String Orchestra and Piano SKU: BT.EMBZ12094 Für Violine, Violoncel...(+)
String Orchestra and
Piano
SKU:
BT.EMBZ12094
Für Violine,
Violoncello und
Klavier. Composed by
Ferenc Farkas. Book Only.
Composed 1982. 36 pages.
Editio Musica Budapest
#EMBZ12094. Published by
Editio Musica Budapest
(BT.EMBZ12094).
String Orchestra and Piano SKU: BT.EMBZ7262 Trios und Quartetten mit C...(+)
String Orchestra and
Piano
SKU:
BT.EMBZ7262
Trios
und Quartetten mit
Continuo. By Lajos
Vigh. By Istvan Mariassy.
EMB Early Chamber Music.
Book Only. Composed 1977.
66 pages. Editio Musica
Budapest #EMBZ7262.
Published by Editio
Musica Budapest
(BT.EMBZ7262).
String Orchestra and Piano SKU: BT.EMBZ13549 Die Triosonate im Barock<...(+)
String Orchestra and
Piano
SKU:
BT.EMBZ13549
Die
Triosonate im Barock.
By Arpad Pejtsik.
Educational Tool. Book
Only. Composed 1993. 206
pages. Editio Musica
Budapest #EMBZ13549.
Published by Editio
Musica Budapest
(BT.EMBZ13549).
At first sight,
this publication appears
to merely be a collection
of pieces due to the lack
of drier technical
studies that are
characteristic of tutors.
Yet the selection of the
works, their order
according to the
development of ensemble
playing, and the advice
towards technical
realization included
after the foreword -
these all make this
publication a tutor. The
works form a
cross-section of a longer
period of the history of
chamber music and offer
an insight into the
different methods of
composition.Volume II
introduces the Baroque
trio sonata through the
works of the greatest
masters (Vivaldi,
Corelli, Albinoni, F.
Couperin, Purcell and
Bach). The two violin
parts do not gobeyond the
3rd position nor the
cello parts beyond the
4th position.
String Orchestra and Piano SKU: BT.EMBZ13447 Für Violine, Violoncel...(+)
String Orchestra and
Piano
SKU:
BT.EMBZ13447
Für Violine,
Violoncello und
Klavier. Composed by
Istvan Bogar. Book Only.
Composed 1988. 20 pages.
Editio Musica Budapest
#EMBZ13447. Published by
Editio Musica Budapest
(BT.EMBZ13447).
String Orchestra and Piano SKU: BT.EMBZ4144 Für zwei Violinen, Viol...(+)
String Orchestra and
Piano
SKU:
BT.EMBZ4144
Für
zwei Violinen,
Violoncello und
Klavier. Composed by
Sandor Szokolay.
Contemporary Music. Book
Only. Composed 1963. 20
pages. Editio Musica
Budapest #EMBZ4144.
Published by Editio
Musica Budapest
(BT.EMBZ4144).
String Orchestra and Piano SKU: BT.EMBZ4171 Für 2 Violinen, Violonc...(+)
String Orchestra and
Piano
SKU:
BT.EMBZ4171
Für
2 Violinen, Violoncello
und Continuo ad.
lib.. Composed by
Franz Joseph Haydn. Book
Only. Composed 1964. 24
pages. Editio Musica
Budapest #EMBZ4171.
Published by Editio
Musica Budapest
(BT.EMBZ4171).
String Orchestra and Piano SKU: BT.EMBZ4264 Für zwei Violine, Violo...(+)
String Orchestra and
Piano
SKU:
BT.EMBZ4264
Für
zwei Violine, Violoncello
mit Continuo. By
Oliver Nagy. By Frigyes
Sandor. EMB Early Chamber
Music. Book Only.
Composed 1965. 46 pages.
Editio Musica Budapest
#EMBZ4264. Published by
Editio Musica Budapest
(BT.EMBZ4264).
String Orchestra and Piano SKU: BT.EMBZ4489 Für Klavier, Violine un...(+)
String Orchestra and
Piano
SKU:
BT.EMBZ4489
Für
Klavier, Violine und
Violoncello. Composed
by Erzsebet Szonyi.
Contemporary Music. Book
Only. Composed 1965. 40
pages. Editio Musica
Budapest #EMBZ4489.
Published by Editio
Musica Budapest
(BT.EMBZ4489).
(Piano and String Orchestra Parts). By William Grant Still (1895-1978). Parts. P...(+)
(Piano and String
Orchestra Parts). By
William Grant Still
(1895-1978). Parts.
Peermusic Classical.
Softcover. Peermusic
#60172-187. Published by
Peermusic
String Orchestra and Piano SKU: BT.EMBZ8789 Für Violine, Viola, Vio...(+)
String Orchestra and
Piano
SKU:
BT.EMBZ8789
Für
Violine, Viola,
Violoncello und
Klavier. Composed by
József Soproni.
Contemporary Music. Book
Only. Composed 1981. 12
pages. Editio Musica
Budapest #EMBZ8789.
Published by Editio
Musica Budapest
(BT.EMBZ8789).
String Orchestra and Piano SKU: BT.EMBZ13548 Leichte Trios aus vier Ja...(+)
String Orchestra and
Piano
SKU:
BT.EMBZ13548
Leichte Trios aus vier
Jahrhunderten. By
Arpad Pejtsik.
Educational Tool. Book
Only. Composed 1993. 248
pages. Editio Musica
Budapest #EMBZ13548.
Published by Editio
Musica Budapest
(BT.EMBZ13548).
At first sight,
this publication appears
to merely be a collection
of pieces due to the lack
of drier technical
studies that are
characteristic of tutors.
Yet the selection of the
works, their order
according to the
development of ensemble
playing, and the advice
towards technical
realization included
after the foreword -
these all make this
publication a tutor. The
works form a
cross-section of a longer
period of the history of
chamber music and offer
an insight into the
different methods of
composition.Volume I
contains easy chamber
music from the
Renaissance to Viennese
Classicism for two
violins and cello, in the
first position. (In some
works the 2nd violin part
or others thecello part,
respectively, can also be
played on the viola.) The
easier pieces can be
played after two years of
active instrumental
study.
String Orchestra and Piano SKU: BT.EMBZ13550 Das klassische Trio. ...(+)
String Orchestra and
Piano
SKU:
BT.EMBZ13550
Das
klassische Trio. By
Arpad Pejtsik.
Educational Tool. Book
Only. Composed 1994. 230
pages. Editio Musica
Budapest #EMBZ13550.
Published by Editio
Musica Budapest
(BT.EMBZ13550).
At first sight,
this publication appears
to be a collection of
pieces, for the technical
studies, not too
attractive but so
characteristic of tutors,
are missing. Yet the
selection of the works,
their order according to
the development of
ensemble playing and the
advice includeed after
the foreword and
containig proposals for
the technical realization
of ensemble playing in
the case of certain
typical pieces these all
make this publication a
tutor.The works form a
cross-section of a longer
period of the history of
chamber music and offer
an insight into
thedifferent methods of
composition. Volume III
is approximately the same
grade of difficulty as
Volume II, but inViennese
Classicism a more
sophisticated handling of
the bow is required. In
addition to the works of
Haydn, Mozart and
Beethoven pieces by less
well-known masters are
also included.
(For Piano and Orchestra (Solo Part)). By Johann Wenzel Anton Stamitz. Edited by...(+)
(For Piano and Orchestra
(Solo Part)). By Johann
Wenzel Anton Stamitz.
Edited by Rudolf Walter.
For piano and orchestra
((2),2,0,0-2 ad
lib.,0,0,0 - Strings).
Orchestral music.
Concerto. Score (solo
part). 40 pages.
Published by Doblinger
Music Publishers. Score
(solo part). concerto.
Piano and orchestra SKU: FG.55011-372-5 Composed by Matthew Whittall. Stu...(+)
Piano and orchestra
SKU:
FG.55011-372-5
Composed by Matthew
Whittall. Study score.
Fennica Gehrman
#55011-372-5. Published
by Fennica Gehrman
(FG.55011-372-5).
ISBN
9790550113725.
Imag
es of the sea figure
prominently throughout my
life and memories: from
holidays on the Atlantic
coast during my Canadian
childhood to my current
Baltic home, and the
imagined, only later
experienced Mediterranean
of my ancestral heritage.
As an immigrant (son of
an immigrant) bound to
two northern countries,
the sea is emblematic of
my twin homelands, from
the expanses of water
surrounding them to those
separating them. A Mari
usque ad Mare. The sea is
also an enduring image of
the unknown, of expanses
unexplored, of the raw
power of nature and, for
too many currently, of
terror holding a hope of
refuge - or the pain of
loss. Such disparate
ideas were captured for
me in the seascapes of
the New York painter
MaryBeth Thielhelm, whom
I met in 2008 during a
residency on the Gulf of
Mexico. Her vast,
abstract, nearly
monochromatic depictions
of imaginary seas in
wildly varying moods were
the catalyst for a
concerto where the piano
is frequently far from a
hero battling a
collective, but rather
acts as a channel for
elemental forces surging
up from the orchestra,
floating - sometimes
barely so - on its
constantly shifting
surface. There are few
themes to speak of,
beyond a handful of
iconic ideas that
periodically cycle
upward. Rather, the
piano's material is
largely an ornamentation
of the more primal
rhythmic and harmonic
impulses from the
orchestra below - a
poetic interpretation, if
you will, of the more
immediate experience of
facing the vastness of
some unknown body of
water. The title
Nameless Seas is borrowed
from one of Thielhelm's
exhibitions, as are those
of the four movements,
which are bridged
together into two halves
of roughly equal weight -
one rhapsodic and free,
the other more
single-minded and direct,
separated only by a short
breath. The opening
movement, Nocturne, is
predominantly calm, if
brooding, darkness and
light alternating
throughout. Lyrical
arabesques sparkle over
gently lapping
cross-currents in the
strings and mirrored
timpani, the piano's full
power only rarely
deployed. The waves
gradually build, drawing
in the full orchestra for
a meeting of forces in
Land and Sea, a brighter,
more warmly lyrical scene
that unfolds in series of
dreamlike, sometimes even
nostalgic visions, which
for me carry strong
memories of sitting on
rocks above surging
Atlantic waves. The third
movement, Wake, is a
fast, perpetual-motion
texture of glinting,
darting rhythms and
sudden shafts of light,
with a prominent part for
the steel drums, limning
the piano's quicksilver
figurations. An ecstatic
climax crashes into a
solo cadenza that grows
progressively calmer and
more introspective rather
than virtuosic. Much of
the tension finally
releases into Unclaimed
Waters, a drifting,
meditative seascape in
which the piano is
progressively engulfed by
a series of ever-taller
waves, ultimately
dissolving into a
tolling, rippling
continuum of sound.
It has been a great
privilege to realize such
a long-held dream as this
piece, and to write it
for not one, but two
great pianists.
Risto-Matti Marin and
Angela Hewitt, both of
whose friendship and
support have been
unfailing and humbling,
share the dedication.
Nameless Seas was
commissioned by the
PianoEspoo festival and
Canada's National Arts
Centre, with the
premieres in Ottawa and
Helsinki led by Hannu
Lintu and Olari Elts.
Thanks are due also to
the Jenny and Antti
Wihuri fund, whose
generous grant provided
me with much-needed time,
and Escape to Create in
Seaside, Florida, the
source to which I
returned to do a large
part of the work.
Concerto for Piano and Orchestra. By Wolfgang Amadeus Mozart. Edited by Hermann ...(+)
Concerto for Piano and
Orchestra. By Wolfgang
Amadeus Mozart. Edited by
Hermann Beck. For Piano
Solo, Flute, Oboe (2),
Bassoon (2), Horn (2),
Trumpet (2), Kettledrum,
Strings. Piano
Reduction/Vocal Score
(paperbound). KV 503.
Duration 32`. Published
by Baerenreiter-Ausgaben
(German import). (BA4742
90)
Concerto for Piano and Orchestra. By Wolfgang Amadeus Mozart. Edited by Christop...(+)
Concerto for Piano and
Orchestra. By Wolfgang
Amadeus Mozart. Edited by
Christoph Wolff. Arranged
by Michael Topel. For
Piano Solo, Oboe (2),
Horn (2), Strings. Piano
Reduction/Vocal Score
(paperbound). KV 246.
Duration 21'. Published
by Baerenreiter-Ausgaben
(German import). (BA5388
90)