Piano

SKU: BR.EB-9082

Composed by Jorg Birkenkotter. Solo instruments; Softcover. Edition Breitkopf.

World premiere: Seoul (Pan Music Festival), October 8, 1991

Music post-1945; New music (post-2000). Score. Composed 1991. 22 pages. Duration 12'. Breitkopf and Haertel #EB 9082. Published by Breitkopf and Haertel (BR.EB-9082).

ISBN 9790004179567. 11.5 x 16.5 inches.

Jorg Birkenkotter im Gesprach mit Carolin Naujocks (DeutschlandRadio Berlin, Juli 1994) zum Klavierstuck Schwebung und Strenge: Das Stuck ist ziemlich gefahrlich ..., wenn man es nicht in einem ganz guten Raum hort, mit einer Akustik, in der man wirklich diese Nachhallsachen alle hort, dann kann man ganz schnell sagen, dass ist so traditionelle Wiener Schule-Musik ... Und wenn man dahinter hort, dann hort man eben schon, dass all diese traditionellen Klavier-Figurationen, die so an der Oberflache da sind, standig diese Nachhall-Welt auslosen. Und die ist dann eben doch eine andere, die dahinter ist. Aber es ist eben beides und es halt sich ... in Schach irgendwie. Zumindest am Anfang hort man ganz aufmerksam zu ... sonst hort man nur die virtuose Oberflache. ... Ich wollte nur auf den Tasten spielen: Also ganz normales, konventionelles Klavierspiel, das ist das eine. Und dann, was das auslost bzw. wo das aufgefangen wird ..., da fangt die Klangspielerei an, die vom traditionellen Klavierspiel wegfuhrt. Bezug zur Tradition ist riskant. Aber das macht ja auch nichts. Mir wurde es naturlich etwas ausmachen, wenn das umkippt zur falschen Seite, wenn es doch eben nicht die Ohren auf eine neue Art von Wahrnehmung richtet, was ich schon mochte. Ich will nur nicht die neue Wahrnehmung in irgend einer Wuste suchen, die es, glaube ich, auch gar nicht mehr gibt ... Ich glaube nicht, dass das ein vermittelnder Ansatz ist: Es geht von bestimmten Dingen aus und versucht dann, woanders hin zu kommen. Was soll ich vermitteln: Tradition und Avantgarde? Es ist eine ganz komische Sache: Ich habe Lust, ganz abseits von diesen Sachen etwas auszuprobieren, Sachen zu machen, die ich noch gar nicht gemacht habe, dass diese Sachen bis zu einem gewissen Grad ausgereizt sind. Das ist jetzt alles Spekulation: Da muss ich selbst abwarten, was mit mir passiert. CDs: Schwebung und Strenge Hwa-Kyung Yim (piano) CD col legno WWE 20055 Thomas Oesterdiekhoff (percussion), Hwa-Kyung Yim (piano) CD Cavalli Records CCD 247 Bibliography: Birkenkotter , Jorg: Schwebung und Strenge fur Klavier, in: Noten und Notizen, Mitteilungen der Hannoverschen Gesellschaft fur Neue Musik, Nr. 27 (Juli 2000), pp. 4-11.

World premiere: Seoul (Pan Music Festival), October 8, 1991.

(24 Traditional Folk Songs for Intermediate Level Piano Solo). Arranged by Mika Goto. For Piano/Keyboard. Educational Piano Solo. Intermediate. Softcover. 48 pages. Published by Hal Leonard

(11 of His Original Piano Solos). By David Carr Glover. For Piano. Piano Collection. Intermediate / Late Intermediate. Book. 32 pages. Published by Alfred Music Publishing

Piano

SKU: BT.MUSM570360147

Composed by Ed Hughes. Book Only. 74 pages. University of York Music Press #MUSM570360147. Published by University of York Music Press (BT.MUSM570360147).

English.

First performed at York Late Music Festival, 8th May 2008. 1st Orchid: 1990. Dedicated to Nicolas Hodges. First performed by Michael Finnissy. 2nd Orchid: 1991. 3rd Orchid: 1994. Dedicated to Stephen Gutman. Commissioned by the Brighton Festival. 4th Orchid: 1996. 5th Orchid: 2000. 6th Orchid: 2002. You can hear an extract from these works here.

By Jane Smisor Bastien. (Bastien Supplementary Books). Bastien Piano. Folk Tunes. Level: Grade 3. Music Book. Published by Neil A. Kjos Music Company.

(Early Advanced to Advanced Repertoire). Composed by Edward MacDowell (1861-1908). Edited by Nancy Bachus. For Piano. Book; Graded Standard Repertoire; Masterworks; Piano Collection. Classics for the Advancing Pianist. Masterwork; Recital; Romantic. Advanced; Early Advanced. 44 pages. Published by Alfred Music

Composer Showcase Hal Leonard Student Piano Library Intermediate Level. By Matthew Edwards. Educational Piano Library. Size 9x12 inches. 48 pages. Published by Hal Leonard.

Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard

Solo Piano

SKU: SU.00220514

For Solo Piano. Composed by Frederic Chopin. Keyboard, Piano/Harpsichord. CD (PDF Scores). CD Sheet Music #00220514. Published by CD Sheet Music (SU.00220514).

Thomas J. Parente is Associate Professor of Piano at Westminster Choir College of Rider University.He is a frequent clinician and has presented workshops and clinics at the Gina Bachauer Piano Festival, the Dalcroze International Summer School of Australia,the Conservatory of Puerto Rico, the National Piano Pedagogy Convention, the Delaware State Music Teachers Convention, Westminster Choir College’s Summer Session,Montclair State University, Towson State University, andfor many other organizations. Currently, he is working ona series of piano books that will provide teachers with lesson plans which utilize Dalcroze Eurhythmics for teaching standard piano repertoire. He is also the producer of a series of instructional videos entitled The Tom Parente In Home Piano Video Course.

Piano

SKU: FG.55011-642-9

Composed by Kalevi Aho. Solo part. Fennica Gehrman #55011-642-9. Published by Fennica Gehrman (FG.55011-642-9).

ISBN 9790550116429.

Kale vi Aho's Piano Concerto No. 2 is scored for a string orchestra comprising just twenty players. The first performance took place at the concluding concert of the 2003 Mantta Music Festival, in Vilppula Church on 29th June. The soloist was Antti Siirala and the strings of the Lahti Symphony Orchestra were conducted by Osmo Vanska. The demanding piano writing is primarily a consequence of Siirala's remarkable command of the 'Beethovenian-Lisztian-Br ahmsian' pianistic tradition. At times the piano part is lean and linear, but the work also contains multi-layered, full-toned piano textures and massive rolling octaves. The concerto requires great artistry on the part of the performer. The Second Piano Concerto lasts roughly half an hour and comprises three untitled movements played without a break. The first movement and the finale are extremely fast; these outer movements contain plenty of playful music. The slow second movement is more serious in tone, and its piano texture is very ample. The difficult cadenza at the end of the finale brings more serious emotions to the coda as well.

Piano

SKU: HL.1452791

Composed by Philip Glass. Piano. Classical, Contemporary. Softcover. 28 pages. Duration 1800 seconds. Chester Music #DU11223. Published by Chester Music (HL.1452791).

ISBN 9798350125306. UPC: 196288208433. 9.0x12.0x0.084 inches.

Piano Sonata is Glass' first sonata for piano, and at thirty minutes in length, his longest singular work for solo piano. The work was composed for pianist Maki Namekawa and premiered at the Klavier Festival Ruhr in 2019. Large in scope, the Piano Sonata embraces expertise, playfulness, and joy.

(55 Recital Pieces). Edited by Phyllis Alpert Lehrer, Paul Sheftel. For Piano. Repertoire Classics. Book and CD. 96 pages. Published by Carl Fischer

(77 Recital Pieces). Edited by Phyllis Alpert Lehrer, Paul Sheftel. For Piano. Repertoire Classics. Book and CD. 96 pages. Published by Carl Fischer

(42 Recital Pieces). Edited by Phyllis Alpert Lehrer, Paul Sheftel. For Piano. Book and CD. 96 pages. Published by Carl Fischer

Piano Solo. By Viktor Ullmann. (Piano). Schott. Book only. Size 9x12 inches. 52 pages. Published by Schott.

Piano (Piano Solo)

SKU: HL.354338

For Solo Piano. Composed by Richard Wilson. Peermusic Classical. Classical. Softcover. Duration 600 seconds. Peermusic Classical #70303-501. Published by Peermusic Classical (HL.354338).

ISBN 9781705107669. UPC: 840126936964. 9.0x12.0x0.109 inches.

Richard Wilson was born in Cleveland on May 15, 1941. He studied piano with Roslyn Pettibone, Egbert Fischer, and Leonard Shure, andcello with Robert Ripley and Ernst Silberstein. After beginning composition studies with Roslyn Pettibone and Howard Whittaker, he went on in 1959 to Harvard, studying with Randall Thompson, G.W. Woodworth, and principally with Robert Moevs, and graduating in 1963 magna cum laude. Awarded the Frank Huntington Beebe Award for study abroad, he continued studying piano with Friedrich Wührer in Munich, and composition, again with Moevs, in Rome, where he also gave piano recitals. Wilson joined the faculty of Vassar College in 1966. He was appointed to the Mary Conover Mellon Professorship of Music there in 1988, and he has served three times as chairman of the Department of Music. Wilson has been commissioned by the San Francisco Symphony, the American Symphony, the New Juilliard Ensemble, the Koussevitzky Foundation, the Fromm Foundation, Chamber Music America, the Chicago Chamber Musicians, the Walter W. Naumburg Foundation, and the Library of Congress. His works have been heard in such American musical centers as New York, Philadelphia, Washington, Boston, Cleveland, and Los Angeles and at the Aspen Music Festival, but also in London, Berlin, Frankfurt, Zurich, Milan, Amsterdam, Graz, Leningrad, Stockholm, Tokyo, Bogota, and a number of Australian cities. The recipient in 1992 of a Guggenheim Fellowship, he was awarded the Elise L. Stoeger Prize of the Chamber Music Society of Lincoln Center in 1994, the Academy Award from the American Academy of Arts and Letters in 2004, and has served as composer in residence with the American Symphony Orchestra since 1992. Wilson has been praised by 21st Century Music as a “splendidly talented and highly accomplished composer whose music rewards seeking out” and by the New York Sun as “possessed of a hard-won idiom that has grown and developed over the years into a probing blend of wit, classic form, modern harmony, and impressionistic color.” Writing in the New Yorker, Andrew Porter called his String Quartet No. 3 a “richly wrought and unusual composition,” while the New York Times called it “a work of substance and expressivity ... [that] merits a place in the active repertory.”.

A Masterwork Method for the Developing Pianist. Composed by Nancy Bachus. Graded Standard Repertoire; Masterworks; Piano Collection. Exploring Piano Classics. Masterwork. Book; CD. 56 pages. Alfred Music #00-42636. Published by Alfred Music

Piano

SKU: BT.MUSM570360413

By Nicky Losseff. Classical. Book Only. University of York Music Press #MUSM570360413. Published by University of York Music Press (BT.MUSM570360413).

English.

Piantho logy is a new collection of seven contemporary Piano works by living composers which includes a recording of each of the works performed by Nicky Losseff, the volume's editor. Nicky Losseff, who combines a Senior Lectureship at the University of York with an active career as a concert pianist, has written extensive performance and analysis notes on all of the works, giving helpful suggestions about the study and performance os each piece in turn. The anthology is aimed at university and conservatiore level Piano students, but will serve as an excellent introduction to new music for the Piano for any dedicated player looking to broaden their range. The worksincluded in Pianthology are: Anthony Gilbert - Three Papillon Postcards Sadie Harrison - Impresa Amorosa Ed Hughes - Third Orchid Jo Kondo - A Dance For Piano, 'Europeans' David Lumsdaine - Six Postcard Pieces Hilda Paredes - Caligrama Thomas Simaku - Des Pas Chromatiques Pianthology was launched at the York University Spring New Music Festival on May 8th 2008, when all seven works were performed, some by Nicky Losseff and some by her students from the University of York. Includes Nicky Losseff's recordings of all works. Three Papillon Postcards Impresa Amorosa 1.

Composed by Robert Schumann. Edited by Charles Timbrell. Book; Masterworks; Piano Collection; Piano Supplemental. Alfred Masterwork Edition. Form: Suite. Masterwork; Romantic. 56 pages. Published by Alfred Music (AP.45955).

(Intermediate to Late Intermediate Piano Solos in All Major and Minor Sharp Keys). Composed by Melody Bober. For Piano. Book; Graded Standard Repertoire; Piano Collection; Piano Supplemental. In All Keys. Recital. Intermediate; Late Intermediate. 52 pages. Published by Alfred Music

Solo Piano Part. Composed by Michael Nyman. Music Sales America. Classical. Softcover. 58 pages. Chester Music #CH6093701. Published by Chester Music (HL.14048012).

By Pauline Hall. For piano. Piano. Piano Time. Piano Time. Easy. Collection. 32 pages. Published by Oxford University Press

By Helen Marlais with Suzanne Torkelson. For piano. Succeeding with the Masters! / Festival Collection. Instructional. Late Elementary. Book

(Intermediate to Late Intermediate Piano Solos in All Major and Minor Flat Keys). Composed by Melody Bober. For Piano. Book; Graded Standard Repertoire; Piano Collection; Piano Supplemental. In All Keys. Recital. Intermediate; Late Intermediate. 52 pages. Published by Alfred Music

(12 Pieces with Study Guides to Maximize Limited Practice Time). By Melody Bober, Gayle Kowalchyk, and E. L. Lancaster. For Piano. Book; Piano Collection; Piano Supplemental. Piano for Busy Teens. Recital. Early Intermediate; Late Elementary. 48 pages. Published by Alfred Music Publishing