Composed by George Frideric Handel (1685-1759) and James Chepponis. Arranged b...(+)
Composed by George
Frideric
Handel (1685-1759) and
James
Chepponis. Arranged by
James
Chepponis. Easter, Christ
the
King, Building
Dedication,
Church Anniversary,
Ordination/Installation,
21st
Century,
Praise/Thanksgiving.
Choral score. MorningStar
Music Publishers
#50-4710.
Published by MorningStar
Music Publishers
Soli ATB, SATB Choir, 2 Vl, Va, Bc SKU: CA.3115311 Cantata for the Sun...(+)
Soli ATB, SATB Choir, 2
Vl, Va, Bc
SKU:
CA.3115311
Cantata
for the Sunday after New
Year. Composed by
Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Violin 1. Sacred
vocal music, Cantatas,
New year. Single Part,
Violin 1. Composed 1724.
BWV 153. 8 pages.
Duration 15 minutes.
Carus Verlag #CV
31.153/11. Published by
Carus Verlag
(CA.3115311).
ISBN
9790007208677. Language:
German/English.
Bac
h chose an unconventional
beginning for his
nine-movement cantata
Schau, lieber Gott, wie
meine Feind BWV 153,
which he composed in his
first year as Kantor of
St. Thomas's for the
Sunday after New Year
1724. Instead of the
usual opening chorus, the
cantata opens with a
simple four-part chorale
movement. There are also
chorales in the middle of
the work (movement 5) and
at the end. By avoiding
extended or demanding
choral movements, Bach
probably wanted to save
the voices of his choir
members at St Thomas's,
who had just been
involved in a demanding
week of almost constant
singing. This may also be
why the cantata uses just
three soloists (alto,
tenor, bass). In the
arias, each preceded by a
secco recitative, the
accompaniment is provided
by 2 violins and viola.
Score and part available
separately - see item
CA.3115300.
Soli ATB, SATB Choir, 2 Vl, Va, Bc SKU: CA.3115312 Cantata for the Sun...(+)
Soli ATB, SATB Choir, 2
Vl, Va, Bc
SKU:
CA.3115312
Cantata
for the Sunday after New
Year. Composed by
Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Violin 2. Sacred
vocal music, Cantatas,
New year. Single Part,
Violin 2. Composed 1724.
BWV 153. 8 pages.
Duration 15 minutes.
Carus Verlag #CV
31.153/12. Published by
Carus Verlag
(CA.3115312).
ISBN
9790007208684. Language:
German/English.
Bac
h chose an unconventional
beginning for his
nine-movement cantata
Schau, lieber Gott, wie
meine Feind BWV 153,
which he composed in his
first year as Kantor of
St. Thomas's for the
Sunday after New Year
1724. Instead of the
usual opening chorus, the
cantata opens with a
simple four-part chorale
movement. There are also
chorales in the middle of
the work (movement 5) and
at the end. By avoiding
extended or demanding
choral movements, Bach
probably wanted to save
the voices of his choir
members at St Thomas's,
who had just been
involved in a demanding
week of almost constant
singing. This may also be
why the cantata uses just
three soloists (alto,
tenor, bass). In the
arias, each preceded by a
secco recitative, the
accompaniment is provided
by 2 violins and viola.
Score and part available
separately - see item
CA.3115300.
Arranged by Wayne Haun.
Anthems. Southern Gospel
and Sacred. Orchestration
on CD-ROM. Published by
Lillenas Publishing
Company
(LP.765762182509).
UPC:
765762182509.
Don't
be surprised if your
congregation jumps to
their feet shouting Amen!
when the choir cuts loose
with this Southern Gospel
powerhouse. No one can
sit still for long when
presented with this
foot-tappin'
hand-clappin' arrangement
by Wayne Haun of this
traditional favorite.
Soli ATB, SATB Choir, 2 Vl, Va, Bc SKU: CA.3115313 Cantata for the Sun...(+)
Soli ATB, SATB Choir, 2
Vl, Va, Bc
SKU:
CA.3115313
Cantata
for the Sunday after New
Year. Composed by
Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Viola. Sacred
vocal music, Cantatas,
New year. Single Part,
Viola. Composed 1724. BWV
153. 4 pages. Duration 15
minutes. Carus Verlag #CV
31.153/13. Published by
Carus Verlag
(CA.3115313).
ISBN
9790007208691. Language:
German/English.
Bac
h chose an unconventional
beginning for his
nine-movement cantata
Schau, lieber Gott, wie
meine Feind BWV 153,
which he composed in his
first year as Kantor of
St. Thomas's for the
Sunday after New Year
1724. Instead of the
usual opening chorus, the
cantata opens with a
simple four-part chorale
movement. There are also
chorales in the middle of
the work (movement 5) and
at the end. By avoiding
extended or demanding
choral movements, Bach
probably wanted to save
the voices of his choir
members at St Thomas's,
who had just been
involved in a demanding
week of almost constant
singing. This may also be
why the cantata uses just
three soloists (alto,
tenor, bass). In the
arias, each preceded by a
secco recitative, the
accompaniment is provided
by 2 violins and viola.
Score and part available
separately - see item
CA.3115300.
Cantata
for the Sunday after New
Year. Composed by
Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, New
year. Full score.
Composed 1724. BWV 153.
24 pages. Duration 15
minutes. Carus Verlag #CV
31.153/00. Published by
Carus Verlag
(CA.3115300).
ISBN
9790007181543. Text
language:
German/English.
Bac
h chose an unconventional
beginning for his
nine-movement cantata
Schau, lieber Gott, wie
meine Feind BWV 153,
which he composed in his
first year as Kantor of
St. Thomas's for the
Sunday after New Year
1724. Instead of the
usual opening chorus, the
cantata opens with a
simple four-part chorale
movement. There are also
chorales in the middle of
the work (movement 5) and
at the end. By avoiding
extended or demanding
choral movements, Bach
probably wanted to save
the voices of his choir
members at St Thomas's,
who had just been
involved in a demanding
week of almost constant
singing. This may also be
why the cantata uses just
three soloists (alto,
tenor, bass). In the
arias, each preceded by a
secco recitative, the
accompaniment is provided
by 2 violins and
viola.
Cantata for the 1st
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Nun komm,
der Heiden Heiland.
German title: Nun Komm,
Der Heiden Heiland I Rev.
Sacred vocal music,
Cantatas, Advent. Study
score. Composed 1714. BWV
61. 24 pages. Duration 23
minutes. Carus Verlag #CV
31.061/07. Published by
Carus Verlag
(CA.3106107).
ISBN
9790007043490. Key: A
minor / g major.
Language: German/English.
Text: Neumeister,
Erdmann. Text: Erdmann
Neumeister.
The
opening chorus uses the
first verse of the old
plainsong hymn Veni
redemptor gentium, which
in the paraphrase by
Martin Luther has become
the most important Advent
hymn of the Protestant
Church. Bach introduces
the traditional plainsong
melody in the form of a
French overture, here
symbolizing the entry of
the King of Heaven, thus
creating an unusual and
splendid opening piece
for the beginning of the
church year. Score
available separately -
see item CA.3106100.
Cantata for the 1st
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Nun komm,
der Heiden Heiland.
German title: Nun Komm,
Der Heiden Heiland I Rev.
Sacred vocal music,
Cantatas, Advent. Choral
Score. Composed 1714. BWV
61. 4 pages. Duration 23
minutes. Carus Verlag #CV
31.061/05. Published by
Carus Verlag
(CA.3106105).
ISBN
9790007043483. Key: A
minor / g major.
Language: German/English.
Text: Neumeister,
Erdmann. Text: Erdmann
Neumeister.
The
opening chorus uses the
first verse of the old
plainsong hymn Veni
redemptor gentium, which
in the paraphrase by
Martin Luther has become
the most important Advent
hymn of the Protestant
Church. Bach introduces
the traditional plainsong
melody in the form of a
French overture, here
symbolizing the entry of
the King of Heaven, thus
creating an unusual and
splendid opening piece
for the beginning of the
church year. Score
available separately -
see item CA.3106100.
By Johann Schop. Edited by David W. Music. Arranged by Johann Sebastian Bach. Fo...(+)
By Johann Schop. Edited
by David W. Music.
Arranged by Johann
Sebastian Bach. For
Voices: SATB.
Instruments: String
quartet (2 violins [or
oboe] viola, cello/bass),
B trumpet, continuo
(instruments optional).
Keyboard accompaniment.
Ars Antiqua Choralis
Series Sacred. Level:
easy. 7 pages. Published
by GIA Publications.
Composed by Johann
Cruger. Edited by James
Chepponis. Arranged by G.
F. Handel. Tune Name:
Schmücke Dich. Sacred.
Full score and parts. 6
pages. GIA Publications
#9750INST. Published by
GIA Publications
(GI.G-9750INST).
UPC:
785147975090. English.
Text by James
Chepponis.
The
keyboard accompaniment is
printed in the full
score. The oboe and
string quartet parts are
optional.
Composed by George
Frideric Handel. Arranged
by Richard Proulx.
Christmastide, Christmas
Vigil, Christmas Night,
Christmas Dawn, Christmas
Day. Tune Name: Antioch.
Sacred. Full score and
parts. 6 pages. GIA
Publications #9190INST.
Published by GIA
Publications
(GI.G-9190INST).
UPC:
785147919096. English.
Text Source: Issac Watts,
1674–1748, alt.
Text by Isaac
Watts.
The organ
accompaniment is printed
in the full score.Â
The string bass part is
optional.
Soli ATB, SATB Choir, 2 Vl, Va, Bc SKU: CA.3115314 Cantata for the Sun...(+)
Soli ATB, SATB Choir, 2
Vl, Va, Bc
SKU:
CA.3115314
Cantata
for the Sunday after New
Year. Composed by
Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Basso continuo.
Sacred vocal music,
Cantatas, New year.
Single Part, basso
continuo. Composed 1724.
BWV 153. 8 pages.
Duration 15 minutes.
Carus Verlag #CV
31.153/14. Published by
Carus Verlag
(CA.3115314).
ISBN
9790007208707. Language:
German/English.
Bac
h chose an unconventional
beginning for his
nine-movement cantata
Schau, lieber Gott, wie
meine Feind BWV 153,
which he composed in his
first year as Kantor of
St. Thomas's for the
Sunday after New Year
1724. Instead of the
usual opening chorus, the
cantata opens with a
simple four-part chorale
movement. There are also
chorales in the middle of
the work (movement 5) and
at the end. By avoiding
extended or demanding
choral movements, Bach
probably wanted to save
the voices of his choir
members at St Thomas's,
who had just been
involved in a demanding
week of almost constant
singing. This may also be
why the cantata uses just
three soloists (alto,
tenor, bass). In the
arias, each preceded by a
secco recitative, the
accompaniment is provided
by 2 violins and viola.
Score and part available
separately - see item
CA.3115300.
Soli ATB, SATB Choir, 2 Vl, Va, Bc SKU: CA.3115319 Cantata for the Sun...(+)
Soli ATB, SATB Choir, 2
Vl, Va, Bc
SKU:
CA.3115319
Cantata
for the Sunday after New
Year. Composed by
Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
New year. Set of
Orchestra Parts. Composed
1724. BWV 153. Duration
15 minutes. Carus Verlag
#CV 31.153/19. Published
by Carus Verlag
(CA.3115319).
ISBN
9790007183448. Language:
German/English.
Bac
h chose an unconventional
beginning for his
nine-movement cantata
Schau, lieber Gott, wie
meine Feind BWV 153,
which he composed in his
first year as Kantor of
St. Thomas's for the
Sunday after New Year
1724. Instead of the
usual opening chorus, the
cantata opens with a
simple four-part chorale
movement. There are also
chorales in the middle of
the work (movement 5) and
at the end. By avoiding
extended or demanding
choral movements, Bach
probably wanted to save
the voices of his choir
members at St Thomas's,
who had just been
involved in a demanding
week of almost constant
singing. This may also be
why the cantata uses just
three soloists (alto,
tenor, bass). In the
arias, each preceded by a
secco recitative, the
accompaniment is provided
by 2 violins and viola.
Score and parts available
separately - see item
CA.3115300.
Soli ATB, SATB Choir, 2 Vl, Va, Bc SKU: CA.3115349 Cantata for the Sun...(+)
Soli ATB, SATB Choir, 2
Vl, Va, Bc
SKU:
CA.3115349
Cantata
for the Sunday after New
Year. Composed by
Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Organ. Sacred
vocal music, Cantatas,
New year. Single Part,
Organ. Composed 1724. BWV
153. 12 pages. Duration
15 minutes. Carus Verlag
#CV 31.153/49. Published
by Carus Verlag
(CA.3115349).
ISBN
9790007208714. Language:
German/English.
Bac
h chose an unconventional
beginning for his
nine-movement cantata
Schau, lieber Gott, wie
meine Feind BWV 153,
which he composed in his
first year as Kantor of
St. Thomas's for the
Sunday after New Year
1724. Instead of the
usual opening chorus, the
cantata opens with a
simple four-part chorale
movement. There are also
chorales in the middle of
the work (movement 5) and
at the end. By avoiding
extended or demanding
choral movements, Bach
probably wanted to save
the voices of his choir
members at St Thomas's,
who had just been
involved in a demanding
week of almost constant
singing. This may also be
why the cantata uses just
three soloists (alto,
tenor, bass). In the
arias, each preceded by a
secco recitative, the
accompaniment is provided
by 2 violins and viola.
Score and part available
separately - see item
CA.3115300.
SATB choir, cantor, assembly, organ accompaniment, flute, trumpet 1 in B-flat, t...(+)
SATB choir, cantor,
assembly, organ
accompaniment, flute,
trumpet 1 in B-flat,
trumpet 1 in C, trumpet 2
in B-flat, trumpet 2 in
C, horn in f, trombone 1,
trombone 2, timpani,
violin 1, violin 2,
viola, cello, bass -
Early intermediate
SKU: GI.G-10585
Arranged by Chaz Bowers.
Eastertide, Easter
Sunday, Easter 2 A,
Easter 2 B, Easter 2 C.
Ritual Prayer. Tune Name:
O Filii Et Filiae.
Sacred. Octavo. 20 pages.
GIA Publications #10585.
Published by GIA
Publications
(GI.G-10585).
UPC:
785147058519. English.
Text Source: O filii
et filiae, Jean
Tisserand, OFM, d.1494,
comp. tr. John Mason
Neale, 1818-1866, and
Edward Caswall,
1814-1878; Translation:
John Mason Neale. Text by
Jean
Tisserand.
Soli ATB, SATB Choir, 2 Vl, Va, Bc SKU: CA.3115303 Cantata for the Sun...(+)
Soli ATB, SATB Choir, 2
Vl, Va, Bc
SKU:
CA.3115303
Cantata
for the Sunday after New
Year. Composed by
Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, New
year. Vocal score.
Composed 1724. BWV 153.
24 pages. Duration 15
minutes. Carus Verlag #CV
31.153/03. Published by
Carus Verlag
(CA.3115303).
ISBN
9790007183424. Language:
German/English.
Bac
h chose an unconventional
beginning for his
nine-movement cantata
Schau, lieber Gott, wie
meine Feind BWV 153,
which he composed in his
first year as Kantor of
St. Thomas's for the
Sunday after New Year
1724. Instead of the
usual opening chorus, the
cantata opens with a
simple four-part chorale
movement. There are also
chorales in the middle of
the work (movement 5) and
at the end. By avoiding
extended or demanding
choral movements, Bach
probably wanted to save
the voices of his choir
members at St Thomas's,
who had just been
involved in a demanding
week of almost constant
singing. This may also be
why the cantata uses just
three soloists (alto,
tenor, bass). In the
arias, each preceded by a
secco recitative, the
accompaniment is provided
by 2 violins and viola.
Score available
separately - see item
CA.3115300.
Soli ATB, SATB Choir, 2 Vl, Va, Bc SKU: CA.3115305 Cantata for the Sun...(+)
Soli ATB, SATB Choir, 2
Vl, Va, Bc
SKU:
CA.3115305
Cantata
for the Sunday after New
Year. Composed by
Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, New
year. Choral Score.
Composed 1724. BWV 153. 4
pages. Duration 15
minutes. Carus Verlag #CV
31.153/05. Published by
Carus Verlag
(CA.3115305).
ISBN
9790007183431. Language:
German/English.
Bac
h chose an unconventional
beginning for his
nine-movement cantata
Schau, lieber Gott, wie
meine Feind BWV 153,
which he composed in his
first year as Kantor of
St. Thomas's for the
Sunday after New Year
1724. Instead of the
usual opening chorus, the
cantata opens with a
simple four-part chorale
movement. There are also
chorales in the middle of
the work (movement 5) and
at the end. By avoiding
extended or demanding
choral movements, Bach
probably wanted to save
the voices of his choir
members at St Thomas's,
who had just been
involved in a demanding
week of almost constant
singing. This may also be
why the cantata uses just
three soloists (alto,
tenor, bass). In the
arias, each preceded by a
secco recitative, the
accompaniment is provided
by 2 violins and viola.
Score available
separately - see item
CA.3115300.
Composed by Phil Mehrens. Arranged by Steve W. Mauldin. For SATB choir and orche...(+)
Composed by Phil Mehrens.
Arranged by Steve W.
Mauldin. For SATB choir
and orchestra (flute
1and2, oboe, clarinet
1and2, F horn 1and2,
trumpet 1/2and3, trombone
1and2/3and4, percussion,
rhythm, harp, violin
1and2, viola,
cello/bassoon, string
bass). Anthems.
Inspirational, Christmas
and Sacred. Moderate.
Orchestration on CD-ROM.
Published by Lillenas
Publishing Company
Composed
by Nicolaus Bruhns.
German title: Die Zeit
meines Abschieds. Sacred
vocal music, Cantatas,
Mourning, death. Single
Part, Viola 1. 4 pages.
Carus Verlag #CV
10.045/13. Published by
Carus Verlag
(CA.1004513).
Composed
by Nicolaus Bruhns.
German title: Die Zeit
meines Abschieds. Sacred
vocal music, Cantatas,
Mourning, death. Single
Part, Viola 2. 4 pages.
Carus Verlag #CV
10.045/14. Published by
Carus Verlag
(CA.1004514).
Composed
by Nicolaus Bruhns.
German title: Die Zeit
meines Abschieds. Sacred
vocal music, Cantatas,
Mourning, death. Single
Part, Violin 1. 4 pages.
Carus Verlag #CV
10.045/11. Published by
Carus Verlag
(CA.1004511).
Composed
by Nicolaus Bruhns.
German title: Die Zeit
meines Abschieds. Sacred
vocal music, Cantatas,
Mourning, death. Single
Part, Violin 2. 4 pages.
Carus Verlag #CV
10.045/12. Published by
Carus Verlag
(CA.1004512).