2 violins, viola, violoncello SKU: FG.55011-880-5 Reconstruction by An...(+)
2 violins, viola,
violoncello
SKU:
FG.55011-880-5
Reconstruction by
Anssi Mattila.
Composed by Erik
Tulindberg. Arranged by
Anssi Mattila. Classical.
Score & parts. Fennica
Gehrman #55011-880-5.
Published by Fennica
Gehrman (FG.55011-880-5).
The first
composer to warrant a
place in the musical
history of Finland, Erik
Tulindberg (1761-1814)
was an excellent
violinist, and he also
played the cello. His
musical reputation spread
all the way to Stockholm
(Finland was at that time
part of the Kingdom of
Sweden), and in 1797 was
there admitted as a
member of the Royal
Academy of
Music.
The I
violin, viola and cello
parts of
Tulindberg’s
String Quartets were
discovered in 1923 in the
collections of Helsinki
University Library. They
were copies of the
instrumental parts
presumably made by
Tulindberg himself,
though they were possibly
never used during his
lifetime. Not only is the
whole of the II violin
part missing; the first
movement of the viola
part of the fifth Quartet
stops in the middle of a
phrase, and the last 60
bars or so of the
movement’s
manuscript page are just
empty staves.
In
the early 2000s, the
Rantatie Quartet asked
Anssi Mattila whether he
would like to reconstruct
the missing II violin
part. The job was
finished in 2004 and the
Rantatie Quartet released
a Classical Emma-winning
disc of the Quartets in
2006.
This product
includes the full score
and the set of parts.
String Shredder Orchestre à Cordes [Conducteur et Parties séparées] Carl Fischer
Composed by Kevin Mixon. String orchestra. For violin I, violin II, violin III (...(+)
Composed by Kevin Mixon.
String orchestra. For
violin I, violin II,
violin III (viola TC),
viola, cello, bass,
piano. Score and parts.
70+8 pages. Duration 2
minutes, 8 seconds.
Published by Carl Fischer
String quartet SKU: HH.HH196-FSP Composed by Vaclav Pichl. Edited by Chri...(+)
String quartet
SKU:
HH.HH196-FSP
Composed
by Vaclav Pichl. Edited
by Christopher Hogwood.
Two Violins, Viola,
Violoncello. Full score
and parts. Edition HH
Music Publishers
#HH196-FSP. Published by
Edition HH Music
Publishers
(HH.HH196-FSP).
ISBN
9790708092674.
Op.
13, the present set of
stylish and skilfully
contrasted works were
dedicated to Dittersdorf;
they exploit all four
instruments equally, even
the viola being allocated
elaborate solo passages,
and offer an attractive
alternative (as Haydn
himself realised) to the
standard Viennese works
of this period.
Danse Classique Orchestre à Cordes [Conducteur] - Intermédiaire Wingert-Jones Publications
Composed by Daniel DiMarino. For string orchestra. Original Concert Work. Gr...(+)
Composed by Daniel
DiMarino.
For string orchestra.
Original
Concert Work. Grade 4.
Score
and set of parts.
Duration
4:06. Published by
Wingert-
Jones Publications
String Quartet No. 3 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] PWM (Polskie Wydawnictwo Muzyczne)
String Quartet SKU: BT.PWM12143010 Composed by Krystyna Moszumanska-Nazar...(+)
String Quartet
SKU:
BT.PWM12143010
Composed by Krystyna
Moszumanska-Nazar.
Classical. Set (Score &
Parts). Composed 2019.
Polskie Wydawnictwo
Muzyczne #PWM12143010.
Published by Polskie
Wydawnictwo Muzyczne
(BT.PWM12143010).
Composed
by Armand Grebol.
Ensembles - Chamber
Music. Score & Parts.
Duration 7'. Periferia
Publishing #CM3095PM.
Published by Periferia
Publishing (AY.CM3095PM).
ISBN
9790543572829.
I
started writing this
homage on March the 22nd
of 2005 at 11 a.m. as a
celebration of the 61
years 5 months and 12
days since the birth of
the composer Albert
Sarda. I finished on July
the 18th of 2005 at 7:45
p.m. when we celebrated
the 61 years 9 months and
8 days.
First String Quartet Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Seesaw Music Corp
SKU: SU.50020480 Composed by Barbara Lewis. Chamber Music, String Trio/Qu...(+)
SKU: SU.50020480
Composed by Barbara
Lewis. Chamber Music,
String
Trio/Quartet/Quintet.
Score & Parts. Seesaw
Music Corp #50020480.
Published by Seesaw Music
Corp (SU.50020480).
String Quartet SKU: AY.CM3181PM Composed by Martin Ledesma. Ensembles - C...(+)
String Quartet
SKU:
AY.CM3181PM
Composed
by Martin Ledesma.
Ensembles - Chamber
Music. Score & Parts.
Duration 16'. Periferia
Publishing #CM3181PM.
Published by Periferia
Publishing (AY.CM3181PM).
ISBN
9790543575417.
Work
based on three movements:
Energic and Furious,
Long, Sostenuto and
Presto Nervoso. The
concept of confrontation
leads to a posing of
contrasts by mean of
characteristic elements
taken out from the
exploitation of resources
of each instrument and
also from the
instrumental ensemble.
Those contrast moments,
work, in a clear way, as
estructures of each
movement and at the same
time of the whole
work.
By Ludwig van Beethoven. Edited by Jonathan Del Mar. For Violin (2), Viola, Viol...(+)
By Ludwig van Beethoven.
Edited by Jonathan Del
Mar. For Violin (2),
Viola, Violoncello.
Baerenreiter
Studienpartituren - Study
scores. Streichquartett
Kammermusik (String
Quartets, Chamber Music).
Op. 59. Published by
Baerenreiter-Taschenparti
turen (German import).
String Quartets op. 25 Quatuor à cordes: 2 violons, alto, violoncelle Music Distribution Services
String Quartet SKU: M7.DOHR-27498 Composed by Johann Wilhelm Wilms. Edite...(+)
String Quartet
SKU:
M7.DOHR-27498
Composed by Johann
Wilhelm Wilms. Edited by
Christian Vitalis. Sheet
music. Set of parts. Op.
25. 31 pages. MDS (Music
Distribution Services)
#DOHR 27498. Published by
MDS (Music Distribution
Services)
(M7.DOHR-27498).
Score and Parts. Composed by Evgeny Kissin. Sheet Music. Paperbound. Henle M...(+)
Score and Parts. Composed
by
Evgeny Kissin. Sheet
Music.
Paperbound. Henle Music
Folios. Classical. Set of
Parts. 28 pages. G. Henle
#HN1183. Published by G.
Henle
Chamber Music String Quartet SKU: PR.11440505S Composed by John Downey. F...(+)
Chamber Music String
Quartet
SKU:
PR.11440505S
Composed
by John Downey. Full
score. With Standard
notation. 53 pages.
Duration 25 minutes.
Theodore Presser Company
#114-40505S. Published by
Theodore Presser Company
(PR.11440505S).
UPC:
680160008391. 11 x 14
inches.
Although
structurally it
subdivides into five
movements, the entire
quartet emerges as one
vast continuum. There are
no formal breaks between
movements. However,
certain musical signposts
can be discerned,
associated with each of
the movements'
terminations and new
beginnings. The opening
movement, The Nostalgia
of Clanging Bell
Sonorities, begins
floating on recurrent Bbs
whose soft rhythmic flow
slowly puts into motion
strong undercurrents
suggestive of the latent
power of water... After
several suggestions of
tolling bells, the
movement gradually fades
into hushed tones of
veiled and very distant
sonorities. It uses a
unique effect, for the
first time in a musical
context, conveyed through
the use of extra heavy
practice mutes. The
second movement, The
Spill of Water,
disengages itself from
the first through its
distinct contrast in
tempo. Water moves fast,
and when it splashes, it
tends to run wildly. In
this case, it happens to
be bubbly water that
gushes forth bodly...
smashing across rocky
shorelines. So, too, the
music attempts to conjure
such moods. At the end of
this movement, a cello
cadenza emerges,
introducing an
introspective type of
melodicism. The third
movement, The Poignancy
of Memory, contains many
silences as it tries to
convey memory through
fragmented remembrances
much like often occur in
our dream state.
Progressing through
several slowly building
images, it gradually
works itself into
juxtaposition of musical
images. Towards the
movement's end, high
harmonics are sounding in
all four instruments
while left hand pizzicato
notes in the cello pluck
the last remembrances of
this central core. Almost
imperceptibly, the viola
assumes leadership as it
dissolves into: The
fourth movement, The
Fluidity of Motion, which
has mostly the viola, but
also the cello,
articulating lyrical
statements against sheets
of sound conjured up by
the two violins playing a
flood of swirling
figures, evokes a kind of
static motion in space.
Here , the virtually
imperceptible manner in
which this hushed whisper
continues incessantly,
can suggest the potential
fluidity with which
movement may inch
forward... Later into the
fourth movement, two
fairly extended solos by
the second and then the
first violins, lead to a
kind of spontaneous
dialogue amont the four
instrumentalists.
Eventually, this musical
conversation gets caught
up in: The fifth
movement's The Rush of
Time, which opens with a
hushed flurry of speed,
precipitates the Finale.
It generates, at first
slowly, but then very
swiftly, whole shifts of
rhythmic fields that
initially seem to
conflict with one
another. Ultimately, this
use of psycho-rhythmics
contributes to an on-rush
seem of motion and time.
Rhythmic changes are, at
times, abruptly
precipitated with but
little or no preparation
creating a kind of
inevitability in forward
thrust, while the
movement rushes forward
with a feeling of gradual
and continuous
acceleration. It gathers
density as more and more
notes are piled
progressively upon
successive beats. The
attempt is to spark
tension and ignite
excitement by means of
frenetic confrontations
of dissimilitudes.
Ultimately - with the
help of time - these
polarities centrifically
spin out their own
destinies with their
accompanying fall-out and
own inevitable
resolutions.
