By Stephen Bennett. For Guitar (Fingerpicking). Solos. Acoustic Music. Level: Advanced. Book/CD Set. Size 8.75x11.75. 80 pages. Published by Mel Bay Publications, Inc.

10 Songs for Baritone and Piano. By Gerald Finzi. (Baritone/Bass). Boosey and Hawkes Voice. Size 9x12 inches. 56 pages. Published by Boosey & Hawkes.

Band concert band - Grade 0.5

SKU: CF.PPS51F

March. Composed by Larry Clark. Primer Band (PPS). Full score. With Standard notation. 12 pages. Carl Fischer Music #PPS51F. Published by Carl Fischer Music (CF.PPS51F).

ISBN 9781491152638. UPC: 680160910137.

The march style is important to the heritage of the modern concert band. Why not get beginners off to a great start by teaching them this essential band style as early as possible? Achieve u ses only the first six notes of the Bb-major scale and utilizes two repeated eighth notes as the most difficult rhythm. It is written in traditional march form and style, but without modulation in the trio.
The march style is important to the heritage of the modern concert band, and it is my opinion that even the youngest of students should be taught the march style and form as early as possible. This march sets out to give these students that opportunity. It uses only the first six notes of the Bb-major scale, and the most difficult rhythm is two repeated eighth notes. Yet it has all of the traditional march form and style. The form of this easy march is the traditional intro, first strain, second strain and trio. The only difference from more challenge marches is that the key does not change to the subdominant at the trio. Most everything else is the same as you would find in the American marches of Sousa, Fillmore or King.The march begins forte with a quote from the end of the second strain, something that is common in many marches. This is followed by the first strain at a softer dynamic level. Additional voices are added on the repeat for variety. The second strain has tradition changes in dynamics, first starting out loud, then getting soft with crescendos to the end of the strain. The trio following again in typical fashion with the first time being very soft and legato. There are some suggestions for changing the orchestration, but you can use your creativity to tailor the instrumentation to your musical taste. The repeat of the trio should then be back to a more marcato march style. This should start with the last note of the first ending in m. 70. The march then ends with the traditional stinger.It is my opinion that in marches with this form that the repeats should not be eliminated. By doing so, it changes the form and makes the march lopsided, with the first half of the marching being too short compared to the trio section.It has been my pleasure to have the opportunity to write this piece. I hope you and your students enjoy it and find it useful for your program.—Larry ClarkLakeland, FL 2018.

Band concert band - Grade 0.5

SKU: CF.PPS51

March. Composed by Larry Clark. Primer Band (PPS). Set of Score and Parts. With Standard notation. 8+2+8+2+5+2+2+8+2+3+2+6+3 +1+1+2+2+12+2 pages. Duration 2 minutes, 8 seconds. Carl Fischer Music #PPS51. Published by Carl Fischer Music (CF.PPS51).

ISBN 9781491151952. UPC: 680160909452.

The march style is important to the heritage of the modern concert band. Why not get beginners off to a great start by teaching them this essential band style as early as possible? Achieve u ses only the first six notes of the Bb-major scale and utilizes two repeated eighth notes as the most difficult rhythm. It is written in traditional march form and style, but without modulation in the trio.
The march style is important to the heritage of the modern concert band, and it is my opinion that even the youngest of students should be taught the march style and form as early as possible. This march sets out to give these students that opportunity. It uses only the first six notes of the Bb-major scale, and the most difficult rhythm is two repeated eighth notes. Yet it has all of the traditional march form and style. The form of this easy march is the traditional intro, first strain, second strain and trio. The only difference from more challenge marches is that the key does not change to the subdominant at the trio. Most everything else is the same as you would find in the American marches of Sousa, Fillmore or King.The march begins forte with a quote from the end of the second strain, something that is common in many marches. This is followed by the first strain at a softer dynamic level. Additional voices are added on the repeat for variety. The second strain has tradition changes in dynamics, first starting out loud, then getting soft with crescendos to the end of the strain. The trio following again in typical fashion with the first time being very soft and legato. There are some suggestions for changing the orchestration, but you can use your creativity to tailor the instrumentation to your musical taste. The repeat of the trio should then be back to a more marcato march style. This should start with the last note of the first ending in m. 70. The march then ends with the traditional stinger.It is my opinion that in marches with this form that the repeats should not be eliminated. By doing so, it changes the form and makes the march lopsided, with the first half of the marching being too short compared to the trio section.It has been my pleasure to have the opportunity to write this piece. I hope you and your students enjoy it and find it useful for your program.—Larry ClarkLakeland, FL 2018.

By David Franz. Berklee Press. CD-ROM only. Size 6x9 inches. 282 pages. Published by Berklee Press.

Score and Parts Marching Band (Score and Parts) - Grade 3

SKU: HL.3746690

Arranged by Matt Conaway and Matt Finger. Contemporary Marching Band. Tv. Softcover. Published by Hal Leonard (HL.3746690).

UPC: 196288197898. 6.75x10.5x0.661 inches.

Including the popular themes from Bluey, Doug, and Fairly Odd Parents, this entertaining collection of hit cartoon themes is perfect for time-outs or short stadium blasts!

Composed by Kareem Roustom. Young People's Concert, Youth Orchestra, Short Work. 21st Century, Secular. Published by E.C. Schirmer Publishing (EC.LMP025).

By Sprunger. For piano. Piano collection. Keyboard music. Early Advanced. Published by SoundForth

By John Biggs (1932-). For SATB recorder quartet. Three short, somewhat lighthearted, movements. Intermediate. Score and parts. Duration 7 minutes

Piano - Beginner

SKU: FP.FDC07

Composed by Cyril Dalmaine. Published by Forsyths Publications (FP.FDC07).

ISBN 979-0-57050-050-5.

A cheerful collection of 18 short, easy piano pieces that are perfect for young pupils. Suggested grade 0-1.

By Grey Larsen. For Tin Whistle. Method. Celtic/Irish. Level: Beginning-Intermediate. Book/CD Set. Size 8.75x11.75. 192 pages. Published by Mel Bay Publications, Inc.

(Medium Voice Range) Performed by Chris Rice. For medium voice, piano and guitar (chords only). Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics and chord names. Contemporary Christian. 152 pages. 9x12 inches. Published by Word Music.

(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 856 pages. 9x12 inches. Published by Hal Leonard.

C Edition. Fake Book (Includes melody line and chords). Size 6x9 inches. 864 pages. Published by Hal Leonard.

(La Guía Completa de Shortcuts). Music Pro Guide Books & DVDs. Softcover. 168 pages. Published by Hal Leonard

With audio download. Arranged by Frank Mantooth. Jazz Combo. Jazz. Softcover Audio Online and Parts. Published by Hal Leonard

Fake Book (Includes melody line and chords). Size 9.75x12 inches. 280 pages. Published by Hal Leonard.

(4th Edition ) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Pop rock, rock and pop. Series: Hal Leonard Fake Books. 584 pages. 9x12 inches. Published by Hal Leonard.

The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Published by Hal Leonard.

Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages. Published by Hal Leonard.

Paperback Lyrics. By Various. Paperback Lyrics. Softcover. Size 4.25x6.75 inches. 256 pages. Published by Hal Leonard.