Trumpet(s) solo

SKU: BR.KM-2477

Composed by Isabel Mundry. Solo instruments; stapled. Kammermusik-Bibliothek (Chamber Music Library).

World premiere: Cologne, October 23, 1999

Music post-1945; New music (post-2000). Performance score. Composed 1999. 12 pages. Duration 12'. Breitkopf and Haertel #KM 2477. Published by Breitkopf and Haertel (BR.KM-2477).

ISBN 9790004502464. 10.5 x 14 inches.

Die Komposition besteht aus funf Teilen, in denen ich auf verschiedene Weisen meine musikalischen Raumvorstellungen ausgelotet habe. Tonraume, Klangfarbenraume, gefullte oder leere Raume spielen hier eine Rolle, aber auch Aspekte wie Annaherung, Entfernung, Nachhall. Es hat mich beim Schreiben dieser Musik interessiert, alle Raume lediglich in der Musik zu suchen und von raumlichen Bewegungen im Konzertsaal abzusehen.Nicht zuletzt spielen diverse ausdifferenzierte Dampferbewegungen eine Rolle, die ich gemeinsam mit Markus Stockhausen erarbeitet habe. Die vielen Moglichkeiten, mit Dampfern Tone zu offnen oder in die Ferne rucken zu lassen, verdeutlichen mir: die Trompete selbst ist ein Raum.(Isabel Mundry)

World premiere: Cologne, October 23, 1999 Commissioned by the WDR Koln.

German Unison Choir

SKU: HL.49047112

Fur Jeden Schulischen Anlass. Vocal Collection. German Edition, Song Collections. Softcover Media Online. Schott Music #ED23601D. Published by Schott Music (HL.49047112).

UPC: 196288124740.

First day of school, holidays, school festival, farewell, mobile phone ban, class trip - there are many special occasions, topics and days in everyday school life, but the right songs and songs are often missing. With 33 new songs - specially composed for the school - Julian Oswald and Andreas Wickel close this gap. Stylistically diverse, easy to sing, entertaining, memorable and valuable in terms of content, everyday school life becomes musically richer in this way. An ideal addition to the repertoire of any school song book. Songs in German.

SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3910909

Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. 1x 39.109/21 flute, 3x 39.109/31 trumpet/timpani. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott 4. Sacred vocal music, Cantatas, Praise and thanks. Set of Orchestra Parts. TVWV 1:1166. 26 pages. Duration 15 minutes. Carus Verlag #CV 39.109/09. Published by Carus Verlag (CA.3910909).

ISBN 9790007215422. Language: German/English.

Tel emann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and parts available separately - see item CA.3910900.

SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3910911

Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Violin 1. TVWV 1:1166. 4 pages. Duration 15 minutes. Carus Verlag #CV 39.109/11. Published by Carus Verlag (CA.3910911).

ISBN 9790007215439. Language: German/English.

Tel emann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and part available separately - see item CA.3910900.

SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3910949

Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Organ. TVWV 1:1166. 12 pages. Duration 15 minutes. Carus Verlag #CV 39.109/49. Published by Carus Verlag (CA.3910949).

ISBN 9790007215477. Language: German/English.

Tel emann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and part available separately - see item CA.3910900.

SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3910912

Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Violin 2. TVWV 1:1166. 4 pages. Duration 15 minutes. Carus Verlag #CV 39.109/12. Published by Carus Verlag (CA.3910912).

ISBN 9790007215446. Language: German/English.

Tel emann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and part available separately - see item CA.3910900.

SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3910919

Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott. Sacred vocal music, Cantatas, Praise and thanks. Set of Orchestra Parts. TVWV 1:1166. Duration 15 minutes. Carus Verlag #CV 39.109/19. Published by Carus Verlag (CA.3910919).

ISBN 9790007139278. Language: German/English.

Tel emann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and parts available separately - see item CA.3910900.

SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3910914

Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Cello. TVWV 1:1166. 8 pages. Duration 15 minutes. Carus Verlag #CV 39.109/14. Published by Carus Verlag (CA.3910914).

ISBN 9790007215460. Language: German/English.

Tel emann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and part available separately - see item CA.3910900.

SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3910913

Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Viola. TVWV 1:1166. 4 pages. Duration 15 minutes. Carus Verlag #CV 39.109/13. Published by Carus Verlag (CA.3910913).

ISBN 9790007215453. Language: German/English.

Tel emann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and part available separately - see item CA.3910900.

Volume for voice + piano

SKU: CA.240003

Composed by Various. LIEDERPROJEKT. Wiegenlieder. Klavierband. Folk songs and settings of folk songs. Volume for voice + piano. Carus Verlag #CV 02.400/03. Published by Carus Verlag (CA.240003).

ISBN 9790007094416.

For all families who like to make music together at the piano, the companion volume to both the Lullaby songbook and CDs has just been published. This treasure of lullabies contains the complete collection of songs recorded on the CDs. In addition to well-known folk songs in old and new settings, the collection contains interesting art songs. The voice part is notated on one stave and all of the verses are printed (some set beneath the music, some printed separately, on the same page). The keys for the songs were chosen with a view to making them easy for children to sing. Score available separately - see item CA.240000.

Choral (TTBB Choir)

SKU: HL.145682

Sheet music. Pavane Secular. Male Voices, Mexican, Concert. Set of parts. 1518. 12 pages. Pavane Publishing #P1518. Published by Pavane Publishing (HL.145682).

UPC: 888680066987. 6.75x10.5 inches. Czech.

Selected for the new Music of the Americas Multicultural Series from North Dakota State University, this zesty piece hails from Mexico. The encouraging message is that chuchumbé; will reach you whether things go good or bad. It is similar to saying the rhythm or dance of life will positively infect you no matter what. And what a great dance it is, with hand percussion bringing additional rhythm to the piece. The verses are so playful it is appropriate for performers to alter the words based on the region in which they are singing. Easy to Medium. For male choirs in high school or college.

SS vocal soli, SSMA choir

SKU: CA.993500

Composed by Alberto Grau. Carus Novus; Contemporary choral music. Caracolitos Chicos.Carus Novus. Carus novus, Contemporary choral music. Full score. Duration 6 minutes. Carus Verlag #CV 09.935/00. Published by Carus Verlag (CA.993500).

ISBN 9790007145170. Language: Spanish. Text: Lorca, Federico Garcia. Text: Federico GarcIa Lorca.

'Caracolitos chicos from Alberto Grau (*1937) ist a virtuoso composition for women's choir belonging to a group of works that Grau wrote for ensembles who were looking for new aesthetic proposals. The text of Garcia Lorca that serves as a point of departure, is only a short selection of playful verses describing the natural and untamed character of a child that imitates a horse. This is why the composition combines different layers of polyrythmic textures in the singing parts of the choir with body percussion, which are fully interconnected and must be interpreted as a whole.The intention of the composer is that the piece turns into a festive and happier experience on stage.

Piano - Early Intermediate; Late Elementary

SKU: FJ.FJH2350

Composed by Kevin Olson. Piano Collection. Legends of Swing. Jazz. Book. The FJH Music Company Inc #98-FJH2350. Published by The FJH Music Company Inc (FJ.FJH2350).

ISBN 9781619283077. English.

Legends of Swing, a new series by composer Kevin Olson, highlights the diverse world of jazz by exploring the hot spots for the culture and language of the genre. The first book in the series portrays Kansas City Jazz, defined by great names like Bennie Moten, Mary Lou Williams and Count Basie. Explore one of the many cradles of jazz with three performance pieces influenced by Kansas City Stomp..

Percussion solo

SKU: BR.EB-9405

Composed by Nicolaus A. Huber. Solo instruments; Folder. Edition Breitkopf. World premiere: Witten (Wittener Tage fur neue Kammermusik), April 22, 1978. Music post-1945; New music (post-2000). Score. Composed 1978. 16 pages. Duration 15'. Breitkopf and Haertel #EB 9405. Published by Breitkopf and Haertel (BR.EB-9405).

ISBN 9790004188798. 16.5 x 11.5 inches.

My composition for snare drum forms a counter piece to my series of rhythmic pieces (Darabukka for piano or Morgenlied for large orchestra). The dramatic moment - tuned instruments are treated like rhythm instruments - disappear entirely. The inner contrast is replaced by the tension between the different uses of the drum and a relatively large number of invariable performance elements. Although the snare drum was only developed at the beginning of the 19th century, it has its roots in an old and diverse drum culture. The technical aspects of this composition are based on various aspects of this rich culture, both the social customs as well as the variety of different performing techniques and expressions. However, the piece does not merely quote - that would be unhistorical - on the contrary: The modern and progressive, in so far as I can observe this in our social environment, is quite evident, for as the title of the piece tells us the same is not the same. (Nicolaus A. Huber, 1978 - translation: Gabriele Hohmann) CDs: Rainer Romer (percussion) CD Ensemble Modern Medien EMCD-012 Rainer Romer (percussion) CD Coviello COV 61003 LPs: Edith Salmen LP Harmonia Mundi DMR 1022-24 Martin Schulz LP plane 88504 Bibliography: Schick , Tobias Eduard: Weltbezuge in der Musik Mathias Spahlingers (Beihefte zum Archiv fur Musikwissenschaft, Band 80), Stuttgart; Franz Steiner 2018, here p. 102.

World premiere: Witten (Wittener Tage fur neue Kammermusik), April 22, 1978.

Choral SATB choir, piano

SKU: CF.CM9555

Arranged by Jay Rouse. SWS. Performance. With Standard notation. 16 pages. Carl Fischer Music #CM9555. Published by Carl Fischer Music (CF.CM9555).

ISBN 9781491150870. UPC: 680160908370. 6.875 x 10.5 inches.

Jay Rouse's Wayfaring Strangers showcases harmonic, rhythmic and textural variety, bringing new life to this well-known Southern folk hymn. A rhythmically diverse and interesting inter-play between accompaniment and varied vocal combinations make his arrangement of Wayfaring Stranger captivating.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1012947-140

Arranged by Naohiro Iwai. New Sounds for Concert Band. Original Light Music. Score Only. Composed 2001. De Haske Publications #DHP 1012947-140. Published by De Haske Publications (BT.DHP-1012947-140).

Four top hits are included in All Time Favorites, arranged by Naohiro Iwai. This arrangement proves that Calendar Girl, The Loco Motion, April Love and Land of a Thousand Dances are hits that have survived with time and will continue to do so.

In All Time Favorites verarbeitete Naohiro Iwai das unvergessene Calendar Girl, den Tanzhit dreier Jahrzehnte The Locomotion, das romantische April Love und den großen Hit des Soulstars Pat Boone Land of a Thousand Dances. Neben seinem guten Gespür für Musik, die bei Jung und Alt ankommt, ist es Iwai in seinem Arrangement gelungen, auf die Bedürfnisse des Blasorchesters voll einzugehen.

All Time Favorites (“Classiques éternels”) rassemble pas moins de quatre standards impérissables de la chanson : Calendar Girl, The Loco Motion, April Love et Land of a Thousand Dances. Cet arrangement de Naohiro Iwai prouve, une fois de plus, que les grands succès sont universels.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-0991829-140

Composed by Traditional. Arranged by Naohiro Iwai. New Sounds for Concert Band. Original Light Music. Score Only. Composed 1999. De Haske Publications #DHP 0991829-140. Published by De Haske Publications (BT.DHP-0991829-140).

When the Saints Go Marchin' in ist ein altes Spiritual, dessen Wurzeln in der Musik der schwarzamerikanischen Sklaven liegen. Im Laufe des 20. Jahrhunderts wurde es in vielen Besetzungen und von diversen Stars wie z.B. Louis Armstrong oder Elvis Presley interpretiert. Heute kennt fast jedes Kind das Lied und jeder - ob Jung oder Alt - lässt sich von der schwungvollen Nummer immer wieder gerne mitreißen.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1012947-010

Arranged by Naohiro Iwai. New Sounds for Concert Band. Original Light Music. Set (Score & Parts). Composed 2001. De Haske Publications #DHP 1012947-010. Published by De Haske Publications (BT.DHP-1012947-010).

Four top hits are included in All Time Favorites, arranged by Naohiro Iwai. This arrangement proves that Calendar Girl, The Loco Motion, April Love and Land of a Thousand Dances are hits that have survived with time and will continue to do so.

In All Time Favorites verarbeitete Naohiro Iwai das unvergessene Calendar Girl, den Tanzhit dreier Jahrzehnte The Locomotion, das romantische April Love und den großen Hit des Soulstars Pat Boone Land of a Thousand Dances. Neben seinem guten Gespür für Musik, die bei Jung und Alt ankommt, ist es Iwai in seinem Arrangement gelungen, auf die Bedürfnisse des Blasorchesters voll einzugehen.

All Time Favorites (“Classiques éternels”) rassemble pas moins de quatre standards impérissables de la chanson : Calendar Girl, The Loco Motion, April Love et Land of a Thousand Dances. Cet arrangement de Naohiro Iwai prouve, une fois de plus, que les grands succès sont universels.

SSA Chorus

SKU: FG.55011-569-9

Composed by Alex Freeman. Fennica Gehrman #55011-569-9. Published by Fennica Gehrman (FG.55011-569-9).

ISBN 9790550115699.

Alex Freeman's I Feel the Same Way, Three songs of Lilian Moore (2015) for children's chorus (SSA) captures little moments of childhood wonder. Lilian Moore (1909-2004) was a poet and editor, who helped make children's books more affordable and worked to combat racial stereotypes in children's literature. In the printed collection, the ambiance of each poem is enhanced by the artwork of Robert Quackenbush. His illustrations for each of the poems that Freeman has set to music here are reproduced within this score with the aim of transporting young singers into the micro universes of Moore's poems. Alex Freeman (b. 1972) grew up in Raleigh, North Carolina. Around the age of 13 he became interested in composing. In 1998 he moved to New York to begin his Doctoral studies at the Juilliard School, studying with Christopher Rouse. The focus of his doctoral document led him to Finland. The recipient of a Fulbright Full Fellowship, he moved to Helsinki in 2001 to research Sibelius's sketches and study composition with Eero Hameenniemi at the Sibelius Academy. Dr. Freeman is currently composing full-time and lives with his wife and children in Finland.

Composed by John Rutter (1945-). For SATB choir and piano/small orchestra (fl, ob, cl, str). This edition: Paperback. Mixed Voices. John Rutter Anniversary Edition. Vocal score. Duration 4 minutes. Published by Oxford University Press

Composed by Heather Sorenson. Shawnee Sacred. General Worship, Sacred. Octavo. 16 pages. Published by Shawnee Press

SKU: CA.5281100

Edited by Knud Breyer, Stefan König. Gesamt- und Werkausgaben: Max Reger. Hybrid Edition of works. Songs IV (1903–1905). Full score (complete edition / selected edition). Carus Verlag #5281100. Published by Carus Verlag (CA.5281100).

ISBN 9790007302023.

The fourth volume of the Lieder und Chorwerke (Songs and Choral Works) from the Reger Hybrid Edition of Works (RWA) presents songs Max Reger composed between November 1903 and July 1905. In his Opus 75 songs, Reger set verses by classic German poets, such as Goethe and Hölderlin, as well as folksong texts in his usual avant-garde manner. In the 30 songs from the first two collections of the Schlichte Weisen, Op. 76, on the other hand, the composer distanced himself from his previous approach to songwriting by adopting a simpler, folk-like style. The popular Schlichte Weisen were also a concession to his publishers' wishes. The songs in Opus 88 were published not by Lauterbach & Kuhn but by Simrock, a firm more willing to accept music that departed from Alltagsgeschmack (everyday or popular taste). The four songs were dedicated to the mezzo-soprano Lula Mysz-Gmeiner.In January 2008 the Max-Reger-Institut (MRI) in Karlsruhe began publishing a scholarly-critical edition of the works of Reger (RWA), supported by the Mainz Academy of Sciences and Literature. As a Hybrid Edition, it is exploring new approaches in editorial techniques.The digital offer belonging to the volume is published in an online portal.Contents:< CR>Eighteen Songs op. 75Schlichte Weisen op. 76, vol. ISchlichte Weisen op. 76, vol. IIFour Songs op. 88Ehre sei Gott in der Höhe WoO VII/37AppendixWaldeinsamkeit op. 76 no. 3Minnelied op. 76 no. 21.

Composed by John Rutter (1945-). For SATB choir unaccompanied. Mixed Voices. John Rutter Anniversary Edition. Secular. Level A (very easy). Octavo. 12 pages. Duration 2 minutes. Published by Oxford University Press

SATB choir, cantor, voice solo, assembly, piano accompaniment - Early intermediate

SKU: GI.G-9431

Entrance and Communion Antiphons for the Church Year. Composed by M. Roger Holland, II. Sacred. 40 pages. GIA Publications #9431. Published by GIA Publications (GI.G-9431).

UPC: 785147943105. English. Text Source: 1. Ps. 96:1, 3, 6-9, alt., The Revised Grail Psalms, 2. 1 Jn. 4:16, Ps. 103:1-2, 8, 10-12, 17-18a, The Grail, 1983, 3. Is. 7:14, Ps. 19:2-6, RGP, 4. Jn. 6:57, Ps. 119:1-2, 11, 49-50, 65, 72, 103, Grail, 1983, Ps. 2. Scripture: Psalm 96:1, 3, 6–9, 1 John 4:16, Psalm 103:1–2, 8, 10–12, 17–18a, Isaiah 7:14, Psalm 19:2–6, John 6:57, Psalm 119:1–2, 11, 49–50, 65, 72, 103, Psalm 23:5ad.

Noted composer M. Roger Holland has taken antiphons from the 2010 Roman Missal and paired them with psalm verses, creating compositions that have wide use in the liturgy. Some parishes will want to use these pieces on the appointed day for entrance or communion processionals. Others may find use for them throughout the entire year, perhaps using them as a weekly song through the season. The songs work well as stand-alone processional pieces and many choirs will want to use them as choir anthems or congregational songs during the preparation of the gifts and altar. While utilizing official texts of the Roman rite, they can be used by congregations of any denomination. Roger explores the wide breadth that is African American music, you’ll find lyric ballades, spiritualinspired offerings, gospel-style songs, and pieces with a more uptempo feel. This is the fourth volume in this series. Contains: O Sing a New Song • God Is Love • Behold Emmanuel • Communion Song For cantor or soloist.