el
violin cantando en agudo.
La constante figuracion
de corcheas acelerara
poco a poco el ritmo
hasta que el solista a
modo de cadenza provocara
un dramatico lleno
orquestal. De nuevo el
Calmo, donde el solista,
cada vez con menos ropaje
orquestal, se despide
serenamente. Una subida
de dobles cuerdas a cargo
del solista sirve para
iniciar el
Finale-Scherzo. Este, en
ritmo de 6/8 y con
caracter de rondo, nos
transporta en un clima
virtuosistico y
despreocupado. Del tema
alegre y jugueton
presentado por el solista
nacen los principales
motivos, breves y
concisos. Con una
intrincada sucesion de
rapidas sextas en doble
cuerda se llega a un
momento crispado y algo
combativo que, sin
embargo, se resolvera en
un diminuendo que el
solista recoge
apaciblemente con las
notas re-la para inciar
la cadenza. Esta culmina
con un suave rosario de
notas en ligado para
introducir de nuevo el
tema principal. Un
momento de suspension
melodica sirve como
despido antes de la breve
y jovial coda final. La
obra fue estrenada el 23
de septiembre de 2005 en
el Teatre Monumental de
Madrid por la Orquesta
Sinfonica de RTVE con
Markus Placci de solista
y Uwe Mund de director.
Gravacion: RNE y Canal
Clasico de TVE. --El
Autor.
Composed by Carl Maria
von Weber. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Along with Mozart's
B-flat major Concerto K.
191 (186e), Weber's
bassoon concerto is one
of the most popular and
frequently played
concertos for this low
woodwind instrument. Solo
concerto; Romantic. Part.
8 pages. Duration 20'.
Breitkopf and Haertel #OB
4867-16. Published by
Breitkopf and Haertel
(BR.OB-4867-16).
ISBN
9790004323304. 10 x 12.5
inches.
Carl Maria
von Weber wrote the
present concerto in 1811
for the Munich bassoon
player Georg Friedrich
Brandt. The date of the
world premiere is not
known; what is
ascertained, however, is
a performance in Prague
on 19 February 1813 by
Brandt, to whom the work
was dedicated.Along with
Mozarts B-flat major
Concerto K. 191 (186e),
Webers bassoon concerto
is one of the most
popular and frequently
played concertos for this
low woodwind instrument.
Weber illustrates the
instruments qualities by
using a different form in
each movement, as we can
see in its primary
themes: the opening
movement is dominated by
a rhythmically striking
theme; cantabile passages
set the tone for the more
lightly scored Adagio;
and in the closing Rondo.
Allegro, the soloist can
demonstrate his
virtuosity from the very
beginning through large
intervallic leaps and
rapid runs.
Along
with Mozart's B-flat
major Concerto K. 191
(186e), Weber's bassoon
concerto is one of the
most popular and
frequently played
concertos for this low
woodwind instrument.
Composed by Carl Maria
von Weber. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Along with Mozart's
B-flat major Concerto K.
191 (186e), Weber's
bassoon concerto is one
of the most popular and
frequently played
concertos for this low
woodwind instrument. Solo
concerto; Romantic. Part.
8 pages. Duration 20'.
Breitkopf and Haertel #OB
4867-26. Published by
Breitkopf and Haertel
(BR.OB-4867-26).
ISBN
9790004323328. 10 x 12.5
inches.
Carl Maria
von Weber wrote the
present concerto in 1811
for the Munich bassoon
player Georg Friedrich
Brandt. The date of the
world premiere is not
known; what is
ascertained, however, is
a performance in Prague
on 19 February 1813 by
Brandt, to whom the work
was dedicated.Along with
Mozarts B-flat major
Concerto K. 191 (186e),
Webers bassoon concerto
is one of the most
popular and frequently
played concertos for this
low woodwind instrument.
Weber illustrates the
instruments qualities by
using a different form in
each movement, as we can
see in its primary
themes: the opening
movement is dominated by
a rhythmically striking
theme; cantabile passages
set the tone for the more
lightly scored Adagio;
and in the closing Rondo.
Allegro, the soloist can
demonstrate his
virtuosity from the very
beginning through large
intervallic leaps and
rapid runs.
Along
with Mozart's B-flat
major Concerto K. 191
(186e), Weber's bassoon
concerto is one of the
most popular and
frequently played
concertos for this low
woodwind instrument.
Composed by Carl Maria
von Weber. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Along with Mozart's
B-flat major Concerto K.
191 (186e), Weber's
bassoon concerto is one
of the most popular and
frequently played
concertos for this low
woodwind instrument. Solo
concerto; Romantic. Part.
8 pages. Duration 20'.
Breitkopf and Haertel #OB
4867-19. Published by
Breitkopf and Haertel
(BR.OB-4867-19).
ISBN
9790004323311. 10 x 12.5
inches.
Carl Maria
von Weber wrote the
present concerto in 1811
for the Munich bassoon
player Georg Friedrich
Brandt. The date of the
world premiere is not
known; what is
ascertained, however, is
a performance in Prague
on 19 February 1813 by
Brandt, to whom the work
was dedicated.Along with
Mozarts B-flat major
Concerto K. 191 (186e),
Webers bassoon concerto
is one of the most
popular and frequently
played concertos for this
low woodwind instrument.
Weber illustrates the
instruments qualities by
using a different form in
each movement, as we can
see in its primary
themes: the opening
movement is dominated by
a rhythmically striking
theme; cantabile passages
set the tone for the more
lightly scored Adagio;
and in the closing Rondo.
Allegro, the soloist can
demonstrate his
virtuosity from the very
beginning through large
intervallic leaps and
rapid runs.
Along
with Mozart's B-flat
major Concerto K. 191
(186e), Weber's bassoon
concerto is one of the
most popular and
frequently played
concertos for this low
woodwind instrument.
For Piano. Classical (orchestral). Includes a high-quality printed music score a...(+)
For Piano. Classical
(orchestral). Includes a
high-quality printed
music score and a compact
disc containing a
complete version with
soloist, in split-channel
stereo (soloist on the
right channel); then a
second version in full
stereo of the orchestral
accompaniment, minus the
soloist. Published by
Music Minus One.
(French Horn and Piano) Composed by Wolfgang Amadeus Mozart (1756-1791). For fre...(+)
(French Horn and Piano)
Composed by Wolfgang
Amadeus Mozart
(1756-1791). For french
horn and piano
accompaniment. Schirmer
Library, volume 1807.
Format: set of
performance parts
(includes separate
pull-out horn part). With
solo part and piano
reduction. Classical
period. 127 pages. 9x12
inches. Published by
Schirmer.
Selections from The Brandenburg Concertos,Eine kleine Nachtmusik, The Four Seaso...(+)
Selections from The
Brandenburg
Concertos,Eine kleine
Nachtmusik, The Four
Seasons and More.
Arranged by Fred Kern.
For Piano. Piano
Collection. Masterwork.
Level: Intermediate.
Book. 80 pages. Published
by Alfred Publishing.
(Flute/Piano) SKU: HL.48181379 Composed by Wolfgang Amadeus Mozart. Leduc...(+)
(Flute/Piano)
SKU:
HL.48181379
Composed
by Wolfgang Amadeus
Mozart. Leduc. Classical.
CD. 32 pages. Alphonse
Leduc #AL20856. Published
by Alphonse Leduc
(HL.48181379).
UPC:
888680857073.
9.0x12.0x0.114
inches.
Wolfgang
Amadeus Mozart's
(1756-1791) Flute
Concerto in G was written
by the composer in 1778.
The Concerto remains
widely studied and
performed on the Flute,
making it one of the most
important Concerti in the
instrument's repertoire.
Concerto in G is in three
movements; 1. Allegro
maestoso, 2. Adagio ma
non troppo, and 3. Rondo:
Tempo di Menuetto. The
first and last movements
are in the tonic key,
whilst the second
movement is in the
subdominant key of D
major. A Dutch flautist
of the time, Ferdinand de
Jean, commissioned Mozart
for four Flute quartets
and three Flute concerti.
However, the composer,
who famously disliked the
Flute, only completed
three quartets and two
concertos. Instead of
composing a second
concerto, Mozart
rearranged his Oboe
Concerto, with
substantial changes for
it to fit with the Flute.
This edition of Mozart's
Concerto in G includes
cadences by virtuosos
Taffanel, Gaubert and
Bozza, making for an
unmissable version of the
famed work. .
Music for Brass No. 801 Version for Trumpet and Piano. Composed by Johann Nep...(+)
Music for Brass No. 801
Version for Trumpet and
Piano. Composed by Johann
Nepomuk Hummel
(1778-1837).
Robert King. Classical.
CD
only. 44 pages. Alphonse
Leduc #AL28564. Published
by
Alphonse Leduc
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Classical. Full score. 36
pages. Duration 12'.
Breitkopf and Haertel #PB
15128. Published by
Breitkopf and Haertel
(BR.PB-15128).
ISBN
9790004214299. 10 x 12.5
inches.
With the
publication of the score
and parts of the D-major
Horn Concerto K. 412/514,
the Mozart expert Henrik
Wiese adds another
milestone to his edition
of this important work
group which was begun in
2013. In the course of
time, the piece that was
first edited in the Old
Mozart Edition of 1881 as
Mozarts 1st Horn Concerto
turned out to be a
pasticcio: while the
opening movement is
indisputably by Mozart,
the elaboration of the
Rondo must now be
attributed to Sussmayr.
This movement is
transmitted solely as a
sketch in Mozarts hand.
The present edition
contains both the
Sussmayr Rondo (K. 514 =
smWV 502) and the
Mozartian Rondo fragment
(K. 412) which was
carefully completed by
Wiese. The performer will
thus have the choice
between the traditional
version (with Sussmayr)
and the version
presumably intended by
Mozart, all in one
practical
edition.
Original Finale of the
Piano Concerto No. 2 -
Urtext based on the new
Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Hans-werner Kuthen.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo
concerto; Classical.
Part. 4 pages. Duration
10'. Breitkopf and
Haertel #OB 14679-19.
Published by Breitkopf
and Haertel
(BR.OB-14679-19).
ISBN
9790004340905. 10 x 12.5
inches.
Mozart no
doubt proved a powerful
source of inspiration in
the genre of the piano
concerto when Ludwig van
Beethoven was composing
his first work in this
genre (B-flat major op.
19) in Bonn. In 1793 the
young composer first
wrote a final rondo with
an inserted Andante, as
Mozart had done in his
Concerto K. 482.
Beethoven then selected a
different closing
solution and kept the
score of the B-flat major
Rondo in his desk. There
the work was rediscovered
only after the composers
death, and printed
shortly afterward. The
autograph thus represents
Beethovens earliest
surviving and complete
orchestral score. The new
Urtext edition of the
score and orchestral
parts is based on the new
Beethoven Complete
Edition (Henle).