In D Major. By Wolfgang Amadeus Mozart. Arranged by Rudolf Gerber. (Study Score). Schott. 68 pages. Published by Eulenburg.

Study Score. By Alexander Glasunow, Alexander Glazunov. (Study Score). Schott. Size 5.25x7.5 inches. 66 pages. Published by Eulenburg.

For Wind Orchestra and opt. Solo Fiddle. Composed by Johan De Meij. Amstel Music. Irish, Folk. Softcover. 46 pages. Amstel Music #AM143-140. Published by Amstel Music (HL.4005098).

Composed by Pablo de Sarasate (1844-1908). Arranged by Andreas van Zoelen. For Violin and Concert Band. Grade 3. Full score and set of parts. Duration 9:00. Published by Baton Music

Fantasia for violin and orchestra. Full Scores. Full Score. Edition Kunzelmann #OCT10350. Published by Edition Kunzelmann

Composed by Antonin Dvorak (1841-1904). Edited by Iacopo Cividini. This edition: Urtext edition. Score. Published by Baerenreiter Verlag (BA.BA10422).

Solo Violin and Orchestra (V-solo,2Fl,2Ob,2Clar-iA, 2bassoon,2Hn,2Trp,Timp,2V ,Va,Vc,Db)

SKU: BA.TP00394

Composed by Felix Bartholdy Mendelssohn. Edited by Clive Brown and R. Larry Todd. This edition: urtext edition. Paperback. Barenreiter Urtext. Late version 1845. Study score. Opus 64. Duration 00:26:00. Baerenreiter Verlag #TP00394_00. Published by Baerenreiter Verlag (BA.TP00394).

ISBN 9790006203086. 22.5 x 16.5 cm inches. Key: E minor. Preface: Todd, R. Larry / Brown, Clive / Sutcliffe, Richard.

This standard work of the cello literature has been extracted from volume II of the Complete Works for Violoncello and Pianoforte (BA 9096 and BA 9097) which was published in 2016. Mendelssohn scholar R. Larry Todd edited the scholarly-critical edition ofSong without Words.

This work is not based on the surviving autograph manuscript, which could not have been the basis for the posthumous first edition, but rather on the only plausible source: the German first edition itself. This was published in 1868 as op. 109 and is unquestionably based on an untraceable complete final manuscript, perhaps once previously owned by the dedicatee, French cellist Lisa Barbier Cristiani.

The publication is free from editorial amendments and modern performance instructions and provides an excellent basis for musical interpretation.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Violin and Orchestra

SKU: HL.14028022

Composed by Poul Ruders. Music Sales America. Classical. Set. 80 pages. Edition Wilhelm Hansen #WH30180. Published by Edition Wilhelm Hansen (HL.14028022).

ISBN 9788759861615. 12.0x16.5x0.52 inches.

Ruders writes: My second concerto for violin and orchestra is a 'reverse' cousin of Polydrama the cello concerto. The former starts out extremely slow and speeds up gradually and the latter progresses in exactly the opposite way, but whereas the cello concerto is composed as one, uninterrupted stretch, the violin concerto is formally completely different: there are 4 movements, each of them combined via a 'ritornello', a solo-cadenza which appears 4 times (the works conclude with a solo) in almost the shape, i.e. the length varies from time to time.

By Earl Kim. Orchestra. For 3 Flutes (3rd Doubles Piccolo), 2 Oboes, 3 Clarinets in Bb (3rd Doubles Bass Clarinet), 2 Bassoons, 3 Horns, 3 Trumpets in Bb, 3 Trombones (3rd Doubles Bass Trombone), Percussion [Susp. Cymbals, High Conga Drum, Small Bass Drum, Covered Drum ('pitch' Shou. World Premiere: New York Philharmonic, I. Perlman, violin, Zubin Mehta, conductor; Avery Fisher Hall, New York. Contemporary. Full score (large). Standard notation. 68 pages. Duration 22 minutes. Published by Theodore Presser Company

Concertos for Violin Study Score. By Pietro Antonio Locatelli. Study Score. 178 pages. Published by Eulenburg.

Concertos for Violin Study Score. By Pietro Antonio Locatelli. Study Score. 97 pages. Published by Eulenburg.

For Violin and Orchestra. By Igor Stravinsky. (Study Score). Schott. Size 5.5x7.5 inches. 64 pages. Published by Eulenburg Germany (Schott).

(for Violin and Orchestra - Full Score). Composed by Toru Takemitsu (1930-1996). For Orchestra, Violin. Schott. 32 pages. Schott Music #SJ1005. Published by Schott Music

Violin & Orchestra

SKU: SU.50001940

For Violin & Orchestra. Composed by Xavier Benguerel. Strings, Violin, Orchestra. Study Score. Seesaw Music Corp #50001940. Published by Seesaw Music Corp (SU.50001940).

Set of Parts: available on rental Published by: Seesaw Music.

By Wolfgang Amadeus Mozart. Edited by Christoph Hellmut Mahling. For Violin Solo, oboe (2), horn (2), strings. Score; Urtext Edition. KV 218. Duration 22'. Published by Baerenreiter-Ausgaben (German import).

By Wolfgang Amadeus Mozart. Edited by Christoph Hellmut Mahling. For Violin Solo, oboe (2), horn (2), strings. Score; Urtext Edition. KV 219. Duration 25'. Published by Baerenreiter-Ausgaben (German import).

Violin and Orchestra

SKU: BT.EMBZ14872

Composed by László Dubrovay. EMB Contemporary Music. Book Only. Composed 2013. 76 pages. Editio Musica Budapest #EMBZ14872. Published by Editio Musica Budapest (BT.EMBZ14872).

The three movements reflect classical romantic concertos in not only their structure but also their character. The relations between soloist and orchestra echo the dramatic composition of traditional concertos besides providing a significant role for wind and percussion instruments in tonality, which creates a specific tone familiar from László Dubrovay's earlier compositions. His Violin Concerto No. 2, completed in April 2011, is dedicated to the internationally noted young Hungarian violinist, Kristóf Baráti, whose extraordinary performing skills inspired the flexible melodiousness and virtuoso perfection of the themes.