| All Flesh Is Grass Chorale SATB SATB A Cappella Mark Foster Music
By C. Rossetti, C. Massa. For SATB Choir, a cappella. SATB choir, a cappella. Ch...(+)
By C. Rossetti, C. Massa.
For SATB Choir, a
cappella. SATB choir, a
cappella. Choral. Sheet
Music. Published by Mark
Foster Music.
(1)$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Christ Ever with Me Chorale SATB SATB Mark Foster Music
By M. Cox. For SATB Choir and Harp or Keyboard. Sheet Music. Published by Mark F...(+)
By M. Cox. For SATB Choir
and Harp or Keyboard.
Sheet Music. Published by
Mark Foster Music.
$2.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Missa Brevis Chorale SATB Shawnee Press
By Chris Massa. For Choral (SATB). Mark Foster. 20 pages. Shawnee Press #MF2175....(+)
By Chris Massa. For
Choral (SATB). Mark
Foster. 20 pages. Shawnee
Press #MF2175. Published
by Shawnee Press .
$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Tuck Everlasting: The Musical Piano, Voix Hal Leonard
Composed by Chris Miller and Nathan Tysen. Vocal Selections. Softcover. 114 p...(+)
Composed by Chris Miller
and
Nathan Tysen. Vocal
Selections. Softcover.
114
pages. Published by Hal
Leonard
$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Baptism Carol Chorale SATB Shawnee Press
By Mark Wilson. Words by Jane Foster Knox. For SATB Choir. Choral. Single Sheet....(+)
By Mark Wilson. Words by
Jane Foster Knox. For
SATB Choir. Choral.
Single Sheet. Published
by Shawnee Press.
$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Seven Last Words of Christ Chorale SATB Shawnee Press
By Raymond H Haan. For Choral (SATB). Choral - SATB. Mark Foster. 24 pages. Shaw...(+)
By Raymond H Haan. For
Choral (SATB). Choral -
SATB. Mark Foster. 24
pages. Shawnee Press
#MF0235. Published by
Shawnee Press
$4.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Christ the Lord is risen again Chorale SATB SATB A Cappella [Vocal Score] Oxford University Press
By Anthony Foster. For SATB choir, a cappella. Mixed Voices. Secular, Choral Lea...(+)
By Anthony Foster. For
SATB choir, a cappella.
Mixed Voices. Secular,
Choral Leaflet. Vocal
score. 2 pages. Duration
3'. Published by Oxford
University Press Vocal
Score Secular, Choral
Leaflet
$2.85 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| While Shepherds Watched Chorale SATB SATB, Orgue - Facile GIA Publications
By John Foster. Arranged by Randall D. Engle. For Voices: SATB. Organ. Calvin In...(+)
By John Foster. Arranged
by Randall D. Engle. For
Voices: SATB. Organ.
Calvin Institute of
Christian Worship Music
Series Sacred. Level:
easy. 14 pages. Published
by GIA Publications.
$2.70 $2.565 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| On Music Carl Fischer
Choral SSA Choir, piano, flute SKU: CF.CM9583 Composed by Christopher Gab...(+)
Choral SSA Choir, piano,
flute SKU:
CF.CM9583 Composed by
Christopher Gabel. Sws.
Performance Score. 20
pages. Duration 4
minutes, 9 seconds. Carl
Fischer Music #CM9583.
Published by Carl Fischer
Music (CF.CM9583).
ISBN 9781491154052.
UPC: 680160912551. 6.875
x 10.5 inches. Key: Eb
major. English. Thomas
Moore
(1779-1852). Thomas
Moore (17791852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Filld with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when pleasures
dream is gone, Its memory
lives in Musics breath.
Music, oh, how faint, how
weak, Language fades
before thy spell! Why
should Feeling ever
speak, When thou canst
breathe her soul so well?
Friendships balmy words
may feign, Loves are even
more false than they; Oh!
tis only musics strain
Can sweetly soothe, and
not betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779a1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music a
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fillad with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasureas dream is gone,
Its memory lives in
Musicas breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendshipas balmy
words may feign, Loveas
are even more false than
they; Oh! atis only
musicas strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779-1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music -
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fill'd with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasure's dream is gone,
Its memory lives in
Music's breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendship's balmy
words may feign, Love's
are even more false than
they; Oh! 'tis only
music's strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779-1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music -
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fill'd with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasure's dream is gone,
Its memory lives in
Music's breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendship's balmy
words may feign, Love's
are even more false than
they; Oh! 'tis only
music's strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779–1852)
was an Irish poet,
singer, songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song.We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life?On Music
– Thomas MooreWhen
through life unblest we
rove,Losing all that made
life dear,Should some
notes we used to love,In
days of boyhood, meet our
ear,Oh! how welcome
breathes the
strain!Wakening thoughts
that long have
slept,Kindling former
smiles againIn faded eyes
that long have wept.Like
the gale, that sighs
alongBeds of oriental
flowers,Is the grateful
breath of song,That once
was heard in happier
hours.Fill’d with
balm the gale sighs
on,Though the flowers
have sunk in death;So,
when pleasure’s
dream is gone,Its memory
lives in Music’s
breath.Music, oh, how
faint, how weak,Language
fades before thy
spell!Why should Feeling
ever speak,When thou
canst breathe her soul so
well?Friendship’s
balmy words may
feign,Love’s are
even more false than
they;Oh! ’tis only
music’s strainCan
sweetly soothe, and not
betray.Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Saga of Haakon the Good Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band - Grade 4 SKU: HL.44010429 Grade 4 - Score and Parts....(+)
Concert Band - Grade 4
SKU: HL.44010429
Grade 4 - Score and
Parts. Composed by
Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Set (Score
& Parts). Composed 2008.
Anglo Music Press
#AMP236-010. Published by
Anglo Music Press
(HL.44010429). UPC:
884088414603.
9.0x12.0x1.97 inches.
English-German-French-Dut
ch. The piece
traces key events in the
life of Haakon the Good,
later to become King
Haakon I (ca. 921-960),
who had been fostered by
King Athelstan of England
as part of a peace
agreement made by his
father (The Future King).
The English king brought
him up in the Christian
religion and, on the news
of his father's death,
provided him with ships
and men for an expedition
against his half-brother
Eirik Bloodaxe, who had
been proclaimed king of
Norway. On his arrival he
travelled north (The
Journey to Trondheim),
where he began to gain
the support of the
landowners by promising
to give up the rights of
taxation his father had
previously claimed.
Elrik's sons allied
themselves with the
Danes, but were
invariably defeated by
Haakon, who was
successful in everything
he undertook except in
his attempt to introduce
Christianity to the
country (The Missionary
King), which aroused an
opposition he did not
feel strong enough to
face. One of his most
famous victories was The
Battle of Rastarkalv
(near Frei) in 955. By
placing ten standards far
apart along a low ridge
(to give the impression
his army was bigger than
it actually was), he
managed to fool Eirik's
sons that they were
outnumbered (the ten
standards are represented
by ten loud chords that
begin in m. 420). The
Danes fled and were
slaughtered by Haakon's
army. $196.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Saga of Haakon the Good Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band - Grade 4 SKU: HL.44010430 Grade 4 - Score Only. Comp...(+)
Concert Band - Grade 4
SKU: HL.44010430
Grade 4 - Score
Only. Composed by
Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Score
Only. Composed 2008. 64
pages. Anglo Music Press
#AMP236-140. Published by
Anglo Music Press
(HL.44010430). UPC:
884088414610. 9x12
inches.
English-German-French-Dut
ch. The piece
traces key events in the
life of Haakon the Good,
later to become King
Haakon I (ca. 921-960),
who had been fostered by
King Athelstan of England
as part of a peace
agreement made by his
father (“The Future
King”). The English
king brought him up in
the Christian religion
and, on the news of his
father's death, provided
him with ships and men
for an expedition against
his half-brother Eirik
Bloodaxe, who had been
proclaimed king of
Norway. On his arrival he
travelled north
(“The Journey to
Trondheim”), where
he began to gain the
support of the landowners
by promising to give up
the rights of taxation
his father had previously
claimed. Elrik's sons
allied themselves with
the Danes, but were
invariably defeated by
Haakon, who was
successful in everything
he undertook except in
his attempt to introduce
Christianity to the
country (“The
Missionary King”),
which aroused an
opposition he did not
feel strong enough to
face. One of his most
famous victories was
“The Battle of
Rastarkalv” (near
Frei) in 955. By placing
ten standards far apart
along a low ridge (to
give the impression his
army was bigger than it
actually was), he managed
to fool Eirik's sons that
they were outnumbered
(the ten standards are
represented by ten loud
chords that begin in m.
420). The Danes fled and
were slaughtered by
Haakon's army. $17.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Master Anthology of Fingerstyle Guitar Solos, Volume 1 Guitare notes et tablatures [Partition + Accès audio] - Facile Mel Bay
(formerly 2000 Fingerpicking). Perfect binding. Book and online audio. Pu...(+)
(formerly 2000
Fingerpicking).
Perfect binding. Book and
online audio. Published
by Mel Bay Publications,
Inc (MB.98370M).
$49.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Recorder Anthology Ensemble De Flûte à bec [Conducteur] Schott
Volume 6: English Music. By Various. Arranged by Bernard Thomas. Schott. Size 9x...(+)
Volume 6: English Music.
By Various. Arranged by
Bernard Thomas. Schott.
Size 9x12 inches. 44
pages. Published by
Schott.
$20.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Where Are You God? Chorale SATB SATB, Clavier - Facile GIA Publications
SATB choir, cantor, voice solo, assembly, keyboard accompaniment, C instrument, ...(+)
SATB choir, cantor, voice
solo, assembly, keyboard
accompaniment, C
instrument, guitar -
Early intermediate
SKU: GI.G-7625
Composed by Ian Callanan.
Ordinary Time 19 A,
Christ the King A.
Celebration Series.
Sacred. Octavo. With
guitar chord names. 8
pages. GIA Publications
#7625. Published by GIA
Publications (GI.G-7625).
UPC: 785147762508.
English. Text by Ian
Callanan. Fostering
an atmosphere that lives
up to its title, this
adaptation of Psalm 131
will touch the hearts of
your congregation. A good
opportunity for an alto
soloist. Painting a
picture of the
omnipresence of God the
Creator, this lovely tune
with active keyboard
accompaniment invites
contemplation by the
believer and the one who
longs to believe.The
gentle syncopations in
the melody will highlight
the talents of a singer
who is more at home in a
“contemporaryâ€
style. For cantor or
soloist. $2.20 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Progressive Quartets for Strings - Bass 4 Contrebasses [Partition] Carl Fischer
32 Quartets That Can Be Played by Any Combination of String Instruments. Compose...(+)
32 Quartets That Can Be
Played by Any Combination
of String Instruments.
Composed by Bernard De La
Monnoye, Christopf Von
Gluck, etc., J. Spilman,
Spiritual American, Willy
Geisler, Stephen Foster
(1826-1864), Edvard Grieg
(1843-1907), Engelbert
Humperdinck (1854-1921),
French carol,
Traditional, English Folk
Song, American Folk Hymn,
Henry Carey, and
Catalonian Carol.
Arranged by Doris Gazda.
SWS. Back To School.
Book. With Standard
notation. Carl Fischer
Music #BF72. Published by
Carl Fischer Music
$16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Progressive Quartets for Strings - Viola Quatuor à cordes : 4 altos [Partition] Carl Fischer
32 Quartets That Can Be Played by Any Combination of String Instruments. Compose...(+)
32 Quartets That Can Be
Played by Any Combination
of String Instruments.
Composed by Bernard De La
Monnoye, Christopf Von
Gluck, etc., J. Spilman,
Spiritual American, Willy
Geisler, Stephen Foster
(1826-1864), Edvard Grieg
(1843-1907), Engelbert
Humperdinck (1854-1921),
French carol,
Traditional, American
Folk Song, English Folk
Song, Henry Carey, and
Catalonian Carol.
Arranged by Doris Gazda.
SWS. Back To School.
Book. With Standard
notation. Carl Fischer
Music #BF70. Published by
Carl Fischer Music
$16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Progressive Quartets for Strings - Cello 4 Violoncelles [Partition] Carl Fischer
32 Quartets That Can Be Played by Any Combination of String Instruments. Compose...(+)
32 Quartets That Can Be
Played by Any Combination
of String Instruments.
Composed by Bernard De La
Monnoye, Christopf Von
Gluck, etc., J. Spilman,
Spiritual American, Willy
Geisler, Stephen Foster
(1826-1864), Edvard Grieg
(1843-1907), Engelbert
Humperdinck (1854-1921),
French carol,
Traditional, American
Folk Song, English Folk
Song, Henry Carey, and
Catalonian Carol.
Arranged by Doris Gazda.
SWS. Back To School.
Book. With Standard
notation. Carl Fischer
Music #BF71. Published by
Carl Fischer Music
$16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Progressive Quartets for Strings - Violin Quatuor à cordes: 4 violons [Partie séparée] Carl Fischer
32 Quartets That Can Be Played by Any Combination of String Instruments. Compose...(+)
32 Quartets That Can Be
Played by Any Combination
of String Instruments.
Composed by Bernard De La
Monnoye, Christopf Von
Gluck, etc., J. Spilman,
Spiritual American, Willy
Geisler, Stephen Foster
(1826-1864), Edvard Grieg
(1843-1907), Engelbert
Humperdinck (1854-1921),
French carol,
Traditional, American
Folk Song, English Folk
Song, Henry Carey, and
Catalonian Carol.
Arranged by Doris Gazda.
SWS. Back To School.
Book. With Standard
notation. Carl Fischer
Music #BF69. Published by
Carl Fischer Music
$16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Clarinet Repertoire 1 Clarinette The Frederick Harris Music Company
Clarinet - Elementary SKU: FH.WC1 Clarinet Series, 2013 Edition. C...(+)
Clarinet - Elementary
SKU: FH.WC1
Clarinet Series, 2013
Edition. Composed by
The Royal Conservatory.
Clarinet Series, 2013
Edition. Book/CD. 32/16
pages. The Frederick
Harris Music Company
#WC1. Published by The
Frederick Harris Music
Company (FH.WC1). ISBN
978-1-55440-577-0.
This new series offers a
sequenced approach to the
study of clarinet from
the beginner to advanced
levels. With a
progressive collection of
Repertoire, Etudes,
Recordings, Orchestral
Excerpts, and Technique,
the Clarinet Series, 2014
Edition provides complete
support for teachers and
students at every level
of study. Nine
progressive volumes of
Repertoire expose
students to a wealth of
music from the earliest
works for clarinet to
accompanied and
unaccompanied
contemporary
compositions. Students
will explore some of the
most definitive solo
pieces written for
clarinet, along with
popular folk tunes,
Klezmer melodies,
Classical solos, and
contemporary compositions
that incorporate
traditional and extended
techniques. Technical
Repertoire: Branch
Line - Colin
Cowles Space-age
Sonatina - Paul
Harris Skip - Errollyn
Wallen Peacherine Rag
- Scott Joplin, arr.
Forrest
Kinney Hornpipe -
Henry Purcell, arr.
Christine
Donkin Gavotte, HWV
491 - George Frideric
Handel, arr. Christine
Donkin Ghoulish - Paul
Harris Major-General's
Song - Arthur Sullivan,
arr. Martin van de
Ven Lyrical
Repertoire: All the
Pretty Little Horses -
American lullaby, arr.
Jason Gray Swanee
River - Stephen Foster,
arr. Christopher
Norton Che faro senza
Euridice? (What Shall I
Do Without Euridice?)
from Orfeo ed Euridice -
Christoph Willibald
Gluck, arr. Jason
Noble Sentimental
Serenade - Alan
Bullard Entr'acte,
from Carmen - Georges
Bizet, arr. Christine
Donkin The Wish - Mr.
Tuke, arr. Paul
Harris Largo, from The
Four Seasons - Antonio
Vivaldi, arr. Jason
Gray Hava Nagila -
Israeli folk song, arr.
Martin van de Ven and
Forrest Kinney Minuet,
BWV Anh. 132 - attr.
Johann Sebastian Bach,
arr. Jason Gray. $30.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Harmonica Songbook Harmonica [Partition] Mel Bay
by William Bay. For Harmonica (Diatonic). solos. All Styles. Level: Beginning-In...(+)
by William Bay. For
Harmonica (Diatonic).
solos. All Styles. Level:
Beginning-Intermediate.
Book. Size 8.75x11.75. 80
pages. Published by Mel
Bay Publications, Inc
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Frohliche Violinevol3 Violon - Facile Schott
Violin - easy SKU: HL.49015482 B-Tonarten, C-Dur, 2. und 3. Lage, Dopp...(+)
Violin - easy SKU:
HL.49015482
B-Tonarten, C-Dur, 2.
und 3. Lage, Doppelgriffe
und andere Kniffe.
Composed by Renate
Bruce-Weber. Arranged by
Mark Bruce. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. 144
pages. Schott Music #ED
8432. Published by Schott
Music (HL.49015482).
ISBN 9783795754631.
9.0x12.0x0.42 inches.
German. Vol. 3 of
'Die frohliche Violine'
pursues the same musical
and technical goals as
the first two volumes. It
contains a detailed
introduction to the flat
keys, C major key as well
as the 2nd and 3rd
positions. The last
chapter takes up the
subject matter of the
first chapters again in a
more demanding form and
with longer charming
pieces, giving an insight
into 'virtuoso' violin
technique. $28.99 - Voir plus => Acheter | | |
| Show by Your Life GIA Publications
SKU: GI.G-1054 Composed by Lori True. Sacred. GIA Publications #1054. Pub...(+)
SKU: GI.G-1054
Composed by Lori True.
Sacred. GIA Publications
#1054. Published by GIA
Publications (GI.G-1054).
UPC:
785147005421. With
a passion for liturgical
prayer, the vision of
Catholic Social Teaching,
and witness of Pope
Francis, Lori True has
created a collection of
sung prayer for
communities who want to
embrace the unrelenting
love of God and the deep
challenge of Christ. Here
you will find songs for
gathering, communion,
times of grief, doubt,
action, and celebration,
all fashioned with texts
that foster deep
reflection and her
signature, accessible
melodies, all ready to
serve a wide variety of
communal gatherings. Take
some time to explore
“Show By Your
Life,†and discover
a very unique and
prophetic collection of
liturgical music that the
church desperately needs.
CONTENTS: Show by Your
Life • O Love, Ever
Faithful • Take Our
Hands • My Favor
Rests on You • Wage
Peace • My Daily
Portion • In the
Morning, in the Evening
• Grieve Not
• The Hand of Our
God • Pardon Is the
Instrument • I Will
Give You Life •
When One among Us •
I Send You with the Grace
of My Spirit. $16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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