String Quartet - difficult SKU: HL.49008109 Score and Parts. Compo...(+)
String Quartet -
difficult
SKU:
HL.49008109
Score
and Parts. Composed
by Peteris Vasks. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Score and
Parts. Composed 1995. 96
pages. Duration 27'.
Schott Music #ED8640.
Published by Schott Music
(HL.49008109).
ISBN
9790001120678. UPC:
073999881493.
9.0x12.0x0.268
inches.
'Christmas
* Peace on Earth' is the
leading motive of the
String Quartet, a tenet
of faith as well as an
expression of hope. In
the first part of the
work Vasks uses themes
from a well-known
Christmas carol, while
the second part is
strongly influenced by
Latvian folksongs and
dances. The third
section, with a
chromaticiscm strongly
reminiscent of
Shostakovitch,
investigates and
questions the feasibility
of any peace in our
society. The final, calm
and slightly melancholy
section symbolizes 'Peace
on Earth' by means of
sonorous sustained
choirs.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. Hymns by
Martin Luther: Aus tiefer
Not schrei ich zu dir.
German title: Aus tiefer
Not schrei ich zu dir.
Sacred vocal music,
Cantatas. Choral Score.
Composed 1724. BWV 38. 12
pages. Duration 21
minutes. Carus Verlag #CV
31.038/05. Published by
Carus Verlag
(CA.3103805).
ISBN
9790007042769. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score available
separately - see item
CA.3103800.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. This
edition: Paperbound.
Hymns by Martin Luther:
Aus tiefer Not schrei ich
zu dir. German title: Aus
tiefer Not schrei ich zu
dir. Sacred vocal music,
Cantatas. Vocal score.
Composed 1724. BWV 38. 40
pages. Duration 21
minutes. Carus Verlag #CV
31.038/03. Published by
Carus Verlag
(CA.3103803).
ISBN
9790007042752. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score available
separately - see item
CA.3103800.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. This
edition: Paperbound.
Hymns by Martin Luther:
Aus tiefer Not schrei ich
zu dir. German title: Aus
tiefer Not schrei ich zu
dir. Sacred vocal music,
Cantatas. Full score.
Composed 1724. BWV 38. 48
pages. Duration 21
minutes. Carus Verlag #CV
31.038/00. Published by
Carus Verlag
(CA.3103800).
ISBN
9790007042745. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. Hymns by
Martin Luther: Aus tiefer
Not schrei ich zu dir.
German title: Aus tiefer
Not schrei ich zu dir.
Sacred vocal music,
Cantatas. Set of
Orchestra Parts. Composed
1724. BWV 38. Duration 21
minutes. Carus Verlag #CV
31.038/19. Published by
Carus Verlag
(CA.3103819).
ISBN
9790007136093. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score and parts available
separately - see item
CA.3103800.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. This
edition: Paperbound.
Hymns by Martin Luther:
Aus tiefer Not schrei ich
zu dir. German title: Aus
tiefer Not schrei ich zu
dir. Sacred vocal music,
Cantatas. Study score.
Composed 1724. BWV 38. 48
pages. Duration 21
minutes. Carus Verlag #CV
31.038/07. Published by
Carus Verlag
(CA.3103807).
ISBN
9790007042776. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score available
separately - see item
CA.3103800.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. Hymns by
Martin Luther: Aus tiefer
Not schrei ich zu dir.
German title: Aus tiefer
Not. Sacred vocal music,
Cantatas. Single Part,
Viola. Composed 1724. BWV
38. 2 pages. Duration 21
minutes. Carus Verlag #CV
31.038/13. Published by
Carus Verlag
(CA.3103813).
ISBN
9790007042813. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score and part available
separately - see item
CA.3103800.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. Hymns by
Martin Luther: Aus tiefer
Not schrei ich zu dir.
German title: Aus tiefer
Not. Sacred vocal music,
Cantatas. Single Part,
Violin 1. Composed 1724.
BWV 38. 4 pages. Duration
21 minutes. Carus Verlag
#CV 31.038/11. Published
by Carus Verlag
(CA.3103811).
ISBN
9790007042790. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score and part available
separately - see item
CA.3103800.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. 1x
31.038/21 oboe 1, 1x
31.038/22 oboe 2, 1x
31.038/31 trumpet 1, 1x
31.038/32 trumpet 2, 1x
31.038/33 trombone 1, 1x
31.038/34 trombone 2, 1x
31.038/35 trombone 3, 1x
31.038/36 trombone 4.
Hymns by Martin Luther:
Aus tiefer Not schrei ich
zu dir. German title: Aus
tiefer Not schrei ich zu
dir 8. Sacred vocal
music, Cantatas. Set of
Orchestra Parts. Composed
1724. BWV 38. 20 pages.
Duration 21 minutes.
Carus Verlag #CV
31.038/09. Published by
Carus Verlag
(CA.3103809).
ISBN
9790007042783. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score and parts available
separately - see item
CA.3103800.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. Hymns by
Martin Luther: Aus tiefer
Not schrei ich zu dir.
German title: Aus tiefer
Not. Sacred vocal music,
Cantatas. Single Part,
Cello/Double Bass.
Composed 1724. BWV 38. 8
pages. Duration 21
minutes. Carus Verlag #CV
31.038/14. Published by
Carus Verlag
(CA.3103814).
ISBN
9790007042820. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score and part available
separately - see item
CA.3103800.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. Hymns by
Martin Luther: Aus tiefer
Not schrei ich zu dir.
German title: Aus tiefer
Not. Sacred vocal music,
Cantatas. Single Part,
Violin 2. Composed 1724.
BWV 38. 2 pages. Duration
21 minutes. Carus Verlag
#CV 31.038/12. Published
by Carus Verlag
(CA.3103812).
ISBN
9790007042806. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score and part available
separately - see item
CA.3103800.
(I'll Have a New Life). By Lari Goss. Arranged by Lari Goss. For Choir and Piano...(+)
(I'll Have a New Life).
By Lari Goss. Arranged by
Lari Goss. For Choir and
Piano (TTBB quartet
feature with SATB choir).
Octavo. Duration 2'20 .
Published by Word Music
Brass quartet - intermediate SKU: CY.CC2894 Composed by Tomas Luis de Vic...(+)
Brass quartet -
intermediate
SKU:
CY.CC2894
Composed by
Tomas Luis de Victoria.
Arranged by Andrew
Converse. Christmas
Motet. Score and parts.
Published by Cherry
Classics (CY.CC2894).
Victoria's
rich, mysterious and
serene 4-part Renaissance
Christmas motet, O Magnum
Mysterium was written in
1572. The composer
intended it to be sung at
another service later in
the year. It has become a
Christmas tradition for
many choirs. Andrew
Converse has arranged
this beautiful 4-minute
work of moderate
difficulty for Brass
Quartet of 2 Trumpets in
B-flat and 2 Trombones.
An additional Horn
substitute for the
Trombone I part has been
included as well.
Trombone Quartet - advanced SKU: CY.CC2538 Composed by Traditional. Arran...(+)
Trombone Quartet -
advanced
SKU:
CY.CC2538
Composed by
Traditional. Arranged by
Lisa Albrecht. Christmas.
Score and parts.
Published by Cherry
Classics (CY.CC2538).
In dulci jubilo
is an ancient traditional
Christmas carol that
first appeared around
1400 in Germany. Lisa
Albrecht's beautiful
arrangement for Trombone
quartet is based on the
1837 setting by Robert
Pearsall, the one of the
favored by many choirs
and their organists. The
melody was so popular
that many composers have
tried their hand at
arranging it including
Buxtehude, Bach, Liszt
and Dello Joio.
This
arrangement of about 3
minutes can be performed
by intermediate to
advanced players.
Trombone I is in tenor
clef and the rest of the
parts are in bass clef
and can be performed by
intermediate level
players.
Arranged by John Ferguson. For SATB choir, organ, brass quartet, opt assembly. S...(+)
Arranged by John
Ferguson. For SATB choir,
organ, brass quartet, opt
assembly. St. Olaf Choral
Series. Choral Octavo. 15
pages. Published by
Augsburg Fortress
Composed by Sir Arthur Seymour Sullivan (1842-1900) and W.S. Gilbert. Arrang...(+)
Composed by Sir Arthur
Seymour Sullivan
(1842-1900)
and W.S. Gilbert.
Arranged
by David Overton and
James
Galway. Southern Music.
Softcover. 16 pages.
Lauren
Keiser Music Publishing
#B583. Published by
Lauren
Keiser Music Publishing
Composed by
Giacomo Puccini. Arranged
by Jeremy Kempton.
Italian Romantic Opera.
Score and Parts. 8 pages.
Cherry Classics #2926.
Published by Cherry
Classics (CY.CC2926).
ISBN
9790530057452.
This
love song about 5-minutes
in length, which is sung
in Act I of Puccini's
great opera La Boheme has
been beautifully arranged
for 4-part Trombone choir
by Jeremy Kempton and is
appropriate for advanced
performers. Parts are
in bass and tenor
clef.
Choral string quartet, choir SKU: PR.116419470 A Song Cycle for Mixed ...(+)
Choral string quartet,
choir
SKU:
PR.116419470
A
Song Cycle for Mixed
Choir and String
Quartet. Composed by
Chen Yi. Set of Score and
Parts. 77+16+18+14+14
pages. Duration 30
minutes. Theodore Presser
Company #116-41947.
Published by Theodore
Presser Company
(PR.116419470).
Mixed choir or vocal quartet (SATB) and piano (4 hands) (Klavier zu vier Handen ...(+)
Mixed choir or vocal
quartet (SATB) and piano
(4 hands) (Klavier zu
vier Handen *
Vokalquartett (Sopran,
Alt, Tenor, Bass [auch
chorisch zu besetzen])) -
intermediate
SKU:
HL.49004699
Ballet. Composed
by Heinrich Sutermeister.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Score.
Composed 1951. 64 pages.
Duration 25'. Schott
Music #ED 4211. Published
by Schott Music
(HL.49004699).
Bass clarinet duo and clarinet choir SKU: P2.30107 Composed by Jonathan R...(+)
Bass clarinet duo and
clarinet choir
SKU:
P2.30107
Composed by
Jonathan Russell. Chamber
music, 20th century.
Published by Potenza
Music (P2.30107).
Composer
Jonathan Russell writes,
My basic idea when I
conceived of the Bass
Clarinet Double Concerto
was the Weber Clarinet
Concertos meet heavy
metal music. On the one
hand, I have spent many
hours over the years
practicing Weber's
clarinet concertos and
have always enjoyed the
over-the-top virtuosity
and flashiness of these
pieces. On the other, I
have been a fan since
middle school of Guns N'
Roses, Metallica and
other hard rock and heavy
metal bands, and I
already channel heavy
metal through the bass
clarinet as a member of
the Edmund Welles bass
clarinet quartet. When it
came to writing a bass
clarinet double concerto,
it thus seemed logical
(to me) to try and
combine the heaviness and
raw power of heavy metal
with the dancing
virtuosity and lyricism
of Weber's concertos...
The piece was composed
for my bass clarinet duo
Sqwonk, and was premiered
in December 2007 by
Sqwonk and the San
Francisco Composers'
Chamber Orchestra..
Composed by Camille
Saint-Saens. Edited by
Christina M. Stahl. This
edition: urtext edition.
Paperback. Score.
Baerenreiter Verlag
#BA11305. Published by
Baerenreiter Verlag
(BA.BA11305).
ISBN
9790006567027. 31 x 24.3
cm inches. Text Language:
Latin. Preface: Stahl,
Christina M.
Psalm
137 Super flumina
Babylonis also known as
By the rivers of Babylon
was an inspiration for
many composers including
Camille Saint-Saëns.
He repeatedly occupied
himself with his psalm
motet for solo soprano,
mixed choir, saxophone
quartet, string orchestra
and organ, originally
composed in 1854. Two of
the four versions â??
the first version in
Latin and a much later
version in English for
alto solo, SATB choir and
piano â?? are now
available for the first
time in Urtext performing
editions taking a
meticulous account of all
the
sources.
Saint-SaÃ
ƒÂ«ns lived up to his
reputation as an
innovative composer by
exploring the use of the
saxophone family in
sacred music just a few
years after the invention
of these instruments. The
successful combination of
voice and saxophone
creates a special sound
experience.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding