By Eric Taylor. ABRSM Music Theory in Practice Answers is a brand new resource t...(+)
By Eric Taylor. ABRSM
Music Theory in Practice
Answers is a brand new
resource to accompany the
fully- revised Grades 1
to 5 of the Music Theory
in Practice series. Each
volume provides model
answers for every
exercise covered in the
corresponding Music
Theory in Practic.
Education. Grade 4
SSA vocal soli, SSA
choir, 2 violins, basso
continuo, organ
SKU:
CA.5425712
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
German title: Missa Sti
Aloysii In B. Ssa Mh 257.
Sacred vocal music,
Masses, Latin. Single
Part, Violin 2. Composed
1777. MH 257. 12 pages.
Duration 30 minutes.
Carus Verlag #CV
54.257/12. Published by
Carus Verlag
(CA.5425712).
ISBN
9790007226107. Language:
Latin.
Johann
Michael Haydn's oeuvre
includes more than thirty
works in Latin or German
for two or three
descants, composed for
his dear choirboys of the
Salzburg 'Kapellhaus'.
The first setting of the
ordinary in this series
was the Missa Sancti
Aloysii, composed in
1777. It was initially
intended for the
Commemoration of the Holy
Innocents on 28 December,
when the chapel boys
celebrated their
principal feast day. This
exceptionally charming
mass, characterized by a
wonderfully effervescent
joyfulness, is an
insider's tip for anyone
looking for new
repertoire for three-part
women's, girls' or boys'
choir. By virtue of ist
scoring, the mass is also
eminently suitable for
small-scale performances.
Score and part available
separately - see item
CA.5425700.
By Eric Taylor. ABRSM Music Theory in Practice Answers is a brand new resource t...(+)
By Eric Taylor. ABRSM
Music Theory in Practice
Answers is a brand new
resource to accompany the
fully- revised Grades 1
to 5 of the Music Theory
in Practice series. Each
volume provides model
answers for every
exercise covered in the
corresponding Music
Theory in Practic.
Education. Grade 3
Missa Sancti Aloysii Soli, choeur mixte et accompagnement [Set de Parties séparées] Carus Verlag
Composed by Michael Haydn (1737-1806). Edited by Armin Kircher. This edition: ur...(+)
Composed by Michael Haydn
(1737-1806). Edited by
Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
German title: Missa Sti
Aloysii in B. SSA MH 257.
Latin Masses. Complete
orchestral parts.
Composed 1777. MH 257.
Duration 30 minutes.
Published by Carus Verlag
(CA.5425719).
By Eric Taylor. ABRSM Music Theory in Practice Answers is a brand new resource t...(+)
By Eric Taylor. ABRSM
Music Theory in Practice
Answers is a brand new
resource to accompany the
fully- revised Grades 1
to 5 of the Music Theory
in Practice series. Each
volume provides model
answers for every
exercise covered in the
corresponding Music
Theory in Practic.
Education. Grade 5
An Intimate Day by Day History. Omnibus Press. Biography / MUSIC BISAC, Biograph...(+)
An Intimate Day by Day
History. Omnibus Press.
Biography / MUSIC BISAC,
Biography/Composers and
Musicians. Softcover. 320
pages. Omnibus Press
#OP52107. Published by
Omnibus Press
By Eric Taylor. ABRSM Music Theory in Practice Answers is a brand new resource t...(+)
By Eric Taylor. ABRSM
Music Theory in Practice
Answers is a brand new
resource to accompany the
fully- revised Grades 1
to 5 of the Music Theory
in Practice series. Each
volume provides model
answers for every
exercise covered in the
corresponding Music
Theory in Practic.
Education. Grade 1
Audio Fundamentals Livre - Pas de partitions [Livre + DVD] Alfred Publishing
(Signal Flow -- Fundamental Tools of Sound Production). By Matt Donner, Steve He...(+)
(Signal Flow --
Fundamental Tools of
Sound Production). By
Matt Donner, Steve
Heithecker, and George
Peterson. Book; Books and
DVDs; DVD;
Method/Instruction; Pro
Audio; Pro Audio
Textbook; Reference
Textbooks. Pyramind
Training Series. 248
pages. Published by
Alfred Music Publishing
(C Edition). By Various. For voice and C instrument. Hal Leonard Fake Books. Pop...(+)
(C Edition). By Various.
For voice and C
instrument. Hal Leonard
Fake Books. Pop Vocal and
Vocal Standards.
Difficulty: easy-medium.
Fakebook. Vocal melody,
lyrics and chord names.
396 pages. Published by
Hal Leonard fakebook
Pop Vocal and Vocal
Standards
Written by Mark Levine. Instructional book (spiral bound). With instructional te...(+)
Written by Mark Levine.
Instructional book
(spiral bound). With
instructional text,
musical examples and
black and white photos.
522 pages. Published by
Sher Music Company.
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: Edition of
selected works, Urtext
edition. Linen.
Saint-Saens, Camille.
Oevres instrumentales
completes I/3. Edition of
selected works, Score.
Opus 78. Duration 39
minutes. Baerenreiter
Verlag #BA10303_01.
Published by Baerenreiter
Verlag (BA.BA10303-01).
ISBN 9790006559503. 33
x 26 cm inches. Key: C
minor. Preface: Michael
Stegemann.
The
third symphony by Camille
Saint-Saens, known as the
Organ Symphony, is the
first publication in a
complete
historical-critical
edition of the French
composer's instrumental
works.
I gave
everything I was able to
give in this work. [...]
What I have done here I
will never be able to do
again.Camille Saint-Saens
was rightly proud of his
third Symphony in C minor
Op.78, dedicated to the
memory of Franz Liszt.
Called theOrgan
Symphonybecause of its
novel scoring, the work
was a commission from the
Philharmonic Society in
London, as was
Beethoven's Ninth, and
was premiered there on 19
May 1886. The first
performance in Paris
followed on 9 January
1887 and confirmed the
composer's reputation
asprobably the most
significant, and
certainly the most
independent French
symphonistof his time, as
Ludwig Finscher wrote in
MGG. In fact the work
remains the only one in
the history of that genre
in France to the present
day, composed a good half
century after the
Symphonie fantastique by
Hector Berlioz and a good
half century before
Olivier Messiaen's
Turangalila
Symphonie.
You
would think that such a
famous, much-performed
and much recorded opus
could not hold any more
secrets, but far from it:
in the first
historical-critical
edition of the Symphony,
numerous inconsistencies
and mistakes in the
Durand edition in general
use until now, have been
uncovered and corrected.
An examination and
evaluation of the sources
ranged from two early
sketches, now preserved
in Paris and Washington
(in which the Symphony
was still in B minor!)
via the autograph
manuscript and a set of
proofs corrected by
Saint-Saens himself, to
the first and subsequent
editions of the full
score and parts. The
versions for piano duet
(by Leon Roques) and for
two pianos (by the
composer himself) were
also consulted. Further
crucial information was
finally found in his
extensive correspondence,
encompassing thousands of
previously unpublished
letters. The discoveries
made in producing this
edition include the fact
that at its London
premiere, the Symphony
probably looked quite
different from its
present appearance
...
No less
exciting than the work
itself is the history of
its composition and
reception, which are
described in an extensive
foreword. With his
Symphony, Saint-Saens
entered right into the
dispute which divided
French musical life into
pro and contra Wagner in
the 1880s and 1890s. At
the same time, the work
succeeded in preserving
the balance between
tradition and modernism
in masterly fashion, as a
contemporary critic
stated:The C minor
Symphony by Saint-Saens
creates a bridge from the
past into the future,
from immortal richness to
progress, from ideas to
their
implementation.
On
19 March 1886 Saint-Saens
wrote to the London
Philharmonic Society,
which commissioned the
work:
Work on the
symphony is in full
swing. But I warn you, it
will be terrible. Here is
the precise
instrumentation: 3 flutes
/ 2 oboes / 1 cor anglais
/ 2 clarinets / 1 bass
clarinet / 2 bassoons / 1
contrabassoon / 2 natural
horns / [3 trumpets /
Saint-Saens had forgotten
these in his listing.] 2
chromatic horns / 3
trombones / 1 tuba / 3
timpani / organ / 1 piano
duet and the strings, of
course. Fortunately,
there are no harps.
Unfortunately it will be
difficult. I am doing
what I can to mitigate
the
difficulties.
As
in my 4th Concerto [for
piano] and my [1st]
Violin Sonata [in D minor
Op.75] at first glance
there appear to be just
two parts: the first
Allegro and the Adagio,
the Scherzo and the
Finale, each attacca.
This fiendish symphony
has crept up by a
semitone; it did not want
to stay in B minor, and
is now in C
minor.
It would be
a pleasure for me to
conduct this symphony.
Whether it would be a
pleasure for others to
hear it? That is the
question. It is you who
wanted it, I wash my
hands of it. I will bring
the orchestral parts
carefully corrected with
me, and if anyone wants
to give me a nice
rehearsal for the
symphony after the full
rehearsal, everything
will be fine.
When
Saint-Saens hit upon the
idea of adding an organ
and a piano to the usual
orchestral scoring is not
known. The idea of adding
an organ part to a
secular orchestral work
intended for the concert
hall was thoroughly novel
- and not without
controversy. On the other
hand, Franz Liszt, whose
music Saint-Saens'
Symphony is so close to,
had already demonstrated
that the organ could
easily be an orchestral
instrument in his
symphonic poem
Hunnenschlacht (1856/57).
There was also a model
for the piano duet part
which Saint-Saens knew
and may possibly have
used quite consciously as
an exemplar: theFantaisie
sur la Tempetefrom the
lyrical monodrama Lelio,
ou le retour a la Vie op.
14bis (1831) by Berlioz.
The name of the organist
at the premiere ist
unknown, as,
incidentally, was also
the case with many of the
later performances; the
organ part is indeed not
soloistic, but should be
understood as part of the
orchestral
texture.
In fact
the subsequent success of
the symphony seems to
have represented a kind
of breakthrough for the
composer, who was then
over 50 years of age.My
dear composer of a famous
symphony, wrote
Saint-Saens' friend and
pupil Gabriel Faure:You
will never be able to
imagine what a pleasure I
had last Sunday [at the
second performance on 16
January 1887]! And I had
the score and did not
miss a single note of
this Symphony, which will
endure much longer than
we two, even if we were
to join together our two
lifespans!
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Piano SKU: BR.EB-8795 Easy Piano Pieces about Water with the Keyboard ...(+)
Piano
SKU:
BR.EB-8795
Easy
Piano Pieces about Water
with the Keyboard
Crocodile. Composed
by V. (Hrsg.) Weinhandl
M. Schneider K. Daxbock.
Edited by Karin et al.
Daxbock. Solo
instruments; Softcover.
Edition Breitkopf.
No
more dry piano
lessonsSurging, flowing,
dripping - with Splash
the beloved Keyboard
Crocodile has finally
made it back to his
original habitat.
Music pedagogy. Score. 36
pages. Breitkopf and
Haertel #EB 8795.
Published by Breitkopf
and Haertel (BR.EB-8795).
ISBN 9790004182932. 9
x 12 inches.
German.
Obviously
the friendly little
reptile only feels truly
fit amidst original
literature, and you'll be
amazed to see how many
gently flowing or wildly
cascading pieces have
been produced over the
past two centuries.
You'll find pieces by
masters such as Czerny,
Schumann, Gurlitt and
Theodor Kirchner; some
white-water pieces from
William Gillock and Mike
Schoenmehl; and with the
Little Atlantic Rhapsody,
an ocean breeze will
sweep through every piano
lesson. No one has to be
afraid of water, however,
since Splash is also
ideal for non-swimmers!
The pieces are generally
a bit more demanding than
those in the Horses book,
but this definitely need
not dampen anyone's
enthusiasm. With this
book, learning the piano
goes swimmingly!
By Henry Doktorski. For button accordion. This edition: Paperback. Instructional...(+)
By Henry Doktorski. For
button accordion. This
edition: Paperback.
Instructional. Method.
Method book and CD. Text
Language: English. 48
pages. Published by
Santorella Publications