Composed by Lowell Liebermann. Perfect. 120 pages. Duration 26:00:00. Theodore Presser Company #116-41140S. Published by Theodore Presser Company

For Violoncello and Orchestra. By Hans Pfitzner. (Study Score). Schott. 116 pages. Published by Eulenburg Germany (Schott).

Cello and Orchestra

SKU: BT.SCHEE3107

Set (Score & Parts). 16 pages. Simrock #SCHEE3107. Published by Simrock (BT.SCHEE3107).

For Cello and Piano.

By Samuel Applebaum. For Cello. String Orchestra Method/Supplement. Belwin Course for Strings. Book. 16 pages. Published by Alfred Publishing.

Violin and orchestra (V1 RIP)

SKU: HL.49027098

Composed by Wolfgang Amadeus Mozart. Edited by Helmut W. May. Sheet music. Edition Schott. Separate part, Violin I rip. 16 pages. Schott Music #CON106-11. Published by Schott Music (HL.49027098).

Violin and orchestra (V2 RIP)

SKU: HL.49027099

Composed by Wolfgang Amadeus Mozart. Edited by Helmut W. May. Sheet music. Edition Schott. Separate part, Violin II rip. 16 pages. Schott Music #CON106-12. Published by Schott Music (HL.49027099).

By Samuel Applebaum. For Cello. String Orchestra Method/Supplement. Belwin Course for Strings. Book. 16 pages. Published by Alfred Publishing.

Edited by Samuel Applebaum & Paul Paradise. For Cello. String Orchestra Collection. The Best of.. Level: Medium-Advanced. Book. 32 pages. Published by Alfred Publishing.

Violin and orchestra (Solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str)

SKU: BR.PB-16110

Urtext from the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Linda Correll Roesner and Michael Struck. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Solo concerto; Romantic; Late-romantic. Full score. 216 pages. Duration 35'. Breitkopf and Haertel #PB 16110. Published by Breitkopf and Haertel (BR.PB-16110).

ISBN 9790004214374. 10 x 12.5 inches.

Johannes Brahms's only violin concerto, one of the most important violin concertos of the 19th century, is now a central repertoire piece. This fact is all the more notable, as, by his own account, Brahms understood all too little about the instrument. The concerto was composed at Worthersee during the summer of 1878 in collaboration with Joseph Joachim, a leading contemporary violinist. The solo part is extremely demanding, with really unusual difficulties. This circumstance did not go unnoticed by the critics of the first performance: Even to Joachim, the battled-seasoned wrestler, the technically difficult and tricky solo part was to be mastered only with obvious effort. Evidencing this close collaboration between composer and performer is not only the work's genesis and publication history, together with its dedication to Joachim, but also its solo cadenza. Based on the New Brahms Complete Edition, this Urtext edition includes both the printed version of Joachim's cadenza as well as its shorter version arranged in 1885 by the violinist Marie Soldat.

Cello and Orchestra

SKU: BT.SLB-00193000

Composed by Jacques Lenot. Score Only. Composed 2002. 16 pages. Editions Salabert #SLB 00193000. Published by Editions Salabert (BT.SLB-00193000).

Cello and Orchestra

SKU: BT.ALHE32207

Composed by Henri Dutilleux. Classical. Score Only. 137 pages. Heugel & Cie #ALHE32207. Published by Heugel & Cie (BT.ALHE32207).

French.

Henri Dutilleux (1916-2013) was greatly influenced by his contemporaries, Ravel, Debussy and Roussel, yet implemented his own, unique style. His Cello Concerto, Tout un monde lointain, is considered to be one of the most important20th century additions to the instrument's repertoire. This Dutilleux Concerto comprises five movements which run seamlessly in to one-another, each inspired by the poetry of Charles Baudelaire. The movements are: 1) Énigme(Enigma), 2) Regard (Gaze), 3) Houles (Surges), 4) Miroirs (Mirrors), and 5) Hymne (Hymn). Tout un monde lointain was first performed in July 1970 by Russian cellist, Mstislav Rostropovich with the Orchestre de Paris. The pieceremains popular to this day, and including the entire orchestral score, this edition is essential to the advanced cellist's repertoire.

Violin and Orchestra (Score)

SKU: HL.50495074

Score. Composed by Salvatore Sciarrino. MGB. Contemporary. Score Only. Composed 2001. Ricordi #NR133745. Published by Ricordi (HL.50495074).

12.0x16.5x0.501 inches.

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Cello and Orchestra

SKU: HL.14013846

Composed by Herbert Howells. Music Sales America. Post-1900. Score. 30 pages. Music Sales #NOV361047. Published by Music Sales (HL.14013846).

12.0x16.5x0.514 inches.

(New Collected Works of Dmitri Shostakovich - Volume 48). Composed by Dmitri Shostakovich (1906-1975). For Cello, Orchestra (Score). DSCH. Hardcover. 164 pages. Hal Leonard #NCW48. Published by Hal Leonard

Composed by Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. This edition: urtext edition. Paperback. Barenreiter Urtext. Study score. Opus 104. Published by Baerenreiter Verlag (BA.TP620).

Cello and Orchestra

SKU: BT.SCHEE3117

Set (Score & Parts). 16 pages. Simrock #SCHEE3117. Published by Simrock (BT.SCHEE3117).

Cello, Piano. Dvorak, A.

Arranged by and ed. Joanne Martin. For Cello Part. String Ensemble - Mixed. 16 pages. Published by Alfred Publishing.

By Samuel Applebaum. For Cello. String Orchestra Method/Supplement. Belwin Course for Strings. Book. 16 pages. Published by Alfred Publishing.

For Cello and String Orchestra. By Julian Lloyd Webber. By Eric Whitacre (1970-). Arranged by Julian Lloyd Webber. Music Sales America. Classical. Softcover. 16 pages. Chester Music #CH79376. Published by Chester Music

Violin and orchestra (solo: vl - str - bc)

SKU: BR.PB-5354

Urtext. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Orchestra; stapled. Partitur-Bibliothek (Score Library).

Bach's manuscript leaves several questions unanswered.

Solo concerto; Baroque. Full score. 24 pages. Duration 16'. Breitkopf and Haertel #PB 5354. Published by Breitkopf and Haertel (BR.PB-5354).

ISBN 9790004211533. 9 x 12 inches.

When an editorial formula proves to be as compelling as in the case of the E-major Concerto BWV 1042, then its obvious that it is going to be applied again: this time to Klaus Hofmanns new Urtext edition of the A-minor Concerto. Bachs manuscript leaves several questions unanswered. The slurring, particularly in the solo part, is once again equivocal and inconsistent. Bach himself expected his performers to be creative, which is why the interpretative suggestions of Baroque expert Sigiswald Kuijken are particularly welcome. The edition for violin and keyboard instrument (with continuo ad lib.) once again contains three violin parts (the first unmarked, the second with markings and comments by Sigiswald Kuijken, the third as a facsimile). This provides well-grounded stimuli for ones own personal interpretation based on historically informed performance practice. The keyboard arrangement by Siegfried Petrenz is transparent and easy to play. A violoncello part has been added for chamber-music.

Bac h's manuscript leaves several questions unanswered.