Par MARSDEN THOMAS ANNE. Musiciens Importante collection de musique d'orgue pour les étudiants, les joueurs, et l'église de tous les niveaux et les capacités Chaque groupe livre des pièces en fonction des besoins de service: Préludes, Interludes, processions, Postludes Mélodieux, répertoire attrayant, couvrant cents 16e au 21e. avec quelques nouvelles pièces écrites spécialement pour la collection Les plus grands compositeurs de l'instrument bien représentés Pieces nouveau modifié de présenter la musique de façon claire et pratique pour les joueurs, avec des suggestions d'enregistrement et de tempo pour chaque pièce Une forte représentation dans les syllabus ABRSM nouvelles (à partir de 2011) Noté collection: env. livre 1 Grades 1-4- réserver 2 Gr. 4-6, livre 3 gr. 6-8 Editeur de haut-profil, des enseignants de premier plan et organiste de concert Il s'agit d'une importante collection de musique d'orgue pour les étudiants, les joueurs, et les musiciens d'église de tous les niveaux et les capacités. Compiler et rédacteur en chef Anne Marsden Thomas a tiré sur sa longue expérience de l'enseignement et la lecture pour sélectionner les plus intéressantes, le répertoire mélodieux dans deux nouvelles séries d'anthologies classé, un ensemble (3 volumes) pour les manuels seulement, la seconde série (3 volumes) pour claviers et pédalier. Dans chaque produit, les pièces sont regroupées selon les besoins de services en préludes, intermèdes, processions, et Postludes. Le répertoire s'étend du 16e au 21e siècle, avec quelques nouvelles pièces écrites spécialement pour la collection. Un certain nombre de pièces dans la collection ont été sélectionnés pour le programme d'organes ABRSM. Le résultat est une magnifique collection de répertoire pour tous les joueurs, contenant une foule de morceaux attrayants et variés qui offrent beaucoup de soutien pratique pour les musiciens d'église et d'enrichir et de développer leur jeu. / Niveau : Facile / Recueil / Orgue

Léon Boëllmann (1862-1897) était un étudiant de l'Ecole Niedermeyer et a occupé le poste d'organiste titulaire à l'église de Saint-Vincent-de-Paul, Paris. Poursuivant dans la tradition de Saint-Saëns, Franck et Gigout, sa production de composition reflète le domaine élégant et sophistiqué de la 'Belle Epoque'.Ce nouveau volume contient les oeuvres de Boëllmann qui ont été transcrites pour orgue et harmonium par ses contemporains, ainsi que des oeuvres de compositeurs de l'époque qui ont été organisées par Boëllmann. L'édition comprend une préface détaillée (Fr / Eng / Ger) avec des conseils sur la pratique d'exécution et les pages de télécopie du manuscrit, ainsi que d'un commentaire critique (Fr / Eng / Ger).- Tout d'abord Urtext édition des oeuvres complètes de Léon Boëllmann en 7 volumes- Reflète recherches actuelles- s'appuie sur des sources nouvellement découvertes- Préface détaillée et critique commentaires (Fr / Eng / Ger)- Catalogue des sources disponibles ainsi que les pages de télécopie du manuscrit inclus / Orgue / Partition

'Profitez de l'orgue' présente des pièces d'orgue attractifs des 18e et 19e siècles qui sont gérables sur des instruments plus petits et, avec le temps, même peu de pratique, conduire à des résultats impressionnants. Ces pièces sont destinées principalement à l'organiste amateur, mais peut aussi être d'intérêt pour le professionnel qui peut les utiliser comme point de départ pour l'improvisation.Volume 1 comprend, entre autres éléments: Luigi Cherubini, 'Sonate en fa majeur', Louis-Claude Daquin, 'Le coucou', Johann Christian Gotthilf Tag, 'Symphonie avec orgue en ut majeur'- Anonymes, 'Variations sur' La Gayta ''Carl Czerny,' Prélude en fa majeur op. 698,1 '- Une collection de pièces de concert faciles pour l'orgue- Principalement pour les musiciens d'église amateurs et organistes- Maniable sur les petits instruments- Mène à des résultats impressionnants / Orgue

Volume 13 de la série ' Meister der Norddeutschen Orgelschule ' contient toutes les oeuvres pour orgue par Nikolaus Bruhns. Bruhns étudie avec Dietrich Buxtehude et, à partir de 1689, était organiste cathédrale à Husum. / Orgue

L'expérience de la classe ultime Gospel orgue Master. WHEATWORKS Productions vous apporte musiciens Evangile réel qui jouent pour l'artiste de l'Evangile réelle. P.J. Morgan est un joueur/producteur de session extraordinaire. Il a joué pour donc beaucoup de noms dans l'Evangile, nous ne pouvons pas mentionner tous, mais au nom de quelques : Yolanda Adams, Ben Tankard et Karen Clark-Sheard. Beaucoup se souvenir d'avoir entendu sur l'émission télévisée BET Bobby Jones Gospel jouer de l'orgue. Le kiosque à musique en studio, P.J. est un musicien bien aguerri. Il se décompose de nombreuses techniques de l'Evangile que de nombreux autres musiciens vous montrera pas. Il s'agit de l'Evangile meilleur pédagogique vous trouverez n'importe où. 2 Heures complets / Grand Orgue / 120 pages / niveau : Débutant/Intermédiaire / Dvd - Format: 7,5 X 5,25

In 1739 Bach's Third Part of the Clavier Übung was published on 80 pages closely printed. Ever since then the collection has been regarded as a high point in the history of organ composition as it offers an impressive cross section of Bach's artistry.This present volume is an updated edition of Volume 4, Series IV, of the New Bach Edition, presented by Manfred Tessmer in 1969. A fully revised edition proved unnecessary, as there were relatively few corrections affecting the musical text. However, the volume now includes a detailed Preface by Christoph Wolff which discusses not only the work's genesis but also offers an up-to-date description of the sources. For the new engraving of the musical text page-turns were reviewed and improved.Bach's autograph is considered lost and so the main source is the original print of the collection from 1739. In collaboration with the Leipzig Bach Archive and its database Bach digital this new edition includes links to two important copies of the original print which contain hand-written entries by Bach himself.Any complete scholarly-critical edition of the works of Johann Sebastian Bach must, in the interest of its use by researchers and performers, incorporate intervening new discoveries wherever possible. With this in mind, Bärenreiter has entered an agreement with the Leipzig Bach Archive to reissue particular volumes as applicable, either in updated performing editions based on the New Bach Edition or in thoroughly revised editions based on the New Bach Edition - revised. In this way, each new performing edition will represent the cutting edge of research.Further hallmarks of this new generation of Urtext editions will be detailed, up-to-date Prefaces and newly engraved musical texts with optimum page turns. Each volume will list incipits with links to the relevant manuscripts in Bach digital thereby enabling the user to gain quick access to the sources.-With altered readings integrated into the musical text taking into account new musicological evidence-With a new Preface (Ger/Eng) discussing this work and its sources by Christoph Wolff-With links to the relevant sources in Bach digital via http://links.baerenreiter.com-Newly engraved and with improved page turns-Format: 24cm x 30.5cm / Orgue

Bach: Complete Organ Works Vol. 6 Clavierübung III / Schübler-Choräle / Canonische Veränderungen über 'Vom Himmel hoch' - ed. by Werner Breig Bach Organ Works Printed During the Composer's Lifetime Volume 6 contains the chorale-related organ works that Bach personally had printed: the Dritte Theil der Clavier Übung was published (for organists) in 1739; the Sechs Choräle von verschiedener Art (Schübler-Choräle) and the Canonische Veränderungen were released in separate editions most likely in 1747/48. None of these collections had from the start the appearance which the composer considered as valid in the end. For this reason, Werner Breig focuses in particular on questions of origin in his introduction. Fundamental findings on the genesis of the Clavier Übung III were made only after the publication of the work in the Neue Bach-Ausgabe. The basically unproblematic state of the sources means that this volume contains no CD-ROM with supplementary materials. It was, however, considered editorially necessary to print the Canonische Veränderungen BWV 769 in three versions: as a facsimile of the original print, in a practical arrangement, and in the autograph version (BWV 769a). Table des matières 1 Praeludium pro Organo pleno BWV 552/1 2 Kyrie, Gott Vater in Ewigkeit BWV 669 3 Christe, aller Welt Trost BWV 670 4 Kyrie, Gott heiliger Geist BWV 671 5 Kyrie, Gott Vater in Ewigkeit BWV 672 6 Christe, aller Welt Trost BWV 673 7 Kyrie, Gott heiliger Geist BWV 674 8 Allein Gott in der Höh sei Ehr BWV 675 9 Allein Gott in der Höh sei Ehr BWV 676 10 Fughetta super Allein Gott in der Höh sei Ehr BWV 677 11 Dies sind die heilgen zehen Gebot BWV 678 12 Fughetta super Dies sind die heiligen zehen Gebot BWV 679 13 Wir gläuben all an einen Gott BWV 680 14 Fughetta super Wir gläuben all an einen Gott BWV 681 15 Vater unser im Himmelreich BWV 682 16 Vater unser im Himmelreich BWV 683 17 Christ unser Herr zum Jordan kam BWV 684 18 Christ unser Herr zum Jordan kam BWV 685 19 Aus tiefer Not schrei ich zu dir BWV 686 20 Aus tiefer Not schrei ich zu dir BWV 687 21 Jesus Christus, unser Heiland BWV 688 22 Fuga super Jesus Christus, unser Heiland BWV 689 23 Duetto I BWV 802 24 Duetto II BWV 803 25 Duetto III BWV 804 26 Duetto IV BWV 805 27 Fuga pro Organo pleno BWV 552/2 28 Wachet auf, ruft uns die Stimme BWV 645 (Choräle von verschiedener Art / 'Schübler-Choräle', Nr. 1) 29 Wo soll ich fliehen hin oder Auf meinen lieben Gott BWV 646 (Choräle von verschiedener Art / 'Schübler-Choräle', Nr. 2) 30 Wer nur den lieben Gott lässt walten BWV 647 (Choräle von verschiedener Art / 'Schübler-Choräle', Nr. 3) 31 Meine Seele erhebt den Herren BWV 648 (Choräle von verschiedener Art / 'Schübler-Choräle', Nr. 4) 32 Ach bleib bei uns, Herr Jesu Christ BWV 649 (Choräle von verschiedener Art / 'Schübler-Choräle', Nr. 5) 33 Kommst du nun, Jesu, vom Himmel herunter BWV 650 (Choräle von verschiedener Art / 'Schübler-Choräle', Nr. 6) 34 Einige canonische Veränderungen über 'Vom Himmel hoch, da komm ich her' BWV 769 (Faksimile des Originaldrucks / Fassung des Originaldrucks in spielpraktischer Einrichtung / Fassung des Autographs BWV 769a)

Par SUZUKI SHINICHI. The first classical Organ method for children, the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Organ School . The student listens to therecordings and work with their Suzuki Organ teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is essential for Suzuki Organ lessons. In certain pieces, the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique, pedal melodies are included between every manual piece. The included performance CD for Volume 7 is a great tool for Suzuki Organ lessons, encouraging practice while featuring recordings by Lars Hagström and Jeremy Chesman. / Méthode / Méthode / Orgue

Par SUZUKI SHINICHI. The first classical Organ method for children, the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Organ School . The student listens to therecordings and work with their Suzuki Organ teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is essential for Suzuki Organ lessons. In certain pieces, the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique, pedal melodies are included between every manual piece. The included performance CD for Volume 5 is a great tool for Suzuki Organ lessons, encouraging practice while featuring recordings by Lars Hagström. / Méthode / Méthode / Orgue

Baroque And Classical Period. Par LAUKVIK. Volume 1 is organized into two main sections: Part A treats general technical and musical principles, while Part B explores the stylistic differences of interpretation between music of the early and high Baroque eras, the organ music of J. S. Bach and the late Baroque, as well as the organ music of the Classic era. The enclosed volume of music contains a selection of the works referred to in the book. Jon Laukvik’s Historical Performance Practice in Organ Playing has become a standard work. It is addressed to organists who wish to integrate the latest knowledge of historical performance practice into their playing today. The insights of this three-volume series are the resultof practical and scholarly research which present to the performer in a detailed, easily understandable form a precise view of the customs and goals of performance in previous eras. These volumes are directed not only to organists, but also to organ teachers who are looking for a guide for use in their instruction./ Répertoire / Orgue

Organ Chorales From The Neumeister Collection Yale University Manuscript 'Lm 4708'. Par BACH JOHANN SEBASTIAN. In 1985 Christoph Wolff, working at Yale University, discovered a collection of 82 chorales compiled by Johann Gottfried Neumeister (1756-1840) which contained 38 compositions by Johann Sebastian Bach. They reveal great stylistic variety whose forebears stem from the Northern German organ tradition. Already these early works comprising fantasias, fugues, fughettas and imitative techniques employing motifs from chorale melodies bear witness to Bach' s broad compositional spectrum. This newly published volume is an updated edition of Series IV/9 of the ' New Bach Edition” (NBA), edited by Christoph Wolff and based on this source. In addition to a newly added concordance and corrections to the musical text, it also contains a detailed Foreword by Christoph Wolff with further information on the Neumeister Collection and hymnological details. The source of the complete Neumeister Collection has recently been made available on ' Bach digital”, shedding light on the manuscript for the very first time. Links to major sources have been provided in collaboration with the Bach Leipzig Archive and its database ' Bach digital”. The desired page of the source can be accessed quickly and conveniently via URLs at http://links.baerenreiter.com. The links stored there are examined for their validity on a regular basis. Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter' s new performing editions of Bach' s organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to ' Bach digital”. - Links to relevant sources in ' Bach digital” - Detailed new Foreword about the Neumeister Collection by Christoph Wolff (Ger/Eng) - Complete new engraving/ Répertoire / Orgue

Incarnant le classicisme viennois tout comme Mozart et Beethoven, le compositeur autrichien Franz Joseph Haydn, a eu une carrière musicale couvrant tout la période baroque en allant jusqu'au début du romantisme. A travers cette partition Concerto for Organ (Harpsichord) with String instruments C major Hob. XVIII:10 (First Edition) écrite et composée pour Orgue vous retrouverez tout le talent de ce compositeur. Ce sont les éditions Henle qui ont eu le privilège d'imprimer cette oeuvre. / Orgue / Partition

Par BLOW JOHN. Selected from Musica Britannica Volume 69. Edited by Barry Cooper. This collection of sixteen pieces by John Blow (1649-1708), taken from the complete organ music published in Volume 69 of Musica Britannica, is an authoritative introduction to the work of the leading Restoration English composer of organ music. More organ music from this period is ascribed to Blow than to all his English contemporaries put together, including Henry Purcell. In compiling this anthology, the editor has incorporated both the best examples from the corpus, and those that were most popular in the composer's lifetime, while illustrating the variety of styles he used. Most of the pieces may be played ona single manual, but there are also 'double voluntaries' (for two manuals) and 'cornet voluntaries' (for two or three manuals). The collection includes advice on ornamentation and a comprehensive editorial note./ Répertoire / Orgue

Par BUCK PERCY. Originally published in 1911, there have been few tutors in the intervening years that have come close to matching Percy Buck's guide for the organ novice. Unsurprisingly, the book has remained in print over ninety years. It deals, in a plain straightforward manner, with all aspects of learning the organ./ Méthode / Orgue