Keyboard Corner Book 2 & Music Street Book 3. Piano Method. Softcover. With note...(+)
Keyboard Corner Book 2 &
Music Street Book 3.
Piano Method. Softcover.
With notes and tablature.
Size 8.8x11 inches. 64
pages. Published by Hal
Leonard.
(The Great Trees: 4. The Steps of the City). By Gwyneth W. Walker (1947-). For s...(+)
(The Great Trees: 4. The
Steps of the City). By
Gwyneth W. Walker
(1947-). For soprano
voice solo, clarinet,
piano. Concerts, Secular.
Moderately Easy.
Published by E.C.
Schirmer Publishing
(The Great Trees: 2. The Silence). By Gwyneth W. Walker (1947-). For soprano voi...(+)
(The Great Trees: 2. The
Silence). By Gwyneth W.
Walker (1947-). For
soprano voice solo,
clarinet, piano.
Concerts, Secular.
Moderately Easy.
Published by E.C.
Schirmer Publishing
Piano SKU: HL.48188717 Avec Beaugosse. Composed by Darius Milhaud....(+)
Piano
SKU:
HL.48188717
Avec
Beaugosse. Composed
by Darius Milhaud. Leduc.
Classical. Softcover.
Composed 2005. 34 pages.
Heugel & Cie #HE33247.
Published by Heugel & Cie
(HL.48188717).
UPC:
888680880187.
10.75x14.0x0.06
inches.
Darius
Milhaud: Entree de la
Championne de Tennis
& Couplet avec
Beaugosse (Piano
solo).
By Neon Trees. By Tyler Glenn and Tim Pagnotta [Neon Trees]. Arranged by Alan Bi...(+)
By Neon Trees. By Tyler
Glenn and Tim Pagnotta
[Neon Trees]. Arranged by
Alan Billingsley. Choir
Secular. 3-Part Mixed
Choir (SAB). Choral
Octavo. Pop Choral. 12
pages. Published by
Alfred Music
The Great Trees: 1. Peace of Wild Things. Composed by Gwyneth W. Walker (...(+)
The Great Trees: 1.
Peace of Wild Things.
Composed by Gwyneth W.
Walker (1947-). Concerts,
Secular, 21st Century.
Octavo. Published by E.C.
Schirmer Publishing
(EC.7744).
Composed
by Lauren Bernofsky.
Concert String Orchestra
(CAS). Full score. With
Standard notation. 8
pages. Carl Fischer Music
#CAS117F. Published by
Carl Fischer Music
(CF.CAS117F).
ISBN
9781491153307. UPC:
680160910809. 9 x 12
inches.
Abendstern,
composed by Lauren
Bernofsky,?evokes an
image of a sunset over
the tree-covered hills of
the Bavarian countryside
with the Abendstern, or
evening star, shining
brightly over the scene.
A hauntingly beautiful
theme in falling
thirds?evokes the
treetops as they become
darker and murkier. This
piece is a wonderful
addition to any concert
program and can be used
as a touching?tribute at
a memorial
service. One summer night
during a visit to Bavaria
in southern Germany, I
stood outside on a
balcony overlooking the
hills of the Bavarian
forest, watching the
beautiful early-evening
sky. It was still light
out, but I could make out
one solitary star in the
sky. As the sun slowly
went down, the landscape
became more and more dark
and indistinct, and the
star shone brighter and
brighter. My
mother-in-law stood there
with me. I asked her the
name of the star, and she
answered, Abendstern (or
Evening Star.) I was so
moved by what I saw, I
went inside and took out
my manuscript paper and
started to write down
this piece. The
tree-covered hills and
tranquility of the
evening are evoked by the
theme, whose contour
(with little bumps)
mirrors the contour of
the treetops on the
hills. The star is
represented by the
sustained note E; at the
beginning of the piece,
it can be heard in a low
register in the violas,
and over the course of
the piece, it is heard in
higher and higher
octaves, as the star
shines ever more
brightly. By the end, the
landscape has disappeared
into the darkness, and
now all we see is the
star, shining its
brightest, and played by
the upper strings, now
harmonized to convey its
brilliant
light.. One summer night
during a visit to Bavaria
in southern Germany, I
stood outside on a
balcony overlooking the
hills of the Bavarian
forest, watching the
beautiful early-evening
sky. It was still light
out, but I could make out
one solitary star in the
sky. As the sun slowly
went down, the landscape
became more and more dark
and indistinct, and the
star shone brighter and
brighter. My
mother-in-law stood there
with me. I asked her the
name of the star, and she
answered, Abendstern (or
Evening Star.) I was so
moved by what I saw, I
went inside and took out
my manuscript paper and
started to write down
this piece. The
tree-covered hills and
tranquility of the
evening are evoked by the
theme, whose contour
(with little bumps)
mirrors the contour of
the treetops on the
hills. The star is
represented by the
sustained note E; at the
beginning of the piece,
it can be heard in a low
register in the violas,
and over the course of
the piece, it is heard in
higher and higher
octaves, as the star
shines ever more
brightly. By the end, the
landscape has disappeared
into the darkness, and
now all we see is the
star, shining its
brightest, and played by
the upper strings, now
harmonized to convey its
brilliant
light.. One
summer night during a
visit to Bavaria in
southern Germany, I stood
outside on a balcony
overlooking the hills of
the Bavarian forest,
watching the beautiful
early-evening sky. It was
still light out, but I
could make out one
solitary star in the sky.
As the sun slowly went
down, the landscape
became more and more dark
and indistinct, and the
star shone brighter and
brighter. My
mother-in-law stood there
with me. I asked her the
name of the star, and she
answered, Abendstern (or
Evening Star.) I was so
moved by what I saw, I
went inside and took out
my manuscript paper and
started to write down
this piece. The
tree-covered hills and
tranquility of the
evening are evoked by the
theme, whose contour
(with little bumps)
mirrors the contour of
the treetops on the
hills. The star is
represented by the
sustained note E; at the
beginning of the piece,
it can be heard in a low
register in the violas,
and over the course of
the piece, it is heard in
higher and higher
octaves, as the star
shines ever more
brightly. By the end, the
landscape has disappeared
into the darkness, and
now all we see is the
star, shining its
brightest, and played by
the upper strings, now
harmonized to convey its
brilliant light.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Volume 72 - Street Of Dreams Instruments Sib, Mib, Do et Bass clef [Partition + CD] - Intermédiaire Jamey Aebersold Jazz
Volume 72 - Street Of Dreams by Jamey Aebersold. For any C, Eb, Bb, bass instrum...(+)
Volume 72 - Street Of
Dreams by Jamey
Aebersold. For any C, Eb,
Bb, bass instrument or
voice. Play-Along series
with accompaniment CD.
Jamey Aebersold
Play-A-Long series.
Intermediate, advanced.
Book and CD. 56 pages.
Published by Jamey
Aebersold Jazz
On Green Dolphin Street and Other Jazz Classics. (Jazz Play-Along Volume 103). B...(+)
On Green Dolphin Street
and Other Jazz Classics.
(Jazz Play-Along Volume
103). By Various. For C
Instruments, Bass Clef
Instruments, Bb
Instruments, Eb
Instruments. Jazz Play
Along. Softcover with CD.
72 pages. Published by
Hal Leonard
Sesame Street Theme Piano, Voix et Guitare [Feuillet] - Intermédiaire Hal Leonard
Lyrics by Bruce Hart, Jon Stone, music by Joe Raposo. For voice, piano and guita...(+)
Lyrics by Bruce Hart, Jon
Stone, music by Joe
Raposo. For voice, piano
and guitar chords. From
the PBS television series
"Sesame Street". Format:
piano/vocal/chords
single. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. TV. F
Major. 4 pages. 9x12
inches. Published by Hal
Leonard.
(from the musical 42nd Street) Words by Al Dubin, music by Harry Warren, arrange...(+)
(from the musical 42nd
Street) Words by Al
Dubin, music by Harry
Warren, arranged by Jay
Althouse. Octavo for SATB
choir and piano
accompaniment. Series:
Alfred Pop Series. 12
pages. Published by
Alfred Publishing.
Basin Street Blues Ensemble Jazz [Conducteur et Parties séparées] - Facile Hal Leonard
Score and Parts Jazz Ensemble (Score and Parts) - Grade 2 SKU: HL.7014273 ...(+)
Score and Parts Jazz
Ensemble (Score and
Parts) - Grade 2
SKU:
HL.7014273
Composed
by Spencer Williams.
Arranged by Mike Sweeney.
Little Big Band Series.
Blues, Jazz. Softcover.
Published by Hal Leonard
(HL.7014273).
UPC:
196288207085.
With
its roots in early jazz,
“Basin Street Blues”
is a great way to
introduce the concept of
“call and response”
to your young players.
This arrangement scored
for 6 horns features
solid ensemble scoring
and a stop-time
accompaniment for the
solo section. Easy to
learn, yet very
effective.
Basin Street Blues Ensemble Jazz [Conducteur et Parties séparées] - Débutant Hal Leonard
Basin Street Blues by Spencer Williams. Arranged by Michael Sweeney. Score and P...(+)
Basin Street Blues by
Spencer Williams.
Arranged by Michael
Sweeney. Score and Parts.
Essential Elements Jazz
Ensemble. Grade 1-2.
Published by Hal Leonard
