Forty Little Pieces Flûte traversière [Partition + Accès audio] - Facile Schirmer
In Progressive Order for Beginner Flutists Book/Online Audio. Composed by Variou...(+)
In Progressive Order for
Beginner Flutists
Book/Online Audio.
Composed by Various.
Edited by Louis Moyse.
Arranged by Louis Moyse.
Woodwind Solo. Duet,
Collection, Classical.
Softcover Audio Online.
52 pages. Published by G.
Schirmer
By Shulamit Ran (1949-). For Picc/Flute/Alto Flute, B-F Clarinet, Violin, Cello,...(+)
By Shulamit Ran (1949-).
For Picc/Flute/Alto
Flute, B-F Clarinet,
Violin, Cello, Piano.
Score and part(s).
Standard notation.
Published by Theodore
Presser Company
SKU: CA.1604900 Composed by Jozef Swider. Church year: Christmas. German ...(+)
SKU: CA.1604900
Composed by Jozef Swider.
Church year: Christmas.
German title: Zehn
Miniaturen Fur 3
Guitarren Pod 3. Full
score. 28 pages. Carus
Verlag #CV 16.049/00.
Published by Carus Verlag
(CA.1604900).
Arranged by Paul Sheftel. Collection for Piano. This comprehensive volume for be...(+)
Arranged by Paul Sheftel.
Collection for Piano.
This comprehensive volume
for beginning piano
students offers the
player 132 original
masterpieces from
Beethoven to Bartok and
covers a wide range of
styles. Selected by noted
piano pedagogue Paul
Sheftel, this collection
will offer the beginning
student challenging
repertoire as well as
hours of enjoyment. 157
pages. Published by Carl
Fischer.
(Standard Repertoire for the Developing Pianist). Edited by Jane Magrath. For ...(+)
(Standard Repertoire for
the
Developing Pianist).
Edited
by Jane Magrath. For
Piano.
Book; Graded Standard
Repertoire; Masterworks;
Piano Collection.
Classics
for Students. Masterwork;
Recital. Early
Intermediate.
32 pages. Published by
Alfred Music
(Volume 2 Voice and Piano (Original Keys)). By Francis Poulenc (1899-1963). For ...(+)
(Volume 2 Voice and Piano
(Original Keys)). By
Francis Poulenc
(1899-1963). For Voice,
Piano Accompaniment.
Editions Durand.
Softcover. 104 pages.
Editions Durand #DF16090.
Published by Editions
Durand
(83 Early / Late Intermediate Selections Requiring a Hand Span of an Octave or L...(+)
(83 Early / Late
Intermediate Selections
Requiring a Hand Span of
an Octave or Less).
Edited by Maurice Hinson.
For Piano. Piano
Collection. Essential
Keyboard Repertoire.
Masterwork. Early
Intermediate / Late
Intermediate. Book. 164
pages. Published by
Alfred Music Publishing
Edited by Denes Agay. For piano. Format: piano solo book. With fingerings, gloss...(+)
Edited by Denes Agay. For
piano. Format: piano solo
book. With fingerings,
glossary of musical
terms, performance notes,
introductory text and
biographical sketches of
composers. Baroque. 232
pages. 9x12 inches.
Published by Yorktown
Music Press.
Edited by Maurice Hinson. Frederic Chopin. For Piano. Piano Collection. Masterwo...(+)
Edited by Maurice Hinson.
Frederic Chopin. For
Piano. Piano Collection.
Masterwork. Level:
Intermediate / Early
Advanced (grade 4/5/6/6
). Book. 64 pages.
Published by Alfred
Publishing.
Piano SKU: BR.SMV-60004 Composed by Walter Georgii. Edited by Walter Geor...(+)
Piano
SKU:
BR.SMV-60004
Composed
by Walter Georgii. Edited
by Walter Georgii. Solo
instruments; Softbound.
Monuments of German
Music. Baroque; Early
classical. Score. 96
pages. Breitkopf and
Haertel #SMV 60004.
Published by Breitkopf
and Haertel
(BR.SMV-60004).
ISBN
9790004571446. 0 x 0
inches.
English.
Volume 1:
Werke aus England William
Byrd (Praludium, A Gigg)
John Bull (Praludium, Dr.
Bull's Juell) Giles
Farnaby (Tower Hill)
Henry Purcell (Praludium
C, A Ground in Gamur)
Werke aus Holland Jan
Sweelinck (Variationen
uber das Lied ,, Est-ce
Mars) Werke aus Italien
Girolamo Frescobaldi
(Ballettto mit Corrente)
Alessandro Poglietti
(Capriccio ,, uber dass
Hennergeschrey) Bernardo
Pasquini (Tre Arie) Werke
aus Frankreich Jacques
Champion de Chambonnieres
(Drei Tanzstucke) Louis
Couperin (Drei
Tanzstucke) Nicolas
Antoine Le Begue (Gavotte
mit Double) Werke aus
Deutschland Johann Jakob
Froberger (Suite C
,,Lamento) Georg Muffat
(Passacaglia g) Johann
Pachelbel (Ciacona f)
Ferdinand Tobias Richter
(Toccatina d) Johann
Krieger (Partita G)
Johann Kaspar Ferdinand
Fischer (Praludium D,
Chaconne G) Johann Kuhnau
(Biblische Historie Nr.
4) Matthias Weckmann
(Toccata e) Jan A.
Reinken (Fuge g) Dietrich
Buxtehude (Suite uber den
Choral ,,Auf meinen
lieben Gott) Georg Bohm
(Praludium, Fuge und
Postludium) Volume 2:
Domenico Scarlatti (10
Sonaten) Francois
Couperin (Les Gastes da
la grande et ancienne
Mxnxstrxndxsx,
Passacaille, Les
Baricades Misterieuses,
Les Moissoneurs) Jean
Philippe Rameau (Musette
en Rondeau, Gavotte, 2
Menuette, La Poule,
L'Egiptienne,
L'Enharmonique) Louis
Claude Daquin (Le Coucou)
Jean Francois Dandrieu
(Le Gemissante) Georg
Philipp Telemann
(Fantasien E-dur und
e-moll) Gottlieb Muffat
(6. Suite aus den
Componimenti musicali
d-moll) Volume 3: B.
Galuppi (Sonate) Padre
Martini (Praludium und
Fuge, Gavotte) P. D.
Paradisi (Sonate) Etienne
Nicolas Mehul (Menuett)
Georg Christoph Wagenseil
(Divertimento) Johann
Schobert (Sonate) W.
Friedemann Bach (Fuga,
Fuga, Polonaise) Ph. E.
Bach (Sonate, Rondo,
Fantasia, Rondo,
Fantasia) Johann
Christian Bach (Sonate
op. 17 Nr. 2) Georg Benda
(Largo, Presto) Johann
Wilhelm Hassler (Grande
Gigue op. 31).
Chorus (with soloists) and piano (solos: SMezMez(A)ATTBarBBB - choir: SSAATTBB -...(+)
Chorus (with soloists)
and piano (solos:
SMezMez(A)ATTBarBBB -
choir: SSAATTBB -
picc.2.2.2.2. - 4.2.3.0.
- timp - hp - str)
SKU: BR.DV-6081
Lyrical Opera in 3
Acts. Composed by
Pjotr Iljitsch
Tschaikowsky. Edited by
Manfred Koerth / Wo
Ebermann. Arranged by M.
Koerth and W. Ebermann.
Choir; Softbound.
Deutscher Verlag. Opera;
Music theatre; Romantic.
Piano/Vocal Score. 300
pages. Deutscher Verlag
fur Musik #DV 6081.
Published by Deutscher
Verlag fur Musik
(BR.DV-6081).
ISBN
9790200460032. 9.5 x 12
inches.
Duration:
full evening Translation
: German (W. Ebermann/M.
Koerth), Engl. (D.
Llyod-Jones), French (M.
Delines) Place and
time: Partly on the
estate, partly in
Petersburg, in 20ies of
the 19th
Century
Characters
: Larina, Owner of the
Estate (mezzo-soprano) -
Tatiana (soprano) and
Olga (alto), her
Daughters - Filipjewna,
Wet Nurse
(mezzo-soprano/alto) -
Eugen Onegin (baritone) -
Lenskij (tenor) - Prince
Gremin (bass) - A
Commander (bass) -
Saretzkij (bass) -
Triquet, a French Man
(tenor) - Guillot, a
Valet (silent part) -
Country Folk, Ball
Guests, Squire, Officers
(chorus) - Waltz,
mazurka, polonaise and
Russian dance (Ballet
)
There is an
interesting parallel
between the subject of
the opera and
Tchaikovsky's life during
the year he wrote the
work (1877): in each
case, a letter provokes
fateful developments in
the lives of the
protagonists. In the
opera, Tatyana's love
letter to Eugene sets off
the tragedy, whereas in
real life, the love
letter of a pupil led the
composer into a marriage,
which lasted all of ...
three months. Tchaikovsky
took this doomed decision
without love, solely
because the circumstances
want it and because I
cannot act differently.
Certain allusions made,
for example, in a letter
of January 1878 to
Taneyev suggest that the
composer's personal
situation also flowed
into the work: I did not
want anything to do with
the so-called 'grand
opera.' I am looking for
an intimate but powerful
drama which is built on
the conflict of
circumstances which I
myself have seen and
experienced, a conflict
which truly moves me.
Partly for this reason
the composer decided to
call the work not an
opera but lyrical
scenes.Eugene Onegin,
conceived by Tchaikovsky
for limited resources and
a small stage, is the
most frequently performed
Russian opera today along
with Mussorgsky's Boris
Godunov, which represents
a completely contrary
aesthetic stance.
Tschaikowskys
letzte Oper - auf ein
Libretto seines Bruders
Modest nach der
Dramenvorlage des
danischen Schriftstellers
Henrik Hertz - lebt von
den poetischen Momenten
und den symbolbeladenen
Charakterportrats der
Hauptfiguren: Die junge
blinde Jolanthe wird von
ihrem Vater aus Sorge um
ihren Makel und zum
Schutz ihrer
Jungfraulichkeit und vor
den Widrigkeiten der Welt
in einen paradiesischen
Garten gesperrt. Er
befielt zu ihrem Schutz
sie um ihre Blindheit
unwissend zu lassen. Ein
Arzt warnt sehen werde
sie nur konnen wenn sie
es selbst wolle gleich
welche Angste aus der
vollstandigen Erkenntnis
der Welt erwachsen. Als
der junge Vaudemont in
ihre Abgeschiedenheit
einbricht und sich beide
ineinander verlieben
befreit er sie von ihrer
Unwissenheit erklart was
Farbe und Licht bedeuten.
Erst die Liebe zu ihm
macht sie sehend.
Die dunkle Welt
der Jolanthe zeichnet
Tschaikowsky zu Beginn
musikalisch durch eine
Introduktion
ausschliesslich fur
Blaser. Erst mit dem
Eintritt in die
unbekannte Welt der Liebe
und des Sehens verwendet
Tschaikowsky einen warmen
Streicherklang. Gerade
dadurch stiess die Oper
wohl bei Zeitgenossen auf
Verstorung. Tschaikowskys
,,Jolanthe nimmt in
seinem Opernschaffen eine
Sonderstellung ein: neben
dem glucklichen Ende
einer Apotheose des
Lichts und der Liebe mit
einem religios gepragten
Schlusschoral ist es
eines der wenigen
Buhnenwerke Tschaikowskys
ohne Bezug zur russischen
Geschichte. Der
ausgepragte Lyrismus des
Werks verweist
stattdessen auf
Tschaikowskys Nahe zur
franzosischen Kultur die
im 19. Jahrhundert einen
starken Einfluss auf
Russland hatte. Die Oper
wurde 1892 am
Mariinsky-Theater in
Sankt Petersburg als
Auftragswerk zusammen mit
seinem Ballett ,,Der
Nussknacker
uraufgefuhrt.
Nebe
n der Produktion des
Munchner
Rundfunkorchesters wurde
,,Jolanthe szenisch
erfolgreich bei den
Festspielen Baden-Baden
mit Anna Netrebko und
Piotr Beczala als
Liebespaar rehabilitiert.
Ausserhalb Deutschlands
lief die Opernraritat in
Toulouse Tokyo San
Sebastian und Monte
Carlo. Zuletzt erneut die
,,Suddeutsche Zeitung:
,,Jolanthe ist eine
Opernausgrabung die
,,wirklich zu Unrecht
vergessen ist.
Tchaikovsky's last opera
- on a libretto by the
composer's brother Modest
based on the drama by the
Danish author Henrik
Hertz - derives its
life-blood from its
poetic moments and the
symbol-laden portraits of
the leading characters:
the blind young Yolanta
is kept prisoner in a
paradisiacal garden by
her father who fears for
her purity and her
virginity and seeks to
protect her from the
adversities of the world.
To do so he orders
everyone to keep her
ignorant of the fact that
she is blind. A doctor
warns that she will only
be able to see when she
is ready to do so herself
no matter what fears
might result from a
complete experience of
the world. When the young
Vaudemont breaks into her
secluded world and the
two fall in love he frees
her from her ignorance
and explains the
significance of color and
light. It is through her
love for him that she is
finally able to see. At
the beginning of the work
Tchaikovsky depicts
Yolanta's dark world with
an introduction scored
exclusively for winds. It
is not until her
discovery of the unknown
world of love and sight
that Tchaikovsky uses a
warm string sound. This
is what many of the
composer's contemporaries
found disturbing about
the
opera.
Tchaikovsky
's Yolanta occupies a
special place in the
composer's operatic
oeuvre: for one it has a
happy ending an
apotheosis of light and
love with a religiously
stamped closing chorale;
for another it is one of
Tchaikovsky's few stage
works without any
reference to Russian
history. Instead the
work's pronounced
lyricism points to the
composer's closeness to
French culture. which
exerted a strong
influence on Russia in
the 19th
century.
The opera
was given its world
premiere at the Mariinsky
Theater in St. Petersburg
in 1892. It had been
commissioned along with
the ballet The
Nutcracker. Next to the
production by the
Munchner
Rundfunkorchester Yolanta
was also successfully
rehabilitated in a recent
staged production at the
Baden-Baden Festival with
Anna Netrebko and Piotr
Beczala as the lovers.
Outside of Germany the
operatic rarity was
performed in Toulouse
Tokyo San Sebastian and
Monte Carlo.
In
closing another quote
from the Suddeutsche
Zeitung: 'Yolanta' is an
operatic rediscovery of a
work that was truly
'wrongly forgotten'.
By Frederic Chopin. Edited by Maurice Hinson. For Piano. Piano Collection. Maste...(+)
By Frederic Chopin.
Edited by Maurice Hinson.
For Piano. Piano
Collection. Masterwork.
Level: Intermediate /
Early Advanced (grade
4/5/6/6+). Book. 64
pages. Published by
Alfred Publishing.
Piano SKU: BR.SMV-60005 Composed by Walter Georgii. Edited by Walter Geor...(+)
Piano
SKU:
BR.SMV-60005
Composed
by Walter Georgii. Edited
by Walter Georgii. Solo
instruments; Softbound.
Monuments of German
Music. Baroque; Early
classical. Score. 102
pages. Breitkopf and
Haertel #SMV 60005.
Published by Breitkopf
and Haertel
(BR.SMV-60005).
ISBN
9790004571453. 0 x 0
inches.
English.
Volume 1:
Werke aus England William
Byrd (Praludium, A Gigg)
John Bull (Praludium, Dr.
Bull's Juell) Giles
Farnaby (Tower Hill)
Henry Purcell (Praludium
C, A Ground in Gamur)
Werke aus Holland Jan
Sweelinck (Variationen
uber das Lied ,, Est-ce
Mars) Werke aus Italien
Girolamo Frescobaldi
(Ballettto mit Corrente)
Alessandro Poglietti
(Capriccio ,, uber dass
Hennergeschrey) Bernardo
Pasquini (Tre Arie) Werke
aus Frankreich Jacques
Champion de Chambonnieres
(Drei Tanzstucke) Louis
Couperin (Drei
Tanzstucke) Nicolas
Antoine Le Begue (Gavotte
mit Double) Werke aus
Deutschland Johann Jakob
Froberger (Suite C
,,Lamento) Georg Muffat
(Passacaglia g) Johann
Pachelbel (Ciacona f)
Ferdinand Tobias Richter
(Toccatina d) Johann
Krieger (Partita G)
Johann Kaspar Ferdinand
Fischer (Praludium D,
Chaconne G) Johann Kuhnau
(Biblische Historie Nr.
4) Matthias Weckmann
(Toccata e) Jan A.
Reinken (Fuge g) Dietrich
Buxtehude (Suite uber den
Choral ,,Auf meinen
lieben Gott) Georg Bohm
(Praludium, Fuge und
Postludium) Volume 2:
Domenico Scarlatti (10
Sonaten) Francois
Couperin (Les Gastes da
la grande et ancienne
Mxnxstrxndxsx,
Passacaille, Les
Baricades Misterieuses,
Les Moissoneurs) Jean
Philippe Rameau (Musette
en Rondeau, Gavotte, 2
Menuette, La Poule,
L'Egiptienne,
L'Enharmonique) Louis
Claude Daquin (Le Coucou)
Jean Francois Dandrieu
(Le Gemissante) Georg
Philipp Telemann
(Fantasien E-dur und
e-moll) Gottlieb Muffat
(6. Suite aus den
Componimenti musicali
d-moll) Volume 3: B.
Galuppi (Sonate) Padre
Martini (Praludium und
Fuge, Gavotte) P. D.
Paradisi (Sonate) Etienne
Nicolas Mehul (Menuett)
Georg Christoph Wagenseil
(Divertimento) Johann
Schobert (Sonate) W.
Friedemann Bach (Fuga,
Fuga, Polonaise) Ph. E.
Bach (Sonate, Rondo,
Fantasia, Rondo,
Fantasia) Johann
Christian Bach (Sonate
op. 17 Nr. 2) Georg Benda
(Largo, Presto) Johann
Wilhelm Hassler (Grande
Gigue op. 31).
20 Pieces Edited by Louis Moyse Flute and Piano. Composed by Various. Edited by ...(+)
20 Pieces Edited by Louis
Moyse Flute and Piano.
Composed by Various.
Edited by Louis Moyse.
Woodwind Solo. Classical.
Softcover Audio Online.
24 pages. Published by G.
Schirmer
Polonaise, Bourree I,
Air en Menuet, Bourree
II, Schwabentanz..
Composed by Karl Marx.
Stapled. Single part.
Baerenreiter Verlag
#BA01939_27. Published by
Baerenreiter Verlag
(BA.BA01939-27).
Tenor recorder (Tenor recorder in C (D)) SKU: BA.BA01939-26 Polonaise,...(+)
Tenor recorder (Tenor
recorder in C (D))
SKU: BA.BA01939-26
Polonaise, Bourree I,
Air en Menuet, Bourree
II, Schwabentanz.
Composed by Karl Marx.
Stapled. Single part.
Baerenreiter Verlag
#BA01939_26. Published by
Baerenreiter Verlag
(BA.BA01939-26).