Presenting a collection of 15 all-time Anderson favorites arranged for string quartet or string orchestra. Complete works, not excerpts, these unique arrangements can be used by school or professional groups as concert pieces or as encores. Contents are: Belle of the Ball * Blue Tango * Fiddle-Faddle * Forgotten Dreams * Horse and Buggy * Jazz Legato * Jazz Pizzicato * Plink Plank Plunk * Sandpaper Ballet * Serenata * Sleigh Ride * The Syncopated Clock * Trumpeter's Lullaby * The Typewriter * The Waltzing Cat.

Presenting a collection of 15 all-time Anderson favorites arranged for string quartet or string orchestra. Complete works, not excerpts, these unique arrangements can be used by school or professional groups as concert pieces or as encores. Contents are: Belle of the Ball * Blue Tango * Fiddle-Faddle * Forgotten Dreams * Horse and Buggy * Jazz Legato * Jazz Pizzicato * Plink Plank Plunk * Sandpaper Ballet * Serenata * Sleigh Ride * The Syncopated Clock * Trumpeter's Lullaby * The Typewriter * The Waltzing Cat.

for String Orchestra. Par WARLOCK PETER. 'Peter Warlock 'était un pseudonyme pour Philip Heseltine, un critique de musique Anglo-gallois du début du XXe siècle. Warlock (qui a également écrit le bien connu 'chants de trois' dans The Oxford Book of Carols) initialement écrit Capriol Suite pour piano duo, mais c'est son propre arrangement pour orchestre à cordes qui est durablement considéré par des musiciens et auditeurs alike, grâce au traitement du sorcier de la danse antique et de chansons folkloriques, combinée à une approche de composition du XXe siècle. A 'must' pour votre bibliothèque de chaîne ! (G. Schirmer, Inc.) / Rép Classique / Répertoire / Scores

Par DVORAK ANTONIN. Serenade No. 1 for string orchestra, and Serenade No. 2 for winds, horns, and low strings, both composed in the late 1870s are two of Dvorak's most popular and frequently performed works. These splendid pieces embody the qualities we have come to associate with the composer's most colorful and typical music. Reproduced from early editions./ Répertoire / Orchestre

Description Serenade No.1 for string orchestra, and Serenade No.2 for winds, horns, and low strings, both composed in the late 1870s are two of Dvorak's most popular and frequently performed works. These splendid pieces embody the qualities we have come to associate with the composer's most colorful and typical music. Reproduced from early editions. Songlist Serenade No.1 In E Major Op.22 Serenade No.2 In D Minor Op.44

Suk, Josef Meditation on the Old Czech Hymn St Wenceslas for String Quartet op. 35a Josef Suk played second violin in the Bohemian String Quartet. Since 1914 the ensemble was obliged to perform the Austrian national anthem at the opening of every concert. Suk decided to supplement this obligatory piece with a work inspired by the ancient sacred Bohemian 'St. Wenceslas' hymn. The hymn's message ' a plea for the well-being of the Czech people, directed at their patron saint ' was immediately understood by the audience. The Bohemian String Quartet performed this single-movement Meditation for the first time on 27 September 1914; the premiere of the version for string orchestra followed on 22 November 1914, played by the Czech Philharmonic. That same year the piece was published by Fr. A. Urbánek together with arrangements for piano and organ. This first Urtext edition, prepared by the Suk scholar Zdenek Nouza, is published in two scorings, one for string quartet (BA 9583; study score TP 583) and another for string orchestra (BA 9584). The orchestral version differs in some details and has an added part for double bass. ' First Urtext edition Edition no. TP 583 ISMN 9790260107809 Editor Nouza, Zdenek Language(s) of text Czech, English, German Product format Study score, Urtext edition Binding Stapled Pages / Format XI, 6 S. - 22,5 x 16,5 cm

Les meilleurs segments musicaux de l'extrêmement bien reçu PBS période drame Downton Abbey sont inclus dans cette suite richement texturé. Le score en émotions vient à la vie dans la couleur orchestrale complète dans un superbe score pour les jeunes joueurs. Le dispositif peut être réalisée par un orchestre complet ou string. (04:00) / Orchestre

Solo for Oboe or Violin. Par BACRI NICOLAS. The title only appears frivolous to those who have lived little. With the passage of time, the seasons that pass, the differences in quantity and quality of light, of temperature and weather, become of ever greater importance in the meaning of our individual existence. This transformation follows the path of our lives and often mimes in front of our very own eyes, incredulous and wondrous, events that we can only experience once in a lifetime: our birth, our blossoming, our aging and our death. Such a subject could well take up ten years of my life. This was the case. Nevertheless, everything started very innocently with a proposition from my friend François Leleux to write him a double concerto that he could play with Natalia Gutman, initially named ‘Musica Concertante’. It was with this second proposition from François for another double concerto, this time with Lisa Batiashvili, that the idea came to me for a cycle of four concertos with, each time, a different instrument from the string quartet to join the oboe. The automnal colours of the cello are a perfect match for the retrospective nature of the first completed concerto in the cycle. ‘concerto nostalgico, l’automne’, whilst the love and the first child of the Leleux-Batiashvili couple could only bring Spring to mind, hence the ‘Concerto amoroso, le printemps’, was born. When Jean-Marc Bador asked me to be an associate of the Ensemble Orchestral de Paris for two years, it was quite naturally that I thought of completing this cycle for François Leleux, with winter ‘Concerto tenebroso’, created in January 2010 with Lise berthaud playing the viola. All that remained was for me to conclude, with a work that reunited all four protagonsits. It was summer, the ‘Concerto luminoso’, which took on this role’./ Répertoire / Orchestre

Symphonic poem after a poem by Henri Cazalis. Par SAINT-SAENS CAMILLE. Saint-Saëns was a great admirer of the symphonic poems by Franz Liszt. His own symphonic poem 'Danse macabre' reflects not only his affinity to medieval superstitions but also constitutes a tribute to Liszt's 'Totentanz'. 'Danse macabre' is based on the eponymous song Saint-Saëns composed in 1872 after Henri Cazalis' poem. At its premiere, the work was not well-received: in fact it was booed, possibly due to the 'diabolic' solo violin playing on an E-string that was tuned down to E-flat, which the audience might have misinterpreted as being out of tune. However within ten years the work had become so popular that Saint-Saëns quoted some of its musical themes in 'The Carnival of the Animals'. Since the composer's death, 'Danse macabre' is among the works most often mentioned in connection with the theatrical face of death found in popular mortuary cult. / Date parution : 2019-11-29/ Répertoire / Orchestre

Par MATTHEWS COLIN. Colin Matthews’s Turning Point (2006) represents a bold stylistic breakthrough for its composer. Out of a whirring, motoric scherzo comes a jolting sea change: an austere, glacial string chorale of searing intensity that, with gritty resilience, gradually comes to overwhelm everything else. Commissioned by the Royal Concertgebouw Orchestra, this 25-minute journey from complex momentum to expressive simplicity displays all the ingenious craft we have come to expect from Matthews, together with a new-found emotional directness.   / Scores / Répertoire / Orchestre

Par HAYDN FRANZ JOSEF. One of Haydn's most famous symphonic movements, this selection will give your students a chance to develop a refined, 'Classic' style of playing. It seems like Haydn included everything in this movement---a delicately beautiful main theme, wild, minor-keyed outbursts, military percussion, and a solo trumpet fanfare. No wonder the London audiences went crazy over it! Arranged with the young orchestra in mind, all string parts are in first position. A great introduction to a too-often neglected style. / Ensemble Music, Miscellaneous, Scores / Répertoire / Orchestre

Par TYSHAWN SOREY. Tyshawn Sorey\'s For George Lewis draws inspiration from The Will to Adorn, a dense work for chamber orchestra by the composers friend, collaborator and mentor George Lewis. Where Lewis\'s score is frenetic, however, Sorey\'s enters into a meditative stasis for most of its 51-minute duration, slowly accumulating and breaking down different sonorities of harmony and colour. Alarm Will Sound, for whom the piece was composed, gave the world premiere in November 2019 at Washington University in St. Louis, Missouri, conducted by Alan Pierson, who also worked closely with the composer to edit this score. Calling for 16 players including a double bass with a fifth string tuned down to A-the score offers extensive performance notes and is available for sale as part of the Peters Contemporary Library, with performance materials available on hire. / Date parution : 2022-09-07/ Répertoire / Orchestre

'Aethelinda' is Welsh for dragon. This programmatic piece invokes the energy and power of a great winged beast as it awakens from its slumber to wreak havoc on the countryside. Opening with a low string choir, the piece builds to a rousing allegro section and then a soaring fanfare. (6:00) / Orchestre

Par VAUGHAN WILLIAMS RALPH. for full orchestra. For this comprehensive new edition, the editor Graham Parlett has drawn on all available sources, providing an authoritative full score with critical commentary. This edition also makes available new materials for the version for string orchestra and piano, and a new vocal score. / Date parution : 2022-03-05/ Répertoire / Orchestre