(P/V/G). By Various. Songbooks and Methods. Music Sales America. Patriotic, Sacred. Softcover. 320 pages

By Antonin Dvorak (1841-1904). Edited by Otakar Sourek. Arranged by Josef Zubay. Choir and piano. For Soprano voice, Alto voice, Tenor voice, and Bass voice (Soli), SATB Choir, Piano. This edition: Paperback. Choral, Transcriptions, Original Works, Liturgical. Romantic Period; Sacred/Hymns, Czech. Vocal Score. 166 pages. Published by Serenissima

(75 Hymns and Choruses). By David Winkler. String ensemble. For medium voice, guitar. Easy. Published by Lillenas Publishing Company

(75 Hymns and Choruses). By David Winkler. String ensemble. For medium voice, guitar. Easy. Published by Lillenas Publishing Company

(Hymns and Choruses for Solo Piano). By Carol Tornquist. For piano. Sacred. Moderately easy. Published by Lillenas Publishing Company

Composed by Ludwig van Beethoven (1770-1827). Music Sales America. Hymns and Chorals. Octavo. 16 pages. Novello and Co Ltd. #MUSNOV290212. Published by Novello and Co Ltd.

By Bobby Fisher. For Unison Chorus, Piano accompaniment, and Various instruments. Music Collection. Includes guitar chord names. Sacred. 90 pages. Published by GIA Publications.

SATB Choir

SKU: BT.MUSMF272

Composed by Blandet Kor Antologi. Arranged by Svend-G. Asmussen and Thomas Alvad. Hymns & Chorals. Book Only. Composed 2013. 184 pages. Edition Wilhelm Hansen #MUSMF272. Published by Edition Wilhelm Hansen (BT.MUSMF272).

ISBN 9788774840954.

Anth ology for mixed choir. Suitable for use colleges, high schools etc.

Orchestra SATB vocal soli, SATB choir, flute, oboe, clarinet, horn, bassoon, timpani, 2 violins, viola, cello, contrabass

SKU: CA.2729305

Version for chamber orchestra. Composed by Antonin Dvorak. Edited by Joachim Linckelmann. Arranged by Joachim Linckelmann. Carus sheet music series: Great choral works in small scorings. Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Choral Score. Composed 1876/1877. Op. 58. 36 pages. Duration 90 minutes. Carus Verlag #CV 27.293/05. Published by Carus Verlag (CA.2729305).

ISBN 9790007181086. Text language: Latin.

Antonin Dvorak's impressive Stabat Mater for soloists, chorus and orchestra is probably the best-known of the composer's sacred works. Some painful experiences - in 1875 his first daughter died, and in 1877 he lost two other children in quick succession - may have led to Dvorak's preoccupation with the suffering of the Mother of God, who stands weeping beneath the cross of her son. The music enters into the different moods of the liturgical texts with great sensitivity. Nine movements in slow to moderate tempi serve as a kind of Passion meditation, before the ecstasy of a vision of the resurrection wins the upper hand at the end of the tenth movement. With our newly-published arrangement for chamber orchestra (flute, oboe, clarinet, horn, bassoon, timpani, and strings), smaller choirs now have the opportunity of performing this work without the choir being drowned out by a large-scale symphony orchestra. The symphonic character of the work is nevertheless preserved. This scoring offers an optimal balance between transparency and orchestral sound. All vocal parts (soloists and chorus) are identical with the original version. Vocal score and choral score can be used also together with the original version, which is in preparation.

Orchestra SATB vocal soli, SATB choir, flute, oboe, clarinet, horn, bassoon, timpani, 2 violins, viola, cello, contrabass

SKU: CA.2729303

Version for chamber orchestra. Composed by Antonin Dvorak. Edited by Joachim Linckelmann. Arranged by Joachim Linckelmann. Carus sheet music series: Great choral works in small scorings. Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Vocal score. Composed 1876/1877. Op. 58. 120 pages. Duration 90 minutes. Carus Verlag #CV 27.293/03. Published by Carus Verlag (CA.2729303).

ISBN 9790007171797. Text language: Latin.

Antonin Dvorak's impressive Stabat Mater for soloists, chorus and orchestra is probably the best-known of the composer's sacred works. Some painful experiences - in 1875 his first daughter died, and in 1877 he lost two other children in quick succession - may have led to Dvorak's preoccupation with the suffering of the Mother of God, who stands weeping beneath the cross of her son. The music enters into the different moods of the liturgical texts with great sensitivity. Nine movements in slow to moderate tempi serve as a kind of Passion meditation, before the ecstasy of a vision of the resurrection wins the upper hand at the end of the tenth movement. With our newly-published arrangement for chamber orchestra (flute, oboe, clarinet, horn, bassoon, timpani, and strings), smaller choirs now have the opportunity of performing this work without the choir being drowned out by a large-scale symphony orchestra. The symphonic character of the work is nevertheless preserved. This scoring offers an optimal balance between transparency and orchestral sound. All vocal parts (soloists and chorus) are identical with the original version. Vocal score and choral score can be used also together with the original version, which is in preparation.

Edited by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Along series with accompaniment CD. Jazz Play-A-Long For All Musicians. Book with CD. Published by Jamey Aebersold Jazz.

124 Favorite Hymns, Choruses, and Gospel Songs. This edition: Paperback. Hymnals and Congregational Songbooks. Something for every occasion, or for personal enjoyment. Hymns and Sacred. Book. 132 pages. Published by Lillenas Publishing Company (LP.MB-761).

By Barbara A. McConochie. Arranged by Darwin Wolford. For SATB choir. Sacred, Hymns. Medium. Octavo. 8 pages. Duration 3:20. Published by Jackman Music Corporation

Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3106212

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Single Part, Violin 2. Composed 1724. BWV 62. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.062/12. Published by Carus Verlag (CA.3106212).

ISBN 9790007043629. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score and part available separately - see item CA.3106200.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3106249

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Single Part, Organ. Composed 1724. BWV 62. 20 pages. Duration 23 minutes. Carus Verlag #CV 31.062/49. Published by Carus Verlag (CA.3106249).

ISBN 9790007043650. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score and part available separately - see item CA.3106200.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3106209

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. 1x 31.062/21 oboe 1, 1x 31.062/22 oboe 2, 1x 31.062/31 horn 1, 1x 31.062/32 horn 2. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Set of Orchestra Parts. Composed 1724. BWV 62. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.062/09. Published by Carus Verlag (CA.3106209).

ISBN 9790007043605. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score and parts available separately - see item CA.3106200.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3106214

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Single Part, Cello/Double Bass. Composed 1724. BWV 62. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.062/14. Published by Carus Verlag (CA.3106214).

ISBN 9790007043643. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score and part available separately - see item CA.3106200.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3106211

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Single Part, Violin 1. Composed 1724. BWV 62. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.062/11. Published by Carus Verlag (CA.3106211).

ISBN 9790007043612. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score and part available separately - see item CA.3106200.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3106213

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Single Part, Viola. Composed 1724. BWV 62. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.062/13. Published by Carus Verlag (CA.3106213).

ISBN 9790007043636. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score and part available separately - see item CA.3106200.