Meditation Fanfare - Intermédiaire De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1125174-120 Dear Lord and Father of...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1125174-120
Dear Lord and Father
of Mankind. Composed
by Jan de Haan. Musica
Sacra. Festive and Solemn
Music. Score Only.
Composed 2012. 20 pages.
De Haske Publications
#DHP 1125174-120.
Published by De Haske
Publications
(BT.DHP-1125174-120).
9x12 inches.
English-German-French-Dut
ch.
Meditation
I> is based on Dear
Lord and Father of
Mankind (1887) by the
English composer and
organist Frederick
Charles Maker
(1844-1927). This is a
calm, introverted work
that however has an
intense effect. In the
first section, the solo
euphonium is given an
important role, leading
to one of the loveliest
of all English hymn
melodies.
Meditatio
n basiert auf Dear
Lord and Father of
Mankind aus dem Jahre
1887 vom englischen
Komponisten und
Organisten Frederick
Charles Maker
(1844-1927). Es ist ein
ruhiges, introvertiertes
Werk von dennoch
intensiver Wirkung. Eine
bedeutende Rolle fällt
hier dem
Euphoniumsolisten zu, der
im ersten Teil dieser
musikalischen Meditation
zu einer der schönsten
englischen
Kirchenliedmelodien
hinführt.
Meditation
si basa su Dear Lord
and Father of Mankind
(1887) del compositore e
organista Frederick
Charles Maker
(1844-1927). Un brano
calmo e introverso, ma di
sicuro effetto. Nella
prima sezione
l’assolo di
eufonio riveste un ruolo
importante e accompagna
il brano verso una delle
più belle melodie
inglesi del repertorio
ecclesiastico.
Meditation Fanfare - Intermédiaire De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1125174-020 Dear Lord and Father of...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1125174-020
Dear Lord and Father
of Mankind. Composed
by Jan de Haan. Musica
Sacra. Festive and Solemn
Music. Set (Score &
Parts). Composed 2012. De
Haske Publications #DHP
1125174-020. Published by
De Haske Publications
(BT.DHP-1125174-020).
9x12 inches.
English-German-French-Dut
ch.
Meditation
I> is based on Dear
Lord and Father of
Mankind (1887) by the
English composer and
organist Frederick
Charles Maker
(1844-1927). This is a
calm, introverted work
that however has an
intense effect. In the
first section, the solo
euphonium is given an
important role, leading
to one of the loveliest
of all English hymn
melodies.
Meditatio
n basiert auf Dear
Lord and Father of
Mankind aus dem Jahre
1887 vom englischen
Komponisten und
Organisten Frederick
Charles Maker
(1844-1927). Es ist ein
ruhiges, introvertiertes
Werk von dennoch
intensiver Wirkung. Eine
bedeutende Rolle fällt
hier dem
Euphoniumsolisten zu, der
im ersten Teil dieser
musikalischen Meditation
zu einer der schönsten
englischen
Kirchenliedmelodien
hinführt.
Meditation
si basa su Dear Lord
and Father of Mankind
(1887) del compositore e
organista Frederick
Charles Maker
(1844-1927). Un brano
calmo e introverso, ma di
sicuro effetto. Nella
prima sezione
l’assolo di
eufonio riveste un ruolo
importante e accompagna
il brano verso una delle
più belle melodie
inglesi del repertorio
ecclesiastico.
Fanfare Band - Grade 2 SKU: BT.DHP-0970945-020 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 2
SKU:
BT.DHP-0970945-020
Composed by Jacob De
Haan. Performance Series.
Concert Piece. Set (Score
& Parts). Composed 1997.
De Haske Publications
#DHP 0970945-020.
Published by De Haske
Publications
(BT.DHP-0970945-020).
9x12
inches.
This
three-part suite is rich
in dances and full of
contrasting styles and
dynamics. The title of
the work is a pun on the
term ‘concerto
grosso’, a piece
in parts for a group of
solo instruments and
orchestra. In Contrasto
Grosso small groups in
the band perform as
soloists, interpreting
contrasting renaissance
style fragments.
Deze dansrijke
suite bestaat uit drie
delen die worden
gekenmerkt door
contrasten in stijl,
dynamiek en
instrumentatie. De titel
van de compositie is een
woordspeling op het
concerto grosso, een
meerdelig werk voor een
groep solo-instrumentenen
orkest. Ook in
Contrasto Grosso
treden kleinere groepen
in het orkest solistisch
op met contrasterende,
renaissancistische
tussenfragmenten.
Fanfare Band - Grade 2 SKU: BT.DHP-0970945-120 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 2
SKU:
BT.DHP-0970945-120
Composed by Jacob De
Haan. Performance Series.
Concert Piece. Score
Only. Composed 1997. De
Haske Publications #DHP
0970945-120. Published by
De Haske Publications
(BT.DHP-0970945-120).
Deze dansrijke
suite bestaat uit drie
delen die worden
gekenmerkt door
contrasten in stijl,
dynamiek en
instrumentatie. De titel
van de compositie is een
woordspeling op het
concerto grosso, een
meerdelig werk voor een
groep solo-instrumentenen
orkest. Ook in
Contrasto Grosso
treden kleinere groepen
in het orkest solistisch
op met contrasterende,
renaissancistische
tussenfragmenten.
Fanfare Band - Grade 3 SKU: BT.DHP-0991507-020 Composed by Antonin Dvorak...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-0991507-020
Composed by Antonin
Dvorak. Arranged by Dizzy
Stratford. Applause
Series. Original Light
Music. Set (Score &
Parts). Composed 1999. De
Haske Publications #DHP
0991507-020. Published by
De Haske Publications
(BT.DHP-0991507-020).
Antonin’
s New World is an
excellent piece of
musical theatre featuring
a comedy act for triangle
soloist and band. The
music itself does not
sound comical, being
based on Anton
Dvorak’s Symphony
in E Minor (‘From
the New World’),
but the right mix of
seriousness and humour
brings a surprising
effect. With a bit of
acting talent from your
triangle soloist, this
interpretation of the
well known classical
melody will be a major
hit. Whether you choose
Antonin’s New
World as a
“triangle
solo†novelty piece
or simply as a delightful
adaptation of
Dvorak’s immensely
popular Ninth Symphony,
both the band and the
audience will love
it!
Dieses Werk
kann ad libitum mit einem
Triangel-Solisten und
Blasorchester als
Komödie in Szene
gesetzt werden. Die Musik
selbst, basierend auf
Themen von Antonin
Dvoraks 9. Symphonie
Aus der Neuen
Welt, ist alles
andere als komisch. Dizzy
Stratford wählte sie
bewusst, um durch
Kombination von
Ernsthaftigkeit und Humor
einen größeren
Effekt zu erzielen. Die
Seriosität der Musik
erlaubt übrigens auch
eine Aufführung ohne
Showelemente bzw. ohne
den Charakter eines
Solo-Stückes.d.