Orchestra String Orchestra - Grade 1 SKU: CF.BAS5 Composed by Joseph Comp...(+)
Orchestra String
Orchestra - Grade 1
SKU: CF.BAS5
Composed by Joseph
Compello. SWS - FS. Carl
Fischer Beginning String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation.
12+8+8+5+5+5+3+2 pages.
Duration 2:30. Carl
Fischer Music #BAS5.
Published by Carl Fischer
Music (CF.BAS5).
ISBN
9780825845086. UPC:
798408045081. 8.5 X 11
inches. Key: D
major.
The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie Lullaby
should be graceful and
serene, evocative of a
peaceful night on the
open plains. To that end,
players will need to
strive for an unlabored
rhythmic flow, smooth
bowing and a clear,
steady tone as close to p
as possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If young
players are unable to
return quickly to argo at
m.53, they may make the
bow preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible.Beginning at
m.39, the violin and
viola parts are
marked pizzicato. If
young players are unable
to return quickly
to argo at m.53, they
may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and
score.The divisi no
tes at m. 69 are provided
for ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes.Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead.The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54.Performance time
with the repeat is two
and a half minutes.
About Carl
Fischer Beginning String
Orchestra
Series
Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
Limited
keys and rhythms - only
simple 8th note
patterns
Country March Orchestre à Cordes - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1.5-2 SKU: CF.FAS12 Composed by Carl S...(+)
Orchestra String
Orchestra - Grade 1.5-2
SKU: CF.FAS12
Composed by Carl
Strommen. Carl Fischer
First Plus String
Orchestra Series. Score
and Parts. With Standard
notation. 12 pages. Carl
Fischer Music #FAS12.
Published by Carl Fischer
Music (CF.FAS12).
ISBN
9780825845062. UPC:
798408045067. 8.5 X 11
inches. Key: D
major.
The pulse in
the opening measures
continues through most of
Country March.
The emphasis (accented
tenuto) on beat
four sets the tone for
the remainder of the
piece. At m. 17, the
ensemble should play
p against the
solo (or soli)
violin. The emphatic
opening figures give way
to a broader
interpretation at mm. 33
through 56. Attention to
dynamics will only
enhance the contrast
between the two
sections. The pulse in
the opening measures
continues through most
ofA Country
March. The emphasis
(accentedA
tenuto) on beat
four sets the tone for
the remainder of the
piece. At m. 17, the
ensemble should playA
p against the
solo (orA soli)
violin. The emphatic
opening figures give way
to a broader
interpretation at mm. 33
through 56. Attention to
dynamics will only
enhance the contrast
between the two
sections. The pulse in
the opening measures
continues through most of
Country March. The
emphasis (accented
tenuto) on beat four sets
the tone for the
remainder of the piece.
At m. 17, the ensemble
should play p against the
solo (or soli) violin.
The emphatic opening
figures give way to a
broader interpretation at
mm. 33 through 56.
Attention to dynamics
will only enhance the
contrast between the two
sections. The pulse in
the opening measures
continues through most
of Country March. The
emphasis
(accented tenuto) on
beat four sets the tone
for the remainder of the
piece. At m. 17, the
ensemble should play p
against the solo
(or soli) violin. The
emphatic opening figures
give way to a broader
interpretation at mm. 33
through 56. Attention to
dynamics will only
enhance the contrast
between the two
sections.
Celebration and Fanfare Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Carl Fischer
By Carl Strommen. For String Orchestra. Carl Fischer Concert String Orchestra Se...(+)
By Carl Strommen. For
String Orchestra. Carl
Fischer Concert String
Orchestra Series. Grade 3
and up. Score and Parts.
Standard notation.
Published by Carl Fischer
. Score and Parts.
Orchestra String Orchestra - Grade 1 SKU: CF.BAS5F Composed by Joseph Com...(+)
Orchestra String
Orchestra - Grade 1
SKU: CF.BAS5F
Composed by Joseph
Compello. Carl Fischer
Beginning String
Orchestra Series. Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #BAS5F.
Published by Carl Fischer
Music (CF.BAS5F).
ISBN
9780825845093. UPC:
798408045098. 8.5 X 11
inches.
The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible.Beginning at
m.39, the violin and
viola parts are
marked pizzicato. If
young players are unable
to return quickly
to argo at m.53, they
may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and
score.The divisi no
tes at m. 69 are provided
for ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes.Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead.The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54.Performance time
with the repeat is two
and a half minutes.
About Carl
Fischer Beginning String
Orchestra
Series
Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
Limited
keys and rhythms - only
simple 8th note
patterns
Ancient Hunters Orchestre à Cordes [Conducteur] - Débutant Carl Fischer
(Full Score). By Sean O'Loughlin. String orchestra. For String Orchestra. Carl F...(+)
(Full Score). By Sean
O'Loughlin. String
orchestra. For String
Orchestra. Carl Fischer
Beginning String
Orchestra Series. Grade
1. Full Score. Standard
notation. 8 pages.
Published by Carl Fischer
Short Cuts Orchestre à Cordes [Conducteur] - Facile Alfred Publishing
(Featuring: Don't Stop Believin' / Wipe Out / Over the Rainbow / Scooby Doo, Whe...(+)
(Featuring: Don't Stop
Believin' / Wipe Out /
Over the Rainbow / Scooby
Doo, Where Are You?).
Arranged by Michael Story
and Michael Story.
Orchestra. Score; String
Orchestra. Pop Beginning
String Orchestra. Form:
Medley. Movie; Pop/Rock;
TV. Grade 2. 16 p
Russian Dance Orchestre à Cordes [Conducteur] - Débutant Carl Fischer
By Douglas Townsend. Edited by Amy Rosen. String orchestra. For String Orchestra...(+)
By Douglas Townsend.
Edited by Amy Rosen.
String orchestra. For
String Orchestra. Carl
Fischer Beginning String
Orchestra Series.
Classical. Grade 1. Full
Score. Standard notation.
9 pages. Published by
Carl Fischer
Glorious Sight Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Alfred Publishing
Composed by Johann A. P. Schulz. Arranged by Michael Kamuf. Masterworks; Part(s)...(+)
Composed by Johann A. P.
Schulz. Arranged by
Michael Kamuf.
Masterworks; Part(s);
Score; String Orchestra.
Sound Innovations for
String Orchestra. Form:
Transcription. Christmas;
Classical; Masterwork
Arrangement; Sacred;
Winter. 78 pages.
Published by Alfred Music
(AP.44825).
(More Fun Folk Dances for Beginners). Composed by Pat Legg. Performance Music En...(+)
(More Fun Folk Dances for
Beginners). Composed by
Pat Legg. Performance
Music Ensemble; Single
Titles; String Orchestra.
Faber Edition:
Stringsets. Part(s);
Score. Faber Music
#12-0571511783. Published
by Faber Music
By Traditional. Arranged by Sandy Feldstein. String orchestra. For String Orches...(+)
By Traditional. Arranged
by Sandy Feldstein.
String orchestra. For
String Orchestra. Carl
Fischer Beginning String
Orchestra Series. Grade
1. Full Score. Standard
notation. 8 pages.
Published by Carl Fischer
Full Score
Egmont Overture Orchestre à Cordes [Conducteur et Parties séparées] FJH
By Ludwig van Beethoven. Arranged by Robert D. Mccashin. String Orchestra. FJH S...(+)
By Ludwig van Beethoven.
Arranged by Robert D.
Mccashin. String
Orchestra. FJH String
Orchestra. Score for this
title: S. Extra part for
this title: P. Level: 5.
Published by The FJH
Music Company Inc.
(Violin Solo or Section Feature). By Antonio Vivaldi (1678-1741). Arranged by Th...(+)
(Violin Solo or Section
Feature). By Antonio
Vivaldi (1678-1741).
Arranged by Thomas P.
LaJoie III. Orchestra.
For string w/ vln3.
Masterworks; Part(s);
Score; String Orchestra.
Highland String
Orchestra. Form:
Concerto; Transcription.
Baroque; Masterwork
Arrangement. Grade 3. 136
pages. Published by
Alfred Music Publishing
Arranged by Joseph Compello. For Violin I, Violin II, Violin III (Viola T.C.), V...(+)
Arranged by Joseph
Compello. For Violin I,
Violin II, Violin III
(Viola T.C.), Viola,
Cello, Bass, Piano,
Actors' Scripts. Carl
Fischer Beginning String
Orchestra Series. Grade
1. Score and parts.
Published by Carl Fischer
. Score and Parts.
By Antonio Vivaldi (1678-1741). Arranged by Thomas P. LaJoie III. Orchestra. Mas...(+)
By Antonio Vivaldi
(1678-1741). Arranged by
Thomas P. LaJoie III.
Orchestra. Masterworks;
Score; String Orchestra.
Highland String
Orchestra. Form:
Concerto; Transcription.
Baroque; Masterwork
Arrangement. Grade 3. 16
pages. Published by
Alfred Music Publishing
Orchestra string orchestra - Grade 1 SKU: KJ.SO76F Composed by Robert Fro...(+)
Orchestra string
orchestra - Grade 1
SKU: KJ.SO76F
Composed by Robert Frost.
Christmas. Score. Neil A.
Kjos Music Company
#SO76F. Published by Neil
A. Kjos Music Company
(KJ.SO76F).
3Christmas
Reflections is an
arrangement of three
Christmas carols. The
first carol, The Friendly
Beasts, is a traditional
English carol. It is
based on an old belief
that farm animals receive
the gift of speech at
midnight on Christmas
eve. The second carol is
a traditional carol from
Austria. As Lately We
Watched is a description
of the nativity scene as
observed by shepherds
guarding their flocks.
The third carol in the
arrangement, O Come
Little Children, was
written by German
composer, J. A. P. Schulz
(1747-1800). Schulz
studied music in Berlin
and was a prolific
composer of sacred vocal
music. He also composed
operettas, instrumental
works, and various piano
pieces. The carol is an
invitation for all
people, especially
children, to visit the
nativity.
By De Boismortier. Arranged by Robert D. Mccashin. String Orchestra. FJH String ...(+)
By De Boismortier.
Arranged by Robert D.
Mccashin. String
Orchestra. FJH String
Orchestra. The opening
Adagio is excellent for
working on a full-bodied
sound while developing a
moderate to weighty bow
arm. The Allegro section
can be performed either
as a full tutti work or
in a concerto grosso
fashion, giving you the
flexibility of featuring
your outstanding
individual players while
still programming the
work with a younger
ensemble. Outstanding!
Score for this title: S.
Extra part for this
title: P. Level: 4.
Published by The FJH
Music Company Inc.