The Complete Resource for Community Choirs. Par BURNS ALISON / PARTINGTON GITIKA. 43 flexible songs, from simple unison to four parts, by established writers and arrangers Ideal for community choirs of all types and school groups of 11+ years Vast range of repertoire, including well-known pop songs, traditional songs from around the world, contemporary songs, protest songs, and rounds Diverse themes, including Peace and Reflection, Liberty and Freedom, and Celebrations Warm-ups and practical tips on working with amateur singers and the natural voice Supporting rehearsal plans for each song, from the basis of learning by ear Copiable pages CD containing MP3s of learning tracks (providing individual vocal parts) and backing tracks for some pieces Recordings of full performances available to download Community Voiceworks is an unrivalled collection of fun, reflective, empowering, and moving songs in the practical Voiceworks format. With five sections covering a variety of life's key themes, there is something for everyone - from classic hits such as 'Sitting on the Dock of the Bay', 'If I had a hammer', 'Walking on Sunshine', and 'Something Inside So Strong' to well-known traditional songs and new works by acclaimed choir leaders. The CD provides recordings of individual parts, allowing non-readers to learn aurally, and song sheets are photocopiable. A truly inclusive collection for all groups who love singing together, regardless of experience!/ Recueil / Voix

Rockschool is about singing the songs you love. Your Vocals Grade 3 book contains six of the biggest tracks from the past six decades arranged for you to sing for your Grade 3 exam. This book also includes examples of all the supporting tests found in the Rockschool Grade 3 exam.This book for female vocalists contains the songs:Lights - Ellie Goulding22 - Taylor SwiftMake You Feel My Love - AdeleJar Of Hearts - Christina PerriAin't Got No, I Got Life - Nina SimoneDomino - Jessie JOther features include:Fact Files: band and artists background information with recommended listening.Backing tracks: high quality recordings to sing along to in Rockschool exams.Downloadable audio: use your download card for easy access to your audio.Vocal scores: easy-to-follow separate Vocals scores.Piano and Guitar parts: Piano notation and Guitar chords included to help with practice. / Voix

Description Margaret Hamilton. This unique collection of songs from South Africa contains 35 songs of the people, performed in churches, workplaces and at gatherings. This book provides the first opportunity for churches, schools and colleges to perform these wonderful songs of liberation and Christian praise. Transcribed and introduced, including performance notes, by Maggie Hamilton and written for unaccompanied voices with guitar symbols for use with unison or two-part singing. The simplicity of many of the tunes and remaining parts makes them suitable for playing on glockenspiels, recorders or other melodic instruments. Published by Novello in association with Christian Aid. Songlist A Ndi Bonanga Umfana (I Did Not See The Shepherd) Abasundu Nabamhlope (Blacks And Whites) Afika Baba Mandela Daai Stones (Those Stones) Ehlatin'e Lusaka (In Lusaka Bush) Hamba Kahle (Go Well) Hamba Vangeli (Spread The Word) Hayo O Tshwanang Le Yena (There's No-one Like Him) Inzima Lendlela (This Road Is Heavy) Klim Op Die Wa (Get Onto The Wagon) Lerato Ia Jeso Le A Makatsa (The Love Of Jesus Is Wonderful) Mandela Prescribes For Freedom Mandela Wethu (Our Mandela) Manyanani Basebenzi (Workers Unite) Monateng Kapele (In Joy We Will Be Together) Nkosi Sikelel' Iafrika (Lord Bless Africa) Organize And Mobilize Parna Junda (The Flag) Release Mandela Rolihlahla Mandela Say'ilim Ingqolowa (We Are Ploughing Wheat) Senzenina (What Have We Done') Siku Rin Gwana (One Day) Siyay Epitori (We Are Goin To Pretoria) Songena Sirubuluza (We Enter Crawling) Stop Killing Our Children Studente Sal Nooit Verloor (Students Will Never Lose) Thula Sizwe (Be Silent, Nation) Thuma Mina (Send Me) Tshollela Moya Wa Hao, Jesu (Pour Down Your Spirit, Jesus) Tumelo Yaka Ha Nkeke Ka E Lathla (My Faith, I Will Never Lose It) Umzabalazo (We Are The Woman) Uthando Lwakhe (God's Love) We! Mshlamane Uzungakholwa (Hey! My 'Friend', Don't Foget)

Par MC NEFF STEPHEN. My research for Banished began with a small group of students during a Trinity Laban co-lab period in 2013, though the idea goes back over 30 years when I first saw Steve Gooch’s Female Transport and stored the idea of adapting it as an opera until the right opportunity arose. I have been involved in opera for a long time and it has always been a frustration for me that while there is an abundance of female talent (particularly so in conservatories and colleges) there is a noticeable lack of challenging roles available for young women. The roles most often undertaken are maids or innocent girls, compliant wives or tomboys. Not that the problem is necessarily confined exclusively to young women, but where good roles exist, the women are all too often merely passive or victims. Things happen to them rather than them making things happen. They are unable to influence their circumstances and are usually resigned to their fate. Worse still, they are often judged in some way responsible for what happens to them, culpable even because of their looks, their way of life or a streak of independence. Just think about Mimi, Carmen and Violetta (to name only three on a long list). All these characters die, and their attempts at individuality contribute to their demise in some way that they have no control over. With some exceptions female characters in opera are too often sad, mad or bad. Redressing this balance and taking advantage of the richness in vocal talent is only one reason to write an opera reflecting the reality of a group of strong women who work things out for themselves. The transportation of people to Australia at the beginning of the nineteenth century is not a particularly well understood part of history beyond a sort of folk myth. What were the circumstances, who were the people and what happened to them? Opera does not exist to completely answer these questions, but it can focus on the women as individuals and help tell their story. (All the women named in the opera actually existed.) My approach has to been to put the women’s narrative centre stage and, in the confines of an oppressive, dangerous environment go with them on their journey as they survive or sink. The demands on the women are huge. At every turn they are oppressed by their jailers, the system that brought them here and their own low expectations. They have to work out ways to overcome these odds. We discover them through their music in solos and ensembles, sometimes reflective, at other times boasting about their lives a petty criminals and trying to establish status and pecking order. Alongside this I have used references to music of the time to create another reality built on larger ensembles and choruses. This is a sort of collective consciousness aware of loss, longing and context – even of a broad political dimension to the realities of Transportation. Despite the acute awareness of their circumstances in these ensembles, there is also a resilience and strength that transcends the individual stories. Stephen McNeff / Instrumental Music / Répertoire / Voix

3rd Edition. This series features 50 songs from dozens of shows, some that have never before appeared in any vocal collections. / TV, Film, Comédie musicale / Date parution : 2018-05-04/ Recueil / Voix

Ces recueils de chansons à succès pour des chanteurs adolescents, mettant en vedette plus de 35 chansons tant aimées Broadway par volume, ont été libérés en 2001. Or, ces précieuses ressources pédagogiques sont disponibles avec les CD d'accompagnement mettant en vedette accompagnements au piano professionnel!Jeunes Femmes Edition - Livre et CD pack. / Voix

Allons tous chanter, juste pour le plaisir! Etre une pop star et chanter quelques-uns des plus grands succès de Bruno Mars, Taio Cruz, Adam Young, Black Eyed Peas, Bon Jovi et Justin Bieber!Parfait pour le chant de groupe dans la salle de classe, une chorale ou de la communauté, ces chansons ont été soigneusement arrangé pour voix à l'unisson avec les jeunes une certaine harmonie en option. Le Piano / Vocal Collection propose des chansons entièrement accompagnés, et l'édition Chanteur vient dans maniable paks de dix et fournit des pièces vocales seulement.Vérifiez l'enregistrement produit par des professionnels disponibles séparément, pour des possibilités de performance et d'accompagnement! / Voix

Allons tous chanter, juste pour le plaisir! Etre une pop star et chanter quelques-uns des plus grands succès de Bruno Mars, Taio Cruz, Adam Young, Black Eyed Peas, Bon Jovi et Justin Bieber!Parfait pour le chant de groupe dans la salle de classe, une chorale ou de la communauté, ces chansons ont été soigneusement arrangé pour voix à l'unisson avec les jeunes une certaine harmonie en option. Le Piano / Vocal Collection propose des chansons entièrement accompagnés, et l'édition Chanteur vient dans maniable paks de dix et fournit des pièces vocales seulement.Vérifiez l'enregistrement produit par des professionnels disponibles séparément, pour des possibilités de performance et d'accompagnement! / Voix

12 Songs In Full, Authentic Editions, Plus 16-Bar Audition Versions. Par LLOYD WEBBER ANDREW. A dozen of Andrew Lloyd Webber's most memorable musical theatre compositions for women's voices. The book includes full versions and 16-bar audition cuts for each song, and recorded accompaniments for both versions available online for download or streaming./ Recueil / Chant de Femmes

Kenneth Simpson. This collection is divided into ten sections: music - learning music - times and seasons - Christmas - greetings - gusto - drollery - getting around - birds and beasts - and miscellanea. Most of the items are musically straightforward and of moderate compass. / Voix

8 chansons de Walt Disney : partitions pour chant (paroles anglaises) + CD conteant 2 version de chaque titres : une démo compléte + une version sans chanteur. / Voix