Recorded by the Lincoln Center Jazz Orchestra. Arranged by Wynton Marsali...(+)
Recorded by the
Lincoln Center Jazz
Orchestra. Arranged
by Wynton Marsalis. Jazz,
Swing. Score and parts.
Published by Jazz Lines
Publications
(JL.JLP-7420).
Brass Band - Grade 2 SKU: BT.GOB-000729-030 Composed by William Vean. Set...(+)
Brass Band - Grade 2
SKU:
BT.GOB-000729-030
Composed by William Vean.
Set (Score & Parts). 104
pages. Gobelin Music
Publications #GOB
000729-030. Published by
Gobelin Music
Publications
(BT.GOB-000729-030).
In this
composition William Vean
takes you on a journey
through the fascinating
and exciting world of
animals. Apart from it
being a composition
filled with special
effects, Animal Kingdom
contains many educational
elements, such as playing
inswing (triplets
feeling), chromatics,
flutter tonguing, gypsy
tuning, varying keys,
and, of course, dynamics
and articulation. The
melodic lines occur in
all four voices, as well
as in all percussion
parts, providing each
musician with
theopportunity to play a
solo or to accompany.
Highly recommended for
your youth band!
William Vean is an
educational composer. He
knows how to musically
shape the special
elements from our daily
lives. His music is
therefore veryexpressive,
containing creative
solutions to possible
problems. Special ways of
playing make his music
particularly interesting
for the winds, but the
percussion section is
also featured in his
special effects.
The world of the
animalsalways plays on
ones imagination. In
Animal Kingdom, William
Vean has portrayed a
number of animals in a
special manner:
Kevin Kangaroo - The
jumping character of this
animal can be heard in
different voices. The
swing style
alsoemphasizes the
characteristic movements
of the kangaroo. Playing
in swing style can be
practised by using
scales.
Eddy
Elephant - For some of
his smaller fellow fauna
friends this can be quite
an ordeal, but for Eduard
(Eddy for friendsand
intimates) it is his
daily walk.
Baldrick Bat - Baldrick
the Bat is a mysterious
character. This can be
heard in the fast moving
valves and keys,
accompanied by special
effects in the percussion
section.
Curtis
Camel - Curtisthe Camel
trudges across the
desert, feeling bored.
The idea that the horizon
will never change does
not affect him anymore.
He has accepted his fate.
The distinctive tones
from the gypsy scale
provide the suitable
oriental sounds.
BettyButterfly -
Butterfly Betty
elegantly, and without
worries, flutters from
flower to flower in the
garden. Her motto: Carpe
Diem (Seize the Day).
Betty is a one-day
butterfly.
Marvin
Monkey - A swing monkey
stirs up the feelings.
Evenmembers of the
orchestra will look like
real monkeys. How about
your audience?
Each part has its own
difficulties and
challenges. Important
in the first part is
playing in swing
(triplets feeling). This
can be practised
usingscales. In the
second part ensemble
playing and balance are
important. In
Baldrick additional
information on the
effects that have to be
played might be useful.
New sounds are, of
course, welcome.
Curtis the Camel
introduces thegypsy
scale. Additional
explanation of the use of
the scale might be
useful. Key changes are
interesting in this part.
A slight accent on the
first beat of the bar
will add to the charm of
this part. Marvin the
Monkey brings back the
swingrhythm that was
introduced in the first
part, alternated by a
straight part with
attention to chromatics
and articulation.
A story teller will
definitely be an asset
when performing this
composition.
Willi
am Vean neemt u mee in de
fascinerende en
verrassende wereld van
het dierenrijk.
Naast leuke speelmuziek
vol ''special effects'',
is deze compositie zeer
educatief van opzet.
Als interessant
inhoudelijke zaken
komenonder andere aan de
orde - het in swing
spelen (triolen feeling),
chromatiek, flatterzunge,
zigeunertoonsoort,
afwisselende maatsoorten
en natuurlijk dynamiek en
articulatie. Tevens
lopen de melodielijnen
zowel door alle 4
destemmen als alle
percussie partijen, zodat
iedere muzikant de
gelegenheid krijgt om te
soleren dan wel te
begeleiden. Een
aanrader voor uw
jeugdorkest!
De
dierenwereld spreekt
muzikaal gezien altijd
tot de
verbeelding.William Vean
heeft op bijzondere wijze
een aantal dieren
neergezet. De
componist weet op een
bijzondere wijze
elementen uit het
dagelijkse leven muzikaal
vorm te geven. Zijn
muziek is daarom erg
beeldend, de problemen
aanwijsbaarmaar de
oplossingen zijn
creatief. Voor
blazers bijzonder
interessant door de
bijzondere speelmanieren
maar het slagwerk is ook
bedeeld met een aantal
'special effects'.
Kevin Kangaroo -
Het springerige
karakterwordt door
verschillende stemmen
neergezet. De swingende
speelstijl benadrukt de
karakteristieke
bewegingen van de
kangoeroe. Let op de
specifieke swingstijl.
Heel goed te oefenen met
toonladders.
Eddy
Elephant - Voor
sommigekleinere
faunagenoten elke keer
weer een beproeving maar
voor Eduard (Eddy voor
vrienden en intimi) is
dit zijn dagelijkse
wandelingetje. Giro
224544 t.b.v. de geleden
schade.
Baldrick
Bat - De vleermuis
Baldrick is eenmysterieus
type. Dat mysterieuze
aspect wordt auditief
weergegeven door het snel
indrukken van ventielen
en kleppen, ondersteund
door
slagwerkeffecten.
Curtis Camel - De kameel
Curtis hobbelt verveeld
door de woestijn.
Animal Kingdom Ensemble de cuivres [Conducteur] - Facile Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-000729-130 Composed by William Vean. Sco...(+)
Brass Band - Grade 2
SKU:
BT.GOB-000729-130
Composed by William Vean.
Score Only. 24 pages.
Gobelin Music
Publications #GOB
000729-130. Published by
Gobelin Music
Publications
(BT.GOB-000729-130).
In this
composition William Vean
takes you on a journey
through the fascinating
and exciting world of
animals. Apart from it
being a composition
filled with special
effects, Animal Kingdom
contains many educational
elements, such as playing
inswing (triplets
feeling), chromatics,
flutter tonguing, gypsy
tuning, varying keys,
and, of course, dynamics
and articulation. The
melodic lines occur in
all four voices, as well
as in all percussion
parts, providing each
musician with
theopportunity to play a
solo or to accompany.
Highly recommended for
your youth band!
William Vean is an
educational composer. He
knows how to musically
shape the special
elements from our daily
lives. His music is
therefore veryexpressive,
containing creative
solutions to possible
problems. Special ways of
playing make his music
particularly interesting
for the winds, but the
percussion section is
also featured in his
special effects.
The world of the
animalsalways plays on
ones imagination. In
Animal Kingdom, William
Vean has portrayed a
number of animals in a
special manner:
Kevin Kangaroo - The
jumping character of this
animal can be heard in
different voices. The
swing style
alsoemphasizes the
characteristic movements
of the kangaroo. Playing
in swing style can be
practised by using
scales.
Eddy
Elephant - For some of
his smaller fellow fauna
friends this can be quite
an ordeal, but for Eduard
(Eddy for friendsand
intimates) it is his
daily walk.
Baldrick Bat - Baldrick
the Bat is a mysterious
character. This can be
heard in the fast moving
valves and keys,
accompanied by special
effects in the percussion
section.
Curtis
Camel - Curtisthe Camel
trudges across the
desert, feeling bored.
The idea that the horizon
will never change does
not affect him anymore.
He has accepted his fate.
The distinctive tones
from the gypsy scale
provide the suitable
oriental sounds.
BettyButterfly -
Butterfly Betty
elegantly, and without
worries, flutters from
flower to flower in the
garden. Her motto: Carpe
Diem (Seize the Day).
Betty is a one-day
butterfly.
Marvin
Monkey - A swing monkey
stirs up the feelings.
Evenmembers of the
orchestra will look like
real monkeys. How about
your audience?
Each part has its own
difficulties and
challenges. Important
in the first part is
playing in swing
(triplets feeling). This
can be practised
usingscales. In the
second part ensemble
playing and balance are
important. In
Baldrick additional
information on the
effects that have to be
played might be useful.
New sounds are, of
course, welcome.
Curtis the Camel
introduces thegypsy
scale. Additional
explanation of the use of
the scale might be
useful. Key changes are
interesting in this part.
A slight accent on the
first beat of the bar
will add to the charm of
this part. Marvin the
Monkey brings back the
swingrhythm that was
introduced in the first
part, alternated by a
straight part with
attention to chromatics
and articulation.
A story teller will
definitely be an asset
when performing this
composition.
Willi
am Vean neemt u mee in de
fascinerende en
verrassende wereld van
het dierenrijk.
Naast leuke speelmuziek
vol ''special effects'',
is deze compositie zeer
educatief van opzet.
Als interessant
inhoudelijke zaken
komenonder andere aan de
orde - het in swing
spelen (triolen feeling),
chromatiek, flatterzunge,
zigeunertoonsoort,
afwisselende maatsoorten
en natuurlijk dynamiek en
articulatie. Tevens
lopen de melodielijnen
zowel door alle 4
destemmen als alle
percussie partijen, zodat
iedere muzikant de
gelegenheid krijgt om te
soleren dan wel te
begeleiden. Een
aanrader voor uw
jeugdorkest!
De
dierenwereld spreekt
muzikaal gezien altijd
tot de
verbeelding.William Vean
heeft op bijzondere wijze
een aantal dieren
neergezet. De
componist weet op een
bijzondere wijze
elementen uit het
dagelijkse leven muzikaal
vorm te geven. Zijn
muziek is daarom erg
beeldend, de problemen
aanwijsbaarmaar de
oplossingen zijn
creatief. Voor
blazers bijzonder
interessant door de
bijzondere speelmanieren
maar het slagwerk is ook
bedeeld met een aantal
'special effects'.
Kevin Kangaroo -
Het springerige
karakterwordt door
verschillende stemmen
neergezet. De swingende
speelstijl benadrukt de
karakteristieke
bewegingen van de
kangoeroe. Let op de
specifieke swingstijl.
Heel goed te oefenen met
toonladders.
Eddy
Elephant - Voor
sommigekleinere
faunagenoten elke keer
weer een beproeving maar
voor Eduard (Eddy voor
vrienden en intimi) is
dit zijn dagelijkse
wandelingetje. Giro
224544 t.b.v. de geleden
schade.
Baldrick
Bat - De vleermuis
Baldrick is eenmysterieus
type. Dat mysterieuze
aspect wordt auditief
weergegeven door het snel
indrukken van ventielen
en kleppen, ondersteund
door
slagwerkeffecten.
Curtis Camel - De kameel
Curtis hobbelt verveeld
door de woestijn.
Composed by Travis
Weller. Folio. Cps. Set
of Score and Parts.
8+8+4+8+8+8+4+4+8+4+4+8+8
+8+8+6+6+6+4+8+6+2+4+4+6+
32 pages. Duration 3
minutes, 10 seconds. Carl
Fischer Music #CPS234.
Published by Carl Fischer
Music (CF.CPS234).
ISBN 9781491156346.
UPC: 680160914883. 9 x 12
inches.
Mercury -
the Roman god of
financial gain, commerce,
travelers, boundaries,
luck, trickery,
merchants, and thieves. A
popular deity in Roman
culture, he was instantly
recognized by his unique
winged shoes (talaria)
and hat (petasos). With
its close proximity to
the sun and faster orbit
than all other planets,
the Romans named this
small celestial body
after the swift-winged
messenger of their
culture. It is not
surprising that in
Holst's major orchestral
suite The Planets that
Mercury utilizes such
light and swift themes.
There is some duality to
the title of the work.
Part of it involves my
impression of what a
playful chase of the
winged messenger sounds
like. The other part is
the opening motif chasing
two themes of Holst
around the rest of the
work. It was only after
developing the first few
ideas that I recognized
some of the commonalities
with some of those same
themes from Holst's
orchestral work. There
are several quotations
from that famous piece by
Holst (notably as both
are stated successively
at mm. 13-20). The idea
of someone having to
chase the Winged
Messenger struck me as a
unique title around which
to craft a work. One of
my core beliefs about
music is that it can be
imbued with meaning by a
composer, and as the
sonic story unfolds an
ensemble, director, and
audience members can draw
out their own meaning
from the experience. Who
exactly is chasing
Mercury? I leave that up
to the wonderfully
creative minds of the
young ladies and
gentlemen who have the
opportunity to bring this
work to life. The
opportunity to compose
music and allow student
musicians to give this
piece new life and draw
out different meanings is
a humbling experience.
Rehearsal Notes and
Suggestions As stated
earlier, the opening
motif (a range of a
seventh) comes back
frequently in the work in
a variety of settings and
textures. Throughout the
work, it is important for
students to recognize the
two themes from Holst
when they are present in
the sound canvas. If the
solos (clarinet and alto
saxophone) are utilized,
the supporting parts
around and underneath
those lines must be
sensitive and play in
such a way to properly
balance those parts.
There are number of muted
sections for the trumpet
section, and I would
advocate for all trumpets
acquiring the same mute
to contribute to unity in
timbre. The bold fanfare
sections (the first
occurs at m. 37) must be
presented with a unified
articulation style. As
the texture intensifies
prior to m. 169, it is
crucial for the ensemble
to play within themselves
and exercise musical
courtesy to allow all
voices to be heard as
they arrive at m. 181. My
thanks in advance for
your support of this
music, and I wish you
well as you and your
ensemble begin Chasing
Mercury!. Mercury
– the Roman god of
financial gain, commerce,
travelers, boundaries,
luck, trickery,
merchants, and thieves. A
popular deity in Roman
culture, he was instantly
recognized by his unique
winged shoes (talaria)
and hat (petasos). With
its close proximity to
the sun and faster orbit
than all other planets,
the Romans named this
small celestial body
after the swift-winged
messenger of their
culture. It is not
surprising that in
Holst’s major
orchestral suite The
Planets that Mercury
utilizes such light and
swift themes.There is
some duality to the title
of the work. Part of it
involves my impression of
what a playful chase of
the winged messenger
sounds like. The other
part is the opening motif
chasing two themes of
Holst around the rest of
the work. It was only
after developing the
first few ideas that I
recognized some of the
commonalities with some
of those same themes from
Holst’s orchestral
work. There are several
quotations from that
famous piece by Holst
(notably as both are
stated successively at
mm. 13–20). The
idea of someone having to
chase the Winged
Messenger struck me as a
unique title around which
to craft a work.One of my
core beliefs about music
is that it can be imbued
with meaning by a
composer, and as the
sonic story unfolds an
ensemble, director, and
audience members can draw
out their own meaning
from the experience. Who
exactly is chasing
Mercury? I leave that up
to the wonderfully
creative minds of the
young ladies and
gentlemen who have the
opportunity to bring this
work to life. The
opportunity to compose
music and allow student
musicians to give this
piece new life and draw
out different meanings is
a humbling
experience.Rehearsal
Notes and SuggestionsAs
stated earlier, the
opening motif (a range of
a seventh) comes back
frequently in the work in
a variety of settings and
textures. Throughout the
work, it is important for
students to recognize the
two themes from Holst
when they are present in
the sound canvas. If the
solos (clarinet and alto
saxophone) are utilized,
the supporting parts
around and underneath
those lines must be
sensitive and play in
such a way to properly
balance those parts.
There are number of muted
sections for the trumpet
section, and I would
advocate for all trumpets
acquiring the same mute
to contribute to unity in
timbre. The bold fanfare
sections (the first
occurs at m. 37) must be
presented with a unified
articulation style. As
the texture intensifies
prior to m. 169, it is
crucial for the ensemble
to play within themselves
and exercise musical
courtesy to allow all
voices to be heard as
they arrive at m. 181. My
thanks in advance for
your support of this
music, and I wish you
well as you and your
ensemble begin Chasing
Mercury!
I The sun, the sea - II The earth: her dance - III Clouds, winds, skies. Comp...(+)
I The sun, the sea - II
The
earth: her dance - III
Clouds, winds, skies.
Composed by Christian
Mason.
Breitkopf and Haertel #EB
9334. Published by
Breitkopf
and Haertel
Caribbean Cocktail Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2.5 SKU: BT.DHP-1135398-215 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2.5
SKU:
BT.DHP-1135398-215
Composed by Roland
Kernen. De Haske Easy
Band Series. Original
Light Music. Score Only.
Composed 2012. 44 pages.
De Haske Publications
#DHP 1135398-215.
Published by De Haske
Publications
(BT.DHP-1135398-215).
9x12 inches.
English-German-French-Dut
ch.
The hot
tropical climate of the
Caribbean makes these
islands a wonderful place
to be. The population is
of largely African
ancestry, together with
people of European and
Amerindian origin. The
community is proud of the
local Creole culture that
gave rise to a musical
style characteristic of
these wonderful
islands.This small
Caribbean Cocktail
includes three different
dances:- A traditional
calypso with vibrant
rhythms driving a
typically Caribbean
melody;- A quieter
beguine, featuring warmer
and tranquil sounds;- A
merengue with a strong
sense of exuberance and
joie de vivre is easy to
hear.This popular
composition captures in
music the feelings of a
communitywhere
life’s joys are
all-important.
Caribbean Cocktail
is a light-hearted piece
that is ideally suited to
youth bancs and ensembles
with an incomplete or
imbalanced
instrumentation.
Op de eilanden in
het Caribisch gebied
heerst een aangenaam
warm, tropisch klimaat.
De meeste bewoners zijn
er van Afrikaanse
afkomst, maar er wonen
ook mensen van Europese
en indiaanse origine. De
gemeenschap is trots op
haar creoolse cultuur,
waaruit een muziekstijl
is voortgekomen die
typerend is voor deze
prachtige
eilanden.Caribbean
Cocktail omvat drie
verschillende dansen:-
een traditionele calypso
met levendige ritmes en
een typisch Caribische
melodie;- een rustige
beguine waarin warmere en
serenere klanken naar
voren komen;- een
merengue in een
uitbundige sfeer en met
een grote joi de
vivre.Deze
temperamentvolle
compositie weerspiegelt
het muzikale gevoelvan
een gemeenschap waarin
men veel belang hecht aan
een vreugdevol,
ongecompliceerd leven.
Caribbean Cocktail
is een luchthartig werk
dat ideaal is voor
jeugdorkesten en
-ensembles met een
onvolledige of
onevenwichtige bezetting.
Die Karibik ist
eine vom heißen
Tropenklima verwöhnte
Inselkette. Die Einwohner
sind schwarzafrikanischer
Herkunft, mehr oder
weniger gemischt mit
Europäern und
amerikanischen
Ureinwohnern. Diese
Gemeinschaft ist stolz
auf ihre kreolische
Kultur, aus der ein
charakteristischer und
auf diesen wunderbaren
Inseln einzigartiger
Musikstil entstanden
ist.Dieser kleine
Karibische
Cocktail“ umfasst
drei unterschiedliche
Tänze:- einen
traditionellen Calypso
mit pulsierenden
Rhythmen, die eine
typisch karibische
Melodie vorantreiben;-
eine ruhigere Beguine mit
wärmeren, ruhigeren
Klängen;- ein
Merengue, in dem eine
überschwängliche
Atmosphäre und
Lebensfreude
vorherrschen.Dieseunterha
ltsame Komposition bringt
musikalisch die
Gefühle einer
Gemeinschaft zum
Ausdruck, in der
Lebensfreude und
Gelassenheit ganz hoch
angesiedelt sind.
Caribbean Cocktail
ist ein unbeschwertes
Stück, das sich ideal
für
Jugendblasorchester und
Ensembles mit
unvollständiger oder
unausgewogener Besetzung
eignet.
Concert Band/Harmonie/Fanfare Band - Grade 2.5 SKU: BT.DHP-1135398-015 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2.5
SKU:
BT.DHP-1135398-015
Composed by Roland
Kernen. De Haske Easy
Band Series. Original
Light Music. Set (Score &
Parts). Composed 2012. De
Haske Publications #DHP
1135398-015. Published by
De Haske Publications
(BT.DHP-1135398-015).
9x12 inches.
English-German-French-Dut
ch.
The hot
tropical climate of the
Caribbean makes these
islands a wonderful place
to be. The population is
of largely African
ancestry, together with
people of European and
Amerindian origin. The
community is proud of the
local Creole culture that
gave rise to a musical
style characteristic of
these wonderful
islands.This small
Caribbean Cocktail
includes three different
dances:- A traditional
calypso with vibrant
rhythms driving a
typically Caribbean
melody;- A quieter
beguine, featuring warmer
and tranquil sounds;- A
merengue with a strong
sense of exuberance and
joie de vivre is easy to
hear.This popular
composition captures in
music the feelings of a
communitywhere
life’s joys are
all-important.
Caribbean Cocktail
is a light-hearted piece
that is ideally suited to
youth bancs and ensembles
with an incomplete or
imbalanced
instrumentation.
Op de eilanden in
het Caribisch gebied
heerst een aangenaam
warm, tropisch klimaat.
De meeste bewoners zijn
er van Afrikaanse
afkomst, maar er wonen
ook mensen van Europese
en indiaanse origine. De
gemeenschap is trots op
haar creoolse cultuur,
waaruit een muziekstijl
is voortgekomen die
typerend is voor deze
prachtige
eilanden.Caribbean
Cocktail omvat drie
verschillende dansen:-
een traditionele calypso
met levendige ritmes en
een typisch Caribische
melodie;- een rustige
beguine waarin warmere en
serenere klanken naar
voren komen;- een
merengue in een
uitbundige sfeer en met
een grote joi de
vivre.Deze
temperamentvolle
compositie weerspiegelt
het muzikale gevoelvan
een gemeenschap waarin
men veel belang hecht aan
een vreugdevol,
ongecompliceerd leven.
Caribbean Cocktail
is een luchthartig werk
dat ideaal is voor
jeugdorkesten en
-ensembles met een
onvolledige of
onevenwichtige bezetting.
Die Karibik ist
eine vom heißen
Tropenklima verwöhnte
Inselkette. Die Einwohner
sind schwarzafrikanischer
Herkunft, mehr oder
weniger gemischt mit
Europäern und
amerikanischen
Ureinwohnern. Diese
Gemeinschaft ist stolz
auf ihre kreolische
Kultur, aus der ein
charakteristischer und
auf diesen wunderbaren
Inseln einzigartiger
Musikstil entstanden
ist.Dieser kleine
Karibische
Cocktail“ umfasst
drei unterschiedliche
Tänze:- einen
traditionellen Calypso
mit pulsierenden
Rhythmen, die eine
typisch karibische
Melodie vorantreiben;-
eine ruhigere Beguine mit
wärmeren, ruhigeren
Klängen;- ein
Merengue, in dem eine
überschwängliche
Atmosphäre und
Lebensfreude
vorherrschen.Dieseunterha
ltsame Komposition bringt
musikalisch die
Gefühle einer
Gemeinschaft zum
Ausdruck, in der
Lebensfreude und
Gelassenheit ganz hoch
angesiedelt sind.
Caribbean Cocktail
ist ein unbeschwertes
Stück, das sich ideal
für
Jugendblasorchester und
Ensembles mit
unvollständiger oder
unausgewogener Besetzung
eignet.
Consort (Print) Choral (Instrumental Consort) SKU: HL.35031612 A Canta...(+)
Consort (Print) Choral
(Instrumental Consort)
SKU: HL.35031612
A Cantata for
Christmas. Composed
by Joseph M. Martin.
Shawnee Sacred. Cantata,
Carol, Christmas,
Christmas/Advent Sacred,
Collection, General
Worship, Sacred, World
Music. Softcover.
Duration 3000 seconds.
Published by Shawnee
Press (HL.35031612).
ISBN 9781495092039.
UPC: 888680676162.
8.5x11.0x0.902
inches.
The Song
Heard 'Round the World is
a journey of
international carols and
folk songs that
incorporate narration and
scripture to share
Christmas story. With
sections for Advent,
Christmas and Epiphany,
the anticipation,
incarnation and
proclamation of Christ's
birth is presented. Each
movement is from a
different nation, filling
the work with a tapestry
of musical diversity. The
overall theme of unity
and peace on earth is
timely, giving many
options for creative
presentations. Colorful
orchestrations by Brant
Adams capture the
diversity that is so much
a part of this meaningful
work. A smaller chamber
orchestration is also
available, as well as a
full line of support
products. Songs include:
A Joyful Journey of
Carols; Hear the Song
Heard 'Round the World;
An Advent Prayer; Prepare
the Way of the King; Gesu
Bambino; Rejoice! Christ
Is Born!; A Unity Carol;
Music of the Morning
Star; Prayer for Peace.
Score and Parts for Full
Orchestra (fl 1-2/pic,
ob, cl 1-2, bn, hn 1-2,
tpt 1-3, tbn 1-2, tba,
timp, perc 1-4, hp, kybd,
vn 1-2, va, vc, db) and
Consort (fl, cl, tpt 1-2,
tbn, bls, perc, kybd)
available as a Printed
Edition and as a digital
download.
(Chiemsee-Messe). By Michael Haydn (1737-1806). Edited by Armin Kircher. For Sol...(+)
(Chiemsee-Messe). By
Michael Haydn
(1737-1806). Edited by
Armin Kircher. For Soli
SATB, SATB Choir, 2
Clarinos/Trumpets,
Timpani, 2 Violins, Basso
continuo. This edition:
paperbound. MH 546. Score
available separately -
see item CA.5454600.
Latin Masses. Piano/Vocal
score. Language: Latin.
Composed 1793. 80 pages.
Duration 40 min.
Published by Carus Verlag
(Complete Piano Sonatas, Volume 1). By Alexandr Skrjabin. Edited by Christoph Fl...(+)
(Complete Piano Sonatas,
Volume 1). By Alexandr
Skrjabin. Edited by
Christoph Flamm. For
piano. This edition:
Urtext edition.
Performance score,
Anthology (paperbound).
Text language: German,
English. 123 pages.
Published by Baerenreiter
Verlag
Composed by Sergei Rachmaninoff (1873-1943). Edited by Helmut Loos. Morning, Mi...(+)
Composed by Sergei
Rachmaninoff (1873-1943).
Edited by Helmut Loos.
Morning, Midday,
Evening. Choral score. 64
pages. Published by Carus
Verlag (CA.2301405).
Arranged by Wil van der
Beek. Great Classics.
Score Only. Composed
2012. 44 pages. De Haske
Publications #DHP
1125039-140. Published by
De Haske Publications
(BT.DHP-1125039-140).
Composed by Sergei Rachmaninoff (1873-1943). Edited by Helmut Loos. This edition...(+)
Composed by Sergei
Rachmaninoff (1873-1943).
Edited by Helmut Loos.
This edition: Paperbound.
Morning, Midday, Evening.
Full score. Published by
Carus Verlag
Chiemsee-Messe.
Composed by Michael
Haydn. Edited by Armin
Kircher. This edition:
urtext. Stuttgart Urtext
Edition: Johann Michael
Haydn. Missa Stae
Ursulae. Sacred vocal
music, Masses, Latin.
Choral Score. Composed
1793. MH 546. 20 pages.
Duration 40 minutes.
Carus Verlag #CV
54.546/05. Published by
Carus Verlag
(CA.5454605).
ISBN
9790007109875. Language:
Latin.
Among
Haydn's over thirty
settings of the Latin
Ordinary, the Missa in
honorem Sanctae Ursula
occupies an outstanding
position, which,
according to the
autograph, was completed
on 5 August 1793. This
Mass has been referred to
as the most Mozartian of
all his masses. With its
song-like melodic
character, the unity of
the motivic material and
the harmonius balance
between festive and
reflective sections this
Mass is one of Haydn's
most successful and
inspired works. This
work, which in addition
to the usual Salzburg
church trio includes two
trumpets and timpani,
belongs to the category
of Missa solemnis. The
popular nickname
Chiemsee-Messe is bound
up with the history of
the origins of the work.
Haydn wrote the Mass for
the musically gifted nun,
Sebastiana Oswald, who
belonged to the
Benedictine cloister of
Frauenchiemsee. This work
soon found widespread
acceptance beyond the
originally intended
sphere of its origins, as
is indicated by the
numerous copies found in
Austrian convents. Score
available separately -
see item CA.5454600.
9 Volumes in a Slipcase Study Score. Composed by Lugwig Van Beethoven. Edite...(+)
9 Volumes in a Slipcase
Study Score. Composed by
Lugwig Van Beethoven.
Edited
by Bathia Churgin, Jens
Dufner, Ernst Herttrich,
and
Armin Raab. Henle Study
Scores. Classical.
Softcover. G. Henle
#HN9800.
Published by G. Henle
SATB vocal soli, SATB choir, 2 oboes, 2 c trumpets, timpani, 2 violins and organ...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2 c
trumpets, timpani, 2
violins and organ
SKU:
CA.5453005
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa In Hon. Sti
Gotthardi Mh 530. Sacred
vocal music, Masses,
Latin. Choral Score. MH
530. 16 pages. Duration
40 minutes. Carus Verlag
#CV 54.530/05. Published
by Carus Verlag
(CA.5453005).
ISBN
9790007130121. Language:
Latin.
The names of
Michael Haydn's masses
are associated either
with a specific
commission or with the
composition's dedicatee.
Thus, Haydn composed the
Missa in honorem Sti.
Gotthardi, also known as
the Admont Mass, for the
Admont Abbey located in
the region of Styria,
Austria, where Gotthard
Kuglmayr was the Abbot.
The mass combines formal
concentration with
liturgical function. The
songlike melody, the
unity of the motivic
material, and the
balanced harmony of
solemn and lyrical
passages show how
intensively Haydn
concerned himself with
the genre. Due to its
length and its
orchestration the mass
can be considered a type
of missa solemnis. Fugues
and fugal movements are
completely missing from
the Missa Admontis as is
any kind of contrapuntal
(including imitative)
composition. In so doing,
Haydn assured that the
required understanding of
the liturgical text would
be achieved. Score
available separately -
see item CA.5453000.
SATB vocal soli, SATB choir, 2 oboes, 2 c trumpets, timpani, 2 violins and organ...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2 c
trumpets, timpani, 2
violins and organ
SKU:
CA.5453003
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa In Hon. Sti
Gotthardi Mh 530. Sacred
vocal music, Masses,
Latin. Vocal score. MH
530. 72 pages. Duration
40 minutes. Carus Verlag
#CV 54.530/03. Published
by Carus Verlag
(CA.5453003).
ISBN
9790007094348. Language:
Latin.
The names of
Michael Haydn's masses
are associated either
with a specific
commission or with the
composition's dedicatee.
Thus, Haydn composed the
Missa in honorem Sti.
Gotthardi, also known as
the Admont Mass, for the
Admont Abbey located in
the region of Styria,
Austria, where Gotthard
Kuglmayr was the Abbot.
The mass combines formal
concentration with
liturgical function. The
songlike melody, the
unity of the motivic
material, and the
balanced harmony of
solemn and lyrical
passages show how
intensively Haydn
concerned himself with
the genre. Due to its
length and its
orchestration the mass
can be considered a type
of missa solemnis. Fugues
and fugal movements are
completely missing from
the Missa Admontis as is
any kind of contrapuntal
(including imitative)
composition. In so doing,
Haydn assured that the
required understanding of
the liturgical text would
be achieved. Score
available separately -
see item CA.5453000.
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 4:30. Published
by Manhattan Beach Music.
Abracadabra Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 4:30.
Published by Manhattan
Beach Music.
Chiemsee-Messe. Composed by Michael Haydn (1737-1806). Edited by Armin Ki...(+)
Chiemsee-Messe.
Composed by Michael Haydn
(1737-1806). Edited by
Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
German title: Missa Stae
Ursulae/Chiemsee MH 546.
Latin Masses. Complete
orchestral parts.
Composed 1793. MH 546.
Duration 40 minutes.
Published by Carus Verlag
(CA.5454619).
Composed by Lloyd Larson. For 2 horns, 3 trumpets, 2 trombones, tuba, glockenspi...(+)
Composed by Lloyd Larson.
For 2 horns, 3 trumpets,
2 trombones, tuba,
glockenspiel, chimes,
suspended cymbal,
timpani. Te Deum Choral
Series. Sacred Anthem.
Brass and percussion
score and parts. Lorenz
Publishing Company
#30/3189L. Published by
Lorenz Publishing Company