Levitations Alto, Piano [Conducteur et Parties séparées] Seesaw Music Corp
Viola & Piano SKU: SU.50023620 For Viola & Piano. Composed by Jose...(+)
Viola & Piano
SKU:
SU.50023620
For
Viola & Piano.
Composed by Joseph
Pehrson. Strings, Viola.
Score & Parts. Seesaw
Music Corp #50023620.
Published by Seesaw Music
Corp (SU.50023620).
Chamber Music Piano, Viola SKU: PR.114419860 Concerto for Viola, Strin...(+)
Chamber Music Piano,
Viola
SKU:
PR.114419860
Concerto for Viola,
Strings, and
Percussion. Composed
by Stacy Garrop. (lengthy
notes are on the Works
card). Piano Reduction
Score. 44+20 pages.
Duration 21 minutes.
Theodore Presser Company
#114-41986. Published by
Theodore Presser Company
(PR.114419860).
Viola and Piano Reduction SKU: HL.668163 For Viola and Strings Viola a...(+)
Viola and Piano Reduction
SKU: HL.668163
For Viola and Strings
Viola and Piano
Reduction. Composed
by Yevhen Stankovych. LKM
Music. Softcover. 12
pages. Lauren Keiser
Music Publishing
#X521017. Published by
Lauren Keiser Music
Publishing (HL.668163).
ISBN 9781638872139.
UPC: 196288080602.
9.0x12.0x0.08
inches.
For Viola and Piano. Composed by Katherine Hart and Marguerite Wilkinson. St...(+)
For Viola and Piano.
Composed
by Katherine Hart and
Marguerite Wilkinson.
Strings,
Repertoire, Collections.
Softcover Book. 44 pages.
Faber Music #F0571512941.
Published by Faber Music
Composed by Benny Gilin.
Edited by Rohde. Arranged
by Rohde. Delights for
Strings. Sheet music.
Friedrich Hofmeister
Musikverlag #FH 3422.
Published by Friedrich
Hofmeister Musikverlag
(HF.FH-3422).
Strings, Repertoire,
Collections. AMEB Viola.
Viola Series 1 - Sixth
Grade. Softcover Book.
117 pages. Australian
Music Examinations Board
(AMEB) #1202072239.
Published by Australian
Music Examinations Board
(AMEB) (HU.1202072239).
ISBN 9790720110165. 12.2
x 9.1 x 0.3 inches.
Collection of graded
repertoire for AMEB Viola
exams. Carefully selected
by top Australian Viola
performers and
pedagogues, the grade
books feature a diversity
of musical styles and
often include works by
celebrated Australian
composers. Repertoire is
carefully coordinated to
align with the technical
requirements at each
grade level. Includes
piano accompaniment.
Viola & Organ SKU: SU.30180010 For viola & Organ. Composed by Cars...(+)
Viola & Organ
SKU:
SU.30180010
For
viola & Organ.
Composed by Carson
Cooman. Strings, Viola,
Keyboard, Organ. Score &
Parts. Subito Music
Corporation #30180010.
Published by Subito Music
Corporation
(SU.30180010).
Score and
seperate organ part
included Duration: 5'
Composed: 2002 Published
by: Parsonage Press.
Viola and Organ SKU: SU.30145000 For Viola and Organ. Composed by ...(+)
Viola and Organ
SKU:
SU.30145000
For
Viola and Organ.
Composed by Carson
Cooman. Strings, Viola,
Keyboard, Organ. Full
Score. Subito Music
Corporation #30145000.
Published by Subito Music
Corporation
(SU.30145000).
Based on the
writings of Julian of
Norwich Duration: 40'
Composed: 2002 9x12 book,
40 pages Published by:
Parsonage Press.
Viola & Organ SKU: SU.46000190 For Viola & Organ. Composed by Mark...(+)
Viola & Organ
SKU:
SU.46000190
For
Viola & Organ.
Composed by Mark Winges.
Strings, Viola. Score &
Parts. Subito Music
Corporation #46000190.
Published by Subito Music
Corporation
(SU.46000190).
Viola & Organ
Duration: 9' Composed:
2011 Published by: MuPro
Music.
Viola and Piano SKU: BT.YE0009 For Violone. Composed by Giovannino...(+)
Viola and Piano
SKU:
BT.YE0009
For
Violone. Composed by
Giovannino. Classical.
Book Only. Yorke Edition
#YE0009. Published by
Yorke Edition
(BT.YE0009).
Very little is
known about the two
sonatas which appear here
in their original keys.
They were placed in the
library of the Music
School in Oxford at the
end of the seventeenth
century in a form
convenient for playing
(i.e.unbound). The
library was catalogued by
Hake between 1850 and
1855 and the sonatas were
eventually bound in 1855
with other instrumental
and vocal manuscripts of
the same period, some of
which are dated
1698.
The
sonatasare both inscribed
on the title page Sonata
Violone Solo. Col Basso
per l'Organo, o Cembalo.
A third sonata bears the
words Sonata Violino e
Violoncino â?¦ di
Giovannino del Violone.
Giovannino (=Little, or
Young John)musthave been
a performer, and although
the third sonata has been
copied by a different
hand, it is conceivable
that Giovannino is a
connecting link between
the three. He cannot,
however, be assumed to be
theirauthor.
The
Violone was a
six-stringed instrument
with frets, and there is
evidence to suggest that
the Contrabasso of the
same period was similar
but probably a little
larger; the Violoncino
(=Little Violone,
orVioloncello) must have
been smaller. The word
'Violone' was also used
as a collective term
embracing all members of
the Viol family, which
means that the sonatas
might well have been
written for a tenor or a
bass Viol, and
notnecessarily a Violone
as such. Indeed, when
they are played on a
Violone, or Double Bass
the continuo bass line
must be played at a lower
pitch than the solo
instrument, to prevent
inversion of the intended
harmony. (The use ofa
Violone/Double Bass
continuo or 16' organ
tone would overcome this
problem.)
The
editor has added no
ornaments or
embellishments to the
solo part as it appears
in the original
manuscript. It is open to
debate whether aViolone
player, owing to the very
nature of his instrument,
would have used any but
the simplest melodic
decorations.
Nevertheless, the
performer should acquaint
himself thoroughly with
those seventeenth century
traditions thatare known
today (see Dart.