String Quartet (2vl,va,vc) SKU: BR.EB-32032 Urtext. Composed by Ro...(+)
String Quartet
(2vl,va,vc)
SKU:
BR.EB-32032
Urtext. Composed
by Robert Schumann.
Edited by Nick
Pfefferkorn. Chamber
music; Folder. Edition
Breitkopf. Romantic
period. Set of parts. 140
pages. Breitkopf and
Haertel #EB 32032.
Published by Breitkopf
and Haertel
(BR.EB-32032).
ISBN
9790004186343. 9 x 12
inches.
Invaluable
Glimpses Schumann's close
collaboration with the
David quartet, together
with the valuable advice
of his friend Mendelssohn
Bartholdy, led the
composer to make
extensive changes to the
Streichquartette op. 41
before publication in
December 1842. The
present edition is hence
to be thought of as a
critical Urtext edition;
it offers in fact to
those interested, an
invaluable glimpse into
Schumann's creative
process and his striving
for the final form of his
string quartets. All the
deletions, changes, and
the original phrasing
were carefully worked out
in detail, restored, and
editorially identified in
the music text. A
detailed preface giving
the geneses of the works,
as well as pages of the
autograph score in
facsimile, complement the
edition. The parts are of
course so configured in
the reliable Breitkopf
quality that the quartets
can also be performed
today in the traditional
form. The present edition
was also used for the
Leipzig String Quartet's
2010 CD recording.
SKU: GI.G-1110 Carols for Solo Piano. Composed by Chris De Silva. ...(+)
SKU: GI.G-1110
Carols for Solo
Piano. Composed by
Chris De Silva. Sacred.
GIA Publications #1110.
Published by GIA
Publications (GI.G-1110).
Composer Chris
de Silva emerges from the
quiet solitude of
quarantine with a
beautifully expressive
collection of carols for
solo piano. This third
edition in the Colours
series is filled with
pieces that fully capture
the range of emotions
that fill the Christmas
season–from
moments of joy and
goodness to those of
emptiness and loss.
Whether playing them
yourself or listening to
the gorgeous recording,
these carol arrangements
will become seasonal
favorites. Â CONTENTS:
Angels We Have Heard on
High • Away in a
Manger • Bring a
Torch, Jeannette,
Isabella • The
Coventry Carol •
The First Nowell •
The Holly and the Ivy
• Infant Holy,
Infant Lowly • O
Come, All Ye Faithful
• Silent Night,
Holy Night •
‘Twas in the Moon
of Wintertime • We
Three Kings of Orient Are
• What Child Is
This? Â .
Concert Band - Grade 2 SKU: AP.46619 Composed by Michael Story. Concert B...(+)
Concert Band - Grade 2
SKU: AP.46619
Composed by Michael
Story. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Young Band.
Patriotic. Score and
Part(s). 192 pages.
Duration 3:30. Belwin
Music #00-46619.
Published by Belwin Music
(AP.46619).
UPC:
038081534190.
English.
This
emotional original work
celebrates the entire
United States space
program and specifically
the July 20th anniversary
of the first lunar
landing of Apollo 11 in
1969. The piece opens
with a majestic and
punctuated theme followed
immediately by an
inquisitive melody. This
is interrupted to pay
tribute to those lost in
Apollo 1 then resumes and
develops towards a
glorious and soaring
conclusion. A compelling
choice! (3:30).
Theme Park Fun! Ensemble de cuivres [Conducteur] - Facile Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-001142-130 Composed by Wilco Moerman. Sc...(+)
Brass Band - Grade 2
SKU:
BT.GOB-001142-130
Composed by Wilco
Moerman. Score Only.
Gobelin Music
Publications #GOB
001142-130. Published by
Gobelin Music
Publications
(BT.GOB-001142-130).
In Theme Park
Fun! your orchestra pays
a visit to an amusement
park. During your visit,
you will experience some
spectacular rides and
attractions this theme
park offers. The
uniqueness of Theme Park
Fun! is the interplay
between music and(moving)
images. Animations and
illustrations support the
visual composition
(downloadable after
ordering a set, on
www.gobelinmusic.com).
Part 1: The
Entrance & Parade [with
animation] The
opening of the park is a
fact. A day fullof fun
and pleasure awaits! You
and the other visitors
will be confronted with
all the rides,
attractions and
adventures the theme park
has to offer. Which ride
shall we do first?! There
is so much to do and
experience on this day in
the park! Aparade of
colorful floats and park
figures is passing
by. Let the fun
begin!
Part 2:
The Haunted House [with
animation] The
only ride in the park
that is not related to
fun, is the Haunted
House. Here visitors will
be challengedto visit a
house full of ghosts,
creepy figures and other
ominous things. The clock
strikes twelve, there is
no turning back. Ghosts
are whispering, yelling,
screaming... Fortunately
it is almost one oclock,
so we can leave this
creepy
placequickly.
P
art 3: The Swinging
Galleon [with
illustrations] Wha
t a huge pirate ship!
Each time you swing back
and forth, you will feel
that weird feeling in
your stomach. When you
are thrown completely
into the top you will
have afantastic view over
the park, but you can not
enjoy it for long. Before
you know the ship swings
back the other
way.
Part 4:
The Fairy Tale Ride [with
illustrations] Aft
er all those exciting and
spectacular rides and
attractions,it is time
for a peaceful tour in
The Fairy Tale Ride.
Surrounded by a fairytale
setting, you will
discover fable figures,
talking animals and
colorful designs. Such a
beauty and tranquility.
Having had this
experience, we are ready
again for thebig rides in
the park!
Part
5: The Bumper Cars [with
illustrations] Now
its time to crawl behind
the wheel of the Bumper
Cars! Shall we all chase
the conductor?! Before
you know you are hit by
another visitor or you
will bumpagainst someone
else. In this tough ride
you can prove yourself as
a real driver, or perhaps
as a really bad
one.
Part 6:
The Roller Coaster [with
illustrations] The
largest, fastest and
scariest ride in the park
... we shoulddefinitely
do the Roller Coaster!
All together in the
train, the
over-the-shoulder
restraints are
lowering... be ready to
ride. The train leaves
the station and is
heading for the big lift
hill. It will be very
scary when the train
reaches the topand the
train will be plunged
down the first drop!
Loops, corkscrews and
other spectacular coaster
elements will follow...
Before you know it, the
ride of your life is
over. Shall we ride it
again?!
Part 7:
Leaving the Park
[withanimation] Un
fortunately everything
comes to an end. This day
in the theme park is
over, but we have a lot
new experiences to talk
about! The memories of
all the funny and
spectacular rides will
come up when we walk
through the park to
theexit. Just one look
over the shoulder, the
amusement park figures
are waving at us.
Hopefully we will come
back again
soon!
In
'Theme Park Fun!' bezoek
je met de hele
muziekvereniging een
pretpark. Tijdens het
bezoek word je op
muzikale wijze
geconfronteerd met een
aantal spectaculaire
attracties die het
pretpark rijk is. Het
unieke van 'Theme Park
Fun!'is het samenspel
tussen muziek en beeld.
De animatiefilmpjes en
illustraties zijn, na
aankoop van de set, te
downloaden op
www.gobelinmusic.com.
Deel 1: 'The
Entrance & Parade' [met
animatiefilm] De
opening vanhet pretpark
is een feit. De dag vol
plezier kan beginnen en
de bezoekers worden hier
geconfronteerd met alle
attracties en avonturen
die ze in het pretpark
staan te wachten. In
welke attractie zullen we
als eerst stappen?! Eris
zoveel te doen en te
beleven deze dag in het
pretpark! Een parade met
parkfiguren en kleurrijke
praalwagens komt voorbij,
de pret kan
beginnen!
Deel
2: 'The Haunted House'
[met
animatiefilm] De
enige attractiein het
pretpark die geen 'pret'
uitstraalt, is het
spookhuis. Hier worden de
bezoekers uitgedaagd om
zich te begeven in een
huis vol spoken, geesten
en andere onheilspellende
dingen. De klok slaat 12
keer, er is geen weg meer
terug.Gefluister...,
geschreeuw... Gelukkig
slaat de klok bijna 1 uur
en kunnen we deze ongure
plek snel
verlaten.
Deel
3: 'The Swinging Galleon'
[met
illustraties] Wat
een groot piratenschip!
Elke keer wanneer je
heenen weer schommelt,
voel je dat rare gevoel
in je buik. Wanneer je
helemaal in de top
geslingerd bent heb je
een fantastisch uitzicht
over het pretpark, maar
je kunt er niet lang van
genieten. Voor je het
weet zwaait het schip
weerde andere kant
op.
Deel 4:
'The Fairy Tale Ride'
[met
illustraties] Na
al die spannende en
spectaculaire attracties
is het tijd voor een
rustig ritje in 'The
Fairy Tale Ride'. Omgeven
door een
sprookjesachtige.
Keyboard SKU: GI.G-003385 Sacred. GIA Publications #003385. Published by ...(+)
Keyboard
SKU:
GI.G-003385
Sacred.
GIA Publications #003385.
Published by GIA
Publications
(GI.G-003385).
This collection
contains through-composed
verses for the
common/seasonal psalms of
the Lectionary for Mass.
Ideal for the more
experienced cantor.
Refrains are compatible
with those found for the
Common/Seasonal Psalm in
WLP Worship Resources and
the other volumes of
Lectionary Psalms and
Gospel Acclamations. 8. x
11. Spiral-bound.
A Phonetic Approach Suitable for non-Irish Speakers. Composed by Mary McL...(+)
A Phonetic Approach
Suitable for non-Irish
Speakers. Composed by
Mary McLaughlin. Perfect
binding. Book and online
audio. Published by Mel
Bay Publications, Inc
(MB.98549M).
SKU: CL.070-1976-99 Composed by Lawn. Jazz Instruction. Extra CD. C.L. Ba...(+)
SKU:
CL.070-1976-99
Composed by Lawn. Jazz
Instruction. Extra CD.
C.L. Barnhouse
#070-1976-99. Published
by C.L. Barnhouse
(CL.070-1976-99).
Completely
revised in 1995. Now
includes the most
up-to-date information
available for jazz
educators. New charts,
lists and bibliographies
have been included as
well as a complete
chapter on Computers,
Technology and Jazz
Education. This text is a
must for the director
with little experience
with jazz ensembles or
for those wanting to
update their skills in
areas necessary to create
a comprehensive jazz
program in your school
system. The Jazz Ensemble
Director’s Manual
has been the text of
choice in many college
jazz classrooms and the
new revisions will
enhance its continued
use. This book is
literally loaded with
charts, drawings, forms,
photographs, tables and
music examples and will
be a source of
information for years to
come. It includes a
compact disc recording
that allows you and your
students the opportunity
to hear as well as see
the musical examples in
the Phrasing and
Articulation chapter.
Every practical aspect of
establishing a solid jazz
program is covered,
ranging from the basics
of starting an ensemble
to effective rehearsal
techniques that get the
most from your students.
From a musical
perspective, this text
will give you an in-depth
understanding of jazz
chord notation, phrasing
and articulations. It
includes a chapter on the
jazz combo which presents
information on the
setting up of a combo in
addition to suggested
repertoire considered
standard for combo
training. The publisher
index has been revised to
reflect recent changes in
publishing areas and the
extensive bibliography of
selected materials for
jazz improvisation has
been updated to include
recent publications. This
text had it all...now
with a revised edition
available, it has even
more! Contains Chapters
On: Starting a Jazz
Ensemble Program, Jazz
Ensemble Instrumentation,
The Jazz Combo, Selecting
the Music, Ensemble Set-
Up, The Jazz Ensemble
Conductor, Rehearsal
Psychology and
Techniques, Phrasing and
Articulation, Contest and
Concert Preparation,
Sound Reinforcement,
Understanding Chord
Notation, The Rhythm
Section, Teaching Basic
Jazz Improvisation,
Computer Technology and
Jazz Education.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Thomas Riegler. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, End of the
church year. Single Part,
Viola. Composed 1715. BWV
163. 2 pages. Duration 18
minutes. Carus Verlag #CV
31.163/13. Published by
Carus Verlag
(CA.3116313).
ISBN
9790007208974. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler. Score and part
available separately -
see item CA.3116300.
Aces Orchestre d'harmonie - Intermédiaire RWS Music Company
Concert band - Grade 5 SKU: CL.RWS-1501-75 Composed by Robert W. Smith. R...(+)
Concert band - Grade 5
SKU:
CL.RWS-1501-75
Composed by Robert W.
Smith. RWS Symphony Band
Series. Oversized
spiral-bound score.
Composed 2015. Duration 7
minutes, 30 seconds.
Published by RWS Music
Company (CL.RWS-1501-75).
Composed for
the United States Air
Force Academy, Aces pays
tribute to those that
soar the skies. Beginning
with a brilliant and
majestic fanfare, the
piece quickly develops
through bold musical
material wrought with
tension and energy.
Following the return of
the opening theme in a
beautiful and lyrical
setting, Aces culminates
in a flurry of excitement
as our jets soar into the
distance. A spectacular
new work by Robert W.
Smith for the
accomplished concert
band!
Cantata for
Whitsunday. Composed
by Johann Sebastian Bach.
Edited by Dietrich
Kilian. This edition:
urtext edition. Stapled.
Barenreiter Urtext. C
major version. Choral
score. BWV 172. 8 pages.
Baerenreiter Verlag
#BA10172_91. Published by
Baerenreiter Verlag
(BA.BA10172-91).
ISBN
9790006491513. 27 x 19 cm
inches. Key: C
major.
Erschallet,
ihr Lieder (BWV 172) is
one of those early Bach
cantatas which were often
revived at Leipzig. The
first performance of this
work was given in Weimar
1714. Although only a few
instrumental parts from
this performance are
extant, it may be assumed
that at that time the
cantata already had the
form familiar to us from
its first Leipzig
revival. It was given in
C major (church pitch,
corresponding to D major
in chamber pitch), and
the first number was
intended to be repeated
at the end of the
work.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Guitar - Easy SKU: JK.01952 Composed by Various. Arranged by Brent Jorgen...(+)
Guitar - Easy
SKU:
JK.01952
Composed by
Various. Arranged by
Brent Jorgensen.
Instrumental Guitar,
Seasonal Music Easter.
Christian, Inspirational.
Jackman Music Corporation
#01952. Published by
Jackman Music Corporation
(JK.01952).
UPC:
093285019522.
Hymn-
Alongs makes playing
hymns and primary songs a
blast! It is available
for almost any instrument
and is designed to be
simple enough for
developing musicians and
fun for those advancing
in music. The
Accompaniment Book
features beautiful, yet
simple arrangments for
piano, guitar, and voice.
Instrumental books are
sold separately and can
be played together in any
combination. All
instrument books include
a melody part; treble
instruments also have a
duet part, and bass
instruments also include
a bass part. *The
guitar book includes tabs
for melody, chord
symbols, chord diagrams,
and lyrics to the
music. See all
Hymn-Alongs Vol. 1
products Songs
included in this
Hymn-Alongs Vol. 1:
Come, Follow Me I
Love to See the
Temple Choose the
Right I Am a Child of
God Count Your
Blessings Called to
Serve Joseph Smith's
First Prayer
Beautiful Savior We
Thank Thee O God for a
Prophet I'm Trying to
Be Like Jesus
Families Can Be Together
Forever He Sent His
Son My Heavenly
Father Loves Me
Composer: Various
Arranger: Brent
Jorgensen Difficulty:
Easy.
From Trios Gymnopedies. By Erik Satie. Edited by Donald Peck. For Flute, Piano. ...(+)
From Trios Gymnopedies.
By Erik Satie. Edited by
Donald Peck. For Flute,
Piano. Carl Fischer Solo
Series. Classical. Score
and Audio CD. 3 pages.
Published by Carl
Fischer. Level:
beginning.
Music for flute,
clarinet, violin,
violoncello and
piano. Composed by
Philipp Maintz. In a
folder. Set of parts.
Composed 2010/2013.
6/7/7/9/11 pages.
Baerenreiter Verlag
#BA09388_22. Published by
Baerenreiter Verlag
(BA.BA09388-22).
ISBN
9790006566983. 41.8 x
29.2 cm
inches.
Gabriel
Faure (1845-1924) is best
known as a composer of
songs, the Requiem,
several pieces of chamber
of music and the Pavane.
The OEuvres completes de
Gabriel Faure, published
by Barenreiter since
2010, has taken on the
task of displaying his
music in all its variety
to a new listening
public. Now the eighth
volume has appeared in
print: Jean-Michel
Nectoux' thematic
catalogue.
With
201 entries in
chronological order, the
catalogue lists every
known work by this French
composer. The entries,
each with its new 'N'
number, provide
information on opus
numbers (those assigned
during Faure's lifetime),
scoring, key, musical
incipit, text incipit,
text source, manuscript
sources, date of origin,
dedicatees, date of first
performance,
relationships to
publishers, printed
editions, authorial and
non-authorial
arrangements (if any),
commentary and
bibliographic references.
No fewer than six indices
make the volume easy to
search.
The
thematic catalogue
(Catalogue Nectoux) will
soon prove to be an
indispensable reference
work for anyone
interested in Faure and
the music of his era. It
is a distillation of
Nectoux' scholarly
efforts of the past 50
years, the result of his
journeys to every library
where Faure's manuscripts
are preserved - and a
milestone of French
musical
scholarship.
Chamber Music String Quartet SKU: PR.14440455S Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet
SKU:
PR.14440455S
Composed
by Sydney F. Hodkinson.
Large Score. With
Standard notation. 53
pages. Duration 22
minutes. Theodore Presser
Company #144-40455S.
Published by Theodore
Presser Company
(PR.14440455S).
UPC:
680160030873.
After
finishing a serious
woodwind quintet in the
fall of 2001 [Tela
Lacerata], I found, in
the ensuing months, that
its cinders/ashes were
still impregnating my
eardrums. Therefore, when
I set out to write the
present string piece, I
realized that the musical
veins of the quartet,
like related cousins,
were sharing the same
blood as the earlier wind
composition. The
resultant Fifth Quartet
evolved into two large,
extended movements, each
one containing seven
parts that are played
without pause. As the
list of the various
sub-sections clearly
indicates, the formal
structure of the
movements appear to be
identical: each with
three main parts
enveloped by interludes,
plus an introduction and
coda. However, the
principal segments of the
first (slow) movement
gradually decrease in
length, while those of
the second (fast)
movement increase. In
addition, there is a
goodly amount of sonic
material stolen from the
first movement which
reappears -- stitched
together in a new guise
-- into the world of the
second. for example, the
bulk of Parts B and C of
Movement II are lifted
bodily, although
elaborately modified,
from their first
appearances in the
Introduction and Part A
of the fist movement.
This offers, I suppose at
least a hint of a
traditional
recapitulation. As was
true in the earlier
woodwind piece -- both
harmonically and
melodically -- the
embryonic growth of the
musical fabric (primarily
the tritone and perfect
fifth) is omnipresent,
almost obsessively,
throughout the course of
the whole work. These two
intervals, not unlike
plasticine, habitually
transform themselves into
the scales, chords, and
melodic lines that
pervade the texture of
the quartet. Owing to the
largely unrelieved
dramatic flow, the
shifting speed, and the
often fervent intensity,
the quartet places
considerable demands on
the dexterity,
virtuosity, and stamina
of the four performers.
String Quartet No. 5 is
approximately 22 minutes
in duration and
affectionately dedicated
to my violinist wife
Elizabeth, as a gift for
our 47 years together. It
was commissioned by the
Corigliano String
Quartet, New York, NY. --
Sydney Hodkinson.
Inch....this
work is likely to become
a standart work very
quickly and is to be
recommended to all
schools where recorder
studies are undertaken
inch. (Oliver
James,Contact Magazine) A
novel and comprehensive
approach to transferring
from the C to F
instrument. 430 music
examples include folk and
national songs (some in
two parts), country dance
tunes and excerpts from
the standard treble
repertoire ofBach,
Barsanti, Corelli,
Handel, Telemann, etc. An
outstanding feature of
the book has proved to be
Brian Bonsor's
brilliantly simple but
highly effective practice
circles and recognition
squares designed to give,
in only a few minutes,
concentrated practice on
the more usual leaps to
and from each new note
and instant recognition
of random notes. Quickly
emulating the outstanding
success of the descant
tutors, these books are
very popular even with
those who normally use
tutors other than the
Enjoy the Recorder
series.
With Pedagogical Commentary and Video Piano Lessons. Composed by Leonard Bern...(+)
With Pedagogical
Commentary
and Video Piano Lessons.
Composed by Leonard
Bernstein (1918-1990).
Edited by Michael
Mizrahi.
BH Piano. Contemporary,
Classical. Softcover
Video
Online. 48 pages. Boosey
and
Hawkes #M051246939.
Published by Boosey and
Hawkes
Piano SKU: BT.EMBZ14506A Suppl. 11 - First versions. EMB New Listz...(+)
Piano
SKU:
BT.EMBZ14506A
Suppl. 11 - First
versions. EMB New
Listz Edition. March.
Book Hardcover. Composed
2008. 228 pages. Editio
Musica Budapest
#EMBZ14506A. Published by
Editio Musica Budapest
(BT.EMBZ14506A).
English-German-Hungari
an.
Volume 11 of in
the series of Supplements
represents an important
step towards completion
of the series for solo
piano included in the
NLE, as a complete
critical edition. By
publishing all the early
versions it makes the
piano versions of these
symphonies by Beethoven
available for study by
performers and those
engaged in music
research.Similarly to the
other NLE volumes already
published, this volume
comes cloth-bound (Z.
14506a) or
hard-paper-bound (Z.
14506), the former as
part of the Complete
Edition, the latter as
part of the series
containing solo piano
works. The preface to the
series, the prefaces to
the works contained in
this volume (in German,
English and Hungarian)and
the facsimiles with which
it is illustrated are to
be found in both
versions, the critical
notes in English are
included only in the
cloth-bound version.
Mit dem 11. Band
der Supplementbände
der Neuen Liszt Ausgabe
(NLE) wird wieder ein
grosser Schritt zur
Vervollständigung der
Soloklavier-Serien in der
Gesamtausgabe
unternommen: Durch ihn
wird das Studium der
Klavierversionen der
Symphonien Beethovens
(inkl. alle früheren
Versionen) für die
Musiker und deren
Forschung für
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Englisch undUngarisch)
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Piano, Vocal and Guitar SKU: BT.MUSAM971531 Book Only. Wise Publications ...(+)
Piano, Vocal and Guitar
SKU:
BT.MUSAM971531
Book
Only. Wise Publications
#MUSAM971531. Published
by Wise Publications
(BT.MUSAM971531).
ISBN
9780711989900.
E
verybody's favourite
Christmas carols and
songs in one wonderfully
practical and convenient
edition
creates The
Best Christmas Songbook
Ever (A5
Format),
featuring 49 songs
arranged for Piano,
VoiceandGuitar.Â
Every member of the
family is catered for,
young and old, with a
selection of favourites
covering the traditional
classics that make the
season special
like Away In A
Manger, We Three Kings
OfOrientAre and O Come, All Ye
Faithful. Not only
this, but more recent pop
tunes are represented
such as I Wish It
Could Be Christmas Every
Day, Last
Christmas and
Santa ClausIsComing
To Town. The
generous selection of
songs from old carols to
new tunes makes this the
perfect book for you this
Christmas, so you can
begin Christmas Eve with
the classic carols and
bring in Christmas Day
with thefuncontemporary
pop.Â
The
accessible arrangements
of lyrics, melody, Piano
and Guitar chords mean
that you don't have to
spend too much time
practising before family
and friends can gather
around the Piano for
aChristmassing-along.
Because this songbook has
everything, you can keep
it as part of your music
collection and dig it out
every year for those
times when the family can
gather around and sing
the songs that get you
into thespirit of
theseason.Â
For
the best and most varied
collection of Christmas
songs ever compiled, from
old to new, classic to
contemporary, pick up
The Best
Christmas Songbook Ever,
and put a
Yuletidesmile on theface
of everyone with these
universally loved
tunes.
You can also
purchase this book in
its larger,
standardsize for abumper-sized
Yuletide.
For voice and piano. Format: piano/vocal/chords songbook. With vocal melody, pia...(+)
For voice and piano.
Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics and
chord names. Gospel. 112
pages. 9x12 inches.
Published by Hal Leonard
(Chorale cantata). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited b...(+)
(Chorale cantata).
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
Thomas Christian Schmidt.
For soprano voice solo,
SATB choir, 2 violins,
viola, cello/contrabass.
Stuttgart Urtext Edition.
German title: Wer nur den
lieben Gott lasst.
Cantatas. Level 3.
Complete orchestral
parts. Language:
German/English. Composed
1829. A 7. Duration 12
minutes. Published by
Carus Verlag
9 Well-Known Original Pieces in Progressive Order. Composed by Claude Debuss...(+)
9 Well-Known Original
Pieces
in Progressive Order.
Composed by Claude
Debussy
(1862-1918). Edited by
Sylvia
Hewig-Trösch
er. At
the Piano. Softcover. 56
pages. G. Henle #HN1815.
Published by G. Henle