Harp solo

SKU: SU.80600760

For Harp solo. Composed by William Bolcom. Harp, Solo Harp. Score. Edward B. Marks Music #80600760. Published by Edward B. Marks Music (SU.80600760).

Harp solo Composed: 1966 Published by: E.B. Marks.

Harp solo

SKU: SU.80601670

For Harp solo. Composed by Norman Dello Joio. Harp, Solo Harp. Score. Edward B. Marks Music #80601670. Published by Edward B. Marks Music (SU.80601670).

Harp solo Composed: 1969 Published by: E.B. Marks.

(Arranged for Solo Harp and Harp Duet). By Pharrell. Arranged by Sylvia Woods. For Harp. Harp. Softcover. 8 pages. Published by Hal Leonard

For Harp. Composed by Various. Leduc. Classical. Softcover. 8 pages. Alphonse Leduc #AL20133. Published by Alphonse Leduc

Harp

SKU: BT.ALHE32808

Composed by Cousineau. Classical. Score Only. 16 pages. Heugel & Cie #ALHE32808. Published by Heugel & Cie (BT.ALHE32808).

French.

1.Sonate No.1 in E flat major - 2.Rondo in F major - 3.1st Movement from Sonate No.1 in B flat major.

Harp (Harp)

SKU: HL.48188576

Composed by Jan Ladislav Dussek. Leduc. Classical. Softcover. 18 pages. Heugel & Cie #HE32831. Published by Heugel & Cie (HL.48188576).

UPC: 888680883812. 9.25x12.25x0.128 inches.

1.Sonate No.1 in B flat major; 2.Sonate No.2 in G major.

Harp

SKU: HL.48188567

Composed by Cousineau. Leduc. Classical. Softcover. Heugel & Cie #HE32808. Published by Heugel & Cie (HL.48188567).

UPC: 888680883768. 9.5x12.5x0.094 inches.

1.Sonate No.1 in E flat major; 2.Rondo in F major; 3.1st Movement from Sonate No.1 in B flat major.

By Gioachino Rossini. Edited by Patricia B. Brauner. For Harp. This edition: Urtext Edition; Stapled. Published by Baerenreiter Verlag (German import).

Harp

SKU: BT.ALHE32831

Composed by Jan Ladislav Dussek. Classical. Score Only. Heugel & Cie #ALHE32831. Published by Heugel & Cie (BT.ALHE32831).

French.

1.Son ate No.1 in B flat major; 2.Sonate No.2 in G major

Chamber Music harp

SKU: PR.110406720

Composed by Samuel Adler. Classical. Softcover. With Standard notation. Duration 14 minutes. Theodore Presser Company #110-40672. Published by Theodore Presser Company (PR.110406720).

UPC: 680160001316.

I have always been fond of writing works for specific people or organizations. It has been my good fortune during most of my creative career to be asked to compose for many extraordinary performers. The Sonata for Harpsichord Solo is such a case in point: it was written in 1982 for Barbara Harbach, a superb performer, close friend, and collaborator on many musical projects. The Sonata was premiered on March 2, 1984, in a recital given by Dr. Harbach at Nazareth College in Rochester, New York. During my formative years as a composer, one seldom heard of the harpsichord as a modern instrument, though while I attended undergraduate school at Boston University, some of us banded together to construct a small harpsichord from one of the first do-it-yourself kits which began to appear in the late '40s. It was also during this time that I heard the Sonatina for Violin and Harpsichord by my teacher Walter Piston and consequently specified that the accompanying instrument for my second violin sonata could either be a piano or a harpsichord. It was not until recently, however, that my interest in the harpsichord as a solo instrument for new music was aroused. This was because of the emergence of so many young virtuosi, such as Barbara Harbach, who are interested in the performance of new music besides the great harpsichord music of the Classical, Baroque, and pre-Baroque eras. The keyboard music of Domenico Scarlatti has always intrigued and fascinated me. The brevity, excitement, and clarity of this sparkling music is charming as well as exhilarating. It is this type of Baroque sonata that inspired the conception and form of my harpsichord sonata. The entire work is loosely based on the musical translation of Barabara Harbach's name, especially the conflict of the B (B-flat) and H (B-natural in German notation). This secondo rub or dissonance especially pervades the first movement, which is in a modified sonata form, pitting jagged and tense melodic elements against most lyrical and smooth lines. This second movement is a song-like melody accompanied by rolled chords which may be played on the lute stop of the instrument if this sonata is performed on a two-manual harpsichord. The final movement is an ever-driving joyous toccata which brings the work to an exciting close with a coda made up of accelerating repeated chords. --Samuel Adler.

Arranged by Sylvia Woods. For Harp. Harp. Softcover. 6 pages. Published by Hal Leonard

Folk Harp; Harp

SKU: HL.720360

For Harp. Composed by Johann Pachelbel. Arranged by Sylvia Woods. Harp. Classical. 40 pages. Hal Leonard #0936661186. Published by Hal Leonard (HL.720360).

ISBN 9780936661186. UPC: 073999451405. 8.5x10.8x0.113 inches.

This popular piece is in great demand and is now available for folk harp. This book includes several arrangements: an easy solo version, an advanced solo version in the keys of G and D, and a duet version for harp and melody instrument. Playable on lever harp or pedal harp. Arrangements in this folio include: â?¢ Easy harp solo in the key of D â?¢ Advanced harp solo in the key of D â?¢ â??Aâ? part for harp duet in the key of D â?¢ â??Bâ? part for harp duet or ensemble in the key of D â?¢ Melody instrument part for ensemble in the key of D â?¢ Easy harp solo in the key of G â?¢ Advanced harp solo in the key of G â?¢ â??Aâ? part for harp duet in the key of G â?¢ â??Bâ? part for harp duet or ensemble in the key of G â?¢ Melody instrument part for ensemble in the key of G.

(For Harp, 2 Flute and Strings). By George Frideric Handel (1685-1759). Harp. For harp. Solo part. Op. 4/6. 11 pages

Harp (Harp)

SKU: HL.50511754

Solo. Composed by Laszlo Tihanyi. Contemporary Music. EMB. Contemporary Hungarian Works. Book Only. Editio Musica Budapest #Z14358. Published by Editio Musica Budapest (HL.50511754).

ISBN 9790080143582. B/4 quer inches. Hungarian, English. Laszlo Tihanyi.

Greek mythology seems spontaneously to have offered the figure of linos as the central character in a work for solo harp. (Linos was a poet, believed to be the brother of Orpheus, and according to Greek tradition no greater musician ever appeared among mankind.) The musical material, conforming to the characteristics of the harp, consits of two interesting seven-degree note rows incorporating all the possible pedal combinations, their mirror inversions and the five-degree noterows that fit between them. The nine-section composition is made up of scenes from the imagined life of Linos, an imagined 'Linos's hymn', and laments played in his honour.

Harp

SKU: GI.G-7239INST

Composed by Jan Michael Joncas. This edition: Instrument edition. Common Psalm for Ordinarty Time, Lent 4 C, OT 19 B, Peter and Paul, Sacred Heart. Sacred. Instrumental part(s). 3 pages. GIA Publications #7239INST. Published by GIA Publications (GI.G-7239INST).

(Arranged for Harp). Composed by Alain Boublil and Claude-Michel Sch�´nberg. For Harp. Harp. Softcover. 4 pages. Published by Hal Leonard

Harp

SKU: UT.MAG-292

Composed by Bénigne Henry. Edited by Anna Pasetti. Magadis. Classical. Score. Ut Orpheus #MAG 292. Published by Ut Orpheus (UT.MAG-292).

ISBN 9790215328334. 9 x 12 inches.

Early to Intermediate Solos for Harps with and Without Pedals. By Anonymous, Franz Xaver Gruber, Adolphe-Charles Adam. Arranged by William B. Costello. For Harp. Classical. Level: Early to Intermediate. Solo part. 24 pages. Published by Carl Fischer.

Harp Solo. By George Frideric Handel. Arranged by Carlos Salzedo. (Harp). Harp Solo. Softcover. Size 9x12 inches. 20 pages. Published by G. Schirmer, Inc.

Harp Solo. By George Frideric Handel, George-Frederich Handel. Arranged by Marcel Grandjany. (Harp). Editions Durand. Book only. Size 9x12 inches. 16 pages. Published by Durand.

By Erik Satie. Arranged by Debussy, Claude (1862-1918), Orchestrator Simpson, Carl (B. 1955), Editor. For 2, 1, 0, 0 - 4, 0, 0, 0, cymb, 2 harp, strings. This edition: full score. Study Scores. French: Impressionist. Composed 1888/1895. Duration 8 minutes. Published by Edwin F. Kalmus.

Harp

SKU: HL.48180050

For Harp. Composed by Henri Busser. Leduc. Classical. Softcover. Alphonse Leduc #AL13879. Published by Alphonse Leduc (HL.48180050).

UPC: 888680952402. 9x12 inches.

Composed by Henri Büsser.

Harp

SKU: HL.128725

Arranged for Harp. Composed by Alain Boublil, Claude-Michel Schô, and nberg. Harp. Broadway, Movies, Musicals. Softcover. 4 pages. Published by Hal Leonard (HL.128725).

ISBN 9780936661636. UPC: 888680012588. 8.5x11.0x0.038 inches.

Castle on a Cloud is sung by the child Cosette in Les Miserables. It is a hopeful song of her imaginary world where life is beautiful, and she is not subjected to the drudgery of her hard existence. Sylvia Woods has arranged this lilting song for lever or pedal harp. There are 7 lever changes in the piece, so it is for lower intermediate to intermediate level players. Fingerings and lyrics are included, as well as lever and pedal changes. Two, 2-page versions are included: one for lever harps tuned to C, and the other for lever harps tuned to flats. Pedal harpists can play either version. The arrangement for lever harps tuned to C is in the key of D (2 sharps), with A and C lever changes needed. The arrangement for lever harps tuned to flats is in the key of C, with B and G lever changes needed. Either version may be played on most small harps with about 26 strings if you play everything an octave higher than written. There are special instructions in the introduction telling you what you'll need to change if you have a small harp.

Harp

SKU: HL.48181029

For Solo Harp. Composed by George Frideric Handel. Arranged by Tiny Beon. Leduc. Baroque, Classical. Softcover. 4 pages. Alphonse Leduc #AL20028. Published by Alphonse Leduc (HL.48181029).

UPC: 888680787677. 9x12 inches.

Passacag lia is a piece for advanced harpists, composed by G.F. Handel and edited by Tiny Béon. Really melodic, it has a main theme reviewed in 14 variations and includes many chords, crossing hands, staccatos and some natural harmonics. The tempo varies between Moderato, Animato and Tranquillo. This piece for pedal harps would be perfect for a recital or a contest.

Solo harp

SKU: SU.60000920

For solo harp. Composed by Elinor Armer. Harp, Solo Harp. Score. Subito Music Corporation #60000920. Published by Subito Music Corporation (SU.60000920).

Solo harp Duration: 5'45 ' Composed: 1996 Published by: J.B. Elkus Music.

Harp (Harp)

SKU: HL.48181026

Composed by R. Nicholas-Charles Bochsa. Leduc. Classical. Softcover. Alphonse Leduc #AL20022. Published by Alphonse Leduc (HL.48181026).

UPC: 888680878597.

This book, the first volume of Famous Studies for the Harp - Fifty Studies, Op. 34 by Nicolas-Charles Bochsa, was dedicated to J.B. Cramer. Edited and arranged according to Hasselmans's methods by R. Martenot, it features the studies 1 to 25 for intermediate harp players and above. This volume is followed by a second book including the studies 26 to 50. Nicolas-Charles Bochsa (1789-1856) was a musician and composer able to play the flute, the piano and the harp. He became the harpist of the Imperial Orchestra but had to move to London where he was one of the founders of the Royal Academy of Music.

Viola, Electronics

SKU: CA.1630200

For Viola and live electronics. Composed by Walter Feldmann. This edition: Paperbound. German title: Courbe 2 (1993/2001). Full score. Composed 1993/rev. 2001. 34 pages. Duration 8 minutes. Carus Verlag #CV 16.302/00. Published by Carus Verlag (CA.1630200).

ISBN 9790007099695. Language: all languages.

The viola solo courbe 2 is based on an excerpt from the viola part in the Trio for flute, viola and harp << courbes >> - sequences. In the densest time curve of this piece the viola plays the leading role for a span of almost three minutes. This material is taken from the Trio, presented and divided into separate parts. courbe 2 is three times longer in duration than the Trio excerpt from which it is derived. The musical text of the individual fragments remains as it is in the original, but, pulsating, demarcated in seconds. Fissures emerge between the fragments, windows open: - to harmonic fields, central sounds, taken over from the reverberations, from which new tone material is derived; the fields in turn are distorted and spacialised by the electronics - to metrical structures and pulses freed from the individual motives of the original musical text, which forms new variants in interaction with these fields. Thus in courbe 2 which, as already indicated, is three times longer in duration than the original, three musical levels are interpenetrated, whereby all three are derived from one tone, which plays an absolutely central role in most of my works. It is a reference to the French writer Anne-Marie Albiach (and to her great text << H II >> lineaires), and it remains as the only tone at the end of the piece, definitively, determining everything, b = 247 Hertz. Walter Feldmann.

By B. Galais. For 4 harps. Harp Collection. Contemporary. Level: 9. Published by International Music Diffusion (Arpeges Diffusion) (French import).