(Accompaniment: Organ). Sacred. Level: Medium Adult. Published by Hinshaw Music Inc.

Organ - intermediate

SKU: HL.49016761

7 Capriccios - 2 Ricercares. Composed by Nikolaus Adam Strunck. Edited by Klaus Beckmann. This edition: Paperback/Soft Cover. Sheet music. Organ Collection. Classical. 56 pages. Schott Music #ED20078. Published by Schott Music (HL.49016761).

ISBN 9790001145459. UPC: 841886006850. 12.0x8.75x0.161 inches.

For Organ. (Organ). CD Sheet Music (Version 2.0). PDF file on CD. 1100 pages. Published by Subito Music.

Composed by Nicolas de Grigny (1672-1703). Edited by David Ponsford. Paperback (Soft Cover). Classical. Ut Orpheus #HS 280. Published by Ut Orpheus

Complete Organ Works, Volume 6 by Johann Sebastian Bach (1685-1750). For Organ. Masterworks; Organ - Method or Collection. Kalmus Edition. Baroque; Masterwork. Book. 120 pages. Published by Alfred Music Publishing

(Volume 9: Tientos Nos. 56-60). By Francisco Correa de Arauxo (1576-1654). For organ. This edition: in 11 vols.. Early Music. 56 pages. Published by Ut Orpheus

Organ - advanced

SKU: HL.49045437

For Organ. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Large Works. Classical. Softcover. Composed 2016. 48 pages. Duration 24'. Schott Music #ED 22668. Published by Schott Music (HL.49045437).

ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches.

On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.

SSSATTBarB favorit-chor (antiphonal/chamber choir), SATB/SATB choir 4 baSS viola da gamba, organ

SKU: CA.2005012

Composed by Heinrich Schutz. Edited by Gunter Graulich. Arranged by Paul Horn. This edition: urtext. Cycles: Schutz: Auferstehungshistorie SWV 50. Stuttgart Urtext Edition: Schutz. German title: Auferstehungs-Historie (G/E). Sacred vocal music, Oratorios, Easter and Eastertide. Single Part, Viola da gamba 2. Composed 1623. SWV 50. 16 pages. Duration 38 minutes. Carus Verlag #CV 20.050/12. Published by Carus Verlag (CA.2005012).

ISBN 9790007033880. Key: D dorian. Language: German/English.

Sco re available separately - see item CA.2005000.

Nos. 199-371 (For Organ or Piano). Composed by Johann Sebastian Bach (1685-1750). Masterworks; Organ - Method or Collection. Kalmus Edition. Baroque; Masterwork. Book. 96 pages. Kalmus Classic Edition #00-K03048. Published by Kalmus Classic Edition

By Johann Sebastian Bach (1685-1750). Edited by Griepenkerl / Roitzsch. For Organ. This edition: Urtext. Sheet Music. Published by Edition Peters Sheet Music

Organ

SKU: M7.DOHR-18937

Composed by Carl August Kern. Edited by Eckehard Koch. Sheet music. Op.160, op.161, op.162, op.163, op.169, op.170. 148 pages. MDS (Music Distribution Services) #DOHR 18937. Published by MDS (Music Distribution Services) (M7.DOHR-18937).

ISBN 9790202039373. German.

Organ

SKU: HL.48184607

Composed by George Frideric Handel. Leduc. Baroque. Softcover. 80 pages. Alphonse Leduc #AL27729. Published by Alphonse Leduc (HL.48184607).

UPC: 888680854096. 9.0x12.0x0.204 inches.

As one of the most prolific composers ever to have lived G.F. Handel's (1683-1759) catalogue is extensive. Moreover, being an organist himself, his Organ works are significant and remain ever-popular to this day. Handel's Organ Concertos remain some of his most popular and best loved works and so, when French organist, Marcel Dupre (1886-1971) compiled the series of Handel's Organ Concertos, it was well-received, and to this day remains popular with all organists. The second volume includes the seventh-twelfth concertos. In addition, Dupre's annotations in the Organ Concertos comprise fingerings, and a detailed preface in French, English and German. This compilation of Handel's most loved compositions for the Organ cannot be missed by aspiring performers of the instrument..

Organ

SKU: HL.49009234

Composed by Dietrich Buxtehude. This edition: Saddle stitching. Sheet music. Einzelausgaben (Single Sheets). Classical. 16 pages. Schott Music #ED0 9727. Published by Schott Music (HL.49009234).

ISBN 9790001092357. UPC: 884088048273. 12.0x9.0x0.055 inches.

Organ

SKU: HL.48180122

Composed by Marcel Dupré. Leduc. Classical. Softcover. 13 pages. Alphonse Leduc #AL16008. Published by Alphonse Leduc (HL.48180122).

UPC: 888680794903. 9.0x12.0x0.075 inches.

Opus 16.

By Wolfgang Stockmeier. For organ. 16 pages. Published by Moseler Verlag (German import). (MOS 19446)

By Jehan Titelouze. For Organ. Organ - Method or Collection. Masterwork; Sacred. Book. 164 pages. Published by Alfred Publishing.

AT favorit-chor (antiphonal/chamber choir), 4 instruments (TBBB choir), contrabass, organ

SKU: CA.2039205

Aus: Geistliche Chormusik. Composed by Heinrich Schutz. Edited by Gunter Graulich. Arranged by Paul Horn. This edition: urtext. Cycles: Schutz: Geistliche Chormusik 1648 SWV 369-397. Stuttgart Urtext Edition: Schutz. German title: Was Mein Gott Will, Das Gscheh. Sacred, Motets; Stuttgart Urtext editions; Occasions: Praise and thanks. Choral Score. Composed 1648. SWV 392. Duration 5 minutes. Carus Verlag #CV 20.392/05. Published by Carus Verlag (CA.2039205).

ISBN 9790007035068. Key: A minor. Language: German. Text: von Preussen, Albrecht. Text: Albrecht von Preussen.

Score available separately - see item CA.2039200.

Composed by Nicolas de Grigny (1672-1703). Edited by Wayne Leupold. For organ. Medium. Published by Wayne Leupold Editions

Composed by Nicolas de Grigny (1672-1703). Leduc. Classical. Softcover. 105 pages. Alphonse Leduc #HE32650. Published by Alphonse Leduc

(The Organ Works Published During His Lifetime) Composed by Leon Boellmann (1862-1897), edited by Helga Schauerte. For organ. Urtext. Format: organ solo book. With organ notation, introductory text and manuscript facsimiles. Romantic period. 104 pages. 9x12 inches. Published by Baerenreiter-Ausgaben (German Import).

Soli ST, SATB Choir/SATB/SATB/SATB, organ

SKU: CA.2708349

Composed by Carl Friedrich Christian Fasch. Edited by Ryan Kelly. Organ. Sacred vocal music, Masses, Latin. Single Part, Organ. FWV. 20 pages. Duration 23 minutes. Carus Verlag #CV 27.083/49. Published by Carus Verlag (CA.2708349).

ISBN 9790007164195. Language: Latin.

Carl Friedrich Christian Fasch's Mass in 16 parts is remarkable for more than its unusual scoring. Inspired by the Italian church music style of Orazio Benevoli, it was composed in 1783 for the Berliner Sing-Akademie, and revised by Fasch several times throughout his life in order to adapt the score to the vocal capabilities of his ensemble. The composer destroyed all earlier compositions, which probably contributed to the legendary fame which this mass has enjoyed since the 19th century. The mass was, however, only published in 1839 - around four decades after Fasch's death. The present edition is based on the version contained in the first printed edition. In addition to modern music notation, extensive performance materials (two choral scores, separate organ part) facilitate the rehearsal of this challenging work. Score and part available separately - see item CA.2708300.

Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. Arranged by Ulrich Leisinger. Baroque. Full score. With Standard notation. 112 pages. Wiener Urtext/Vienna Urtext #UT50147. Published by Wiener Urtext/Vienna Urtext

Organ

SKU: HL.48180923

Composed by Jehan Alain. Leduc. Post-1900. Softcover. 16 pages. Alphonse Leduc #AL19744. Published by Alphonse Leduc (HL.48180923).

UPC: 888680907976. 9.0x12.0x0.092 inches.

Composed by Jehan Alain, Three Pieces is a set of upper intermediate / advanced works for organ, with pedal-use. The first piece, ?Variations sur un theme de Clement Jannequin (Variations on a Clement Jannequin's Tune), should be played?in the same way as Couperin's Preludes: freshly and softly. It contains four distinctive parts: Affetuoso, Maggiore, Fuggato and Grave. The second piece is called ?Le jardin suspendu (The hanging garden) and features three different parts that can't be played separately. The last piece, Litanies, is quite religious and consists of the repetition of lamentations. Its introduction in vivo is played only by the right hand, then followed by a?Lirico ma sempre vivo part. These are followed by switches between the main tempo and some vivacissimo parts, sounding declamatory. This third piece ends really harmoniously. Jehan Alain is a French organist who became famous with his Suite for Organ. Student of Marcel Dupre and Roger Ducasse among others, he kept composing all his life. One of his most famous international pieces is Litanies.

Loben und Danken, Rechtfertigung und Zuversicht, Angst und Vertrauen, Umkehr und Nachfolge, Geborgen in Gottes Liebe. Edited by Bonn, Juergen. For Organ. Collection (paperbound). Published by Baerenreiter-Ausgaben (German import).

By Girolamo Frescobaldi (1583-1643). Edited by Christopher Stembridge / Kenneth Gilbert. For organ/keyboard. Paperback. Score. Text: German, English. Published by Baerenreiter Verlag

Composed by Girolamo Frescobaldi (1583-1643). Edited by Christopher Stembridge. This edition: urtext edition. Paperback. Girolamo Frescobaldi. Orgel- und Clavierwerke 4 \| BARENREITER URTEXT. New edition. Performance score , anthology. Baerenreiter Verlag #BA08415. Published by Baerenreiter Verlag