(Score)

SKU: HL.44010549

Scherzando Concert Band. Score. Hal Leonard #160809. Published by Hal Leonard (HL.44010549).

UPC: 884088481599.

Concert Band/Harmonie/Fanfare Band/Brass Band - Grade 1.5

SKU: BT.1518-07-216-MS

Composed by Vincent Ford. Arranged by Peter Kleine Schaars. Flexible 5 Series. Pop & Rock. Score Only. Composed 2009. 12 pages. Music Sales #1518-07-216 MS. Published by Music Sales (BT.1518-07-216-MS).

9x12 inches. English-German-French-Dut ch.

Grade 2

SKU: CL.011-1659-00

Composed by Forsblad. Young Concert Band. Score and set of parts. Composed 1982. C.L. Barnhouse #011-1659-00. Published by C.L. Barnhouse (CL.011-1659-00).

This lively work explores a few mixed meters and makes an excellent middle school contest piece.

(Alto Clarinet). By Johann Sebastian Bach (1685-1750). Arranged by Richard S. Thurston. For Concert Band. Band - Band Collection. Southern Music. Grade 2. 16 pages. Southern Music Company #B474CLA. Published by Southern Music Company

Arranged by Michael Story and Michael Story. Concert Band. Concert Band. Belwin Beginning Band. Christmas; Winter. Grade 1. Conductor Score. 16 pages. Published by Belwin Music Conductor Score Christmas; Winter

Concert band - difficult

SKU: HL.49016218

Burlesque Suite. Composed by Krzysztof Penderecki. Arranged by Henning Brauel. This edition: Paperback/Soft Cover. Sheet music. Schott Harmonie Serie (Concert Band). Classical. Score. Composed 1995. 96 pages. Duration 16'. Schott Music #SHS1019. Published by Schott Music (HL.49016218).

ISBN 9790001115094. UPC: 884088675103. 9.0x12.0x0.32 inches.

Penderecki' s opera 'Ubu Rex' contains a small wind band functioning as King Ubu's 'military band'. Therefore the idea to arrange parts of the opera for large concert orchestra readily presented itself. Henning Brauel selected suitable material and arranged scenes from the opera into a suite of five movements without titles. The best of contemporary music for top ranking orchestral performances.

Picc . * 2 * 2 * Es-Klar. * 3 * Altklar. * Bassklar. * 2 Altsax. * Tenorsax. * Baritonsax. * 2 - 4 * 3 * 2 Flugelhr. in B * 2 Tenorhr. in B * 3 * Bar./Euph. in C * 2 - P. S. (Trgl.-baum * Rohrengl. * 2 Kirchengl. [Rohrengl.] * Schellen * 2 hg. Beck. * Beckenpaar * Crotalenbaum * 3 Tamt. * Tamb. * 3 Tomt. * Ruhrtr. * Mil. Tr. * gr. Tr. m. Beck. * Peitsche * Guiro * Tempelbl. * Sage * Glsp. * Marimba * Xyl.) (5 Spieler) - Kb. (funfsaitig).

Band Concert Band - Grade 2

SKU: CF.YPS200

Composed by Matthew R. Putnam. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+4+2+2+5+2+2+4+4+6+3+3 +2+1+3+16+4+4+2+2 pages. Duration 2:15. Carl Fischer Music #YPS200. Published by Carl Fischer Music (CF.YPS200).

ISBN 9781491152201. UPC: 680160909704. Key: D minor.

Step right up, ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange, or “Circus of the Strange.” This piece evokes a bygone era when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities. Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups and is a great way to expose students to the march form and style without sounding like your typical march.
Step right up ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange. Welcome to the Cirque de L’étrange, known in English as the “Circus of the Strange.” This piece evokes a time of a bygone era, a time when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities that were sources of both delight and horror. While many of these sideshow attractions were deemed fraudulent, it did not deter the crowds from flocking to be shocked and awed. I have always held a special place in my heart for the showmanship of carnivals, because my grandfather dearly loved them. For much of his life, he worked at fairs and carnivals selling cotton candy and candy apples. A large portion of my days when growing up were spent running around fairgrounds and helping my grandfather with his stand. He imparted in me a love for the cunning, magic, and sheer joy that only carnivals and circuses can bring. In Cirque de L’étrange, I sought to capture the the mirthful, yet uncanny mood of the carnivals that I grew up exploring, thus transporting you to a different time.Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups, as it is a great way to expose students to the march form and style while not sounding like your typical march.Opening in D minor, the piece combines the playful feel of a march and a macabre tango. The second time through the First Strain (mm. 5-23), the upper woodwinds and bells add a second counter melody based in D harmonic minor, which heightens the peculiar nature of the piece. The Second Strain (mm. 24-43) by contrast, is a little more upbeat, thus evoking the magical ebullience of a circus, which is further highlighted by the xylophone part. The Second Strain ends in the key of F major and sets up the transition to the Trio in the key of G minor. The Trio (m. 44) begins with the G harmonic minor melody in the clarinets and a counter melody in the bassoon and tenor saxophone. The rest of the woodwinds and bells join in at m. 60 while the percussion adds a Gypsy-like feel with tambourine and triangle. At m. 76 the full band joins in the macabre parade with the trombones and baritones harmonizing the counter melody. The conclusion of the march has the upper woodwinds, adding a second counter melody complete with trills to bring the march to an exciting and dramatic finish.As the World’s Greatest Showman, P.T. Barnum, a man my grandfather greatly admired, once said “The noblest art is that of making others happy.” It is my hope that through this piece you will experience the thrill, delight, and fright that only carnivals can bring as you visit the Circus of the Strange!

Concert band ((4 Trompeten in B, 2 Horner in F, 4 Posaunen, Tuba, Pauken ad lib.)) - advanced

SKU: HL.49016227

Composed by Carl Orff. Arranged by Hermann Regner. This edition: Saddle stitching. Sheet music. Schott Harmonie Serie (Concert Band). Classical. Score. 16 pages. Schott Music #SHS 3004. Published by Schott Music (HL.49016227).

ISBN 9790001101134. UPC: 884088112530. 8.25x11.75x0.052 inches.

Hermann Regner took up a suggestion of Carl Orffs in his preface to Klavierubung in the Orff Schulwerk, where he wrote: The melodies, which are close to nursery rhymes, folk songs and dancing songs, should first of all... be played in unison...The simple accompanying parts can be extended and built up. The little pieces, which can easily be put together in a suite, can be repeated several times,... verse by verse...!' With this in mind, Hermann Regner, for many years a colleague of Carl Orffs, has chosen individual pieces from the collection and arranged them for brass. They represent an enrichment in the repertoire for such groups. They are also suitable for music schools.

Band Bass Clarinet, Bass Drum, Bassoon, China Cymbal, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tambourine, Timpani and more. - Grade 2

SKU: CF.YPS204

Long Live the King. Composed by Tyler Arcari. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+4+4+2+2+5+2+2+4+4+4+6 +3+3+1+1+4+16+2+4 pages. Duration 2 minutes, 24 seconds. Carl Fischer Music #YPS204. Published by Carl Fischer Music (CF.YPS204).

ISBN 9781491152249. UPC: 680160909742. Key: D minor.

Avalon� ��Long Live the King is a medieval fantasy piece depicting the Isle of Avalon where the mystical sword Excalibur of King Arthur was forged. Composer Tyler Arcari unearths a solid piece for young bands that is both bold and dramatic. This piece is sure to spark the imagination of students and give them strong musical content with which they can develop their musicianship.
Program Notes:Avalon–Long live the King began its journey as a commission in honor of a dear friend and mentor. David Riggs is one of those band directors that just seems timeless. He is a powerhouse with such a stacked resume that it is easy to forget that at the end of the day he enjoys taking long bike rides with his lovely wife and whittling a piece of wood just as much as being a band director. He has touched so many lives and inspired so many people in our field and beyond. I was humbled, and honored, when I was contacted for the commission. To David, I hope that you one day know how much you mean to so many people, including myself.About the piece:The piece is written with a little homage to David’s long tenure at Avalon Middle school in Pace, Florida. He was certainly treated like a king as the band director and rightly so. It seemed only fitting to add a little medieval fantasy. Avalon is a mystical island in the world of King Arthur where the great sword Excalibur was forged.The piece begins lyrically with a slow introduction with melodic material. This melodic motive is used throughout with slight variations depending on the instrument voicing etc. Care should be taken at m. 10 that the Timpani roll helps to bridge our transition from an exposed section to full tutti. Care should be taken so that the tempo change at m. 19 is brisk and avoids the low brass turning into stomping. Accessories like the China cymbal and tambourine can become overpowering. I recommend having students think of these effects as background in order to make sure they don’t POP out. The dynamic changes at mm. 27-35 should be subito similar to orchestral dynamic changes. Avoid unwritten crescendos in this section. Measures 60–64 are a great opportunity to teach those unwritten dynamics that make music so enjoyable as we lead up to the finale. It was originally left blank for some theatrics in the premiere at David’s retirement concert so I know he would enjoy adding some Cholesterol as David would say.Long Live the King!

Orchestra Concert Band

SKU: PR.16600035A

For Orchestra. Composed by Jaroslav Holesovsky. Contemporary. Set of parts. With Standard notation. Duration 5 minutes. Theodore Presser Company #166-00035A. Published by Theodore Presser Company (PR.16600035A).

UPC: 680160040100.

Concert Band/Harmonie - Grade 5

SKU: HL.44007246

Composed by Satoshi Yagisawa. De Haske Concert Band. Concert Piece. Score Only. Composed 2006. Hal Leonard #1074188. Published by Hal Leonard (HL.44007246).

UPC: 884088244316. 9x12 inches. English(US)/Deutsch/Franc ais/Nederlands/Nihongo.

With this work, commissioned by a prestigious girls? school with morethan a hundred years of tradition and history, the composer aimed towrite a universal work with love as its theme. He succeeded in doingthis with Sinfonia - a delightfully charming interlude with a transparentsound and a striking melody.

In 2005 maakte de Japanse Hamamatsu Municipal Senior High School een nieuwe start als middelbare school voor zowel meisjes als jongens. Voor die gelegenheid schreef Satoshi Yagisawa op verzoek een nieuw schoollied. In januari 2006componeerde hij Sinfonia voor het schoolharmonieorkest, geleid door Atsuo Yamagata. Het werd een universeel werk met liefde als thema, een soort interludium met een transparante klank en een treffende melodie.

Mit diesem Werk, das er zur Umwandlung einer traditionsreichen Madchenschule zu einer gemischten Schule schrieb, wollte der japanische Komponist ein universelles Werk uber das Miteinander und die Liebe schaffen. Dies gelang ihm mit Sinfonia, einem interessanten Zwischenspiel von transparentem Klang mit einer eindruckvollen Melodie.

Le Lycee Municipal d'Hamamatsu au Japon fut un prestigieux lycee de filles s'appuyant sur plus de cent ans d'histoire et de traditions. En 2005, l'etablissement prit un nouvel envol en devenant un lycee mixte. Pour celebrer cet evenement, Satoshi Yagisawa fut charge de composer un nouveau chant emblematique de l'ecole.En janvier 2006, il compose Sinfonia, une œuvre de commande pour l'Orchestre d'Harmonie du Lycee (Atsuo Yamagata, dir.). L'œuvre se veut universelle developpant le theme eternel de l'amour : une sorte d'interlude sur une trame sonore cristalline et une ligne melodique enivrante.

Band Concert Band - Grade 2

SKU: CF.YPS198F

Composed by Tyler Arcari. Young Band (YPS). Full score. With Standard notation. 16 pages. Carl Fischer Music #YPS198F. Published by Carl Fischer Music (CF.YPS198F).

ISBN 9781491152867. UPC: 680160910366.

All the While was inspired by a very special person in Tyler Arcari's life. Director's will be happy to find many opportunities for emotional and passionate playing with plenty of fun in the middle for young bands.  All the While gives students a number of chances to work on expressive playing during the beginning and ending sections, and offers a light rhythmic middle section for contrast.
Program Notes:All the While is a bit of a personal piece for me. I was inspired to write it by a very special person in my life. It might be a young-band piece but I feel that it has the capacity for great emotion and passionate playing as well as a little fun in the middle. Sometimes it is difficult to tell people how you feel, even if you have known them for a long time. I think sometimes we say in our heads that “I have felt this way for a long time,” and all the while never being able to put it to words.About the work:The piece opens with a flute and alto saxophone duet. This melody trades off at m. 10 with the addition of new voices and harmonies building in intensity all the way to m. 28. I personally like to use extended phrases in this section, though it looks like it would just utilize four-measure phrases. I feel this adds to the momentum building in dynamic intensity. Measure 28 is a subito change beginning with a prominent Timpani solo. The following section should be played as lightly as possible to avoid a lumbering feel. In mm. 68- 70, the agogic accents should not be very heavy, but more pointed in their momentum to m. 70.Measures 70–76 should be taken with metric liberty bringing out all of the moving parts in the low brass. The low brass really adds the foundation of momentum for the rest of the band here. Measure 76 to the end, though a repetition of material from the beginning, should be played as the high point of the piece and familiar conclusion.

Playera - Andaluza. Composed by Enrique Granados (1867-1916). Arranged by Douglas McLain. Baton Music Orchestral Series. Score only. Duration 5:00. Published by Baton Music (BF.BM637-SCORE).

(score). Eric Whitacre Concert Band. Size 11x16.5 inches. 16 pages. Published by Hal Leonard.

Band concert band - Grade 2

SKU: CF.YPS258

Composed by William Harbinson. Set of Score and Parts. Carl Fischer Music #YPS258. Published by Carl Fischer Music (CF.YPS258).

ISBN 9781491163580. UPC: 680160922376.

Homew ard is a lyrical ballad in ABA form. The composition presents few rhythmic challenges, allowing the ensemble to concentrate on beauty of sound, balance, dynamic nuance, phrasing, and expressive performance. The woodwind voices present the melody at the opening accompanied by a flute countermelody. Care should be taken to balance the two parts. The four-measure phrases call for tapered dynamics and freedom of the metric pulse at cadence points. A change of tempo and key, with a lean toward the minor mode, mark the contrasting B section (m. 9). Heed the dynamic markings that swell to a climax (m. 16) and then subside within this section. Take liberty to hold back the tempo at the percussion link to the forte restatement of A (m. 27) and the arrival of the fortissimo climax (m. 33). The coda (m. 35) should be presented slowly and serenely as the composition comes to a quiet close.

Orchestra Concert Band

SKU: PR.11642104L

Composed by Nkeiru Okoye. Large Score. 66 pages. Duration 25 minutes. Theodore Presser Company #116-42104L. Published by Theodore Presser Company (PR.11642104L).

UPC: 680160687169.

(Score)

SKU: HL.44002497

De Haske Concert Band. Score. 46 pages. Hal Leonard #960680-140. Published by Hal Leonard (HL.44002497).

UPC: 073999821123. 8.25x11.75x0.167 inches.

(Conductor). By John Victor. For Concert Band. Band - Band Methods. Southern Music. 64 pages. Southern Music Company #B354SC. Published by Southern Music Company

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1175813-010

Composed by Satoshi Yagisawa. Brilliant Marches. March. Set (Score & Parts). Composed 2017. De Haske Publications #DHP 1175813-010. Published by De Haske Publications (BT.DHP-1175813-010).

English-German-French- Dutch.

This work was composed as ceremonial music, as part of a march medley for the participants’ entry for the 71st National Sports Festival and the 16th National Disabled Personnel Sports Festival, held in Iwate Prefecture in 2016. The European premiere of this piece took place in December of that year, the composer guest conducting the Young Musicians from Fribourg, Switzerland. This work, fusing Japanese folk song with march music, will have wide appeal, like the sister work March-Bou-Shu, also published by de Haske Publications.

Dit werk is gecomponeerd als ceremoniële muziek: het maakte deel uit van een marsenmedley voor de binnenkomst van deelnemers aan het 71e Nationale Sportfestival en het 16e Nationale Sportfestival voor Gehandicapten, gehouden in de prefectuur Iwate, in 2016. Deze combinatie van Japanse volksmuziek met marsmuziek zal veel muzikanten en luisteraars aanspreken, net als het zusterwerk March-Bou-Shu, dat ook door de Haske Publications bv werd uitgegeven.

Dieses Werk wurde 2016 anlässlich eines großen Sportfestes in Japan komponiert und war Teil eines Marsch-Medleys für den Einmarsch der Teilnehmer. Die europäische Premiere fand 2016 mit den Young Musicians aus Fribourg (Schweiz) und dem Komponisten als Gastdirigent statt. Im March-Chagu-Chagu vermischen sich japanische Volksmusik und Marschmusik zu einem exotischen Hörvergnügen.

Cette oeuvre fut composée comme musique cérémonielle, faisant partie d’un medley de marches l’arrivée des participants du 71e National Sports Festival et du 16e National Disabled Personnel Sports Festival en 2016. La première européenne s’est tenue en décembre de la même année l’initiative de l’Association Fribourgeoise des Jeunes Musiciens en Suisse. Cette œuvre qui fusionne une chanson folklorique japonaise avec la musique de marche aura une large résonance, comme sa composition soeur March-Bou-Shu, aussi publiée par De Haske Publications.

Ques to brano è stato composto nello stile di una musica cerimoniale, come parte di un medley di marce per accompagnare l’entrata dei partecipanti al 71° National Sports Festival e al 16° National Disabled Personnel Sports Festival nella Prefettura di Iwate in Giappone nel 2016. La prima europea della composizione si è tenuta nel dicembre dello stesso anno a Friburgo (Svizzera), sotto la direzione del compositore stesso. Come per March-Bou-Shu successo garantito per questa delizioso mix di canzone popolare giapponese e marcia.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1175813-140

Composed by Satoshi Yagisawa. Brilliant Marches. March. Score Only. Composed 2017. De Haske Publications #DHP 1175813-140. Published by De Haske Publications (BT.DHP-1175813-140).

English-German-French- Dutch.

This work was composed as ceremonial music, as part of a march medley for the participants’ entry for the 71st National Sports Festival and the 16th National Disabled Personnel Sports Festival, held in Iwate Prefecture in 2016. The European premiere of this piece took place in December of that year, the composer guest conducting the Young Musicians from Fribourg, Switzerland. This work, fusing Japanese folk song with march music, will have wide appeal, like the sister work March-Bou-Shu, also published by de Haske Publications.

Dit werk is gecomponeerd als ceremoniële muziek: het maakte deel uit van een marsenmedley voor de binnenkomst van deelnemers aan het 71e Nationale Sportfestival en het 16e Nationale Sportfestival voor Gehandicapten, gehouden in de prefectuur Iwate, in 2016. Deze combinatie van Japanse volksmuziek met marsmuziek zal veel muzikanten en luisteraars aanspreken, net als het zusterwerk March-Bou-Shu, dat ook door de Haske Publications bv werd uitgegeven.

Dieses Werk wurde 2016 anlässlich eines großen Sportfestes in Japan komponiert und war Teil eines Marsch-Medleys für den Einmarsch der Teilnehmer. Die europäische Premiere fand 2016 mit den Young Musicians aus Fribourg (Schweiz) und dem Komponisten als Gastdirigent statt. Im March-Chagu-Chagu vermischen sich japanische Volksmusik und Marschmusik zu einem exotischen Hörvergnügen.

Cette oeuvre fut composée comme musique cérémonielle, faisant partie d’un medley de marches l’arrivée des participants du 71e National Sports Festival et du 16e National Disabled Personnel Sports Festival en 2016. La première européenne s’est tenue en décembre de la même année l’initiative de l’Association Fribourgeoise des Jeunes Musiciens en Suisse. Cette œuvre qui fusionne une chanson folklorique japonaise avec la musique de marche aura une large résonance, comme sa composition soeur March-Bou-Shu, aussi publiée par De Haske Publications.

Ques to brano è stato composto nello stile di una musica cerimoniale, come parte di un medley di marce per accompagnare l’entrata dei partecipanti al 71° National Sports Festival e al 16° National Disabled Personnel Sports Festival nella Prefettura di Iwate in Giappone nel 2016. La prima europea della composizione si è tenuta nel dicembre dello stesso anno a Friburgo (Svizzera), sotto la direzione del compositore stesso. Come per March-Bou-Shu successo garantito per questa delizioso mix di canzone popolare giapponese e marcia.

Band concert band - Grade 3

SKU: CF.CPS172F

March. Composed by Al Hayes. Arranged by Laurie Lafferty. SWS. Full score. 16 pages. Duration 2 minutes, 20 seconds. Carl Fischer Music #CPS172F. Published by Carl Fischer Music (CF.CPS172F).

ISBN 9781491140864. UPC: 680160628926. 9 x 12 inches.

Al Hayes was one of seven pseudonyms used by famous march composer Henry Fillmore. Fillmore became so popular and was so prolific in the early part of the 20th century that he had to resort to pennames as to not compete with himself. This is yet another tuneful, well-written march by Fillmore that has been given new life in this setting by arranger Laurie Lafferty. This is the perfect march for use as a festival warm-up that is of a moderate difficulty.

Concert Band Bass Clarinet, Bassoon, Clarinet, Contrabass, Contrabass Clarinet, Cornet, Flute, Horn, Oboe, Percussion, Piccolo, Trumpet, alto Clarinet, baritone, baritone Saxophone, soprano Saxophone, tenor Saxophone

SKU: PR.145400190

Four Short Pieces for Band. Composed by Sydney F. Hodkinson. Classical. Score and Set of Parts. With Standard notation. 16 pages. Duration 5 minutes. Theodore Presser Company #145-40019. Published by Theodore Presser Company (PR.145400190).

UPC: 680160031757.

Band concert band - Grade 1

SKU: CF.BPS99

Composed by Peter Terry. Set of Score and Parts. With Standard notation. 8+2+8+2+5+2+2+8+3+6+3+1+1 +2+3+16+2 pages. Duration 2 minutes, 11 seconds. Carl Fischer Music #BPS99. Published by Carl Fischer Music (CF.BPS99).

ISBN 9781491142042. UPC: 680160630103. 9 x 12 inches.

The North Star appears to the naked eye as a single bright star in a circle of apparent darkness. This has made it a beacon and a guide to explorers and travelers. North Star is a dramatic fanfare for band that celebrates the courageous exploration of the unknown in search of personal discovery and freedom. Composer Peter Terry continues to write interesting music for even the youngest of band musicians.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Brake Drum, Cabasa, Chimes, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Hi-hat Cymbal, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Ride Cymbal and more. - Grade 1.5

SKU: CF.FPS150F

Composed by Matthew R. Putnam. First Plus Band (FPS). Full score. With Standard notation. 16 pages. Carl Fischer Music #FPS150F. Published by Carl Fischer Music (CF.FPS150F).

ISBN 9781491152782. UPC: 680160910281.

The title is a play on words, but the composer had his own ulterior motives in mind when composing this piece. He wanted a piece that was fun to play, but that helped developing musicians work on their rhythmic skills. Matt Putnam uses the feel of action film soundtracks to create the mood of this interesting new piece. Interesting grooves in the percussion throughout add to the piece’s feel of mystery and thrill.
To understand my thoughts in writing this piece, I thought it best to define the two ideas that give the piece its title: ulterior motives and musical motifs. Ulterior motives occur when you believe that a person is doing something for some unknown or hidden reason. Often, they are used in action films or literature to increase the drama and tension of the story. Musically, a motif is a short rhythmic and/or melodic idea. When I wrote this piece, I must confess that I had my own ulterior motives: I wanted to create a piece that was fun to play, but I also wanted a piece that would help students develop their rhythmic counting skills. In this piece, I use a motif of a two eighth-note pattern which jumps from section to section to help me achieve my ulterior motive.Mimicking the mood of action films whose characters often have ulterior motives, the mood of the piece is suspenseful and exciting as the motif jumps from section to section throughout the ensemble. The motif keeps you guessing as it occurs on all four different beats of the measure sometimes ascending, sometimes descending, and occurs sometimes in the interval of a second and sometimes the interval of a third. Interesting grooves in the percussion throughout add to the piece’s feel of mystery and thrill.I have no ulterior motives when I say that I hope you enjoy playing Ulterior Motifs.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Ratchet, Slap Stick, Snare Drum, Timpani, Tom-tom, Trombone, Trumpet, Tuba and more. - Grade 0.5

SKU: CF.PPS52

A Fantasy for Band. Composed by Joseph Compello. Primer Band (PPS). Set of Score and Parts. With Standard notation. 8+2+8+2+5+2+2+8+2+3+2+6+3 +1+1+4+4+16+2 pages. Duration 2 minutes, 46 seconds. Carl Fischer Music #PPS52. Published by Carl Fischer Music (CF.PPS52).

ISBN 9781491151969. UPC: 680160909469.

Balle t of the Dinosaur Hatchlings is an imaginative and fun selection for a beginning band with less than one year of instruction. Wind parts use only five pitches and only the percussion parts use eighth notes. Two sound effects are required in the piece. First, the hatching eggs are portrayed by a ratchet, and second, the snapping dinosaurs jaws are represented by  a slapstick. Ballet of the Dinosaur Hatchlings is an intriguing piece that beginning students are sure to love.
Ballet of the Dinosaur Hatchlings is a descriptive novelty selection for a beginning band with less than one year of instruction. Wind parts use only five pitches. Only percussion parts use eighth notes. Two sound effects are required. First, the hatching eggs are portrayed by the ratchet beginning at m. 2, and second, the snapping dinosaurs jaws, which are first heard at m. 14, are represented by an accented note augmented by a slapstick. Directors are encouraged to use more elaborate sound effects if they are inclined to do so. The story described by the music is as follows:• Dinosaur eggs begin to hatch (the ratchet, mm. 1-8).• The parent dinosaurs guard the nest (Low Brass and Woodwinds mm. 9-12).• The hatchlings begin walking (m. 13).• The hatchlings snap their jaws as they learn to eat (m. 14, Xylophone and Slapstick).• Thunder (Timpani, m. 29).• The parent dinosaurs seek shelter for all (m. 33, Low Brass and Woodwinds).• The hatchlings follow while they continue snapping their jaws (m. 41).• More thunder (mm. 53-54).• All the dinosaurs roar loudly at the clouds (m. 55) as the thunder becomes louder.

Composed by Robert W. Smith. RWS Concert Band Series. Score and parts. Duration 0:2:18. Published by RWS Music Company (CL.RWS-1608-00).

(Score)

SKU: HL.44001860

De Haske Concert Band. Softcover. 6 pages. Hal Leonard #0920396-216. Published by Hal Leonard (HL.44001860).

UPC: 073999618310. 8.25x11.75x0.05 inches.

Largo (from The Four Seasons: Winter) (Grade 2 - Score and Parts). By Antonio Vivaldi (1678-1741). Arranged by Philip Sparke. For Concert Band. Anglo Music Concert Band. Grade 2. Anglo Music Press #AMP107. Published by Anglo Music Press

(Movement 2 from Symphony No.6). Composed by Vincent Persichetti (1915-1987). Concert Band. For Flute I, Flute II, Piccolo, Oboe I, Oboe II, Clarinet (in Eb), Clarinet I, Clarinet II, Clarinet III, Alto Clarinet (in Eb), Bass Clarinet, Bassoon I, Bassoon II, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Cornet I, Cornet I. Classical. Score and Set of Parts. Standard notation. Opus 69. 8 pages. Duration 3 minutes. Theodore Presser Company #165-00093. Published by Theodore Presser Company

(March). Composed by Julius Fucik (1872-1916). For concert band. BOVACO Classic Concert Band. Score and set of parts. Published by BOVACO Music Publications