Original Finale of the
Piano Concerto No. 2 -
Urtext based on the new
Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Hans-werner Kuthen.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo
concerto; Classical.
Part. 4 pages. Duration
10'. Breitkopf and
Haertel #OB 14679-23.
Published by Breitkopf
and Haertel
(BR.OB-14679-23).
ISBN
9790004340912. 10 x 12.5
inches.
Mozart no
doubt proved a powerful
source of inspiration in
the genre of the piano
concerto when Ludwig van
Beethoven was composing
his first work in this
genre (B-flat major op.
19) in Bonn. In 1793 the
young composer first
wrote a final rondo with
an inserted Andante, as
Mozart had done in his
Concerto K. 482.
Beethoven then selected a
different closing
solution and kept the
score of the B-flat major
Rondo in his desk. There
the work was rediscovered
only after the composers
death, and printed
shortly afterward. The
autograph thus represents
Beethovens earliest
surviving and complete
orchestral score. The new
Urtext edition of the
score and orchestral
parts is based on the new
Beethoven Complete
Edition (Henle).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Classical.
Part. 12 pages. Duration
12'. Breitkopf and
Haertel #OB 15128-15.
Published by Breitkopf
and Haertel
(BR.OB-15128-15).
ISBN
9790004341605. 10 x 12.5
inches.
With the
publication of the score
and parts of the D-major
Horn Concerto K. 412/514,
the Mozart expert Henrik
Wiese adds another
milestone to his edition
of this important work
group which was begun in
2013. In the course of
time, the piece that was
first edited in the Old
Mozart Edition of 1881 as
Mozarts 1st Horn Concerto
turned out to be a
pasticcio: while the
opening movement is
indisputably by Mozart,
the elaboration of the
Rondo must now be
attributed to Sussmayr.
This movement is
transmitted solely as a
sketch in Mozarts hand.
The present edition
contains both the
Sussmayr Rondo (K. 514 =
smWV 502) and the
Mozartian Rondo fragment
(K. 412) which was
carefully completed by
Wiese. The performer will
thus have the choice
between the traditional
version (with Sussmayr)
and the version
presumably intended by
Mozart, all in one
practical edition.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Folder.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Classical. Set
of parts. 16 pages.
Duration 12'. Breitkopf
and Haertel #OB 15128-30.
Published by Breitkopf
and Haertel
(BR.OB-15128-30).
ISBN
9790004341643. 10 x 12.5
inches.
With the
publication of the score
and parts of the D-major
Horn Concerto K. 412/514,
the Mozart expert Henrik
Wiese adds another
milestone to his edition
of this important work
group which was begun in
2013. In the course of
time, the piece that was
first edited in the Old
Mozart Edition of 1881 as
Mozarts 1st Horn Concerto
turned out to be a
pasticcio: while the
opening movement is
indisputably by Mozart,
the elaboration of the
Rondo must now be
attributed to Sussmayr.
This movement is
transmitted solely as a
sketch in Mozarts hand.
The present edition
contains both the
Sussmayr Rondo (K. 514 =
smWV 502) and the
Mozartian Rondo fragment
(K. 412) which was
carefully completed by
Wiese. The performer will
thus have the choice
between the traditional
version (with Sussmayr)
and the version
presumably intended by
Mozart, all in one
practical edition.
Original Finale of the
Piano Concerto No. 2 -
Urtext based on the new
Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Hans-werner Kuthen.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo
concerto; Classical.
Part. 4 pages. Duration
10'. Breitkopf and
Haertel #OB 14679-27.
Published by Breitkopf
and Haertel
(BR.OB-14679-27).
ISBN
9790004340929. 10 x 12.5
inches.
Mozart no
doubt proved a powerful
source of inspiration in
the genre of the piano
concerto when Ludwig van
Beethoven was composing
his first work in this
genre (B-flat major op.
19) in Bonn. In 1793 the
young composer first
wrote a final rondo with
an inserted Andante, as
Mozart had done in his
Concerto K. 482.
Beethoven then selected a
different closing
solution and kept the
score of the B-flat major
Rondo in his desk. There
the work was rediscovered
only after the composers
death, and printed
shortly afterward. The
autograph thus represents
Beethovens earliest
surviving and complete
orchestral score. The new
Urtext edition of the
score and orchestral
parts is based on the new
Beethoven Complete
Edition (Henle).
Horn and piano (solo: hn - 0.2.0.2 - 0.0.0.0 - str) SKU: BR.EB-10701 U...(+)
Horn and piano (solo: hn
- 0.2.0.2 - 0.0.0.0 -
str)
SKU:
BR.EB-10701
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Arranged by Jan
Philip Schulze. Solo
instruments; stapled.
Edition Breitkopf.
In
Cooperation with G. Henle
Verlag
Solo concerto;
Classical. Piano
reduction. 44 pages.
Duration 12'. Breitkopf
and Haertel #EB 10701.
Published by Breitkopf
and Haertel
(BR.EB-10701).
ISBN
9790201807010. 9.5 x 12
inches.
With the
publication of the score
and parts of the D-major
Horn Concerto K. 412/514,
the Mozart expert Henrik
Wiese adds another
milestone to his edition
of this important work
group which was begun in
2013. In the course of
time, the piece that was
first edited in the Old
Mozart Edition of 1881 as
Mozarts 1st Horn Concerto
turned out to be a
pasticcio: while the
opening movement is
indisputably by Mozart,
the elaboration of the
Rondo must now be
attributed to Sussmayr.
This movement is
transmitted solely as a
sketch in Mozarts hand.
The present edition
contains both the
Sussmayr Rondo (K. 514 =
smWV 502) and the
Mozartian Rondo fragment
(K. 412) which was
carefully completed by
Wiese. The performer will
thus have the choice
between the traditional
version (with Sussmayr)
and the version
presumably intended by
Mozart, all in one
practical
edition.
In
Cooperation with G. Henle
Verlag. EB 10701 contains
the parts for horn in F
and Eb.
Original Finale of the
Piano Concerto No. 2 -
Urtext based on the new
Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Hans-werner Kuthen.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo
concerto; Classical.
Part. 4 pages. Duration
10'. Breitkopf and
Haertel #OB 14679-15.
Published by Breitkopf
and Haertel
(BR.OB-14679-15).
ISBN
9790004340882. 10 x 12.5
inches.
Mozart no
doubt proved a powerful
source of inspiration in
the genre of the piano
concerto when Ludwig van
Beethoven was composing
his first work in this
genre (B-flat major op.
19) in Bonn. In 1793 the
young composer first
wrote a final rondo with
an inserted Andante, as
Mozart had done in his
Concerto K. 482.
Beethoven then selected a
different closing
solution and kept the
score of the B-flat major
Rondo in his desk. There
the work was rediscovered
only after the composers
death, and printed
shortly afterward. The
autograph thus represents
Beethovens earliest
surviving and complete
orchestral score. The new
Urtext edition of the
score and orchestral
parts is based on the new
Beethoven Complete
Edition (Henle).
Original Finale of the
Piano Concerto No. 2 -
Urtext based on the new
Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Hans-werner Kuthen.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo
concerto; Classical.
Part. 4 pages. Duration
10'. Breitkopf and
Haertel #OB 14679-16.
Published by Breitkopf
and Haertel
(BR.OB-14679-16).
ISBN
9790004340899. 10 x 12.5
inches.
Mozart no
doubt proved a powerful
source of inspiration in
the genre of the piano
concerto when Ludwig van
Beethoven was composing
his first work in this
genre (B-flat major op.
19) in Bonn. In 1793 the
young composer first
wrote a final rondo with
an inserted Andante, as
Mozart had done in his
Concerto K. 482.
Beethoven then selected a
different closing
solution and kept the
score of the B-flat major
Rondo in his desk. There
the work was rediscovered
only after the composers
death, and printed
shortly afterward. The
autograph thus represents
Beethovens earliest
surviving and complete
orchestral score. The new
Urtext edition of the
score and orchestral
parts is based on the new
Beethoven Complete
Edition (Henle).
Original Finale of the
Piano Concerto No. 2 -
Urtext based on the new
Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Hans-werner Kuthen.
Folder.
Orchester-Bibliothek
(Orchestral Library).
Solo
concerto; Classical. Set
of parts. 28 pages.
Duration 10'. Breitkopf
and Haertel #OB 14679-30.
Published by Breitkopf
and Haertel
(BR.OB-14679-30).
ISBN
9790004340936. 10 x 12.5
inches.
Mozart no
doubt proved a powerful
source of inspiration in
the genre of the piano
concerto when Ludwig van
Beethoven was composing
his first work in this
genre (B-flat major op.
19) in Bonn. In 1793 the
young composer first
wrote a final rondo with
an inserted Andante, as
Mozart had done in his
Concerto K. 482.
Beethoven then selected a
different closing
solution and kept the
score of the B-flat major
Rondo in his desk. There
the work was rediscovered
only after the composers
death, and printed
shortly afterward. The
autograph thus represents
Beethovens earliest
surviving and complete
orchestral score. The new
Urtext edition of the
score and orchestral
parts is based on the new
Beethoven Complete
Edition (Henle).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Classical.
Part. 8 pages. Duration
12'. Breitkopf and
Haertel #OB 15128-16.
Published by Breitkopf
and Haertel
(BR.OB-15128-16).
ISBN
9790004341612. 10 x 12.5
inches.
With the
publication of the score
and parts of the D-major
Horn Concerto K. 412/514,
the Mozart expert Henrik
Wiese adds another
milestone to his edition
of this important work
group which was begun in
2013. In the course of
time, the piece that was
first edited in the Old
Mozart Edition of 1881 as
Mozarts 1st Horn Concerto
turned out to be a
pasticcio: while the
opening movement is
indisputably by Mozart,
the elaboration of the
Rondo must now be
attributed to Sussmayr.
This movement is
transmitted solely as a
sketch in Mozarts hand.
The present edition
contains both the
Sussmayr Rondo (K. 514 =
smWV 502) and the
Mozartian Rondo fragment
(K. 412) which was
carefully completed by
Wiese. The performer will
thus have the choice
between the traditional
version (with Sussmayr)
and the version
presumably intended by
Mozart, all in one
practical edition.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Classical.
Part. 8 pages. Duration
12'. Breitkopf and
Haertel #OB 15128-26.
Published by Breitkopf
and Haertel
(BR.OB-15128-26).
ISBN
9790004341636. 10 x 12.5
inches.
With the
publication of the score
and parts of the D-major
Horn Concerto K. 412/514,
the Mozart expert Henrik
Wiese adds another
milestone to his edition
of this important work
group which was begun in
2013. In the course of
time, the piece that was
first edited in the Old
Mozart Edition of 1881 as
Mozarts 1st Horn Concerto
turned out to be a
pasticcio: while the
opening movement is
indisputably by Mozart,
the elaboration of the
Rondo must now be
attributed to Sussmayr.
This movement is
transmitted solely as a
sketch in Mozarts hand.
The present edition
contains both the
Sussmayr Rondo (K. 514 =
smWV 502) and the
Mozartian Rondo fragment
(K. 412) which was
carefully completed by
Wiese. The performer will
thus have the choice
between the traditional
version (with Sussmayr)
and the version
presumably intended by
Mozart, all in one
practical edition.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Classical.
Part. 8 pages. Duration
12'. Breitkopf and
Haertel #OB 15128-19.
Published by Breitkopf
and Haertel
(BR.OB-15128-19).
ISBN
9790004341629. 10 x 12.5
inches.
With the
publication of the score
and parts of the D-major
Horn Concerto K. 412/514,
the Mozart expert Henrik
Wiese adds another
milestone to his edition
of this important work
group which was begun in
2013. In the course of
time, the piece that was
first edited in the Old
Mozart Edition of 1881 as
Mozarts 1st Horn Concerto
turned out to be a
pasticcio: while the
opening movement is
indisputably by Mozart,
the elaboration of the
Rondo must now be
attributed to Sussmayr.
This movement is
transmitted solely as a
sketch in Mozarts hand.
The present edition
contains both the
Sussmayr Rondo (K. 514 =
smWV 502) and the
Mozartian Rondo fragment
(K. 412) which was
carefully completed by
Wiese. The performer will
thus have the choice
between the traditional
version (with Sussmayr)
and the version
presumably intended by
Mozart, all in one
practical edition.
Oboe and Piano SKU: HL.14007465 Composed by Cyril Scott. Music Sales Amer...(+)
Oboe and Piano
SKU:
HL.14007465
Composed
by Cyril Scott. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #NOV262169.
Published by Music Sales
(HL.14007465).
Cyril
Scott was an
English composer, writer,
and poet. He was
essentially a late
romantic composer, whose
style was at the same
time strongly influenced
by impressionism. His
harmony was notably
exotic.
Scott wrote
around four hundred
works,which include two
mature symphonies, three
operas, three Piano
concertos,concertos for
Violin, Cello, Oboe and
Harpsichord, several
overtures, four
oratorios, as well as a
mass of chamber
music.
Scott
composed his
Concerto For Oboe
&
Orchestra i
n 1946. The three
movements (Molto
vigoroso -
Andante,Pastoral
e:Tranquillo an
d Rondo giocoso:
Allegronon troppo -
cadenza - Con
spirit) are
published here with a
Piano reduction of the
orchestra
accompaniment.
Complete
performance time of the
entire piece is
approximately 20
minutes.
Op. 39. Composed
by Lowell Liebermann.
Study Score. 84 pages.
Duration 25 minutes.
Theodore Presser Company
#116-41142S. Published by
Theodore Presser Company
(PR.11641142S).
ISBN
9781491134030. UPC:
680160683772.
The
Concerto for Flute and
Orchestra, Op. 39 was
completed in September of
1992. It was commissioned
by James Galway, and is
dedicated to him. The
work is scored for an
orchestra comprised of
piccolo, flute, oboe,
english horn, clarinet,
bass clarinet, bassoon,
contrabassoon, two horns,
two trumpets, timpani,
percussion, harp, piano
and strings. The Concerto
is in three movements.
The first movement,
Moderato, is an arc-like
form, all of whose
components are in fact
variations on the
harmonic progression of
its principal theme. The
central section of this
movement is a set of
explicit chaconne
variations on a
chorale-version of this
progression. The second
movement, Adagio molto,
presents a lyrical melody
which is spun out over a
pulsating syncopated
ostinato which persists
through the entire length
of the movement. The
final movement, Presto,
is a virtuoso work-out
for the flutist in a
rondo-like form which
closes with a Prestissimo
coda. The Concerto for
Flute and Orchestra has
been recorded for release
on the BMG label by James
Galway with the London
Mozart Players conducted
by the composer. The
Concerto for Flute and
Orchestra, Op. 39 was
completed in September of
1992. It was commissioned
by James Galway, and is
dedicated to him.The work
is scored for an
orchestra comprised of
piccolo, flute, oboe,
english horn, clarinet,
bass clarinet, bassoon,
contrabassoon, two horns,
two trumpets, timpani,
percussion, harp, piano
and strings.The Concerto
is in three movements.
The first movement,
Moderato, is an arc-like
form, all of whose
components are in fact
variations on the
harmonic progression of
its principal theme. The
central section of this
movement is a set of
explicit chaconne
variations on a
chorale-version of this
progression.The second
movement, Adagio molto,
presents a lyrical melody
which is spun out over a
pulsating syncopated
ostinato which persists
through the entire length
of the movement.The final
movement, Presto, is a
virtuoso work-out for the
flutist in a rondo-like
form which closes with a
Prestissimo coda.The
Concerto for Flute and
Orchestra has been
recorded for release on
the BMG label by James
Galway with the London
Mozart Players conducted
by the composer.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Hans-werner Kuthen.
Folder.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Classical. Set of parts.
56 pages. Duration 24'.
Breitkopf and Haertel #OB
14560-30. Published by
Breitkopf and Haertel
(BR.OB-14560-30).
ISBN
9790004335772. 10 x 12.5
inches.
Beethoven's
autographs of the first
three piano concertos
opp. 15, 19 and 37 are
the earliest of all
orchestral scores which
have survived integrally.
Thanks to source studies,
we know today that a
first version of the
Concerto in Bb major op.
19 had already originated
in Bonn in 1790 at the
latest. It was followed
by a second version
written in Vienna most
likely in 1793 which
included the Rondo in Bb
major WoO 6 as finale. A
third version followed
most probably in 1794 and
led to the fourth and
final version, written in
Prague in October 1798,
as Beethoven sojourned
there at the beginning of
the concert season. (from
the Preface)This
autograph together with
the autograph solo part
which was made at the
beginning of 1801 and the
parts printed in the same
year, are the main
sources of the present
edition.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Hans-werner Kuthen.
Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Classical. Part. 12
pages. Duration 24'.
Breitkopf and Haertel #OB
14560-16. Published by
Breitkopf and Haertel
(BR.OB-14560-16).
ISBN
9790004335734. 10 x 12.5
inches.
Beethoven's
autographs of the first
three piano concertos
opp. 15, 19 and 37 are
the earliest of all
orchestral scores which
have survived integrally.
Thanks to source studies,
we know today that a
first version of the
Concerto in Bb major op.
19 had already originated
in Bonn in 1790 at the
latest. It was followed
by a second version
written in Vienna most
likely in 1793 which
included the Rondo in Bb
major WoO 6 as finale. A
third version followed
most probably in 1794 and
led to the fourth and
final version, written in
Prague in October 1798,
as Beethoven sojourned
there at the beginning of
the concert season. (from
the Preface)This
autograph together with
the autograph solo part
which was made at the
beginning of 1801 and the
parts printed in the same
year, are the main
sources of the present
edition.
Piano/harpsichord and orchestra (solo: pno - 1.2.0.2. - 2.0.0.0. - timp - str) <...(+)
Piano/harpsichord and
orchestra (solo: pno -
1.2.0.2. - 2.0.0.0. -
timp - str)
SKU:
BR.PB-14560
Urtext
based on the new Complete
Edition (G. Henle
Verlag). Composed by
Ludwig van Beethoven.
Edited by Hans-werner
Kuthen. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
Solo
concerto; Classical. Full
score. 80 pages. Duration
24'. Breitkopf and
Haertel #PB 14560.
Published by Breitkopf
and Haertel
(BR.PB-14560).
ISBN
9790004211014. 10 x 12.5
inches.
Beethoven's
autographs of the first
three piano concertos
opp. 15, 19 and 37 are
the earliest of all
orchestral scores which
have survived integrally.
Thanks to source studies,
we know today that a
first version of the
Concerto in Bb major op.
19 had already originated
in Bonn in 1790 at the
latest. It was followed
by a second version
written in Vienna most
likely in 1793 which
included the Rondo in Bb
major WoO 6 as finale. A
third version followed
most probably in 1794 and
led to the fourth and
final version, written in
Prague in October 1798,
as Beethoven sojourned
there at the beginning of
the concert season. (from
the Preface)This
autograph together with
the autograph solo part
which was made at the
beginning of 1801 and the
parts printed in the same
year, are the main
sources of the present
edition.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Hans-werner Kuthen.
Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Classical. Part. 12
pages. Duration 24'.
Breitkopf and Haertel #OB
14560-27. Published by
Breitkopf and Haertel
(BR.OB-14560-27).
ISBN
9790004335765. 10 x 12.5
inches.
Beethoven's
autographs of the first
three piano concertos
opp. 15, 19 and 37 are
the earliest of all
orchestral scores which
have survived integrally.
Thanks to source studies,
we know today that a
first version of the
Concerto in Bb major op.
19 had already originated
in Bonn in 1790 at the
latest. It was followed
by a second version
written in Vienna most
likely in 1793 which
included the Rondo in Bb
major WoO 6 as finale. A
third version followed
most probably in 1794 and
led to the fourth and
final version, written in
Prague in October 1798,
as Beethoven sojourned
there at the beginning of
the concert season. (from
the Preface)This
autograph together with
the autograph solo part
which was made at the
beginning of 1801 and the
parts printed in the same
year, are the main
sources of the present
edition.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Hans-werner Kuthen.
Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Classical. Part. 12
pages. Duration 24'.
Breitkopf and Haertel #OB
14560-15. Published by
Breitkopf and Haertel
(BR.OB-14560-15).
ISBN
9790004335727. 10 x 12.5
inches.
Beethoven's
autographs of the first
three piano concertos
opp. 15, 19 and 37 are
the earliest of all
orchestral scores which
have survived integrally.
Thanks to source studies,
we know today that a
first version of the
Concerto in Bb major op.
19 had already originated
in Bonn in 1790 at the
latest. It was followed
by a second version
written in Vienna most
likely in 1793 which
included the Rondo in Bb
major WoO 6 as finale. A
third version followed
most probably in 1794 and
led to the fourth and
final version, written in
Prague in October 1798,
as Beethoven sojourned
there at the beginning of
the concert season. (from
the Preface)This
autograph together with
the autograph solo part
which was made at the
beginning of 1801 and the
parts printed in the same
year, are the main
sources of the present
edition.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Robert
D. Levin. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Completed for the first
time: Mozart' Horn
Concerto No. 0 A
sensational discovery was
made in 1988 when two
sheets containing 60
additional measures of
the celebrated Rondo K.
371 were found. Solo
concerto; Classical.
Part. 8 pages. Breitkopf
and Haertel #OB 5357-15.
Published by Breitkopf
and Haertel
(BR.OB-5357-15).
ISBN
9790004336762. 9 x 12
inches.
A
sensational discovery was
made in 1988 when two
sheets containing 60
additional measures of
the celebrated Rondo K.
371 were found. Robert
Levin filled in not only
this movement, but also
the equally fragmentary
Konzertsatz K. 370b that
belongs to it. The
preface reads in parts
like a crime novel when
Levin relates how he put
together the various
parts, supplemented them
and orchestrated them in
a Mozartian manner. It is
to his flair and
intuition that we owe the
recovery of Mozart's Horn
Concerto No. 0, written
in 1781. It is a truly
valuable addition to the
repertoire, which is
further enhanced by
Levin's imaginative
cadenza suggestions, from
which every horn player
can create his own
original cadenza.Edition
for horn and piano by
Christian R. Riedel with
cadenzas and lead-ins by
Robert D. Levin.
This edition: Piano/Vocal/Chords. P/V/C Mixed Folio. Essential Home Library Seri...(+)
This edition:
Piano/Vocal/Chords. P/V/C
Mixed Folio. Essential
Home Library Series.
(Wolfgang Amadeus Mozart)
* Moonlight Sonata (First
Movement). Level: (Ludwig
van Beethoven) * Ode to
Joy (Ludwig van
Beethoven) * Pavane
(Maurice Ravel) * Prelude
in A Major (Frederic
Chopin) * Rondo alla
Turca (Wolfgang Amadeus
Mozart) * Sonata No. 1 in
C Major (First Movement)
(Wolfgang Amadeus Mozart)
* Trumpet Tune (Jeremiah
Clarke), and many more.
Book. 144 pages.
Published by Alfred
Publishing.
Bass Clarinet and Piano SKU: IS.BCP7144EM Composed by Wolfgang Amadeus Mo...(+)
Bass Clarinet and Piano
SKU: IS.BCP7144EM
Composed by Wolfgang
Amadeus Mozart. Arranged
by Matt Johnston.
Woodwinds - Bass Clarinet
/ Basset Horn. Metropolis
Music Publishers
#BCP7144EM. Published by
Metropolis Music
Publishers
(IS.BCP7144EM).
ISBN
9790365071449.
This
arrangement came about
thanks to a bright, high
school bass clarinet
student from Washington
State, expressing his
desire to play a concerto
of some sort. Though the
repertoire for the
instrument has been
quickly expanding in
recent decades, the
arranger thought what
might suit him perfectly
would be just to simply
transcribe this Rondo
movement of the Mozart
Bassoon Concerto. Written
when Mozart was only 18
years old, this concerto
is a cornerstone in the
repertoire, and
bassoonists are typically
expected to play at least
part of it in any
orchestral audition. The
solo part suits the range
of the bass clarinet very
well and an extended
range instrument is not
required.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Robert
D. Levin. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Completed for the first
time: Mozart' Horn
Concerto No. 0 A
sensational discovery was
made in 1988 when two
sheets containing 60
additional measures of
the celebrated Rondo K.
371 were found. Solo
concerto; Classical.
Part. 4 pages. Breitkopf
and Haertel #OB 5357-23.
Published by Breitkopf
and Haertel
(BR.OB-5357-23).
ISBN
9790004336793. 9 x 12
inches.
A
sensational discovery was
made in 1988 when two
sheets containing 60
additional measures of
the celebrated Rondo K.
371 were found. Robert
Levin filled in not only
this movement, but also
the equally fragmentary
Konzertsatz K. 370b that
belongs to it. The
preface reads in parts
like a crime novel when
Levin relates how he put
together the various
parts, supplemented them
and orchestrated them in
a Mozartian manner. It is
to his flair and
intuition that we owe the
recovery of Mozart's Horn
Concerto No. 0, written
in 1781. It is a truly
valuable addition to the
repertoire, which is
further enhanced by
Levin's imaginative
cadenza suggestions, from
which every horn player
can create his own
original cadenza.Edition
for horn and piano by
Christian R. Riedel with
cadenzas and lead-ins by
Robert D. Levin.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Robert
D. Levin. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Completed for the first
time: Mozart' Horn
Concerto No. 0 A
sensational discovery was
made in 1988 when two
sheets containing 60
additional measures of
the celebrated Rondo K.
371 were found. Solo
concerto; Classical.
Part. 8 pages. Breitkopf
and Haertel #OB 5357-16.
Published by Breitkopf
and Haertel
(BR.OB-5357-16).
ISBN
9790004336779. 9 x 12
inches.
A
sensational discovery was
made in 1988 when two
sheets containing 60
additional measures of
the celebrated Rondo K.
371 were found. Robert
Levin filled in not only
this movement, but also
the equally fragmentary
Konzertsatz K. 370b that
belongs to it. The
preface reads in parts
like a crime novel when
Levin relates how he put
together the various
parts, supplemented them
and orchestrated them in
a Mozartian manner. It is
to his flair and
intuition that we owe the
recovery of Mozart's Horn
Concerto No. 0, written
in 1781. It is a truly
valuable addition to the
repertoire, which is
further enhanced by
Levin's imaginative
cadenza suggestions, from
which every horn player
can create his own
original cadenza.Edition
for horn and piano by
Christian R. Riedel with
cadenzas and lead-ins by
Robert D. Levin.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Robert
D. Levin. Folder.
Orchester-Bibliothek
(Orchestral Library).
Completed for the first
time: Mozart' Horn
Concerto No. 0 A
sensational discovery was
made in 1988 when two
sheets containing 60
additional measures of
the celebrated Rondo K.
371 were found. Solo
concerto; Classical. Set
of parts. 12 pages.
Breitkopf and Haertel #OB
5357-30. Published by
Breitkopf and Haertel
(BR.OB-5357-30).
ISBN
9790004336816. 9 x 12
inches.
A
sensational discovery was
made in 1988 when two
sheets containing 60
additional measures of
the celebrated Rondo K.
371 were found. Robert
Levin filled in not only
this movement, but also
the equally fragmentary
Konzertsatz K. 370b that
belongs to it. The
preface reads in parts
like a crime novel when
Levin relates how he put
together the various
parts, supplemented them
and orchestrated them in
a Mozartian manner. It is
to his flair and
intuition that we owe the
recovery of Mozart's Horn
Concerto No. 0, written
in 1781. It is a truly
valuable addition to the
repertoire, which is
further enhanced by
Levin's imaginative
cadenza suggestions, from
which every horn player
can create his own
original cadenza.Edition
for horn and piano by
Christian R. Riedel with
cadenzas and lead-ins by
Robert D. Levin.