By Elliot Del Borgo. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn 1/2, Horn 3/4, Trombone 1, 2, 3, Baritone, Tuba,). Grade 3. Score and parts. Duration 8:00. Published by C. Alan Publications

Bass Guitar

SKU: BT.MUSMI0286

Composed by Bruno Tazzino. Play Music Italia. Classical. Book with CD. Composed 2015. Play Music Italy #MUSMI0286. Published by Play Music Italy (BT.MUSMI0286).

Italian.

Qualsia si sia il vostro livello, troverete in questa raccolta di che arricchire la vostra cultura musicale e soprattutto divertirvi suonando le più grandi melodie della musica classica con il basso. Tutti i grandi compositori che hanno marcato la storia della musica (Mozart, Bach, Beethoven, Tchaikovsky, Verdi, Brahms, Wagner, Vivaldi…) sono presenti tramite le loro più grandi opere. Si tratta di arie conosciute da tutti, che avete di sicuro sentito da qualche parte (film, pubblicit , radio…) senza conoscerne per forza il titolo. Solamente brani famosi del repertorio classico, splendidi da suonare sul basso. Trascritte su pentagramma ed intavolature, nelle posizioni che siadattano meglio al basso, queste bellissime melodie sono riprese anche sul CD allegato. Le versioni proposte sono varie e moderne, con uno o più effetti: delay, chorus, distorsione… Inoltre un playalong, cioè una base musicale, è a vostra disposizione per suonare ogni melodia in vere condizioni musicali. Divertimento assicurato!

Band Bass Clarinet, Bass Trombone, Bassoon, Clarinet, Contrabass, Contrabassoon, English Horn, Euphonium, Flute, Horn, Keyboard, Oboe, Percussion, Piccolo, Timpani, Trumpet, Tuba, alto Saxophone, baritone Saxophone, soprano Saxophone, tenor Saxophone and more.

SKU: PR.11540425L

Composed by Carter Pann. Large Score. 92 pages. Duration 26 minutes. Theodore Presser Company #115-40425L. Published by Theodore Presser Company (PR.11540425L).

UPC: 680160688159.

My� � work Labyrinth for Ithaca College could have easily been titled as my Third Symphony. The work is larger in scope than every other work of mine for winds, save perhaps my first symphony. The piece is cast in two main parts, each consisting of two movements. As it happened I wrote the movements backwards (fitting for something called Labyrinth). The size of the band is on par with that of Karel Husa’s Music for Prague 1968 with one exception, there is an electric keyboard part which lends certain moments in the piece an other-worldly ambience... sounds that are altogether different from anything possible from acoustic instruments. At the risk of sounding obvious or mundane, I had two words floating around my brain during the composing of this work — HUGE and melodic. My predisposition to create inherently melodic music is inescapable at this point in my composing career. This is the kind of music I have gravitated towards since beginning at the piano so long ago. I don’t write ambient or spectral music, nor do I write music replete with extended techniques. The crafting of melodies with gravitas has always made my process of composing the most satisfying. The very last movement of Labyrinth is a gargantuan crescendo the likes of the last movement of Respighi’s The Pines of Rome or Ravel’s Bolero and should leave the audience and players sonically drenched by the end. I’m so honored to have this opportunity to compose for Ithaca College’s 50th Anniversary of that seminal work of Karel Husa’s. I have known Music for Prague 1968 as long as I’ve known serious music for winds. It is my aim that every moment of Labyrinth offers the players as much to bite their teeth on as it leaves the audience in its throng from start to finish. -CP.

Brass Band - Grade 4

SKU: BT.DHP-1094824-130

Composed by Jacob De Haan. Concert and Contest Collection Brass Band en Fanfare. Concert Piece. Score Only. Composed 2009. 52 pages. De Haske Publications #DHP 1094824-130. Published by De Haske Publications (BT.DHP-1094824-130).

9x12 inches.

This concert work, the latest of Jacob de Haan works based on American states, is a suite in three movements, based on a well-known folk tune from Arkansas. In the course of this varied work the folk song appears in its complete form and in fragments, in major and in minor, as a ballad in a lyrical orchestration, as a blues, accompanied by a jazzy rhythm and at the end again in its pure form. In the process, all instrumental groups of the brass band get their chance to shine!

De Amerikaanse staat Arkansas wordt wel ‘The Natural State’ of ‘The Land of Opportunity’ genoemd. Dit concertwerk in de reeks door Jacob de Haan verklankte staten is een suite in drie delen, gebaseerd op een bekende volksmelodie uit Arkansas.Tijdens de eerste maten komt in de euphoniums en bassen direct de volksmelodie naar voren, die uitmondt in een aantal lyrische maten. Deze vormen de inleiding tot een sneller tempo (Allegro risoluto) waarin de melodie in fragmenten wordt geëxposeerddoor euphoniums, baritons en bugel, canonisch beantwoord door de trombones. In het daaropvolgende Allegro molto klinkt een concertino-achtig spel in diverse instrumentgroepen, afgewisseld met een nieuwe, zangerige melodie. Het deel sluit af met devolksmelodie in de trombones, maar nu gedempt.Het tweede deel is een ballade waarin de volksmelodie in majeur klinkt. Na een inleiding van gedempte cornetten en trombones gevolgd door zacht koper is de melodie te horen in de euphoniums en baritons in een lyrische zetting. Even wordt detoonsoort weer mineur, wanneer instrumentgroepen elkaar imiteren. Met een bugelsolo komen we terug in majeur. Na een tussenspel klinkt een ornamentele variatie, vertolkt door een cornetsolo en euphoniumsolo,waarna een naspel met gedempte cornetten en trombones volgt. Het laatste deel komt tot klinken in een flitsend Allegro vivace, aanvankelijk vergezeld door chromatische lijnen in de begeleiding en een markant, door kwartentriolen afgewisseld ritme in het slagwerk. Dan klinkt de blues door in de cornetten enhoorns, begeleid door een jazzy ritme waarin de sfeer van de Bolero van Ravel even doorklinkt. Dit leidt via een parallelle triolenpassage terug naar het beginthema van dit deel, dat nu in diverse instrumenten te horen is. Dan verschijnt devolksmelodie weer in haar pure vorm in de euphoniums, waarop de bugel en later de solocornet reageert. Via enkele syncopische maten horen we het begin van de melodie nu in majeur gespeeld door respectievelijk cornetten en hoorns. Het slotgedeelteomvat een melodieuze lijn in lange noten die leidt naar een spetterend einde in kwartentriolen.

Di eses Konzertwerk fügt sich in die Reihe der von Jacob de Haan vertonten amerikanischen Staaten. Es ist eine Suite in drei Sätzen auf der Grundlage von einem bekannten Volkslied aus Arkansas. In diesem abwechslungsreichen Werk erklingt das Volkslied ganz und in Fragmenten, in Moll und in Dur, als Ballade in lyrischer Besetzung, in Variationen, als Blues, von einem jazzigen Rhythmus begleitet, und zum Schluss wieder in seiner reinen Form. Dabei kommen alle Instrumentengruppen der Brass Band zum Zug!

Orchestra

SKU: SU.25100530

For Orchestra. Composed by Eli Evans. Orchestra. Full Score. Gusthold Music Publisher #25100530. Published by Gusthold Music Publisher (SU.25100530).

Full size score (11x17)The composer's answer to Ravel's Bolero.2,1 222; 4331; timp, 3perc, hp; stgs Duration: 8’30 Composed: 2020 Published by: Gusthold Music Publisher Performance materials available on rental:.

Piano, 4 Hands. By Various. Editions Durand. 108 pages. Published by Editions Durand.

Composed by Various Artists. Music Sales America. Romantic. Book Only. 236 pages. Chester Music #MUSCH68288. Published by Chester Music

Edited by Berthold Kloss. For flute/guitar. Stapled. Ready to Play. Performance score, part(s), anthology. Text Language: German/English. 18/16 pages. Published by Baerenreiter Verlag

Organ

SKU: CA.1808600

Composed by Kay Johannsen. Free organ music. Full score. 16 pages. Duration 9 minutes. Carus Verlag #CV 18.086/00. Published by Carus Verlag (CA.1808600).

ISBN 9790007166656. Language: all languages.

The Great Wall developed out of an improvisation, a homage to the Great Wall of China. Two motifs dominate in the work, which requires a three-manual organ: a two-measure ostinato in the pedal, and an oriental-sounding melody found on the manuals, in the basic shape and in the variations. The music leads seamlessly from an atmospheric picture into a rhythmically-driven crescendo, is interrupted by a storm fantasy before ending, after a second upsurge, in a radiant fortissimo. The dynamics and articulation are given very precisely in the score. The registration markings relate to the four-manual Muhleisen organ in the Stiftskirche Stuttgart, and are intended as a guide for performance. This thrilling work, which recalls Ravel's Bolero at certain moments, communicates directly with a wide range of audiences.

Grade 5 onwards. Composed by Robert Winn. Flute, Fife and Oboe, Method. Book and Insert with CD. 168 pages. Published by Mel Bay Publications, Inc

By Elliot Del Borgo. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn 1/2, Horn 3/4, Trombone 1, 2, 3, Baritone, Tuba,). Grade 3. Score only. Duration 8:00. Published by C. Alan Publications

For Tenor Saxophone, Piano. Classical. Sheet Music. 44 pages. Published by Chester Music.

By Various. Edited by Miller, Liebermann. For oboe/english horn/oboe d'A. Published by C.F. Peters.

SATB Choir - Grade 3

SKU: BT.DHP-0991451-050

Composed by Jacob De Haan. Inspiration Series. Set (Score & Parts). Composed 1999. De Haske Publications #DHP 0991451-050. Published by De Haske Publications (BT.DHP-0991451-050).

English.

Pacific Dreams describes the experience of Miguel, a traveling composer from Spain who, feeling somewhat alienated from his homeland, is wandering through an area of Sydney known as The Rocks. At a small outdoor market in a typical street of this oldcolonial neighbourhood, he discovers a print of William DeShazos painting Pacific Dreams Portrayed in the painting is the surf of one of the exotic islands in the Pacific. Next, with the impressive Sydney Harbour Bridge looming over the narrowstreets of The Rocks, he envisions sultry Pacific beaches. Suddenly a theme he once composed about the lakes in Japan comes to him. Is it the Asian influences present in cosmopolitan Sydney that bring this theme to mind? Or perhaps the waters aroundSydney, over which he could sail to Tahiti? He is uncertain. Could this same theme be used to create a new composition about his feelings for the metropolis Sydney? How then to work his Pacific Dreams into the mix? Miguel is certainly no fan ofHawaiian music. Mayby he could use the vocabularies of islands like Hawaii and Tahiti, their beautiful vowel combinations being sung ad libitum by a mixed choir.With these ideas and his newly purchased print of Pacific Dreams, he boards the Metroat Circular Quay. He has a final glimpse of the harbour and the Sydney Opera House as the train races into the ground. On to the hotel! To work! He must compose!Maestoso : Miguel is impressed as he gazes upon the Sydney Harbour Bridge. And yet, hewants to go away from this city. Away, to an exotic island in the Pacific.Steady Rock : In the Rocks, musicians are playing at a square. Miguel basks in the atmosphere but at the same time he is fantasizing about Hawaii and Tahiti.Andante Lamentoso :In his hotel room, Miguel is feeling sad and lonely in this big city. He takes comfort in his Pacific Dreams.Allegro : Miguel boards the boat that takes him from Darling Harbour to Circular Quay. In his mind he is traveling on to Hawaii. Or is ithome, where the bolero is playing? He is pulled back to reality by the skyline of Sydney.

Wir schlüpfen in die Haut von Miguel und reisen mit ihm nach Australien. Einigermaßen entfremdet von seiner spanischen Heimat schlendert er durch das Viertel The Rocks in Sydney. Auf einem kleinen Markt entdeckt er einen Druck des Gemäldes Pacific Dreams von William DeShazo. Das Bild stellt die Meeresbrandung auf einer exotischen Insel im Pazifik dar. Während die eindrucksvolle Harbour Bridge von Sidney vor ihm auftaucht, ist er in Gedanken bei den heißen Stränden im Stillen Ozean. Auf einmal kommt ihm das Thema in den Sinn, das er einst über die Gewässer Japans komponiert hatte. Liegt es an den asiatischen Einflüssen, die im kosmopolitischen Sydney so vielfältig vertretensind? Oder sind es die Wasser rund um Sydney, über die er nach Tahiti segeln könnte? Er ist sich unsicher. Könnte er genau dieses Thema für eine neue Komposition über die Metropole Sydney verwenden? Wie sollte er seine Träume vom Pazifik, seine Pacific Dreams, in diese Mixtur einbringen? Vielleicht könnte er den Wortschatz von Inseln wie Hawaii und Tahiti für seine Komposition verwenden. Und einen gemischten Chor die schönen Vokalverbindungen ad libitum singen lassen. Mit diesen Ideen im Kopf steigt er in die Metro am Circular Quay. Auf ins Hotel und frisch ans Werk! Jetzt muss er einfach komponieren....

Brass Band - Grade 3

SKU: BT.DHP-0991451-030

Composed by Jacob De Haan. Inspiration Series. Original Light Music. Set (Score & Parts). Composed 1999. De Haske Publications #DHP 0991451-030. Published by De Haske Publications (BT.DHP-0991451-030).

Pacific Dreams describes the experience of Miguel, a traveling composer from Spain who, feeling somewhat alienated from his homeland, is wandering through an area of Sydney known as The Rocks. At a small outdoor market in a typical street of this oldcolonial neighbourhood, he discovers a print of William DeShazos painting Pacific Dreams Portrayed in the painting is the surf of one of the exotic islands in the Pacific. Next, with the impressive Sydney Harbour Bridge looming over the narrowstreets of The Rocks, he envisions sultry Pacific beaches. Suddenly a theme he once composed about the lakes in Japan comes to him. Is it the Asian influences present in cosmopolitan Sydney that bring this theme to mind? Or perhaps the waters aroundSydney, over which he could sail to Tahiti? He is uncertain. Could this same theme be used to create a new composition about his feelings for the metropolis Sydney? How then to work his Pacific Dreams into the mix? Miguel is certainly no fan ofHawaiian music. Mayby he could use the vocabularies of islands like Hawaii and Tahiti, their beautiful vowel combinations being sung ad libitum by a mixed choir.With these ideas and his newly purchased print of Pacific Dreams, he boards the Metroat Circular Quay. He has a final glimpse of the harbour and the Sydney Opera House as the train races into the ground. On to the hotel! To work! He must compose!Maestoso : Miguel is impressed as he gazes upon the Sydney Harbour Bridge. And yet, hewants to go away from this city. Away, to an exotic island in the Pacific.Steady Rock : In the Rocks, musicians are playing at a square. Miguel basks in the atmosphere but at the same time he is fantasizing about Hawaii and Tahiti.Andante Lamentoso :In his hotel room, Miguel is feeling sad and lonely in this big city. He takes comfort in his Pacific Dreams.Allegro : Miguel boards the boat that takes him from Darling Harbour to Circular Quay. In his mind he is traveling on to Hawaii. Or is ithome, where the bolero is playing? He is pulled back to reality by the skyline of Sydney.

Wir schlüpfen in die Haut von Miguel und reisen mit ihm nach Australien. Einigermaßen entfremdet von seiner spanischen Heimat schlendert er durch das Viertel The Rocks in Sydney. Auf einem kleinen Markt entdeckt er einen Druck des Gemäldes Pacific Dreams von William DeShazo. Das Bild stellt die Meeresbrandung auf einer exotischen Insel im Pazifik dar. Während die eindrucksvolle Harbour Bridge von Sidney vor ihm auftaucht, ist er in Gedanken bei den heißen Stränden im Stillen Ozean. Auf einmal kommt ihm das Thema in den Sinn, das er einst über die Gewässer Japans komponiert hatte. Liegt es an den asiatischen Einflüssen, die im kosmopolitischen Sydney so vielfältig vertretensind? Oder sind es die Wasser rund um Sydney, über die er nach Tahiti segeln könnte? Er ist sich unsicher. Könnte er genau dieses Thema für eine neue Komposition über die Metropole Sydney verwenden? Wie sollte er seine Träume vom Pazifik, seine Pacific Dreams, in diese Mixtur einbringen? Vielleicht könnte er den Wortschatz von Inseln wie Hawaii und Tahiti für seine Komposition verwenden. Und einen gemischten Chor die schönen Vokalverbindungen ad libitum singen lassen. Mit diesen Ideen im Kopf steigt er in die Metro am Circular Quay. Auf ins Hotel und frisch ans Werk! Jetzt muss er einfach komponieren....

Alto saxophone and piano

SKU: M7.DOHR-12646

Fantaisie Bolero. Composed by Albert Corbin. Edited by Christoph Dohr. Sheet music. Score and part. 16 pages. MDS (Music Distribution Services) #DOHR 12646. Published by MDS (Music Distribution Services) (M7.DOHR-12646).

ISBN 9790202026465.

Beau soleil d'Espagne. Fantaisie Boléro erzeugt Eingängigkeit, indem sich große Teile fast tonidentisch wiederholen. Auch wird bereits das Ekstatische, das rund sechs Jahrzehnte später den besonderen Charakter von Maurice Ravels Boléro (1928) auszeichnet, vorweggenommen: Eine große Schluss-Stretta steigert sich dynamisch aus dem Pianissimo ins Fortissimo - bei zugleich recht anspruchsloser musikalischer Substanz, was das Orgiastische nur noch mehr steigert. (Christoph Dohr).

(Score) - Grade 3

SKU: HL.4002362

Composed by Giovanni de Palestrina. Arranged by John Moss. MusicWorks Grade 3. Concert Band. Published by Hal Leonard (HL.4002362).

UPC: 073999376876. 9.0x12.0x0.076 inches.

Hymns by Giovanni de Palestrina pre-date those of Bach by over a century and incorporate the great polyphonic tradition of Renaissance writing. The compositions used in this suite are from a collection published in 1589 titled Hymns of the Entire Year, and incorporate antiphonal choral effects that lend themselves particularly well to instrumental settings. John Moss uses richly contrasting tone colors and textures as well as characteristic modal tonalities in this wonderful setting for band. (3:30).

By Samuel R. Hazo. (Score & Parts). MusicWorks Grade 1. Concert Band. Score and full set of parts. Size 9x12 inches. Published by Hal Leonard.