Piano/harpsichord and orchestra (picc.2.2.cor ang.2.2 - 4.2.3.1 - timp - perc(4)...(+)
Piano/harpsichord and
orchestra (picc.2.2.cor
ang.2.2 - 4.2.3.1 - timp
- perc(4) - hp - str)
SKU: BR.PB-15160
Urtext. Composed
by Sergej Rachmaninow.
Edited by Norbert
Gertsch. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
Variations; Solo
concerto; Late-romantic;
Early modern. Sheet
Music. Duration 22'.
Breitkopf and Haertel #PB
15160. Published by
Breitkopf and Haertel
(BR.PB-15160).
ISBN
9790004215654. 10 x 12.5
inches.
Paganini's
Capricci served as
inspiration for many
composers. In addition to
Brahms, Schumann and
Liszt, Rachmaninoff was
also inspired by the
idea. His Rhapsody on a
Theme by Paganini has
since become one of his
best known and most
popular works and was an
immediate success. In
1934, between two intense
concert seasons,
Rachmaninoff took
advantage of the peace
and quiet at his villa on
Lake Lucerne to compose
the Variations.
Paganini's virtuosity and
joy of playing are
juxtaposed with the
Gregorian sequence Dies
irae. A symbol of the
evil spirit to which
Paganini sold his soul?
At least that is how
Rachmaninoff wrote it in
a letter to the
choreographer Fokine. For
the demanding piano part,
the composer and
celebrated pianist
himself had to start
practicing very early:
The composition is very
difficult, and I should
really start practicing
now, but I get lazier
with my finger exercises
year after year.The
editor, Norbert Gertsch,
presents with this
edition for the first
time an Urtext edition of
the work that Joachim
Kaiser described as
Rachmaninoff's most
spiritual, witty, elegant
work for piano..
Piano and orchestra SKU: FG.55011-372-5 Composed by Matthew Whittall. Stu...(+)
Piano and orchestra
SKU:
FG.55011-372-5
Composed by Matthew
Whittall. Study score.
Fennica Gehrman
#55011-372-5. Published
by Fennica Gehrman
(FG.55011-372-5).
ISBN
9790550113725.
Imag
es of the sea figure
prominently throughout my
life and memories: from
holidays on the Atlantic
coast during my Canadian
childhood to my current
Baltic home, and the
imagined, only later
experienced Mediterranean
of my ancestral heritage.
As an immigrant (son of
an immigrant) bound to
two northern countries,
the sea is emblematic of
my twin homelands, from
the expanses of water
surrounding them to those
separating them. A Mari
usque ad Mare. The sea is
also an enduring image of
the unknown, of expanses
unexplored, of the raw
power of nature and, for
too many currently, of
terror holding a hope of
refuge - or the pain of
loss. Such disparate
ideas were captured for
me in the seascapes of
the New York painter
MaryBeth Thielhelm, whom
I met in 2008 during a
residency on the Gulf of
Mexico. Her vast,
abstract, nearly
monochromatic depictions
of imaginary seas in
wildly varying moods were
the catalyst for a
concerto where the piano
is frequently far from a
hero battling a
collective, but rather
acts as a channel for
elemental forces surging
up from the orchestra,
floating - sometimes
barely so - on its
constantly shifting
surface. There are few
themes to speak of,
beyond a handful of
iconic ideas that
periodically cycle
upward. Rather, the
piano's material is
largely an ornamentation
of the more primal
rhythmic and harmonic
impulses from the
orchestra below - a
poetic interpretation, if
you will, of the more
immediate experience of
facing the vastness of
some unknown body of
water. The title
Nameless Seas is borrowed
from one of Thielhelm's
exhibitions, as are those
of the four movements,
which are bridged
together into two halves
of roughly equal weight -
one rhapsodic and free,
the other more
single-minded and direct,
separated only by a short
breath. The opening
movement, Nocturne, is
predominantly calm, if
brooding, darkness and
light alternating
throughout. Lyrical
arabesques sparkle over
gently lapping
cross-currents in the
strings and mirrored
timpani, the piano's full
power only rarely
deployed. The waves
gradually build, drawing
in the full orchestra for
a meeting of forces in
Land and Sea, a brighter,
more warmly lyrical scene
that unfolds in series of
dreamlike, sometimes even
nostalgic visions, which
for me carry strong
memories of sitting on
rocks above surging
Atlantic waves. The third
movement, Wake, is a
fast, perpetual-motion
texture of glinting,
darting rhythms and
sudden shafts of light,
with a prominent part for
the steel drums, limning
the piano's quicksilver
figurations. An ecstatic
climax crashes into a
solo cadenza that grows
progressively calmer and
more introspective rather
than virtuosic. Much of
the tension finally
releases into Unclaimed
Waters, a drifting,
meditative seascape in
which the piano is
progressively engulfed by
a series of ever-taller
waves, ultimately
dissolving into a
tolling, rippling
continuum of sound.
It has been a great
privilege to realize such
a long-held dream as this
piece, and to write it
for not one, but two
great pianists.
Risto-Matti Marin and
Angela Hewitt, both of
whose friendship and
support have been
unfailing and humbling,
share the dedication.
Nameless Seas was
commissioned by the
PianoEspoo festival and
Canada's National Arts
Centre, with the
premieres in Ottawa and
Helsinki led by Hannu
Lintu and Olari Elts.
Thanks are due also to
the Jenny and Antti
Wihuri fund, whose
generous grant provided
me with much-needed time,
and Escape to Create in
Seaside, Florida, the
source to which I
returned to do a large
part of the work.
Piano/harpsichord and orchestra (solo: pno - 2.2.2.2. - 2.2.1.0. - timp - str) <...(+)
Piano/harpsichord and
orchestra (solo: pno -
2.2.2.2. - 2.2.1.0. -
timp - str)
SKU:
BR.PB-4485
Composed
by Frederic Chopin.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Frederic Chopin's
Piano Concertos in e
minor op. 11 and
f minor op. 21
were written when the
composer had just barely
entered his
twenties.
EB 3942
is printed in score form;
two copies are needed for
performance.Have a look.
Solo concerto; Romantic.
Full score. 68 pages.
Duration 30'. Breitkopf
and Haertel #PB 4485.
Published by Breitkopf
and Haertel (BR.PB-4485).
ISBN 9790004203910. 9
x 12
inches.
Frederic
Chopin's Piano Concertos
in e minor op. 11 and f
minor op. 21 were written
when the composer had
just barely entered his
twenties. Since he needed
effective, virtuoso works
for his major concert
appearances with
orchestral accompaniment,
he decided to simply
write them himself.
Although it is clear that
the piano part always
holds center stage in
these pieces, Chopin
never degrades the
orchestra by turning it
into a stereotypical
cue-giver. This is
confirmed by the
imaginatively
orchestrated tutti
transition in the first
movement, the lengthy
string tremolo in the
middle movement and the
col legno passage in the
finale.The first
performance of the
f-minor concerto took
place in Warsaw on 17
March 1830. The first
edition of the score was
published in 1879 by
Breitkopf & Hartel in
Leipzig. The present
edition for two pianos by
Ignaz Friedmann was first
issued in 1913 in the
framework of the
12-volume Chopin edition
for which the Polish
pianist undertook a
careful evaluation of the
sources.
Frederic
Chopin's Piano Concertos
in e minor op. 11 and f
minor op. 21 were written
when the composer had
just barely entered his
twenties.
Piano, Orchestra (2. Violin) SKU: BA.BA05386-75 Composed by Wolfgang Amad...(+)
Piano, Orchestra (2.
Violin)
SKU:
BA.BA05386-75
Composed by Wolfgang
Amadeus Mozart. Edited by
Paul Badura-Skoda. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. K.
459, No. 19. 10 pages.
Baerenreiter Verlag
#BA05386_75. Published by
Baerenreiter Verlag
(BA.BA05386-75).
ISBN
9790006470235. 32.5 x
25.5 cm inches. Key: F
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
B�¤renreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composer�s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Composed
by Antonin Dvorak. Edited
by Robbert van Steijn.
This edition: urtext
edition. Paperback.
Barenreiter Urtext.
Score. Opus 33. Duration
00:40:00. Baerenreiter
Verlag #BA10420_00.
Published by Baerenreiter
Verlag (BA.BA10420).
ISBN 9790260108387. 31
x 24.3 cm inches. Key: G
minor. Preface: David R.
Beveridge.
Composed
in 1876, Dvorákâ??s
only piano concerto has
been overshadowed by his
other two concertos, for
violin and violoncello,
respectively. Performers
and editors have often
attempted to upgrade this
pianistically unassuming
work by adding
stylisations of their
own. Our Urtext edition
revaluates the sources,
frees the work from
subsequent interventions
and presents it to full
advantage in its
authentic
form.
The
principal source of our
new edition is the first
complete print issued by
the publisher Hainauer in
1883, which has been
meticulously collated
with the autograph. The
anonymous original piano
reduction is so full of
mistakes that editor
Robbert van Steijn
decided instead to
present the version by
Karel Å olc.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(Chopin National Edition). Composed by Frederic Chopin (1810-1849). Edited by Ja...(+)
(Chopin National
Edition). Composed by
Frederic Chopin
(1810-1849). Edited by
Jan Ekier and Pawel
Kaminski. For Orchestra,
Piano (Full Score). PWM.
Polskie Wydawnictwo
Muzyczne #51600026.
Published by Polskie
Wydawnictwo Muzyczne
(Chopin National Edition Series A Vol. XVf). Composed by Frederic Chopin (1810-1...(+)
(Chopin National Edition
Series A Vol. XVf).
Composed by Frederic
Chopin (1810-1849).
Edited by Jan Ekier. For
Orchestra, Piano (Score).
PWM. Softcover. Polskie
Wydawnictwo Muzyczne
#51600005. Published by
Polskie Wydawnictwo
Muzyczne
Chopin National Edition 18A, Vol. XVb. Composed by Frederic Chopin (1810-...(+)
Chopin National
Edition 18A, Vol.
XVb. Composed by
Frederic Chopin
(1810-1849). Edited by
Jan Ekier and Pawel
Kaminski. PWM. Polskie
Wydawnictwo Muzyczne
#51600010. Published by
Polskie Wydawnictwo
Muzyczne (HL.132234).
Full Score. Composed by Poul Ruders. Music Sales America. Classical. Scor...(+)
Full Score.
Composed by Poul Ruders.
Music Sales America.
Classical. Score Only.
Composed 2017. 80 pages.
Edition Wilhelm Hansen
#WH32201. Published by
Edition Wilhelm Hansen
(HL.232526).
Piano and orchestra SKU: NR.88085 Pour piano et orchestre, opus 4, 190...(+)
Piano and orchestra
SKU: NR.88085
Pour piano et
orchestre, opus 4,
1902. Composed by
Rene Emmanuel Baton.
Orchestra (10 and more
instruments). Score.
Noten Roehr #88085.
Published by Noten Roehr
(NR.88085).
For Piano. Includes a printed music score on high-quality ivory paper; a digital...(+)
For Piano. Includes a
printed music score on
high-quality ivory paper;
a digital stereo compact
disc featuring a complete
performance of the
concerto with orchestra
and soloist, and a second
performance minus you,
the soloist; and a second
compact disc containing a
full-speed version of the
complete version as well
as a special -20%
slow-tempo version of the
accompaniment for
practice purposes. Each
concerto is voluminously
indexed for your practice
and performance
convenience. Published by
Music Minus One.
The Masterworks Library. By Sergei Rachmaninoff. (Score). Boosey and Hawkes Sco...(+)
The Masterworks Library.
By Sergei Rachmaninoff.
(Score). Boosey and
Hawkes Scores and Books.
Book only. Size 9x12
inches. 120 pages.
Published by Boosey and
Hawkes.