Choral TTBB choir, piano

SKU: CF.CM9635

Composed by Victor Johnson. Fold. Performance Score. 12 pages. Duration 3 minutes, 19 seconds. Carl Fischer Music #CM9635. Published by Carl Fischer Music (CF.CM9635).

ISBN 9781491157077. UPC: 680160915637. 6.875 x 10.5 inches. Key: E major. English, English. Abram Joseph Ryan (1838-1886).

Victor Johnson captures the mystery and nuance of the bittersweet poem, Wake Me a Song, by American poet, Abram Joseph Ryan. Nuance, text, and Johnson's rich harmonies paired with intertwining textures make this a noteworthy addition to any program. Also available for SATB Voices (CM9561).
About the Author Abram Joseph Ryan was born Matthew Abraham Ryan on February 5, 1838 in Hagerstown, Maryland. As a young man, Ryan and his family moved west St. Louis, Missouri, where he was educated at the Christian Brothers School. He studied for the priesthood at Niagra University in New York State and was ordained a priest in the Vincentian order on November 1, 1856. He taught theology, first at Niagra university and then at the diocesan seminary in Cape Girardeau, Missouri, until the beginning of the war between the states. Father Ryan enlisted in the army on September 1, 1862, and served as a chaplain throughout the conflict, carrying the wounded to safety and performing last rites on the battlefield. His first piece of poetry was inspired by the death of a younger brother while serving in the army. After the war, he established a weekly literary magazine in which most of his poetry was published. He also put out several volumes of poetry, including Father Ryan's Poems and A Crown for Our Queen. Father Ryan died on April 22, 1886 at a Franciscan monastery in Louisville, Kentucky. About the Song Wake Me A Song is an inspired and sensitive setting of the 19th-century poem by Abram Joseph Ryan. It features sweeping melodic lines, rich harmonies, and a flowingly beautiful accompaniment. To master a performance of this selection, singers must perform very expressively, paying close attention to such musical aspects as phrase shaping, the rise and fall of the melodic line, blending and proper intonation between sections. One strategy that could be used to ensure proper phrasing is the idea of Painting the Phrase. The singer should make a motion as if they have a paintbrush in their hand and paint the melodic line and phrase shape as if they are painting with a nice, flowing brush stroke. One could think about painting a rainbow or an arch to show the rise and fall of the line and/or phrase. The director can also show this gesture while conducting to reinforce this concept.
About the AuthorAbram Joseph Ryan was born Matthew Abraham Ryan on February 5, 1838 in Hagerstown, Maryland. As a young man, Ryan and his family moved west St. Louis, Missouri, where he was educated at the Christian Brothers School. He studied for the priesthood at Niagra University in New York State and was ordained a priest in the Vincentian order on November 1, 1856. He taught theology, first at Niagra university and then at the diocesan seminary in Cape Girardeau, Missouri, until the beginning of the war between the states.Father Ryan enlisted in the army on September 1, 1862, and served as a chaplain throughout the conflict, carrying the wounded to safety and performing last rites on the battlefield. His first piece of poetry was inspired by the death of a younger brother while serving in the army. After the war, he established a weekly literary magazine in which most of his poetry was published. He also put out several volumes of poetry, including Father Ryan's Poems and A Crown for Our Queen. Father Ryan died on April 22, 1886 at a Franciscan monastery in Louisville, Kentucky.About the SongWake Me A Song is an inspired and sensitive setting of the 19th-century poem by Abram Joseph Ryan. It features sweeping melodic lines, rich harmonies, and a flowingly beautiful accompaniment.To master a performance of this selection, singers must perform very expressively, paying close attention to such musical aspects as phrase shaping, the rise and fall of the melodic line, blending and proper intonation between sections.One strategy that could be used to ensure proper phrasing is the idea of “Painting the Phrase.” The singer should make a motion as if they have a paintbrush in their hand and “paint” the melodic line and phrase shape as if they are painting with a nice, flowing brush stroke. One could think about painting a rainbow or an arch to show the rise and fall of the line and/or phrase. The director can also show this gesture while conducting to reinforce this concept.

By Jack Curtis Dubowsky. Chorus. For TTBB choir and optional SA (TTBB choir and optional SA). Country Western; humor; cabaret; folk; Americana; Pythonesque. Sheet music. Composed 2006. Duration 3:10

Eugene Rogers Choral Series. Arranged by Stacey Gibbs. Mark Foster. Spiritual, Concert. Octavo. 12 pages. Published by Mark Foster Music

Brothers, Sing On! Jonathan Palant Choral Series. Composed by Stephen Foster (1826-1864). Arranged by Reed Criddle. Mark Foster. Octavo. 12 pages. Published by Mark Foster Music (HL.35031194).

(TTBB Choir)

SKU: HL.14072955

TTBB. Composed by Nico Muhly. Choral. Octavo. 32 pages. Duration 240 seconds. Chester Music #SRO100153. Published by Chester Music (HL.14072955).

UPC: 840126953114. 6.75x10.5x0.092 inches.

Eugene Rogers Choral Series. Composed by Juan Garcia de Zespedes. Arranged by Eugene Rogers. Mark Foster. Festival, Concert, Spanish. Octavo. Published by Mark Foster Music

TTBB Choir - Grade 2

SKU: BT.DHP-0970962US-250

Composed by Franz Xaver Gruber. Arranged by Jacob De Haan. Christmas Collection. Choral Score. Composed 1997. 4 pages. De Haske Publications #DHP 0970962US-250. Published by De Haske Publications (BT.DHP-0970962US-250).

English.

Jacob de Haan wrote this arrangement for concert band, fanfare band and brass band and optional male voice choir. The original carol was written by the Austrian composer and organist Franz Gruber (1787-1863). He was asked to write Silent Night on the 24th of December 1818 by the priest of the Church of St. Nicolas in Oberndorf, who had himself written the text. It is a romantic carol, with nuances of contemporary Austrian folk and Italian pastorale music.

Jacob de Haan maakte dit arrangement voor blaasorkest met eventueel een mannenkoor. Het originele kerstlied werd geschreven door de Oostenrijkse componist en organist Franz Gruber (1787-1863). Stille Nacht componeerde hij op 24 december 1818 in opdracht van de priester van de Sint Nikolaaskerk van Oberndorf, die de tekst voor dit lied zelf had geschreven.Stille Nacht is romantisch van karakter, heeft trekken van de Oostenrijkse volksmuziek van die tijd, evenals enkele kenmerken van de Italiaanse pastorale muziek.

Stille Nacht wurde vom österreichischen Komponisten und Organisten Franz Gruber am 24. Dezember 1818 im Auftrag des Priesters der St. Nikolaus-Kirche in Oberndorf geschrieben. Wer hätte damals geahnt, dass dieses Lied mit seinem romantischen Charakter einmal in 150 Sprachen übersetzt auf der ganzen Welt gesungen werden würde? Jacob de Haan schrieb dieses gelungene Arrangement für Blasorchester mit Männerchor ad. lib.

Le 24 décembre 1818, Franz Gruber (1787-1863), compositeur et organiste autrichien, mettait en musique un texte rédigé par le prêtre de sa paroisse. Il ne se doutait pas que sa composition deviendrait l’un des noëls les plus célèbres. Stille Nacht (Douce Nuit) est un chant romantique et lyrique alliant les caractéristiques de la musique traditionnelle autrichienne d’alors, celles des pastorales italiennes.

TTBB Choir - Grade 2

SKU: BT.DHP-0970962N-D-250

Composed by Franz Xaver Gruber. Arranged by Jacob De Haan. Christmas Collection. Choral Score. Composed 1997. De Haske Publications #DHP 0970962N-D-250. Published by De Haske Publications (BT.DHP-0970962N-D-250).

German-Dutch.

Ja cob de Haan wrote this arrangement for concert band, fanfare band and brass band and optional male voice choir. The original carol was written by the Austrian composer and organist Franz Gruber (1787-1863). He was asked to write Silent Night on the 24th of December 1818 by the priest of the Church of St. Nicolas in Oberndorf, who had himself written the text. It is a romantic carol, with nuances of contemporary Austrian folk and Italian pastorale music.

Jacob de Haan maakte dit arrangement voor blaasorkest met eventueel een mannenkoor. Het originele kerstlied werd geschreven door de Oostenrijkse componist en organist Franz Gruber (1787-1863). Stille Nacht componeerde hij op 24 december 1818 in opdracht van de priester van de Sint Nikolaaskerk van Oberndorf, die de tekst voor dit lied zelf had geschreven.Stille Nacht is romantisch van karakter, heeft trekken van de Oostenrijkse volksmuziek van die tijd, evenals enkele kenmerken van de Italiaanse pastorale muziek.

Stille Nacht wurde vom österreichischen Komponisten und Organisten Franz Gruber am 24. Dezember 1818 im Auftrag des Priesters der St. Nikolaus-Kirche in Oberndorf geschrieben. Wer hätte damals geahnt, dass dieses Lied mit seinem romantischen Charakter einmal in 150 Sprachen übersetzt auf der ganzen Welt gesungen werden würde? Jacob de Haan schrieb dieses gelungene Arrangement für Blasorchester mit Männerchor ad. lib.

Le 24 décembre 1818, Franz Gruber (1787-1863), compositeur et organiste autrichien, mettait en musique un texte rédigé par le prêtre de sa paroisse. Il ne se doutait pas que sa composition deviendrait l’un des noëls les plus célèbres. Stille Nacht (Douce Nuit) est un chant romantique et lyrique alliant les caractéristiques de la musique traditionnelle autrichienne d’alors, celles des pastorales italiennes.

Composed by David Foster and Linda Thompson Jenner. Arranged by Mark Hayes. Choir Secular. Men's Choir. Choral Octavo. Pop Choral. Christmas; Secular; Winter. 12 pages. Published by Alfred Music

By Francis Scott Key ; Music Attributed To John Stafford Smith ; Stan Mcgill (Arranger). For Tenor Voice. A Cappella, Masterworks, Patriotic Songs. Sheet Music. Published by Shawnee Press.

Choral (TTBB choir a cappella)

SKU: HL.35031798

By Stevie Wonder. By Stevie Wonder. Arranged by Paul Langford. Shawnee Press. Pop. Octavo. 12 pages. Published by Shawnee Press (HL.35031798).

ISBN 9781540004734. UPC: 888680710668. 6.75x10.5 inches.

Stevie Wonder made it to number one with this song in 1973 and it's ranked as No. 74 on Rolling Stone's 500 Greatest Songs of All Time. Paul Langford has turned this tune on its head with a fabulous a cappella version for mixed voices imitating the original recording's instrumental and vocal style. A programming dream for a cappella singing.

Composed by Justin Timberlake, Max Martin, and Shellback. Arranged by Aaron Dale. Barbership Harmony Society. Octavo. 22 pages. Barbershop Harmony Society #211411. Published by Barbershop Harmony Society

Composed by don macdonald. Advanced/Collegiate. Secular, 21st Century. Octavo. Published by Galaxy Music Corporation (EC.1.3432).

By Anton Bruckner. Edited by Nowak. For TTBB, TTTBB, TTBB-TTBB,. Bruckner complete critical edition, Volume 23/2. Published by Bruckner Verlag (Musikwissenschaftlicher Verlag).

Composed by Michael John Trotta. 21st Century. Choral score. Duration 4 minutes, 35 seconds. Galaxy Music Corporation #1.3526. Published by Galaxy Music Corporation

Composed by Stephen Main. For Choral, Celesta (TTBB DIVISI). Walton Choral. 16 pages. Walton Music #WW1527. Published by Walton Music

Choral (SSATBB) - intermediate-advanced

SKU: HL.14005421

Composed by Geoffrey Burgon. Music Sales America. A Cappella, Classical, Spanish. Book [Softcover]. Composed 2002. 16 pages. Chester Music #CH55609. Published by Chester Music (HL.14005421).

UPC: 884088491031. 7.0x10.0x0.049 inches.

Work for six solo Voices or unaccompanied Choir. First performed by The Purcell Consort of Voices in 1974. Text: St John of the Cross.

Composed by Gwyneth W. Walker (1947-). Secular, 21st century. Duration 17 minutes, 30 seconds. E.C. Schirmer Publishing #8516. Published by E.C. Schirmer Publishing (EC.8516).

By Wanda West Palmer. Text: Wanda West Palmer. For SSATTBB Choir. Level: Medium Difficult / Difficult (accompaniment). Published by Jackman Music Corporation.

TTBB a cappella Choral (TTBB a cappella)

SKU: HL.1108589

Arranged by Michael Ware. Daybreak Choral Series. A Cappella, General Worship, Sacred. Octavo. 8 pages. Duration 180 seconds. Published by Daybreak Music (HL.1108589).

UPC: 196288103349. 6.75x10.5x0.019 inches. Mark 5:36, Proverbs 3:5-6.

A unique offering, this unaccompanied anthem takes on the character of a sea chanty in style and spirit. Featuring a soloist, the call and response format invites creative singer placements, along with two voicings, as performance options.

By Brian Setzer. By Brian Setzer. Arranged by Christopher Peterson. For Choral (TTBB A Cappella). Pop Choral Series. 16 pages. Published by Hal Leonard

Choral (TTBB a cappella)

SKU: HL.151532

Composed by Stephen Foster. Barbershop Harmony Society. A Cappella, Barbershop, Folk. 24 pages. Hal Leonard #209804. Published by Hal Leonard (HL.151532).

ISBN 9781495088285. UPC: 812817020498. 8.5x11.0x0.12 inches.

Oh! Susanna, Camptown Races, Gentle Annie, and If You've Only Got a Mustache.

Choral (TTBB Choir)

SKU: HL.421316

Composed by Pepper Choplin. Shawnee Sacred. General Worship, Sacred. Octavo. 12 pages. Duration 200 seconds. Published by Shawnee Press (HL.421316).

UPC: 196288061274. 6.75x10.5x0.029 inches. Luke 12:26-28, Philippians 4:19, Psalm 37:23-24.

Alive with gospel goodness, this song of assurance and follow-ship has become a sanctuary standard since its first release. Trusting Jesus is a subject appropriate for any time of year, and the cheerful styling found in this choral is immediately engaging.

Composed by Franz Schubert (1797-1828). For TTBB choir unaccompanied. Choral. Octavo. Published by Stainer & Bell Ltd.

SSAATTBB Choir

SKU: CA.967400

Composed by Jacek Sykulski. Edited by Stefan Schuck. CARUS CONTEMPORARY. Sacred vocal music. Full score. 16 pages. Duration 8 minutes. Carus Verlag #CV 09.674/00. Published by Carus Verlag (CA.967400).

ISBN 9790007187484. Language: Latin.

With the publication of his hypnotic Pater noster, Carus proudly presents Jacek Sykulski as a new composer in the Carus Contemporary series. Whilst Sykulski has achieved worldwide success as Director of the Academic Choir at the University of Poznan and the Poznan Boys' Choir, as a composer he has remained a well-guarded secret until now. In his sacred compositions he combines in music the deeply Catholic-imbued tradition of his country with his own compositional technique, characterized by a tremendous vocal sensuousness of sound and a conscious use of tonality enriched by dissonance. His Pater noster was composed in 2009 and revised in 2015 for a performance by the RIAS Kammerchor in Berlin. The first section of this three-part work for eight-part choir (tenors and sopranos also split into three) begins with the invocation Pater noster homophonically in A minor. This then introduces the Gregorian liturgical melody of the Our Father canonically and aleatorically, like a contemplative congregational hymn. The middle section calls out Dein Reich komme in increasingly insistent rhythmic declamation, more demanding, with hypnotic repetitions and intensifications. In the last section, Sykulski returns to the opening harmonies, but now a semitone lower on A flat, followed by an intensification at the words sed libera nos a malo - and delivery us from evil once more; this ends unresolved in a diatonic cluster on A flat as the paradigm of our imperfect earthly existence. The eight-minute unaccompanied composition is extremely singable, impressive, and not difficult to master. The piece is suitable for use in the liturgy, as well as in concerts and competitions.