Guitar

SKU: HL.49010965

Guitar Solo. Composed by Narcisio Yepes. This edition: Saddle stitching. Sheet music. Gitarren-Archiv (Guitar Archive). Classical. 8 pages. Schott Music #GA 605. Published by Schott Music (HL.49010965).

ISBN 9790001097826. UPC: 842819106265. 9.0x12.0x0.06 inches.

Contents: Montanyes del Canigu * Catarina d'Alio.

By Cat Stevens. Easy Guitar. Folk Rock. Guitar/vocal songbook (softcover). With standard notation, vocal melody, lyrics, chord names, guitar chord diagrams and strum and pick patterns. 48 pages. Music Sales #AM74741. Published by Music Sales

The Classical Guitarists Guide to Jazz. By Andrew York. For Guitar. Guitar Method or Supplement. Jazz. Book

The Classical Guitarists Guide to Jazz. By Andrew York. For Guitar. Guitar Method or Supplement. Jazz. Book. Published by Alfred Publishing.

For Guitar. By David Leisner. For Guitar Solo. Solo part. 4 pages. Duration 5:00. Published by Theodore Presser Company.

Chamber Music Guitar

SKU: PR.GHE901

Catalan Folksongs. Composed by Miguel Llobet. Edited by Stefano Grondona. Collection. Theodore Presser Company #GHE901. Published by Theodore Presser Company (PR.GHE901).

Guitar (GUITAR)

SKU: HL.14034682

Composed by John W. Duarte. Music Sales America. Classical. Book [Softcover]. 12 pages. Music Sales #NOV120311. Published by Music Sales (HL.14034682).

ISBN 9780853608080. UPC: 884088486440. 8.25x11.75x0.069 inches.

Variations On A Catalan Folksong (Op. 25) were written by John W. Duarte for solo Guitar. They were based on the Spanish folk melody Canco Del Llabre, one of the most popular Catalan folk tunes to have survived to this day.

John W. Duarte (1919-2004) was a British guitarist, composer, and music journalist. Having received a degree in Chemistry, his fascination with the endless possibilities of the Guitar caused him to abandon science in favour of music. Despite having never formally studied music, he is regarded as one of the foremost composers for Guitar of the 20th century.

(for Solo Guitar). Composed by Julian Anderson. For Guitar. Guitar. Softcover. 16 pages. Schott Music #ED13827. Published by Schott Music

Guitar - Grade 2

SKU: BT.RSK200070

Rockschool Classics. Exam Material. Book with Online Audio. Composed 2018. Rockschool #RSK200070. Published by Rockschool (BT.RSK200070).

ISBN 9781789360066. English.

Learn to play rock and pop with Rockschool. These specially written arrangements develop the skills and techniques you need to help you achieve your musical goals. Rockschool Classics Guitar Grade 2 contains eight of thebiggest rock tracks from the past five decades arranged for you to play in your Grade 2 Exam. You can choose two pieces from Rockschool Classics to play in your Grade Exam or three to play in your Peformance Certificate.

Featur ing:

• Foo Fighters - Resolve
• Bon Jovi - You Give Love A Bad Name
• AC/DC - Highway To Hell
• Red Hot Chili Peppers - Californication
• Oasis - Supersonic
• Metallica -EnterSandman
• Fleetwood Mac - Albatross
• The Darkness - I Believe In A Thing Called Love

Plus:

• Band and artist fact files with recommended listening
• In-depth walkthroughs of everytrack
• Easy-access downloadable audio
• Example tests and exercises
• Amp settings and tone advice for each track

Guitar

SKU: UT.CH-148

Edited by Piero Bonaguri. Saddle stitching. Piero Bonaguri Collection. Classical. Ut Orpheus #CH 148. Published by Ut Orpheus (UT.CH-148).

ISBN 9790215319998. 9 x 12 inches.

Davide Anzaghi: Kitarama II - Kitarama IV
Umberto Bombardelli: Das klingende Lied III
Pieralbert o Cattaneo: Forme in movimento II
Carlo Forlivesi: Lachrimae
Gian Paolo Luppi: Victimae
Marco Reghezza: Roundance

Learn to channel improvisational impulses into great solos with this amazing book and CD by outstanding jazz performer and educator, Mark Dziuba. Topics are thoroughly explained and organized into three main categories: instruction in the harmonic and melodic structures of jazz, discussions of practical application, and conceptual issues. Complex subjects are taught with an engaging and friendly style, so topics such as melodic and rhythmic motifs, phrasing, development, guide tones, chromaticism and functional harmony are easy and enjoyable to learn. This is a must-have book for all jazz guitarists that will be used for years to come.

10 Contemporary Classical Guitar Solos. Saddle-stitched, World. Classical Guitar. Book and online audio. Mel Bay Publications, Inc #30979M. Published by Mel Bay Publications, Inc

Old Time, Wire bound. Vocal. Book and online audio. 248 pages. Mel Bay Publications, Inc #31104M. Published by Mel Bay Publications, Inc

Compiled by Russ Shipton. Fake book for voice and guitar. With vocal melody, lyrics, chord names and guitar chord diagrams. 167 pages. Published by Music Sales.

Guitar

SKU: BT.MUSAM996996

Arranged by Russ Shipton. The Complete Guitar Player. Pop & Rock. Book with CD. Wise Publications #MUSAM996996. Published by Wise Publications (BT.MUSAM996996).

ISBN 9781849380140. English.

Th e Complete Guitar Player series has taught hundreds of thousands how to play and the accompanying songbooks have featured hits by Paul Simon, Elvis Presley, The Beatles, John Denver and many othertopartists.

N ow these songbooks are available in super value omnibus editions like this one. The songs are still graded by ease of playing and everything is there... standard notation, Guitar chord boxes, full lyrics andevenstrumming patterns!

Over 180 great songs! Perfect for all players and singers!

The bonus CD contains backing tracks to 16 of the songs in the book.

Guitar solo - Advanced

SKU: DZ.DZ-4308

Composed by Giorgio Mirto. Score. Les Productions d'OZ #DZ 4308. Published by Les Productions d'OZ (DZ.DZ-4308).

ISBN 9782898522253.

Foll owing a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.

FRANCE SCO BIRAGHI

Au lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprèt e et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.

FRANCESCO BIRAGHI.

By Jerry Silverman. By Jerry Silverman. For Guitar (Fingerpicking). Methods. Archive Edition. Folk. Level: Beginning. Book. 95 pages. Published by Mel Bay Publications, Inc.

By Various Composers. Easy Guitar (Simplified arrangements for guitar). Size 9x12 inches. 112 pages. Published by Hal Leonard.

Guitar - Intermediate

SKU: MB.31088

Saddle-stitched. Country. Book. Mel Bay Publications, Inc #31088. Published by Mel Bay Publications, Inc (MB.31088).

ISBN 9781513473413. 8.75X11.75 inches.

Whether you already play old-time music, or you are just getting started, this is the book for you.áDan Levenson�s Master Collection of Old-Time Tunesápresents more than 300 tunes in standard notation with suggested chords for you to explore and enjoy. All but a few are traditional or older tunes and are easily searched online to discover their pedigree as well as several recorded versions of them.Some might call this a complete repertoire in a book in the following sense: It is a large though not encyclopedic collection of old-time fiddle tunes played in today�s sessions.Learning the tunes in this book will give you a solid old-time repertoire that would allow you to join in jams in the many communities playing old-time music today.

(Everything You Need to Know About Guitars, Amps, and Effects). By Tobias Hurwitz, Ethan Fiks, and Vivian Clement. For Guitar. Book; CD; Guitar Reference; Reference Textbooks. 96 pages. Published by Alfred Music Publishing

Guitar

SKU: FG.55011-325-1

Composed by Kai Nieminen. Fennica Gehrman #55011-325-1. Published by Fennica Gehrman (FG.55011-325-1).

ISBN 9790550113251.

Rifl essioni sul nome Amedeo Modigliani (Omaggio a Oscar Ghiglia) is divided in two movements that follow each other attacca. The first movement of the piece is named by the composer ...Il Pittore...sta...dipingend o... (...the painter...is...painting.. .). At the beginning of the piece we are introduced to the main motif of which the notes are reflected (Riflessioni) from the name of Amedeo Modigliani. A fantasy of timbre created by the composer is given a versatile interpretation by the possibilities of the guitar: tone material based on an octatonic scale is developed further through the means of arpeggios, pizzicatos, glissandos and high-pitched flageolets. The music is searching for direction in imitation of a painter searching for a subject as the theme Modigliani is repeated in different registers. The second movement is called Gli ucelli...della ombra... (Birds...of twilight...).

Guitar

SKU: BT.MS0348

Play Music España. Book, CD and DVD. Composed 2018. Play Music Spain #MS0348. Published by Play Music Spain (BT.MS0348).

Spanish.

Con no menos de 50 r tmicas Funk a la manera de los mayores artistas de ayer y de hoy (James Brown, Jamiroquai, Parliament, The Headhunters, Commodores, The Meters, The Brothers Johnson, Ohio Players, Graham Central Station, B.T. Express, Sly & The Family Stone, etc... ), este método va a entretenerle agradablemente durante un buen rato. Pero no sólo... Además del placer que Ud experimentará al tocarlas, dichas r tmicas le permitirán descubrir y trabajar todas las técnicas que contribuyen a conformar unos buenos acompañamientos tremendamente funky: notas muertas, tr adas, inversiones, staccatos, palm mute, r tmicas sincopadas... un cap tulo preliminar le preparará a los ritmos,los acordes y a otras técnicas propias del estilo. El DVD v deo permite o r y sobre todo visualizar los 50 acompañamientos, a velocidad real y también más lenta brindándole as la posibilidad de elegir los buenos ademanes, las digitaciones adecuadas y tocar a compás. El CD mp3 abarca el mismo número de playbacks que de acompañamientos. O sea 50 playbacks tocados en dos aires diferentes: el aire deseado (velocidad real) y el aire de trabajo (lento). Unos playbacks de larga duración (3 a 4 minutos cada uno, o sea más de 7 h de música en total) para darle tiempo a trabajar en las mejores condiciones posibles.

(Arranged for Classical Guitar). By Mark Marrington. For Guitar (Classical). Solos. Parlor/Salon. Intermediate. Book. 24 pages. Published by Mel Bay Publications, Inc

By Ron Manus and L.C. Harnsberger. For Guitar. Guitar Method or Supplement; Method/Instruction. Kid's Guitar Course. Children. Beginner. DVD