(A Fresh Approach to Sight-Reading). By Alan Bullard / Richard Wright. For guitar. Joining The Dots offers guitarists lots of material to help build confidence and skill in sight- building. The series brings together a range of activities to help students

Guitar (all) - Beginning-Intermediate

SKU: MB.99607

Composed by Joe Negri. Edited by Tim Bedner. Saddle-stitched, Style, Improvising, Lines and Phrases. Jazz. Book. 40 pages. Mel Bay Publications, Inc #99607. Published by Mel Bay Publications, Inc (MB.99607).

ISBN 9780786660810. UPC: 796279076784. 8.75 x 11.75 inches. By Joe Negri; Compiled and edited by Tim Bedner.

The goal of this book is to provide a concept for guitarists that will help them go quickly to the core of the harmonies that must be dealt with in order to improvise over chord changes. Joe Negri shows how you can assimilate harmonies and quickly determine a common denominator that you instantly visualize on the fingerboard. From this `cell harmony you will be able to build or create single-note melodic lines. Joe Negri has taken the fundamentals of music theory and made them applicable and relevant to the improvising guitarist. One of this books secrets is the use of basic triadic shapes as an organizational tool to demystify improvisation. This keep it simple approach allows improvisers to hear and unveil melodic lines that are right under their fingers within simple triadic shapes. These studies are packed with the basic information the student needs in order to use the chord tones as melodic focal points. Written in notation and tablature.

Breaking The Skill Barrier. By Andrew Green. For Guitar (All). technique. Jazz. Level: Beginning-Intermediate. Book. Size 8.5x11.75. 111 pages. Published by Andrew Green.

Levels 1-3 Complete. Rock House. Softcover Audio Online. 224 pages. Published by Hal Leonard (HL.143345).

(Special Deluxe Edition with DVD and 2 CDs). For Guitar. Music Sales America. Country, Bluegrass. Book and CD and DVD Package. Music Sales #DV10054N. Published by Music Sales

(A Fresh Approach to Sight-Reading). By Alan Bullard / Richard Wright. For guitar. Joining The Dots offers guitarists lots of material to help build confidence and skill in sight- building. The series brings together a range of activities to help students

Guitar solo - Advanced

SKU: DZ.DZ-4244

Composed by Konstantin Bliokh. Score. Les Productions d'OZ #DZ 4244. Published by Les Productions d'OZ (DZ.DZ-4244).

ISBN 9782898521614.

La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. � ce moment-là, ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.

Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.

Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.

Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.

Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol# â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.

Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ?? Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.

La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.

Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.

Sona ta No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.
Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.
The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.
The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.
The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ? ?B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.
Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.
The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.
I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.

Guitar - intermediate to advanced

SKU: M7.GHE-803

Guitar Solos. Composed by Fernando Sor. Edited by Erik Stenstadvold. This edition: Saddle-wire stitching. Sheet music. New Critical Edition. 72 pages. MDS (Music Distribution Services) #GHE 803. Published by MDS (Music Distribution Services) (M7.GHE-803).

ISBN 9783890448039. English.

This new critical edition by leading guitar researcher Erik Stenstadvold contains thematic indexes, comprehensive critical commentaries based on sound and transparent editorial practice, copious historical notes, publishing history, and some previously unpublished repertoire. It has been thoroughly researched and is produced to the highest standards.

Gipsy Guitar (Rumba-Styles of the Flamenco Guitar). For Guitar. Guitar. DVD. Schott Music #SMS127. Published by Schott Music

Guitar

SKU: UT.CH-389

Composed by Johann Sebastian Bach. Arranged by Walter Zanetti. Classical. Score. Ut Orpheus #CH 389. Published by Ut Orpheus (UT.CH-389).

ISBN 9790215328365. 9 x 12 inches.

The works Johann Sebastian Bach devoted to the lute and to the Lautenwerk (BWV 995, 996, 997, 998, 999, 1000 and 1006a) have for a long time now become part of the guitar repertoire and remain a cornerstone in the study programmes of conservatories and of higher academies around the world, recognizing that this music of absolute importance has a very significant weight in the training of todayâ??s musician and guitarist.
The intention of this transcription for guitar is to provide a teaching aid which faithfully reproduces the articulations, slurs, agogics and embellishments present in the manuscripts and at the same time offers advice on how to achieve them and suggests a practical fingering for both hands.

By William Bay. For Guitar (Classical). Solos. Bill's Music Shelf. Baroque. Intermediate. Book. 80 pages. Published by Mel Bay Publications, Inc

(Extraites Des Operas De Rossini Et Deux Valses Favorites). By Francois de Fossa (1775-1849). Edited by Jan De Kloe. For Guitar. FULL SCORE - STUDY. Op.8. 6 pages. Published by Editions Orphee

Composed by Florence Membrado. Leduc. Classical. Softcover. Alphonse Leduc #AL26085. Published by Alphonse Leduc

By Miguel Alcazar. By Manuel Ponce (1882-1948). Book Only. Composed 1981. 32 pages. Hal Leonard Europe #TE023. Published by Hal Leonard Europe

120 Songs for Easy Guitar. By Various. Easy Guitar (Simplified arrangements for guitar). Size 9x12 inches. 111 pages. Published by Hal Leonard.

The Keys To Flamenco Guitar arranged by Dennis Koster. For guitar. This edition: Paperback. Instructional. AIG Flamenco Series. Method. Book and CD. Text Language: English. 128 pages. Published by Santorella Publications

By Joan Manen. Edited by Angelo Gilardino. For Guitar. The Andres Segovia Archive. Op.A=22. 40 pages. Published by Berben

Arranged for Plectrum-Style Guitar. Classical, Saddle- stitched. Flatpicking GUitar. Book. Mel Bay Publications, Inc #30978. Published by Mel Bay Publications, Inc

By Gohar Vardanyan. For classical guitar and lute. Saddle-stitched. Methods. Book. 20 pages. Published by Mel Bay Publications, Inc

Fifty-one Mazurkas Newly Arranged for Solo Guitar. Composed by Stephen Aron. Guitar: Classical and Lute,Style,Classical,Solo s. Book and Online Audio. 256 pages. Published by Mel Bay Publications, Inc

Advanced Flamenco Guitar arranged by Dennis Koster. For guitar. This edition: Paperback. Instructional. AIG Flamenco Series. Method. Book and CD. Text Language: English. 160 pages. Published by Santorella Publications

Guitar solo - Intermediate

SKU: DZ.DZ-4267

Composed by José-Luis Narvaez. Score. Les Productions d'OZ #DZ 4267. Published by Les Productions d'OZ (DZ.DZ-4267).

ISBN 9782898521843.

« Tourbillon d'âmes I» est un éloge à la danse, avec ses notes staccato qui font penser au «tourbillon» mécanique de l'horloge.
Le Tourbillon II, plus développé avec son rythme 6/8, invite à la danse amoureuse, à la fuite du temps...
Ces Tourbillons d'âmes sont dédiés à la personne qui les a inspirés.

Tourb illon d'âmes I is a eulogy to dance, with its staccato notes which are reminiscent of the mechanical whirlwind of the clock.
The Tourbillon II, more developed with its 6/8 rhythm, invites you to a love dance, to escape time...
These Soul Swirls are dedicated to the person who inspired them.

Guitar - intermediate

SKU: M7.GHE-701

Pour la guitare. Composed by Antoine de Lhoyer. Edited by Erik Stenstadvold. This edition: Saddle-wire stitching. Sheet music. Performing score, Critical Edition. Op. 27. 20 pages. MDS (Music Distribution Services) #GHE 701. Published by MDS (Music Distribution Services) (M7.GHE-701).

ISBN 9783890447018. English.

We proudly present this new modern critical edition of Antoine de Lhoyer's Six Exercices Op. 27, originally published in Paris around 1812. These exercises, originally written for 5-string guitar, are remarkably advanced for their time and well worth playing; the rapid arpeggio patterns and daring harmonic shifts in some of them may bring even Villa-Lobos to mind. The Six Exercices Op. 27 were arranged by Giuliani and published some 7 years later under his name as Six Preludes Op. 83. The exercises were originally written for 5-string guitar. We have added alternative readings for using the 6th string, an often employed publishing practice of the period. The music is edited and fingered by Erik Stenstadvold, an authority on the guitar repertoire of the early 19th century. There is also an informative preface, with full biographical details and critical notes.

10 Contemporary Classical Guitar Solos. Saddle-stitched, World. Classical Guitar. Book and online audio. Mel Bay Publications, Inc #30979M. Published by Mel Bay Publications, Inc

By Jean-Maurice Mourat. For guitar. Classical. Score. 56 pages. Published by Editions Combre