Odysseia Orchestre d'harmonie - Avancé De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1084443-140 Based on Homer...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1084443-140
Based on Homer-s
Odyssey. Composed by
Maxime Aulio. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2008. 52
pages. De Haske
Publications #DHP
1084443-140. Published by
De Haske Publications
(BT.DHP-1084443-140).
9x12 inches.
English-German-French-Dut
ch.
Washed up on
the Phaeacian shore after
a shipwreck, Odysseus is
introduced to King
Alcinous. As he sits in
the palace, he tells the
Phaeacians of his
wanderings since leaving
Troy. Odysseus and his
men fi rst landed on the
island of the Cicones
wherethey sacked the city
of Ismarus. From there,
great storms swept them
to the land of the
hospitable Lotus Eaters.
Then they sailed to the
land of the Cyclopes.
Odysseus and twelve of
his men entered the cave
of Polyphemus. After the
single-eyed giantmade
handfuls of his men into
meals, Odysseus fi nally
defeated him. He got him
drunk and once he had
fallen asleep, he and his
men stabbed a glowing
spike into the
Cyclop’s single
eye, completely blinding
him. They escaped by
clinging to the belliesof
some sheep. Once aboard,
Odysseus taunted the
Cyclop by revealing him
his true identity.
Enraged, Polyphemus
hurled rocks at the ship,
trying to sink it. After
leaving the
Cyclopes’ island,
they arrived at the home
of Aeolus, ruler of the
winds.Aeolus off ered
Odysseus a bag trapping
all the strong winds
within except one - the
one which would take him
straight back to Ithaca.
As the ship came within
sight of Ithaca, the
crewmen, curious about
the bag, decided to open
it. The winds escapedand
stirred up a storm.
Odysseus and his crew
came to the land of the
cannibalistic
Laestrygonians, who sank
all but one of the ships.
The survivors went next
to Aeaea, the island of
the witch-goddess Circe.
Odysseus sent out a
scouting party butCirce
turned them into pigs.
With the help of an
antidote the god Hermes
had given him, Odysseus
managed to overpower the
goddess and forced her to
change his men back to
human form. When it was
time for Odysseus to
leave, Circe told him to
sail tothe realm of the
dead to speak with the
spirit of the seer
Tiresias. One
day’s sailing took
them to the land of the
Cimmerians. There, he
performed sacrifi ces to
attract the souls of the
dead. Tiresias told him
what would happen to him
next. He thengot to talk
with his mother,
Anticleia, and met the
spirits of Agamemnon,
Achilles, Patroclus,
Antilochus, Ajax and
others. He then saw the
souls of the damned
Tityos, Tantalus, and
Sisyphus. Odysseus soon
found himself mobbed by
souls. He
becamefrightened, ran
back to his ship, and
sailed away. While back
at Aeaea, Circe told him
about the dangers he
would have to face on his
way back home. She
advised him to avoid
hearing the song of the
Sirens; but if he really
felt he had to hear,
thenhe should be tied to
the mast of the ship,
which he did. Odysseus
then successfully steered
his crew past Charybdis
(a violent whirlpool) and
Scylla (a multiple-headed
monster), but Scylla
managed to devour six of
his men. Finally,
Odysseus and hissurviving
crew approached the
island where the Sun god
kept sacred cattle.
Odysseus wanted to sail
past, but the crewmen
persuaded him to let them
rest there. Odysseus
passed Circe’s
counsel on to his men.
Once he had fallen
asleep, his men
impiouslykilled and ate
some of the cattle. When
the Sun god found out, he
asked Zeus to punish
them. Shortly after they
set sail from the island,
Zeus destroyed the ship
and all the men died
except for Odysseus.
After ten days, Odysseus
was washed up on
theisland of the nymph
Calypso.
Nachdem
er an die Küste der
Phäaker gespült
wurde, wird Odysseus dem
König Akinoos
vorgestellt. In dessen
Palast erzählt er den
Phäakern von den
Fahrten nach seiner
Abreise aus Troja.
Odysseus und seine
Männer landen
zunächst auf
denKikonen, einer
Inselgruppe, wo sie die
Stadt Ismaros einnehmen.
Von dort aus treiben sie
mächtige Stürme
zum Land der
gastfreundlichen
Lotophagen
(Lotos-Essern). Dann
segeln sie zum Land der
Kyklopen (Zyklopen).
Odysseus und seine
zwölf Mannenbetreten
die Höhle von
Poloyphem, dem Sohn
Poseidons. Nachdem dieser
einige der Männer
verspeist hat,
überwaÃ…Nltigt
ihn Odysseus, indem er
ihn betrunken macht und
dann mit einem
glühenden Spieß
in dessen einziges Auge
sticht und ihn
somitblendet. Odysseus
und die übrigen
Männer fl iehen an den
Bäuchen von Schafen
hängend. Wieder an
Bord, provoziert Odysseus
den Zyklopen, indem er
ihm seine wahre
Identität verrät.
Wütend bewirft
Polyphem das Schiff mit
Steinen undversucht, es
zu versenken. Nachdem sie
die Insel der Kyklopen
verlassen haben, kommen
Odysseus und seine Mannen
ins Reich von Aiolos, dem
Herr der Winde. Aiolos
schenkt ihm einen Beutel,
in dem alle Winde
eingesperrt sind,
außer dem, der ihn
direktzurück nach
Ithaka treiben soll. Als
das Schiff in Sichtweite
von Ithaka ist, öff
nen die neugierigen
Seemänner den
Windsack. Die Winde entfl
iehen und erzeugen einen
Sturm. Odysseus und seine
Mannschaft verschlägt
es ins Land
derkannibalischen
Laistrygonen, die alle
ihre Schiff e, bis auf
eines, versenken. Die
Ãœberlebenden reisen
weiter nach Aiaia, der
Insel der Zauberin Kirke.
Odysseus sendet einen
Spähtrupp aus, der von
Kirke aber in Schweine
verwandelt wird. Mit
Hilfeeines Gegenmittels
vom Götterboten Hermes
kann Odysseus Kirke
überwaÃ…Nltigen
und er zwingt sie, seinen
Gefährten wieder ihre
menschliche Gestalt
zurückzugeben. Als
er wieder aufbrechen
will, rät Kirke ihm,
den Seher Teiresias in
derUnterwelt aufzusuchen
und zu befragen. Eine
Tagesreise führt
sie dann ins Land der
Kimmerer, nahe dem
Eingang des Hades. Dort
bringt Odysseus Opfer, um
die Seelen der Toten
anzurufen. Teireisas sagt
ihm sein Schicksal
voraus. Dann darf
Odysseusmit seiner Mutter
Antikleia und den Seelen
von Agamemnon, Achilles,
Patroklos, Antilochus,
Ajax und anderen Toten
sprechen. Dann sieht er
die Seelen der Verdammten
Tityos, Tantalos und
Sisyphos. Bald wird
Odysseus selbst von den
Seelen gequält,
kehrtvoll Angst zu seinem
Schiff zurück und
segelt davon. In Aiaia
hatte Kirke ihn vor den
drohenden Gefahren der
Heimreise gewarnt. Sie
riet ihm, den Gesang der
Sirenen zu vermeiden,
wenn er aber unbedingt
zuhören müsse,
solle er sich an denMast
seines Schiff es bindet
lassen, was er dann auch
tut. Dann führt
Odysseus seine Mannschaft
erfolgreich durch die
Meerenge zwischen Skylla
und Charybdis, wobei
Skylla jedoch sechs
seiner Männer
verschlingt.
Schließlich erreichen
Odysseusund die
überlebende
Besatzung die Insel, auf
der der Sonnengott Helios
heiliges Vieh hält.
Odysseus will
weitersegeln, aber seine
Mannschaft
überredet ihn zu
einer Rast. Odysseus
erzählt ihnen von
Kirkes Warnung, aber
kaum, dass
ereingeschlafen ist,
töten die Männer in
gotteslästerlicher
Weise einige Rinder und
verspeisen sie. Als
Helios dies entdeckt,
bittet er Zeus, sie zu
bestrafen. Kurz nachdem
sie die Segel für
die Abreise von der Insel
gesetzt haben,
zerstört Zeusdas
Schiff und alle außer
Odysseus sterben. Nach
zehn Tagen wird Odysseus
an den Strand der Insel
der Nymphe Kalypso
angespült.
(2 Pianos, 4 Hands). Composed by Johannes Brahms (1833-1897). Edited by Johannes...(+)
(2 Pianos, 4 Hands).
Composed by Johannes
Brahms (1833-1897).
Edited by Johannes Behr,
Johannes Umbreit, and
Lars Vogt. For 2 Pianos,
4 Hands. Henle Music
Folios. Softcover. 114
pages. G. Henle #HN1231.
Published by G. Henle
Violin SKU: HL.49045339 Composed by Chaya Czernowin. This edition: Saddle...(+)
Violin
SKU:
HL.49045339
Composed
by Chaya Czernowin. This
edition: Saddle
stitching. Sheet music.
String. Classical.
Softcover. Composed 1981.
12 pages. Duration 12'.
Schott Music #VLB 206.
Published by Schott Music
(HL.49045339).
ISBN
9790001159654. UPC:
841886030633.
9.0x12.0x0.069
inches.
Chaya
Czernowin wrote this
composition for violin
solo as early as 1981, it
is thus one of her early
works. The world premiere
took place in Berlin in
1983, shortly after the
Israeli composer had come
to Germany from her home
country to study on a
scholarship. In this
early creative period,
her tonal language shows
the slow introduction of
the sound of new music.
In 2015, Czernowin also
arranged the piece for
viola solo and for
violoncello solo.
Odysseia Orchestre d'harmonie - Avancé De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1084443-010 Based on Homer...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1084443-010
Based on Homer-s
Odyssey. Composed by
Maxime Aulio. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2008.
De Haske Publications
#DHP 1084443-010.
Published by De Haske
Publications
(BT.DHP-1084443-010).
9x12 inches.
English-German-French-Dut
ch.
Washed up on
the Phaeacian shore after
a shipwreck, Odysseus is
introduced to King
Alcinous. As he sits in
the palace, he tells the
Phaeacians of his
wanderings since leaving
Troy. Odysseus and his
men fi rst landed on the
island of the Cicones
wherethey sacked the city
of Ismarus. From there,
great storms swept them
to the land of the
hospitable Lotus Eaters.
Then they sailed to the
land of the Cyclopes.
Odysseus and twelve of
his men entered the cave
of Polyphemus. After the
single-eyed giantmade
handfuls of his men into
meals, Odysseus fi nally
defeated him. He got him
drunk and once he had
fallen asleep, he and his
men stabbed a glowing
spike into the
Cyclop’s single
eye, completely blinding
him. They escaped by
clinging to the belliesof
some sheep. Once aboard,
Odysseus taunted the
Cyclop by revealing him
his true identity.
Enraged, Polyphemus
hurled rocks at the ship,
trying to sink it. After
leaving the
Cyclopes’ island,
they arrived at the home
of Aeolus, ruler of the
winds.Aeolus off ered
Odysseus a bag trapping
all the strong winds
within except one - the
one which would take him
straight back to Ithaca.
As the ship came within
sight of Ithaca, the
crewmen, curious about
the bag, decided to open
it. The winds escapedand
stirred up a storm.
Odysseus and his crew
came to the land of the
cannibalistic
Laestrygonians, who sank
all but one of the ships.
The survivors went next
to Aeaea, the island of
the witch-goddess Circe.
Odysseus sent out a
scouting party butCirce
turned them into pigs.
With the help of an
antidote the god Hermes
had given him, Odysseus
managed to overpower the
goddess and forced her to
change his men back to
human form. When it was
time for Odysseus to
leave, Circe told him to
sail tothe realm of the
dead to speak with the
spirit of the seer
Tiresias. One
day’s sailing took
them to the land of the
Cimmerians. There, he
performed sacrifi ces to
attract the souls of the
dead. Tiresias told him
what would happen to him
next. He thengot to talk
with his mother,
Anticleia, and met the
spirits of Agamemnon,
Achilles, Patroclus,
Antilochus, Ajax and
others. He then saw the
souls of the damned
Tityos, Tantalus, and
Sisyphus. Odysseus soon
found himself mobbed by
souls. He
becamefrightened, ran
back to his ship, and
sailed away. While back
at Aeaea, Circe told him
about the dangers he
would have to face on his
way back home. She
advised him to avoid
hearing the song of the
Sirens; but if he really
felt he had to hear,
thenhe should be tied to
the mast of the ship,
which he did. Odysseus
then successfully steered
his crew past Charybdis
(a violent whirlpool) and
Scylla (a multiple-headed
monster), but Scylla
managed to devour six of
his men. Finally,
Odysseus and hissurviving
crew approached the
island where the Sun god
kept sacred cattle.
Odysseus wanted to sail
past, but the crewmen
persuaded him to let them
rest there. Odysseus
passed Circe’s
counsel on to his men.
Once he had fallen
asleep, his men
impiouslykilled and ate
some of the cattle. When
the Sun god found out, he
asked Zeus to punish
them. Shortly after they
set sail from the island,
Zeus destroyed the ship
and all the men died
except for Odysseus.
After ten days, Odysseus
was washed up on
theisland of the nymph
Calypso.
Nachdem
er an die Küste der
Phäaker gespült
wurde, wird Odysseus dem
König Akinoos
vorgestellt. In dessen
Palast erzählt er den
Phäakern von den
Fahrten nach seiner
Abreise aus Troja.
Odysseus und seine
Männer landen
zunächst auf
denKikonen, einer
Inselgruppe, wo sie die
Stadt Ismaros einnehmen.
Von dort aus treiben sie
mächtige Stürme
zum Land der
gastfreundlichen
Lotophagen
(Lotos-Essern). Dann
segeln sie zum Land der
Kyklopen (Zyklopen).
Odysseus und seine
zwölf Mannenbetreten
die Höhle von
Poloyphem, dem Sohn
Poseidons. Nachdem dieser
einige der Männer
verspeist hat,
überwaÃ…Nltigt
ihn Odysseus, indem er
ihn betrunken macht und
dann mit einem
glühenden Spieß
in dessen einziges Auge
sticht und ihn
somitblendet. Odysseus
und die übrigen
Männer fl iehen an den
Bäuchen von Schafen
hängend. Wieder an
Bord, provoziert Odysseus
den Zyklopen, indem er
ihm seine wahre
Identität verrät.
Wütend bewirft
Polyphem das Schiff mit
Steinen undversucht, es
zu versenken. Nachdem sie
die Insel der Kyklopen
verlassen haben, kommen
Odysseus und seine Mannen
ins Reich von Aiolos, dem
Herr der Winde. Aiolos
schenkt ihm einen Beutel,
in dem alle Winde
eingesperrt sind,
außer dem, der ihn
direktzurück nach
Ithaka treiben soll. Als
das Schiff in Sichtweite
von Ithaka ist, öff
nen die neugierigen
Seemänner den
Windsack. Die Winde entfl
iehen und erzeugen einen
Sturm. Odysseus und seine
Mannschaft verschlägt
es ins Land
derkannibalischen
Laistrygonen, die alle
ihre Schiff e, bis auf
eines, versenken. Die
Ãœberlebenden reisen
weiter nach Aiaia, der
Insel der Zauberin Kirke.
Odysseus sendet einen
Spähtrupp aus, der von
Kirke aber in Schweine
verwandelt wird. Mit
Hilfeeines Gegenmittels
vom Götterboten Hermes
kann Odysseus Kirke
überwaÃ…Nltigen
und er zwingt sie, seinen
Gefährten wieder ihre
menschliche Gestalt
zurückzugeben. Als
er wieder aufbrechen
will, rät Kirke ihm,
den Seher Teiresias in
derUnterwelt aufzusuchen
und zu befragen. Eine
Tagesreise führt
sie dann ins Land der
Kimmerer, nahe dem
Eingang des Hades. Dort
bringt Odysseus Opfer, um
die Seelen der Toten
anzurufen. Teireisas sagt
ihm sein Schicksal
voraus. Dann darf
Odysseusmit seiner Mutter
Antikleia und den Seelen
von Agamemnon, Achilles,
Patroklos, Antilochus,
Ajax und anderen Toten
sprechen. Dann sieht er
die Seelen der Verdammten
Tityos, Tantalos und
Sisyphos. Bald wird
Odysseus selbst von den
Seelen gequält,
kehrtvoll Angst zu seinem
Schiff zurück und
segelt davon. In Aiaia
hatte Kirke ihn vor den
drohenden Gefahren der
Heimreise gewarnt. Sie
riet ihm, den Gesang der
Sirenen zu vermeiden,
wenn er aber unbedingt
zuhören müsse,
solle er sich an denMast
seines Schiff es bindet
lassen, was er dann auch
tut. Dann führt
Odysseus seine Mannschaft
erfolgreich durch die
Meerenge zwischen Skylla
und Charybdis, wobei
Skylla jedoch sechs
seiner Männer
verschlingt.
Schließlich erreichen
Odysseusund die
überlebende
Besatzung die Insel, auf
der der Sonnengott Helios
heiliges Vieh hält.
Odysseus will
weitersegeln, aber seine
Mannschaft
überredet ihn zu
einer Rast. Odysseus
erzählt ihnen von
Kirkes Warnung, aber
kaum, dass
ereingeschlafen ist,
töten die Männer in
gotteslästerlicher
Weise einige Rinder und
verspeisen sie. Als
Helios dies entdeckt,
bittet er Zeus, sie zu
bestrafen. Kurz nachdem
sie die Segel für
die Abreise von der Insel
gesetzt haben,
zerstört Zeusdas
Schiff und alle außer
Odysseus sterben. Nach
zehn Tagen wird Odysseus
an den Strand der Insel
der Nymphe Kalypso
angespült.
Jolly Alto Saxophones Orchestre d'harmonie [Conducteur et Parties séparées] - Facile FJH
By Traditional. Arranged by Timothy Loest. Intermediate Wind Band/Ensemble. FJH ...(+)
By Traditional. Arranged
by Timothy Loest.
Intermediate Wind
Band/Ensemble. FJH
Developing Band. Based on
Jolly Old St. Nicholas,
this swingin' alto sax
feature includes some
novelty percussion sounds
to exaggerate the work's
humorous nature. Great
writing with a fun
storyline, perfect for a
student to read aloud
just before the
performance! Score for
this title: B1228S. Extra
part for this title:
B1228P. Concert Band.
Level: 1.5. Score and Set
of Parts. Published by
The FJH Music Company
Inc.
Orchestra (3(picc).2.cor
angl.2.B-clar.2.dble bsn.
- 4.3.3.0. - timp - str)
SKU: BR.PB-5587
Tone Poem - Urtext
based on the Complete
Edition Jean Sibelius
Works (JSW). Composed
by Jean Sibelius. Edited
by Kari Kilpelainen.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Symphonic poem;
Late-romantic; Early
modern. Study Score.
Duration 20'. Breitkopf
and Haertel #PB 5587.
Published by Breitkopf
and Haertel (BR.PB-5587).
ISBN 9790004213971.
6.5 x 9 inches.
...
a forest god in New
YorkThe symphonic poem
Tapiola is the final
major composition for
orchestra that Sibelius
was able to complete and
publish. In January 1926
he had accepted the
commission from the
conductor Walter Damrosch
to compose an orchestral
work of at most 20
minutes in length for a
performance in New York
at the end of that year.
Shortly thereafter
Sibelius was successful
in getting Breitkopf &
Hartel to do the first
publication of this tone
poem. The premiere of
Tapiola took place on 26
December 1926. The
edition takes over the
music text published in
volume I/16 of the
complete edition Jean
Sibelius Works.
Orchestra (3(picc).2.cor
angl.2.B-clar.2.dble bsn.
- 4.3.3.0. - timp - str)
SKU: BR.PB-5586
Tone Poem - Urtext
based on the Complete
Edition Jean Sibelius
Works (JSW). Composed
by Jean Sibelius. Edited
by Kari Kilpelainen.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Symphonic poem;
Late-romantic; Early
modern. Full score. 76
pages. Duration 20'.
Breitkopf and Haertel #PB
5586. Published by
Breitkopf and Haertel
(BR.PB-5586).
ISBN
9790004213964. 10 x 12.5
inches.
... a
forest god in New YorkThe
symphonic poem Tapiola is
the final major
composition for orchestra
that Sibelius was able to
complete and publish. In
January 1926 he had
accepted the commission
from the conductor Walter
Damrosch to compose an
orchestral work of at
most 20 minutes in length
for a performance in New
York at the end of that
year. Shortly thereafter
Sibelius was successful
in getting Breitkopf &
Hartel to do the first
publication of this tone
poem. The premiere of
Tapiola took place on 26
December 1926. The
edition takes over the
music text published in
volume I/16 of the
complete edition Jean
Sibelius Works.
Orchestra (3(picc).2.cor
angl.2.B-clar.2.dble bsn.
- 4.3.3.0. - timp - str)
SKU: BR.PB-5587-07
Tone Poem - Urtext
based on the Complete
Edition Jean Sibelius
Works (JSW). Composed
by Jean Sibelius. Edited
by Kari Kilpelainen.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Symphonic poem;
Late-romantic; Early
modern. Study Score. 80
pages. Duration 20'.
Breitkopf and Haertel #PB
5587-07. Published by
Breitkopf and Haertel
(BR.PB-5587-07).
ISBN
9790004213971. 6.5 x 9
inches.
... a
forest god in New YorkThe
symphonic poem Tapiola is
the final major
composition for orchestra
that Sibelius was able to
complete and publish. In
January 1926 he had
accepted the commission
from the conductor Walter
Damrosch to compose an
orchestral work of at
most 20 minutes in length
for a performance in New
York at the end of that
year. Shortly thereafter
Sibelius was successful
in getting Breitkopf &
Hartel to do the first
publication of this tone
poem. The premiere of
Tapiola took place on 26
December 1926. The
edition takes over the
music text published in
volume I/16 of the
complete edition Jean
Sibelius Works.
Composed by Johannes Brahms (1833-1897). Edited by Johannes Behr. For Score (Stu...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Johannes Behr.
For Score (Study Score).
Henle Study Scores.
Softcover. G. Henle
#HN7231. Published by G.
Henle
ISBN
9790006558209. 33.5 x
25.7 cm inches. Text
Language: French.
Preface: Sylvie Bouissou.
Louis de
Cahusac.
The opera
“Naïs†was
premiered on 22 April
1749 at the Acadmie
royale in the
Palais-Royal, Paris, in
celebration of the
signing of the so-called
Treaty of Aachen. It was
revived again in August
1764 shortly before
Rameau’s death and
achieved great success as
the “opera of
peace,†even though
it did not appear in
print during the
composer’s
lifetime.
In
numerous arias Rameau
provides his singers
ample opportunity to
shine, while he reveals
his orchestral mastery,
in particular in the
chaconne and the various
other ballets.
The
work appears here for the
first time in a vocal
score with a keyboard
reduction. The reduction
is by François
Saint-Yves on the basis
of the new critical
edition by Pascal
Dencheau which is part of
Opera Omnia Rameau edited
by Sylvie
Bouissou.
This
edition is the result of
a meticulous comparison
of all known musical
sources. In the main
section, it presents the
version that Rameau
approved for the
performances of 1749. The
appendix contains those
passages that the
composer cut during the
rehearsals in 1749 and
all changes that he
undertook for the 1764
revival.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Kockasfulu
muzsika. Composed by
Arpad Balázs. EMB.
Concert. Softcover. 44
pages. Duration 580
seconds. Editio Musica
Budapest #Z14878.
Published by Editio
Musica Budapest
(HL.50499684).
ISBN
9790080148785. UPC:
888680029302.
8.0x10.5x0.12 inches.
Arpad
Balazs.
Television
viewers of nearly a
hundred countries have
enjoyed Ãrpád
Balázs' touching
melodies from this series
of cartoons featuring the
adventures of the rabbit
with checkered ears and
his friends. Balázs
has rephrased and
developed the well-known
melodies into an
appealing suite of seven
movements, each
representing characters
or episodes from the
series. Two possible
combinations of movements
allow the work to be
performed either in a
shorter version with
modest technical demands,
or the complete suite.
The main title and ending
are included in both
versions. Dur: 4:00
(abridged) or 9:40
(complete).
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.49046442 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.49046442
Cello
and Piano. Composed
by Richard Strauss.
String Solo. Classical.
Softcover. 80 pages.
Duration 1560 seconds.
Schott Music #CB301.
Published by Schott Music
(HL.49046442).
ISBN
9781540094780. UPC:
842819113003.
The
Cello Sonata Op. 6 was
composed over an
apparently frequently
interrupted period of
three years, an
extraordinarily long time
for Strauss's early
creative phase. The
compositional process
spawned two independent
versions of the work, the
first of which is
published for the first
time on the basis of the
text in the Critical
Edition of the Works of
Richard Strauss in the
current editionas a
practical musical text.
The genesis of the two
versions and the reasons
for revision can only be
reconstructed in part:
only one of the surviving
autographs bears a date
and the second version
only survives in printed
form. What is more,
Strauss did not
communicate in greater
detail on this
composition in
correspondence with his
family and friends. There
are enormous differences
between the two versions
of the Sonata: Strauss
deleted the entire second
and third movements
Larghetto and Allegro
vivace, replacing them
with a newly composed
Andante and Finale. In
the first movement,
Allegro con brio, Strauss
retained the
thematic-motivic material
and compositionally
complex passages such as
the three-voice fugue in
the developmentsection
(from bar 241 in the
first version and bar 275
in the second version)
almost intact in the new
version of the sonata,
but also undertook
extensive alterations,
particularly in the
structure of the piano
part, the
motivic-thematic
development of the
movement and its harmony
which became far more
ambitious.12 Particular
attention should be drawn
to the repetitive
accompaniment of the con
espressione theme
beginning in bar 32 and
the significantly shorter
development in the first
version. The current
printed edition of the
first version of Richard
Strauss's Cello Sonata
now makes it possible to
follow Strauss's
compositional development
during this period. The
significance of the
differences between the
versions also mean that
two sonata compositions
for violoncello and piano
by Richard Strauss with
fundamental disparities
in their underlying
character are now
available for
performance.
Sonatine Violon et Piano EMB (Editio Musica Budapest)
Violin and Piano SKU: BT.EMBZ433 Composed by Bela Bartok. EMB Music of Be...(+)
Violin and Piano
SKU:
BT.EMBZ433
Composed
by Bela Bartok. EMB Music
of Bela Bartok.
Educational Tool. Book
Only. Composed 1951. 16
pages. Editio Musica
Budapest #EMBZ433.
Published by Editio
Musica Budapest
(BT.EMBZ433).
Symphonic Works (Study Score) SKU: HL.50510058 Score. Composed by ...(+)
Symphonic Works (Study
Score)
SKU:
HL.50510058
Score. Composed by
Ludwig van Beethoven.
Arranged by Gá and
bor Darvas. Classic. EMB.
Pocket score. Op. 125.
299 pages. Editio Musica
Budapest #Z40036.
Published by Editio
Musica Budapest
(HL.50510058).
ISBN
9790080400364. UPC:
073999597790.
5.5x8.0x0.66 inches.
Gabor
Darvas.
Beethoven
had been pondering over
the plan of the Ninth
Symphony for 30 years. He
was occupied with
Schiller's 'Ode to Joy'
as early as 1793. From
1809 on the first drafts
of the musical ideas of
the work appeared among
his sketches. In fact, he
began the meticulous
elaboration of this
monumental composition
only in the autumn of
1822. The first
performance took place on
May 7, 1824 in the
Karntnertor-Theater in
Vienna. Although the
conductor Umlauf, the
soloists, the choir and
the orchestra had only a
few rehearsals at their
disposal to come over the
extraordinary
difficulties of the
piece, the Ninth Symphony
had a great succes, in
spite of certain
shortcomings of the
performance. After the
first performance
Beethoven made some
changes in the autograph
manuscript. This
corrected copy served as
a basis for the score
printed in 1826 which is
beyond doubt the final
and authentic version.
All the more so, as the
composer carefully
controlled the
preparation of the
publication. The source
of the present edition is
therefore the first
printed score.
Voice and piano (Soli: SBar(T) - 1(picc.A-fl).1(cor ang).1(Ebclar.Bclar).0. - 1....(+)
Voice and piano (Soli:
SBar(T) -
1(picc.A-fl).1(cor
ang).1(Ebclar.Bclar).0. -
1.1.2.0. - perc - hp -
pno - str: 1.1.1.1.1.)
SKU: BR.DV-6140
Scenes for 2 Singers
and 15
Instrumentalists.
Composed by Udo
Zimmermann. Voice;
Softbound. Deutscher
Verlag. World premiere:
Hamburg, February 27,
1986DV 1140 awarded the
German Music Edition
Prize. Opera; Music
theatre; Music post-1945;
New music (post-2000).
Piano/Vocal Score.
Composed 1984/85. 140
pages. Duration 75'.
Deutscher Verlag fur
Musik #DV 6140. Published
by Deutscher Verlag fur
Musik (BR.DV-6140).
ISBN 9790200460230.
13.5 x 10.5
inches.
Translation
: Engl. (S. Wadsworth)
(1988) / (Norbert
Rubesaat) (1993); French
(Jean-Pierre Wurtz)
(1997) Place and time:
Jail Munchen-Stadelheim,
in the hour before the
execution on 22nd
February 1943 Characters:
Sophie Scholl (soprano) /
Hans Scholl (baritone or
tenor) >>Weisse Rose<<
(White Rose) was the name
of the resistance group
to which Hans and Sophie
Scholl belonged. Udo
Zimmermann's composition
is characterized by the
varying structure of its
scenes: dramatic,
visionary scenes, e.g.
the remembered wartime
experiences on the front,
Sophie's anxiety about
the removal of the
children and the wish to
see her parents one last
time, contrast with
contemplative monologues
that are intended to
provide insights into the
individual's particular
situation. The composer
interweaves into the
structure of the piece
dream sequences with
sudden bursts of anxiety
that are not triggered by
the execution that is
about to take place but
by the consequences of
one's own actions. The
result is a deliberate
fusion of the various
parts into one another.
More than 100 different
productions prove that
the topic is as important
as ever and that the work
is both artistically
rewarding and
practicable. Udo
Zimmermann About the
piece Two young people,
the siblings Sophie and
Hans Scholl, are in a
prison cell, one hour
before they are to be put
to death by their fascist
executioners. Their
christian convictions and
sense of responsibility
gave them the courage to
put up resistance,
resistance against the
lies, the contempt for
humanity and all human
values. Sophie and Hans
Scholl took their stand
in the full knowledge
that they were taking a
deadly risk. They would
simply not have been able
to live with their
feelings of shame had
they not grasped the
chance of fighting for
what they believed in,
even though it was a
dangerous thing to do.
Memories of past events,
doubts, hopes and fears,
justification of deeds
and an acceptance of
death, all these things
happen and move in, and
between, these two people
during this
representation of the
hour before death. The
orchestra provides a
psycho-physical shorthand
of their inner mental
state. Musical effects
and gestures search for
their identity in human
behaviour. The moments of
stillness and silence
provide moments of
musical tension, which
are just as powerful as
the eruptions of fear and
desperation. CDs:
Gabriele Fontana
(soprano), Lutz-Michael
Harder (tenor),
Instrumentalensemble,
cond. Udo Zimmermann CD
Orfeo C 162 871 Grazyna
Szklarecka (soprano),
Frank Schiller (tenor),
musica viva-ensemble
dresden, cond. Udo
Zimmermann CD Berlin
Classics Eterna BC 0120
060-2 CD (excerpts):
Gabriele Fontana
(soprano), Lutz-Michael
Harder (tenor), Ein
Instrumentalensemble,
cond. Udo Zimmermann CD
BMG 74321 73628 2
Bibliography : Kornel ,
Attila: ,,Tief unter uns
nur Schweigen - Die
Asthetik der Stille in
Udo Zimmermanns
Kammeroper ,,Weisse Rose,
in: Die Tonkunst 11
(2017), pp. 368-377.
Rheinlander , Matthias:
Im Osten nichts Neues?
Ostalgie ohne Kitsch am
Beispiel von Udo
Zimmermanns Oper Die
weisse Rose, in: Musik
und Unterricht, Heft 73
(2003), pp.
34-40.
World
premiere: Hamburg,
February 27, 1986DV 1140
Awarded the German Music
Edition Prize.
Piano - early intermediate SKU: BT.EMBZ14968 Essential Sonatinas for M...(+)
Piano - early
intermediate
SKU:
BT.EMBZ14968
Essential Sonatinas
for Music Education -
Ausgewählte Sonatinen
für die
Musikausbildung. By
Jozsef Sarmai.
Educational Tool. Book
Only. Composed 2016. 56
pages. Editio Musica
Budapest #EMBZ14968.
Published by Editio
Musica Budapest
(BT.EMBZ14968).
Hungarian-English-Germ
an-French.
Sonatina
s form a vital part of
the teaching material for
beginner and intermediate
piano students. Compared
to the great classic
piano sonatas, they are
technically and musically
simpler and typically
shorter. However, they
still convey the basic
elements of Classical
style: the relation of
melody to accompaniment,
articulation,
stylistically authentic
playing, and correct
interpretation. For the
two volumes of Giraffe
Piano, the most favoured
and instructive of the
sonatinas have been
chosen. Volume 1 contains
simpler pieces and Volume
2 is compromised of
moderately difficult
ones. Correct
interpretation of the
pieces is facilitated by
added performance and
fingeringmarks. Learning
is helped along by clear
presentation of the
score, carefully placed
page turns, and by
inspiration from colour
images showing the
keyboard instruments of
the 1720-1820 period for
which the pieces were
written. The most notable
of them is the giraffe
piano, after which the
collection is named.
Im Lehrstoff
für Anfänger und
fortgeschrittene
Klavierschüler auf
Mittelstufenniveau sind
Sonatinen unverzichtbar.
Sie sind technisch und
musikalisch einfacher und
vor allem kürzer als
die großen klassischen
Klaviersonaten, zugleich
kann man an ihnen gut die
Grundelemente des
klassischen Stils, das
Verhältnis von Melodie
und Begleitung, eine
klare, stilgetreue
Vortragsweise und die
richtige Formgebung
üben.
In den zwei
Bänden des
Giraffenklaviers
haben wir die
beliebtesten und auch
für den Unterricht am
meisten geeigneten
Sonatinen
zusammengestellt. Im 1.
Band befinden sich
leichte, im 2.
mittelschwere Stücke.
Den richtigen Vortrag der
Stücke unterstützt
der Herausgeber mit Hilfe
von Artikulations- und
Vortragszeichen sowie
Fingersätzen. Über
das klare Notenbild und
die sorgsam gewählten
Stellen zum Umblättern
hinaus machen farbige
Bilder von
zeitgenössischen,
zwischen 1720 und1820
gebauten
Tasteninstrumenten,
für die auch Stücke
des Bandes geschrieben
wurden, ihre Aneignung zu
einem besonderen
Erlebnis. Das
eigentümlichste unter
ihnen war das auf dem
Umschlag abgebildete
Giraffenklavier, das dem
Album auch seinen Namen
gab.
Piano - easy SKU: BT.EMBZ14967 Essential Sonatinas for Music Education...(+)
Piano - easy
SKU:
BT.EMBZ14967
Essential Sonatinas
for Music Education -
Ausgewählte Sonatinen
für die
Musikausbildung. By
Jozsef Sarmai.
Educational Tool. Book
Only. Composed 2016. 44
pages. Editio Musica
Budapest #EMBZ14967.
Published by Editio
Musica Budapest
(BT.EMBZ14967).
Hungarian-English-Germ
an-French.
Sonatina
s form a vital part of
the teaching material for
beginner and intermediate
piano students. Compared
to the great classical
piano sonatas, they are
technically and musically
simpler and typically
shorter. However, they
still convey the basic
elements of Classical
style: the relation of
melody to accompaniment,
articulation,
stylistically authentic
playing, and correct
interpretation. For the
two volumes of Giraffe
Piano, the most favoured
and instructive of the
sonatinas have been
chosen. Volume 1 contains
simpler pieces and Volume
2 is compromised of
moderately difficult
ones. Correct
interpretation of the
pieces is facilitated by
added performance and
fingeringmarks. Learning
is helped along by clear
presentation of the
score, carefully placed
page turns, and by
inspiration from colour
images showing the
keyboard instruments of
the 1720-1820 period for
which the pieces were
written. The most notable
of them is the giraffe
piano, after which the
collection is named.
Im Lehrstoff
für Anfänger und
fortgeschrittene
Klavierschüler auf
Mittelstufenniveau sind
Sonatinen unverzichtbar.
Sie sind technisch und
musikalisch einfacher und
vor allem kürzer als
die großen klassischen
Klaviersonaten, zugleich
kann man an ihnengut die
Grundelemente des
klassischen Stils, das
Verhältnis von Melodie
und Begleitung, eine
klare, stilgetreue
Vortragsweise und die
richtige Formgebung
üben.
In den zwei
Bänden des
Giraffenklaviers
haben wir die
beliebtesten und auch
für den Unterricht am
meisten geeigneten
Sonatinen
zusammengestellt. Im 1.
Band befinden sich
leichte, im 2.
mittelschwere Stücke.
Den richtigen Vortrag der
Stücke unterstützt
der Herausgeber mit HIlfe
von Artikulations- und
Vortragszeichen sowie
Fingersätzen. Über
das klare Notenbild und
die sorgsam gewählten
Stellen zum Umblättern
hinaus machen farbige
Bilder von
zeitgenössischen,
zwischen 1720 und1820
gebauten
Tasteninstrumenten,
für die auch Stücke
des Bandes geschrieben
wurden, ihre Aneignung zu
einem besonderen
Erlebnis. Das
eigentümlichste unter
ihnen war das auf dem
Umschlag abgebildete
Giraffenklavier, das dem
Album auch seinen Namen
gab.
Cello & Piano 1 Violoncelle, Piano EMB (Editio Musica Budapest)
Cello and Piano SKU: BT.EMBZ14636 By Arpad Pejtsik. ABRSM Cello Exam Piec...(+)
Cello and Piano
SKU:
BT.EMBZ14636
By Arpad
Pejtsik. ABRSM Cello Exam
Pieces 2016-2019.
Educational Tool. Book
and Part(s). Composed
2008. 144 pages. Editio
Musica Budapest
#EMBZ14636. Published by
Editio Musica Budapest
(BT.EMBZ14636).
ABRSM Syllabus
title - Grades 5, 6, 8The
two volumes contain a
selection from 200 years
of music. Eight Baroque
sonatas are included,
apart from the famous D
minor one by Corelli
there are some that are
appearing in a modern
edition for the first
time in 300 years. In
addition to cyclical
works (Haydn: Sonatina,
Mozart: Divertimento,
Vivaldi: Concerto) and
sets of variations
(Beethoven, Tartini)
there are many shorter
pieces as well, not only
the famous minuets by
Boccherini, Mozart and
Beethoven but also works
published for the first
time here. Virtuoso
pieces are represented by
Goltermann s
Etude-caprice and
Jenkinson s Dance of the
sylphids, the lighter
kind includeJoplin s
Ragtime. This colourful,
ample selection provides
a good basis for a
music-lover s library.
ABRSM Cello Syllabus
title - Grade 5, 6, 8.
Die zwei Bände
präsentieren eine
Auswahl an Musik aus
zweihundert Jahren. Sie
beinhalten acht
Barocksonaten, neben der
berühmten Corelli in
d-Moll auch solche, die
nach 300 Jahren erst
jetzt in einer modernen
Ausgabe erscheinen. Es
kommen neben zyklischen
(Haydn: Sonatine, Mozart:
Divertimento, Vivaldi:
Concerto) und
Variationswerken
(Beethoven, Tartini),
auch mehrere kleinere
Stücke wie die
berühmten Mozart-,
Boccherini- und
Beethoven-Menuette sowie
solche vor, die hier das
erste Mal erscheinen. Die
virtuosen Stücke
werden durch Goltermanns
Etüde-Caprice und
Jenkinsons Tanz der
Sylphiden, die leichtere
Gattungen von Joplins
Ragtime vertreten. Die
reichhaltige, bunte
Auswahlkann für
Musikliebhaber zur
Grundlage einer
Notensammlung werden.