Arranged by Mark Hayes. For Voice. (Medium High Voice). Vocal Collection. The Ma...(+)
Arranged by Mark Hayes.
For Voice. (Medium High
Voice). Vocal Collection.
The Mark Hayes Vocal Solo
Collection. Play along.
Book and CD. 64 pages.
Published by Alfred
Publishing.
(High Voice (63 Songs)). By Benjamin Britten (1913-1976). Arranged by Richard Wa...(+)
(High Voice (63 Songs)).
By Benjamin Britten
(1913-1976). Arranged by
Richard Walters. For
Vocal. Boosey and Hawkes
Voice. 320 pages. Boosey
and Hawkes #M051933976.
Published by Boosey and
Hawkes
Vocal Ensemble Piano Accompaniment; Vocal (High Voice) SKU: HL.51480551 <...(+)
Vocal Ensemble Piano
Accompaniment; Vocal
(High Voice)
SKU:
HL.51480551
Song
Cycle Original Keys for
High Voice. Composed
by Robert Schumann.
Edited by Kazuko Ozawa.
Sheet Music. Paperbound.
Henle Music Folios.
Original Keys for High
Voice. Classical.
Softcover. 80 pages. G.
Henle #HN551. Published
by G. Henle
(HL.51480551).
ISBN
9790201805511. UPC:
888680950781.
8.25x11.75x0.295
inches.
1840 was
Schumann's famous
“year of
song†that brought
forth over 100 lieder.
They included Myrthen op.
25, which he dedicated
“to his dear
bride,†Clara
Wieck-Schumann. Besides
famous songs such as
“Widmung,â€
“Lotosblumeâ€
and
“Nussbaum†to
texts by German poets,
the collection also saw
Schumann venture further
afield, whether to the
Scottish Highlands with
settings of Robert Burns
or to Italy for the
“Venetian
Songs†of Thomas
Moore. Schumann
specialist Kazuko Ozawa
has examined the first
edition of 1840 and all
the manuscript sources.
Among the dedicatory
autograph copies she has
also discovered
interesting early
versions of individual
songs that are here
published in an appendix.
Our Urtext edition is
rounded off with an
extensive history of how
Myrthen was composed.
This volume is a
superlative addition to
G. Henle VerlagÂ’s
series of Robert
Schumann's song
cycles.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Time To The Old Voix haute, Piano [Vocal Score] Theodore Presser Co.
By William Schuman. Arranged by Archibald Macleish. Text: Archibald Macleish. Fo...(+)
By William Schuman.
Arranged by Archibald
Macleish. Text: Archibald
Macleish. For High Voice,
Piano. Piano/Vocal Score.
10 pages. Duration 11:15.
Published by Theodore
Presser Company.
(High Voice Edition with CD of Piano Accompaniments). By Various. For High Voice...(+)
(High Voice Edition with
CD of Piano
Accompaniments). By
Various. For High Voice,
Piano Accompaniment.
Vocal Collection.
Softcover with CD. 64
pages. Published by Hal
Leonard
High Voice and Piano SKU: HL.14003626 Composed by Arnold Bax. Music Sales...(+)
High Voice and Piano
SKU: HL.14003626
Composed by Arnold Bax.
Music Sales America. 20th
Century. Book
[Softcover]. Composed
2002. 32 pages. Chester
Music #CH03769. Published
by Chester Music
(HL.14003626).
ISBN
9780711942165. UPC:
884088442682.
8.25x11.75x0.125
inches.
Album Of
Seven Songs arranged for
high voice and piano.
(High Voice). Arranged by Carol Kimball. For High Voice, Piano Accompaniment. Ed...(+)
(High Voice). Arranged by
Carol Kimball. For High
Voice, Piano
Accompaniment. Editions
Durand. Softcover.
Editions Durand #DF16250.
Published by Editions
Durand
Love! Yes! Voix haute, Piano - Intermédiaire Schirmer
High voice and piano - Intermediate SKU: EC.9276 Composed by Gwyneth W. W...(+)
High voice and piano -
Intermediate
SKU:
EC.9276
Composed by
Gwyneth W. Walker. E.C.
Schirmer Publishing
#9276. Published by E.C.
Schirmer Publishing
(EC.9276).
UPC:
600313311178.
English.
These are
whimsical songs about
love— in her many
guises, moods, and
places. Love fills us,
surrounds us, and brings
our lives into focus, so
that everywhere is
here.
High Voice and Piano SKU: HL.14010221 Composed by Jonathan Elkus. Music S...(+)
High Voice and Piano
SKU: HL.14010221
Composed by Jonathan
Elkus. Music Sales
America. Opera or
Operetta. Part. Music
Sales #NOV161260.
Published by Music Sales
(HL.14010221).
A dramatic work
for schools or young
choir groups, based on
Mark Twain's much-loved
stories. This hour-long
production centres around
the lives of Huckleberry
Finn and his friend Tom
Sawyer, with parts for 12
upper solo voices as the
characters from the
depression-era deep
south. Composed in 1956
as an Operetta for
performance with Chamber
Orchestra, this vocal
score is complete with a
full Piano reduction of
the Orchestral
material.
High Voice; Piano Accompaniment (High Voice) SKU: HL.50566026 For High...(+)
High Voice; Piano
Accompaniment (High
Voice)
SKU:
HL.50566026
For
High Voice and Piano.
Composed by Camille
Saint-Saens. Editions
Durand. Classical.
Softcover. 220 pages.
Editions Durand
#DF01676200. Published by
Editions Durand
(HL.50566026).
ISBN
9790044095360. UPC:
196288159407.
9.0x12.0x0.664
inches.
High voice, piano SKU: BR.DLV-3483 Urtext based on the Complete Editio...(+)
High voice, piano
SKU:
BR.DLV-3483
Urtext
based on the Complete
Edition Jean Sibelius
Works (JSW). Composed
by Jean Sibelius. Song.
Deutscher-Lieder-Verlag.
Song; Early modern;
Late-romantic. 8 pages.
Duration 5'. Breitkopf
and Haertel #DLV 3483.
Published by Breitkopf
and Haertel
(BR.DLV-3483).
ISBN
9790004801635. 0 x 0
inches.
The
orchestral version of
Hostkvall, with words
translated into German by
Ferdinand Tilgmann, was
originally written for
the soprano Aino Ackte
(1876-1944). The date of
the premiere is not
known, although an early
performance took place in
Paris, when Minnie Tracey
sang the piece under the
direction of Alfred
Cortot on January 14,
1905.It remains uncertain
why Sibelius wrote
another version of the
work with German text
only for voice and string
orchestra around the same
time. As far as is known,
this latter version has
never been performed
before its first
publication in the volume
of the complete edition
Jean Sibelius Works in
2003.
Chamber Music High voice, Piano SKU: PR.111402890 Composed by Ricky Ian G...(+)
Chamber Music High voice,
Piano
SKU:
PR.111402890
Composed
by Ricky Ian Gordon. Full
score. 44 pages. Duration
20 minutes. Theodore
Presser Company
#111-40289. Published by
Theodore Presser Company
(PR.111402890).
ISBN
9781491134672. UPC:
680160685264.
What
??s in a name? While the
title is French for
â??Eight Flower
Songs,â? the texts are
all in English. The
poemsâ?? flowers
metaphorically evoke
fragrance, love and loss,
life and death, rebirth
and regrowth. Perhaps the
texture and beauty of
Gordonâ??s music are
themselves French. The
20-minute song cycle
draws on poems from
Wordsworth to Dorothy
Parker, as well as from
contemporary poets
including the composer
himself. When So-Chung
Shinn came to me with the
idea of commissioning a
song cycle with her
spectacular husband Tony
Lee, she had in mind
something having to do
with flowers. Tony had
asked her what she wanted
for her birthday, and she
said she wanted to be
behind the creating of a
new work. Lucky me, I was
the recipient of the
commission. So-Chung sent
me a little description
of all the flowers she
loves, but I had to take
the idea and create a
narrative in my head.It
is always a matter of
pleasing the
commissioner, yet coming
up with something you can
get behind and hear music
for as well. I already
knew I wanted to use my
â??Tulipsâ? poem
which is really about the
arc of a relationship as
represented through the
life span of the Tulips,
and, in many ways,
disappointment; and
Dorothy Parkerâ??s
â??One Perfect
Rose,â? which is wry,
bitter, cynical, and
funny, in a way only
Dorothy Parker can so
pithily express.I thought
of Jane Kenyonâ??s
exquisite â??Peonies at
Dusk,â? because
knowing she died so young
(46) of leukemia, the
poem has such a
particular resonance,
almost humanizing the
Peonies, casting the moon
as a sentient being,
illustrating so
beautifully how connected
everything is, alive
here, and revolving
around these exquisite
blossoms. Then, I
remembered her husband
Donald Hallâ??s poem
â??Her Garden,â?
which he wrote after Jane
died, his grief
intermingled with his
inability to care for
what she had created, to
keep alive what so
represented her
aliveness, broken as he
was, and I felt I already
had a story.I found the
Wordsworth, because it
felt like pure joy to me,
but also, if each of the
songs has a color in my
head, â??The
Daffodilsâ? is pure
yellow and a good place
to start. My partner
Kevin and I live on a
lake, and every year, the
first Daffodils, the
shock of yellows, the
oranges, the blinding
whites, after the long
snowy winters, sing of
the newness that is about
to enfold us in its green
miraculousness.At first,
the cycle ended with the
Langston Hughes poem
â??Cycle,â? or
â??New Flowers,â?
because it was lovely,
and about rebirth, which
is obviously optimistic,
and apt, but then, my
friend Telmo Dos Santos,
a wonderful Canadian poet
whom I met at Banff, sent
me his poem â??Afterlife
With Lilacs,â? having
no idea what I was
working on. I felt I had
to add it because it is
so dazzling, and it
immediately felt like the
missing link. Finally,
there were unfortunately
rights issues, namely, we
could not, no how, get in
touch with the Langston
Hughes Estate, after so
many happy
collaborations.After
almost a yearâ??s
frustration, I wrote my
own text, â??Play,
Orpheus,â? which ended
up being fortuitous,
because the first time I
met So-Chung, she entered
the room and the most
exquisite scent of
Lillies of the Valley,
Muguet de Bois, filled
the room. I went right
over to her and rudely
put my nose to her neck,
for the intoxication of
the scent. So â??Play,
Orpheusâ? is for
So-Chung, to remind us of
the precious treasures of
this world flowers remind
us of. Everything and
everyone lives and dies,
lives and dies. Death and
resurrection.And of
course, this is music,
this is song, so the
inclusion of the God of
music, Orpheus, seems
apt. Huit Chansons de
Fleurs is really about
what flowers represent,
their radiance, their
flickering impermanence,
the way they are used to
celebrate, as well as to
mourn...... and of
course, their fragrance.
Their fragrance.Ricky Ian
GordonJuly 28, 2021.
For High Voice and Piano. Composed by Nico Muhly. Music Sales America. Cl...(+)
For High Voice and
Piano. Composed by
Nico Muhly. Music Sales
America. Classical.
Softcover. 22 pages.
Music Sales #SRO100107.
Published by Music Sales
(HL.14043890).