Caribbean Cocktail Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2.5 SKU: BT.DHP-1135398-215 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2.5
SKU:
BT.DHP-1135398-215
Composed by Roland
Kernen. De Haske Easy
Band Series. Original
Light Music. Score Only.
Composed 2012. 44 pages.
De Haske Publications
#DHP 1135398-215.
Published by De Haske
Publications
(BT.DHP-1135398-215).
9x12 inches.
English-German-French-Dut
ch.
The hot
tropical climate of the
Caribbean makes these
islands a wonderful place
to be. The population is
of largely African
ancestry, together with
people of European and
Amerindian origin. The
community is proud of the
local Creole culture that
gave rise to a musical
style characteristic of
these wonderful
islands.This small
Caribbean Cocktail
includes three different
dances:- A traditional
calypso with vibrant
rhythms driving a
typically Caribbean
melody;- A quieter
beguine, featuring warmer
and tranquil sounds;- A
merengue with a strong
sense of exuberance and
joie de vivre is easy to
hear.This popular
composition captures in
music the feelings of a
communitywhere
life’s joys are
all-important.
Caribbean Cocktail
is a light-hearted piece
that is ideally suited to
youth bancs and ensembles
with an incomplete or
imbalanced
instrumentation.
Op de eilanden in
het Caribisch gebied
heerst een aangenaam
warm, tropisch klimaat.
De meeste bewoners zijn
er van Afrikaanse
afkomst, maar er wonen
ook mensen van Europese
en indiaanse origine. De
gemeenschap is trots op
haar creoolse cultuur,
waaruit een muziekstijl
is voortgekomen die
typerend is voor deze
prachtige
eilanden.Caribbean
Cocktail omvat drie
verschillende dansen:-
een traditionele calypso
met levendige ritmes en
een typisch Caribische
melodie;- een rustige
beguine waarin warmere en
serenere klanken naar
voren komen;- een
merengue in een
uitbundige sfeer en met
een grote joi de
vivre.Deze
temperamentvolle
compositie weerspiegelt
het muzikale gevoelvan
een gemeenschap waarin
men veel belang hecht aan
een vreugdevol,
ongecompliceerd leven.
Caribbean Cocktail
is een luchthartig werk
dat ideaal is voor
jeugdorkesten en
-ensembles met een
onvolledige of
onevenwichtige bezetting.
Die Karibik ist
eine vom heißen
Tropenklima verwöhnte
Inselkette. Die Einwohner
sind schwarzafrikanischer
Herkunft, mehr oder
weniger gemischt mit
Europäern und
amerikanischen
Ureinwohnern. Diese
Gemeinschaft ist stolz
auf ihre kreolische
Kultur, aus der ein
charakteristischer und
auf diesen wunderbaren
Inseln einzigartiger
Musikstil entstanden
ist.Dieser kleine
Karibische
Cocktail“ umfasst
drei unterschiedliche
Tänze:- einen
traditionellen Calypso
mit pulsierenden
Rhythmen, die eine
typisch karibische
Melodie vorantreiben;-
eine ruhigere Beguine mit
wärmeren, ruhigeren
Klängen;- ein
Merengue, in dem eine
überschwängliche
Atmosphäre und
Lebensfreude
vorherrschen.Dieseunterha
ltsame Komposition bringt
musikalisch die
Gefühle einer
Gemeinschaft zum
Ausdruck, in der
Lebensfreude und
Gelassenheit ganz hoch
angesiedelt sind.
Caribbean Cocktail
ist ein unbeschwertes
Stück, das sich ideal
für
Jugendblasorchester und
Ensembles mit
unvollständiger oder
unausgewogener Besetzung
eignet.
Caribbean Cocktail Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2.5 SKU: BT.DHP-1135398-015 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2.5
SKU:
BT.DHP-1135398-015
Composed by Roland
Kernen. De Haske Easy
Band Series. Original
Light Music. Set (Score &
Parts). Composed 2012. De
Haske Publications #DHP
1135398-015. Published by
De Haske Publications
(BT.DHP-1135398-015).
9x12 inches.
English-German-French-Dut
ch.
The hot
tropical climate of the
Caribbean makes these
islands a wonderful place
to be. The population is
of largely African
ancestry, together with
people of European and
Amerindian origin. The
community is proud of the
local Creole culture that
gave rise to a musical
style characteristic of
these wonderful
islands.This small
Caribbean Cocktail
includes three different
dances:- A traditional
calypso with vibrant
rhythms driving a
typically Caribbean
melody;- A quieter
beguine, featuring warmer
and tranquil sounds;- A
merengue with a strong
sense of exuberance and
joie de vivre is easy to
hear.This popular
composition captures in
music the feelings of a
communitywhere
life’s joys are
all-important.
Caribbean Cocktail
is a light-hearted piece
that is ideally suited to
youth bancs and ensembles
with an incomplete or
imbalanced
instrumentation.
Op de eilanden in
het Caribisch gebied
heerst een aangenaam
warm, tropisch klimaat.
De meeste bewoners zijn
er van Afrikaanse
afkomst, maar er wonen
ook mensen van Europese
en indiaanse origine. De
gemeenschap is trots op
haar creoolse cultuur,
waaruit een muziekstijl
is voortgekomen die
typerend is voor deze
prachtige
eilanden.Caribbean
Cocktail omvat drie
verschillende dansen:-
een traditionele calypso
met levendige ritmes en
een typisch Caribische
melodie;- een rustige
beguine waarin warmere en
serenere klanken naar
voren komen;- een
merengue in een
uitbundige sfeer en met
een grote joi de
vivre.Deze
temperamentvolle
compositie weerspiegelt
het muzikale gevoelvan
een gemeenschap waarin
men veel belang hecht aan
een vreugdevol,
ongecompliceerd leven.
Caribbean Cocktail
is een luchthartig werk
dat ideaal is voor
jeugdorkesten en
-ensembles met een
onvolledige of
onevenwichtige bezetting.
Die Karibik ist
eine vom heißen
Tropenklima verwöhnte
Inselkette. Die Einwohner
sind schwarzafrikanischer
Herkunft, mehr oder
weniger gemischt mit
Europäern und
amerikanischen
Ureinwohnern. Diese
Gemeinschaft ist stolz
auf ihre kreolische
Kultur, aus der ein
charakteristischer und
auf diesen wunderbaren
Inseln einzigartiger
Musikstil entstanden
ist.Dieser kleine
Karibische
Cocktail“ umfasst
drei unterschiedliche
Tänze:- einen
traditionellen Calypso
mit pulsierenden
Rhythmen, die eine
typisch karibische
Melodie vorantreiben;-
eine ruhigere Beguine mit
wärmeren, ruhigeren
Klängen;- ein
Merengue, in dem eine
überschwängliche
Atmosphäre und
Lebensfreude
vorherrschen.Dieseunterha
ltsame Komposition bringt
musikalisch die
Gefühle einer
Gemeinschaft zum
Ausdruck, in der
Lebensfreude und
Gelassenheit ganz hoch
angesiedelt sind.
Caribbean Cocktail
ist ein unbeschwertes
Stück, das sich ideal
für
Jugendblasorchester und
Ensembles mit
unvollständiger oder
unausgewogener Besetzung
eignet.
SAB choir divisi/SSA choir, piano, etc SKU: GH.CG-7035 Composed by Tommy ...(+)
SAB choir divisi/SSA
choir, piano, etc
SKU:
GH.CG-7035
Composed
by Tommy Korberg.
Arranged by Bengt Lundin.
With Language: Swedish.
Gehrmans Musikforlag #CG
7035. Published by
Gehrmans Musikforlag
(GH.CG-7035).
ISBN
9790070012904. 185 x 262
mm inches. Text:
Traditional / Tommy
Korberg.
For
blandad kor a cappella
eller med komp. Om piano
anvands kan herrstamman
uteslutas. Texten ar
ursprungligen en
indiandikt.
SKU: SU.95001012 Keyboard, Piano/Harpsichord. Large Print. Score. Subito ...(+)
SKU: SU.95001012
Keyboard,
Piano/Harpsichord. Large
Print. Score. Subito
Music Corporation
#95001012. Published by
Subito Music Corporation
(SU.95001012).
Piano Solo with
lyrics and chord symbols.
Formatted 2½ larger
than traditional printed
music. Contents: St.
Louis Blues, The
Entertainer, When the
Saints Go Marching In,
Rock-A-Bye Your Baby,
Bill Bailey, Way Down
Yonder in New Orleans,
Indiana.
Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099).
ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German.
On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009.
Nne Na Tatu Orchestre d'harmonie - Intermédiaire Boosey and Hawkes
Concert Band (Score) - Grade 5 SKU: HL.48024057 Composed by Daniel French...(+)
Concert Band (Score) -
Grade 5
SKU:
HL.48024057
Composed
by Daniel French.
Windependence Artist
Level. Concert.
Softcover. Boosey &
Hawkes #M051663668.
Published by Boosey &
Hawkes (HL.48024057).
UPC: 888680678708.
9.0x12.0x0.092
inches.
Nne na Tatu
(Swahili for Four on
Three) is inspired by the
music of sub-Saharan
Africa and other world
music traditions. Like
many of those traditions,
Nne na Tatu is driven by
relentless percussion and
rhythmic-focused
development. A bold,
festive theme, introduced
in the brass, recurs
throughout and grounds
the piece amidst a series
of unpredictable detours
- a Scottish-inspired
dance in the winds, a
marimba melody
reminiscent of the music
of the Andes - before
returning in a final
triumphant fanfare. Dur:
5:15 (Recorded live by
the Indiana University of
Pennsylvania Symphony
Band, Jason Worzbyt,
conductor).
Shenandoah Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:30. Published
by Manhattan Beach Music.
Shenandoah Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:30.
Published by Manhattan
Beach Music.
SKU: GI.G-7266 Music, Dreams, and Coming of Age in the Heartland. ...(+)
SKU: GI.G-7266
Music, Dreams, and
Coming of Age in the
Heartland. Composed
by Kristen Laine.
Instructional. 325 pages.
GIA Publications #7266.
Published by GIA
Publications (GI.G-7266).
ISBN 9781592403196.
English.
Every
fall, marching bands take
to the field in a
uniquely American ritual.
From the stands, it looks
easy. You don’t
see them sweat. For
millions of kids, band is
more than a show.
It’s a rite of
passage—a first
foray into leadership and
adult responsibility, and
a chance to learn what it
means to be part of a
community. Nowhere is
band more serious than at
Concord High School in
Elkhart, Indiana, where
the entire town is
involved with the success
of its defending state
champion band, the
Marching Minutemen. In
the place where this
tradition may have
originated, in the city
that became the band
instrument capital of the
world, band is a
religion. But it’s
not the only religion, as
director Max Jones
discovers. After four
decades. Jones’s
single-minded devotion to
musical excellence has
fallen out of step with a
younger generation
increasingly focused on
personal salvation. In
what his students do not
know is his final season
of directing, he has
assembled his most
ambitious show ever, for
the strongest senior
class he has ever
directed. Amid
conflicting notions of
greatness, the band
marches through a season
that starts in hope and
promise, progresses
through uncertainty and
disappointment, and ends,
ultimately, in
redemption. American Band
is an unusually intimate
chronicle of life, in all
its triumph,
disappointment, and
drama, in the kind of
community in which most
of America lives. It is
an especially timely
portrait, capturing as it
does the spirit of the
heartland at a time of
profound change. If you
have ever been— or
yearned to be—
part of something bigger
than yourself, you will
be rooting for the kids
whose voices fill this
book. Kirsten Laine is an
award-winning journalist
whose commentaries can be
heard on Vermont Public
Radio. She lives in New
Hampshire with writer Jim
Collins and their two
children. “American
Band has everything going
for it, from tempo to
heart to the grand
bittersweet finale. What
a gift for readers: a
pitch-perfect tribute to
kids and song and
community.â€
—Madeleine Blais
Pulitzer Prize winner and
author of In These Girls,
Hope is a Muscle.
Piano Accompaniment; Viola - difficult SKU: HL.49018776 Viola and Pian...(+)
Piano Accompaniment;
Viola - difficult
SKU:
HL.49018776
Viola
and Piano. Composed
by Emile Naoumoff. This
edition: Saddle
stitching. Sheet music.
String. Classical.
Softcover. Composed
2001/2009. 46 pages.
Duration 20'. Schott
Music #VAB73. Published
by Schott Music
(HL.49018776).
ISBN
9790001174107.
9.0x12.0x0.135
inches.
The
one-movement, yet
multiple time structured,
sonata uses a gently
modern tonal language and
has been influenced by
the French tradition.
Emile Naoumoff likes to
give his movements
unusual headings that
perfectly describe the
character of the
respective section. The
piece for the combination
of viola and piano, which
is quite rare in concert
life, is a valuable and
fascinating addition to
the repertoire in which
both instruments conduct
a dialogue on an equal
basis.Naoumoff was born
in Sofia in 1962. At the
age of 8, he began his
career as a pianist and
composer; for ten years,
he was a pupil of Nadia
Boulanger until her
death. At the age of 10,
Naoumoff composed and
performed his own piano
concerto under the
direction of Yehudi
Menuhin. Many prizes,
awards and appearances as
a celebrated pianist
followed. Today Naoumoff
lives and works as an
associate professor at
the School of Music of
the Indiana University in
Bloomington. He holds
master classes in the
USA, Europe and Japan and
is director of a music
academy.
Voice and piano - advanced SKU: HL.49017577 On poems by Auguste Villie...(+)
Voice and piano -
advanced
SKU:
HL.49017577
On
poems by Auguste Villiers
de l'Isle-Adam, Emile
Verhaeren, Charles
Baudelaire, Rene-Francois
Sully-Prudhomme.
Composed by Emile
Naoumoff. This edition:
Saddle stitching. Sheet
music. Vocal. Composed
2004-2006. 28 pages.
Duration 18'. Schott
Music #ED20388. Published
by Schott Music
(HL.49017577).
ISBN
9790001152204.
9.0x12.0x0.1 inches.
French.
These songs
by Emile Naoumoff are
squarely in the tradition
of French lied
composition such as by
Gabriel Faure. Here,
Naoumoff chose texts by
late 19th-century French
lyricists: Auguste
Villiers de l'Isle-Adam,
Emile Verhaeren, Charles
Baudelaire and
Rene-Francois
Sully-Prudhomme.In their
elegance and suppleness,
the four songs sound
typically French. As they
are all easy to sing and
have not been composed
'against' the voice, they
are perfectly suited for
both music lessons and
concert
programmes.Naoumoff was
born in Sofia in 1962. At
the age of eight, he
began his career as a
pianist and composer; he
was a student of Nadia
Boulanger for ten years
until her death. At the
age of ten, Naoumoff
composed and performed
his own piano concerto
under the direction of
Yehudi Menuhin. He then
received numerous awards
and prizes and gave
performances as highly
acclaimed pianist. Today,
Naoumoff lives and works
as an associate professor
at the School of Music of
the Indiana University at
Bloomington. He gives
master classes in the
USA, Europe and Japan and
is director of a music
academy.