Saxophone (SABarT) (SAX(A)CD) - easy SKU: HL.49032474 Die Einsteigersc...(+)
Saxophone (SABarT)
(SAX(A)CD) - easy
SKU:
HL.49032474
Die
Einsteigerschule fur
Anfanger ohne
Vorkenntnisse.
Composed by Tripp. This
edition: Paperback/Soft
Cover. Sheet music with
CD. Edition Schott.
Instrument und Tonbildung
- Alle Tone und Griffe -
Elementare Musiklehre -
Besonderheiten der
Jazz-Rhythmik - Blues und
seine Spielweise -
Ubungen und Spielstucke -
Begleit-CD zum Horen und
Mitspielen. Edition with
CD. 108 pages. Schott
Music #ED 7795-02.
Published by Schott Music
(HL.49032474).
ISBN
9783795751524.
German.
Das
Saxophon erfreut sich
heute einer
ausserordentlichen und
zunehmenden Beliebtheit.
Deshalb entschloss sich
Hartmut Tripp, ein
erfahrener Padagoge und
Saxophonlehrer, sein
bewahrtes und speziell
mit jungeren Schulern
sehr erfolgreiches
Unterrichtskonzept in
Form dieser
Einsteigerschule zu
veroffentlichen. Wer
dieses Material
systematisch und
sorgfaltig durcharbeitet,
wird rasche und gute
Fortschritte auf seinem
Instrument machen, ohne
das Wichtigste dabei zu
vernachlassigen: Die
Freude am Musizieren.
Percussion solo SKU: BR.DV-8173 Composed by Karl Ottomar Treibmann. Solo ...(+)
Percussion solo
SKU:
BR.DV-8173
Composed
by Karl Ottomar
Treibmann. Solo
instruments; Softcover.
Deutscher Verlag. World
premiere Leipzig, 1980.
Music post-1945. Score.
Composed 1979. 30 pages.
Duration 10'. Deutscher
Verlag fur Musik #DV
8173. Published by
Deutscher Verlag fur
Musik (BR.DV-8173).
ISBN 9790200480832. 9
x 12 inches.
World
premiere Leipzig, 1980
Tschaikowskys
letzte Oper - auf ein
Libretto seines Bruders
Modest nach der
Dramenvorlage des
danischen Schriftstellers
Henrik Hertz - lebt von
den poetischen Momenten
und den symbolbeladenen
Charakterportrats der
Hauptfiguren: Die junge
blinde Jolanthe wird von
ihrem Vater aus Sorge um
ihren Makel und zum
Schutz ihrer
Jungfraulichkeit und vor
den Widrigkeiten der Welt
in einen paradiesischen
Garten gesperrt. Er
befielt zu ihrem Schutz
sie um ihre Blindheit
unwissend zu lassen. Ein
Arzt warnt sehen werde
sie nur konnen wenn sie
es selbst wolle gleich
welche Angste aus der
vollstandigen Erkenntnis
der Welt erwachsen. Als
der junge Vaudemont in
ihre Abgeschiedenheit
einbricht und sich beide
ineinander verlieben
befreit er sie von ihrer
Unwissenheit erklart was
Farbe und Licht bedeuten.
Erst die Liebe zu ihm
macht sie sehend.
Die dunkle Welt
der Jolanthe zeichnet
Tschaikowsky zu Beginn
musikalisch durch eine
Introduktion
ausschliesslich fur
Blaser. Erst mit dem
Eintritt in die
unbekannte Welt der Liebe
und des Sehens verwendet
Tschaikowsky einen warmen
Streicherklang. Gerade
dadurch stiess die Oper
wohl bei Zeitgenossen auf
Verstorung. Tschaikowskys
,,Jolanthe nimmt in
seinem Opernschaffen eine
Sonderstellung ein: neben
dem glucklichen Ende
einer Apotheose des
Lichts und der Liebe mit
einem religios gepragten
Schlusschoral ist es
eines der wenigen
Buhnenwerke Tschaikowskys
ohne Bezug zur russischen
Geschichte. Der
ausgepragte Lyrismus des
Werks verweist
stattdessen auf
Tschaikowskys Nahe zur
franzosischen Kultur die
im 19. Jahrhundert einen
starken Einfluss auf
Russland hatte. Die Oper
wurde 1892 am
Mariinsky-Theater in
Sankt Petersburg als
Auftragswerk zusammen mit
seinem Ballett ,,Der
Nussknacker
uraufgefuhrt.
Nebe
n der Produktion des
Munchner
Rundfunkorchesters wurde
,,Jolanthe szenisch
erfolgreich bei den
Festspielen Baden-Baden
mit Anna Netrebko und
Piotr Beczala als
Liebespaar rehabilitiert.
Ausserhalb Deutschlands
lief die Opernraritat in
Toulouse Tokyo San
Sebastian und Monte
Carlo. Zuletzt erneut die
,,Suddeutsche Zeitung:
,,Jolanthe ist eine
Opernausgrabung die
,,wirklich zu Unrecht
vergessen ist.
Tchaikovsky's last opera
- on a libretto by the
composer's brother Modest
based on the drama by the
Danish author Henrik
Hertz - derives its
life-blood from its
poetic moments and the
symbol-laden portraits of
the leading characters:
the blind young Yolanta
is kept prisoner in a
paradisiacal garden by
her father who fears for
her purity and her
virginity and seeks to
protect her from the
adversities of the world.
To do so he orders
everyone to keep her
ignorant of the fact that
she is blind. A doctor
warns that she will only
be able to see when she
is ready to do so herself
no matter what fears
might result from a
complete experience of
the world. When the young
Vaudemont breaks into her
secluded world and the
two fall in love he frees
her from her ignorance
and explains the
significance of color and
light. It is through her
love for him that she is
finally able to see. At
the beginning of the work
Tchaikovsky depicts
Yolanta's dark world with
an introduction scored
exclusively for winds. It
is not until her
discovery of the unknown
world of love and sight
that Tchaikovsky uses a
warm string sound. This
is what many of the
composer's contemporaries
found disturbing about
the
opera.
Tchaikovsky
's Yolanta occupies a
special place in the
composer's operatic
oeuvre: for one it has a
happy ending an
apotheosis of light and
love with a religiously
stamped closing chorale;
for another it is one of
Tchaikovsky's few stage
works without any
reference to Russian
history. Instead the
work's pronounced
lyricism points to the
composer's closeness to
French culture. which
exerted a strong
influence on Russia in
the 19th
century.
The opera
was given its world
premiere at the Mariinsky
Theater in St. Petersburg
in 1892. It had been
commissioned along with
the ballet The
Nutcracker. Next to the
production by the
Munchner
Rundfunkorchester Yolanta
was also successfully
rehabilitated in a recent
staged production at the
Baden-Baden Festival with
Anna Netrebko and Piotr
Beczala as the lovers.
Outside of Germany the
operatic rarity was
performed in Toulouse
Tokyo San Sebastian and
Monte Carlo.
In
closing another quote
from the Suddeutsche
Zeitung: 'Yolanta' is an
operatic rediscovery of a
work that was truly
'wrongly forgotten'.
For Horn in F. Composed by O. Blume, Johann Sebastian Bach (1685-1750), Muzio Cl...(+)
For Horn in F. Composed
by O. Blume, Johann
Sebastian Bach
(1685-1750), Muzio
Clementi (1752-1832),
Wolfgang Amadeus Mozart
(1756-1791), Larry Clark,
Jacques Fereol Mazas
(1782-1849), Giuseppe
Gariboldi, and Ernesto
Kohler (1849-1907).
Arranged by Larry Clark.
SWS. Back To School.
Softcover. With Standard
notation. Carl Fischer
Music #WF108. Published
by Carl Fischer Music
4 Clarinets - intermediate SKU: BT.DHP-1196062-404 Composed by Bert Lochs...(+)
4 Clarinets -
intermediate
SKU:
BT.DHP-1196062-404
Composed by Bert Lochs.
Set and Audio Online.
Composed 2019. De Haske
Publications #DHP
1196062-404. Published by
De Haske Publications
(BT.DHP-1196062-404).
ISBN 9789043156127.
English-German-French-Dut
ch.
The concept of
the successful Swing
Quartets, Jazz
Quartets and
Groove Quartets
publications is now also
available in a Christmas
edition: Bert Lochs has
arranged four traditional
Christmas songs in a
swing style with combo
accompaniment. The
Swingin' Christmas
Quartets are
available for trumpet,
flute, clarinet and alto
saxophone quartets, and
all four versions can be
combined to create
whichever instrumentation
you require. The online
audio for each piece
contains not only a demo
version with a full
line-upâ??and a pure
playback versionâ??but
additionally four
versions in which each of
the four wind voices is
omitted in turn, making
them ideal forpractice
purposes.
Het
concept van de
succesvolle uitgaven
Swing Quartets,
Jazz Quartets en
Groove Quartets is
nu ook toegepast op
muziek voor Kerst: Bert
Lochs heeft vier
traditionele
kerstliederen
gearrangeerd in
swingstijl met
combobegeleiding. De
Swingin' Christmas
Quartets zijn
verkrijgbaar voor
trompet-, fluit-,
klarinet- en
altsaxofoonkwartet, en ze
kunnen worden
gecombineerd in elke
samengestelde bezetting.
De online audio bevat
voor elk stuk niet alleen
een volledige demoversie
en een meespeelversie,
maar ook vier opnamen
waarin telkens een van de
vier partijen is
weggelaten: ideaal om mee
te oefenen.
Das
Konzept der erfolgreichen
Ausgaben Swing
Quartets, Jazz
Quartets und
Groove Quartets
ist nun auch im
weihnachtlichen Gewand
verfügbar: Bert Lochs
hat vier traditionelle
Weihnachtslieder in einem
swingenden Stil mit
Combo-Begleitung
arrangiert. Die
Swingin' Christmas
Quartets sind
verfügbar für
Trompeten-, Flöten-,
Klarinetten- und
Altsaxophonquartett,
wobei alle vier Versionen
beliebig miteinander
kombinierbar sind. Im
Online-Audioteil dieser
Ausgabe gibt es nicht nur
eine Demoversion in
voller Besetzung und eine
reine Playback-Version,
sondern zusätzlich
auch Tracks, bei denen je
eine der vier Stimmen
weggelassen ist, sodass
diese zuÃ?bungszwecken
dazu gespielt werden
kann.
Bring A Torch Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Orchestra String Orchestra - medium easy SKU: CF.CAS36 Composed by Tradit...(+)
Orchestra String
Orchestra - medium easy
SKU: CF.CAS36
Composed by Traditional.
Arranged by Roy
Phillippe. Carl Fischer
Concert String Orchestra
Series. Classical. Score
and Parts. With Standard
notation. 12 pages. Carl
Fischer Music #CAS36.
Published by Carl Fischer
Music (CF.CAS36).
ISBN
9780825863646. UPC:
798408063641. 8.5 X 11
inches. Key: F
major.
A warm and
richly scored setting of
the popular Christmas
carol Bring a Torch
Jeanette, Isabella, this
full sounding arrangement
will greatly enrich
seasonal programming. Roy
Phillippe has employed a
broad palette of harmonic
and instrumental colors
to craft a memorable
holiday
selection. Bring a
Torch is a lovely
Christmas carol. Using
techniques such as
suspensions,
re-harmonization and
modulations, my goal is
to provide an interesting
showcase for this
familiar melody. the
introduction in F major
features sustained
violins with a pattern of
moving eighth notes in
the violas and cellos.
This pattern recurs
throughout the piece. The
first statement of the
melody is in the first
violins. The second
violins supply harmonic
support along with the
viola/cello pattern.
Measures 13-29 feature a
section of tutti chordal
playing. Measure 30
crescendos into the
modulation to D major at
m. 32. Here, the dynamic
is forte, and the
viola/cello pattern
returns. At m. 40, the
violas and cellos have
the melody with violin
accompaniment. A
crescendo begins at m. 44
and builds
to fortissimo at m.
48, featuring a
modulation to G major. At
this point the melody
should soar. A
descrescendo at m. 60 is
followed by a ritard
at m. 64. The final four
measures are in the
original tempo ending on
a tutti chord.Careful
attention to dynamics,
especially in the
accompanying parts, will
result in a fine
performance.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
(Horn in F). Arranged by Michael Story. For Horn in F. Duet or Duo; Mixed Instru...(+)
(Horn in F). Arranged by
Michael Story. For Horn
in F. Duet or Duo; Mixed
Instruments - Flexible
Instrumentation.
Instrumental Ensembles
for All. Movie. Book. 24
pages
Organ solo SKU: CA.1952500 Composed by Various. This edition: Paperbound....(+)
Organ solo
SKU:
CA.1952500
Composed
by Various. This edition:
Paperbound. German title:
Orgel-Begleitsatze.
Instrumental music based
on hymns, Peace and
justice, Praise and
thanks. Collection. 72
pages. Carus Verlag #CV
19.525/00. Published by
Carus Verlag
(CA.1952500).
(Horn in F). For Horn in F. Book; CD; Instrumental Series; Play-Along. Ultimate ...(+)
(Horn in F). For Horn in
F. Book; CD; Instrumental
Series; Play-Along.
Ultimate Pop Instrumental
Solos Series. Movie.
Grade 2; Grade 3. 84
pages. Published by
Alfred Music Publishing
Chinese Folk Dance Suite Saxophone Soprano et Piano [Conducteur et Parties séparées] Theodore Presser Co.
Chamber Music Piano, soprano Saxophone SKU: PR.114419290 Composed by Chen...(+)
Chamber Music Piano,
soprano Saxophone
SKU:
PR.114419290
Composed
by Chen Yi. Edited by
Chen Yi. Arranged by Wong
Tak Chiu. Sws. Score and
parts. 44 pages. Duration
20 minutes. Theodore
Presser Company
#114-41929. Published by
Theodore Presser Company
(PR.114419290).
ISBN
9781491135235. UPC:
680160676118. 9 x 12
inches.
Supported
by a major commissioning
award from the Serge
Koussevitzky Music
Foundation in the Library
of Congress, my Chinese
Folk Dance Suite is
written for violin solo
and orchestra, and
premiered by The Women's
Philharmonic with violin
soloist Terrie Baune,
conducted by Apo Hsu, on
March 10, 2001, at Yerba
Buena Center For the Arts
Theater in San Francisco.
Inspired by various
Chinese traditional folk
dances, I've composed
three movements in the
suite: 1) Lion Dance.
Traditionally, people
dance with richly
decorated hand made
lions, accompanied by
percussion ensemble, to
celebrate happy occasions
and major festivals
throughout the country.
In the composition, I use
Chinese drum and other
percussion instruments in
the background, to form a
dynamic and rhythmic
texture responding to the
solo part, which imitates
the tunes played on the
suona (traditional
Chinese trumpet). The
pitch materials came from
traditional Guangdong
Music tune and Chaozhou
Music tune ; 2) YangKo.
Originated in northern
China, it's a major folk
dance form in mass
performance popularized
in the country. In YangKo
performance, people
always play rhythmic
patterns on the drums
hung around their waists
while singing and
dancing. In my second
movement, I have imagined
a warm scene of YangKo
dancing in distance. The
solo violin plays a sweet
and gracious melodic line
while all members in the
orchestra sing the
non-pitch syllables in
different layers as the
soft background, to
imitate the percussion
sound which produces the
ever going pulse. 3)
Muqam. It is a large
scale traditional music
and dance form from Uygur
nationality in Xinjiang
province, originated in
the 15th century. In my
third movement, I keep
the meter of seven eight
and the melodic style of
Muqam music. The fiery
dancing gesture cumulates
the sustained climax
section at the end of the
work, after a colorful
violin cadenza in both
improvisational singing
style and polyphonic
writing with woven lines.
Scored for 2 flutes (2nd
doubling piccolo), 2
oboes, 2 clarinets in Bb,
2 bassoons, 4 French
horns in F, 2 trumpets in
Bb, 3 trombones,
percussion 1 (3 congas,
low tom-tom, temple
block, paddle castanets),
percussion 2 (snare drum,
6 small Beijing opera
gong, 12 big Beijing
opera gong, crotales,
tambourine), percussion 3
(suspended cymbal, a pair
of 6 Chinese cymbals,
bass drum), solo violin,
violins I, violins II,
violas, cellos and double
basses. Duration is about
16 minutes. The work is
recorded on Bis [CD-1352]
and released in 2003,
performed by Cho-Liang
Lin and the Singapore
Symphony Orchestra, cond.
by Lan Shui. Reduction
for B-flat soprano
saxophone and piano by
Wong Tak Chiu (2017) and
edited by Chen Yi (2018)
The second movement
YangKo is premiered by
Dr. Wong and Korak
Lerpibulchai at the
Singapore Saxophone
Symposium on 8/13/2017.
The American premiere of
the saxophone and piano
reduction version of
Chinese Folk Dance Suite
is given by Chi Him Chik
and Hao Yin at the
Society for American
Music National Conference
in Kansas City, MO on
3/2/2018.
Piano and keyboard - Beginning; Intermediate; Advanced SKU: MB.610451 ...(+)
Piano and keyboard -
Beginning; Intermediate;
Advanced
SKU:
MB.610451
Rhythmisches Lesen for
alle Instrumente.
Composed by Dirk
Rosenbaum. Percussion:
Drum Set, Classical,
Perfect binding, Theory
and Reference - Other,
Technique, Theory and
Reference, Theory and
Reference, Percussion:
Snare Drum, Artist
Specific. Style. Book/CD
set. 192 pages. Mel Bay
Publications, Inc
#610451. Published by Mel
Bay Publications, Inc
(MB.610451).
ISBN
9783899221725. 8.25 x
11.75
inches.
Dieses Buch
richtet sich an alle, die
Musik spielen oder lernen
m?chten. Rhythmus spielt
eine gro?e Rolle, egal ob
Sie Instrumentalist,
S?nger, T?nzer, Student,
Lehrer, Amateur oder
Profi sind. Unabh?ngig
davon, ob Sie Anf?nger
oder Fortgeschrittener
sind, k?nnen Sie dieses
Buch als
Unterrichtsmaterial f?r
Ihre Sch?ler oder f?r den
eigenen Unterricht
verwenden, unabh?ngig vom
Stil. Der Anfang dieses
Buches erkl?rt
grundlegende Konzepte des
Rhythmus, die f?r die
?bungen notwendig sind.
Einige der schwierigeren
Passagen wurden mit
Z?hlen versehen, um diese
und andere ?bungen zu
meistern. Rhythmic
Reading ist somit eine
umfangreiche Sammlung von
rhythmischen
Konfigurationen in den
g?ngigsten Z?hlern. Zu
den Themen geh?ren: Die
Pyramide der Noten,
bin?re und tern?re
Rhythmen, gepunktete
Noten, Krawatten und
Synkopen. Im praktischen
Teil werden diese Themen
anhand gemeinsamer
Zeitsignaturen in einer
umfangreichen Sammlung
zusammengestellt. Die
?bungen sind nicht nur
f?r Schlagzeuger geeignet
- die Autoren geben auch
Interpretationsideen f?r
die rhythmische Notation
f?r Gitarristen,
Keyboarder und Bassisten.
Auf diese Weise ist
dieses Buch f?r alle
Instrumentalisten
geeignet, die Musik
machen m?chten. Fakt:
Dieses Buch vermittelt
Ihnen auf kompakte Weise
Wissen ?ber Rhythmus. Der
Leser erh?lt au?erdem
eine zus?tzliche Funktion
in Form einer CD, auf der
er die ?bungen anh?ren
kann. This book is for
everybody who plays music
or decides to learn it.
Rhythm plays a major role
no matter whether you are
an instrumentalist,
singer, dancer, student,
teacher, amateur, or
professional. No matter
if you are a beginner or
are advanced you can use
this book as instruction
material for your
students or for own
education, regardless of
style. The beginning of
this book explains basic
concepts of rhythm that
are necessary for the
exercises. Some of the
more difficult passages
have been provided with
counting which will help
in mastering these and
other exercises. Rhythmic
Reading is thus an
extensive collection of
rhythmic configurations
in the most common
meters.Topics include:
the pyramid of notes,
binary and ternary
rhythms, dotted notes,
ties and syncopation. In
the practical part, these
topics will be arranged
using common time
signatures in a
comprehensive collection.
The exercises are not
just suitable for
drummers - the authors
also give interpretation
ideas for rhythmical
notation for guitarists,
keyboard players and
bassists. In this way,
this book is suitable for
all instrumentalists who
want to make music.Fact:
this book presents you
with knowledge about
rhythm in a compact way.
The reader also gets an
additional feature in the
form of a CD where they
can listen to the
exercises.
Violoncelle [Partition + CD] - Intermédiaire Alfred Publishing
(Cello). Arranged by Various. For Cello. Book; CD; Play-Along; String Series. To...(+)
(Cello). Arranged by
Various. For Cello. Book;
CD; Play-Along; String
Series. Top Hits
Instrumental Solos.
Broadway; Movie; TV.
Grade 2; Grade 3. 76
pages. Published by
Alfred Music
(Viola). Arranged by Various. For Viola. Book; CD; Play-Along; String Series. To...(+)
(Viola). Arranged by
Various. For Viola. Book;
CD; Play-Along; String
Series. Top Hits
Instrumental Solos.
Broadway; Movie; TV.
Grade 2; Grade 3. 76
pages. Published by
Alfred Music
(Horn in F). Arranged by Various. For Horn in F. Book; CD; Instrumental Series; ...(+)
(Horn in F). Arranged by
Various. For Horn in F.
Book; CD; Instrumental
Series; Play-Along. Top
Hits Instrumental Solos.
Broadway; Movie; TV.
Grade 2; Grade 3. 76
pages. Published by
Alfred Music
Violin SKU: BA.BA06629 Spielbuch fur den Unterricht mit gemischten Str...(+)
Violin
SKU:
BA.BA06629
Spielbuch fur den
Unterricht mit gemischten
Streichergruppen.
Composed by Hella
Hartung-Ehlert. Stapled.
Gemeinsam von Anfang an.
Fur den Unterricht mit
gemischten
Streichergruppen. Schulen
fur Violine (Violin
Method). Performance
score. 63 pages.
Baerenreiter Verlag
#BA06629_00. Published by
Baerenreiter Verlag
(BA.BA06629).
ISBN
9790006498871. 21 x 29 cm
inches. Language: German.
Preface: Hella
Hartung-Ehlert.
The
se
“playbocksâ€
form a sequel to the
authors Violin method for
group instruction (BA
6623). They contain
musical games, canons and
songs in simple
arrangements for one to
three identical
instruments, introclucing
children to ensemble
playing during their
first music lessons. Each
arrangement has a melody
part joined by an
accompaniment part on
open strings and a
fingered accompaniment
for more advanced pupils,
so that all children have
a chance to play. The
play- books end with
several four-part pieces
and can be combined for
use in mixed
ensembles.
B flat Instruments. Composed by Christopher D. Azzara / Richard F. Grunow...(+)
B flat
Instruments. Composed
by Christopher D. Azzara
/ Richard F. Grunow. This
edition: B-flat
Instruments edition.
Developing Musicianship.
Music Education. Book. 86
pages. GIA Publications
#7903. Published by GIA
Publications (GI.G-7903).
B flat Instruments. Composed by Christopher D. Azzara / Richard F. Grunow...(+)
B flat
Instruments. Composed
by Christopher D. Azzara
/ Richard F. Grunow. This
edition: B-flat
Instruments edition.
Developing Musicianship.
Music Education. Book. 68
pages. Published by GIA
Publications (GI.G-7895).
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown; Neal Peres Da Co...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown;
Neal Peres Da Costa. For
clarinet and piano. Score
with parts. Opus 120.
Published by Baerenreiter
Verlag
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown /
Neal Peres Da Costa. For
viola and piano. This
edition: urtext edition.
Paperback. Level 3. Score
with parts. Opus 120.
Published by Baerenreiter
Verlag