SATB choir SKU: ST.EM5 Composed by Orlando Gibbons. Edited by Edmund H Fe...(+)
SATB choir
SKU:
ST.EM5
Composed by
Orlando Gibbons. Edited
by Edmund H Fellowes.
Library Volumes. Edited
Edmund Fellowes. Revised
Thurston Dart. Note:
Print on demand.
Spiral-bound A4.
Sacred. Choral Score.
Stainer & Bell Ltd. #EM5.
Published by Stainer &
Bell Ltd. (ST.EM5).
ISBN
9790220206849.
Gibb
ons seems to have been
outside the process 'by
which', wrote Joseph
Kerman in The
Elizabethan
Madrigal, 'England
first became
sophisticated in the ways
of Continental music.'
These 20 pieces
certainly, if
differently, follow the
pure line of William Byrd
and are still of the old
'English' school. They
include The Silver
Swan and Dainty
Fine Bird.
CONTENTS Ah dear
heart (SAA (or T) A (or
T) B) Dainty fine
bird (SST (or A) TB)
Fair is the rose (SA (or
S) ATB) Fair ladies
that to love (SSAT (or A)
B) Farewell all joys
(SSA (or T) A (or T)
B) How art thou
thralled (SS (or A)
TTB) I feign not
friendship (SSAT (or A)
B) I see Ambition
never pleased (SSATB)
I tremble not at noise of
war (SSAT (or A) B) I
weigh not fortuneAs frown
(SSAT (or A) B) Lais
now old (SATT (or A)
B) Mongst thousands
good (SSAT (or A) B)
Nay let me weep (SA (or
S) T (or A) T (or A)
B) NeAer let the sun
(SAT (or A) TB) Now
each flowery bank of May
(SST (or A) TB) O
that the learned poets
(SSA (or T) B ( or T)
B) Silver Swan, The
(SSA (or T) B (or T)
B) Trust not too much
fair youth (SST (or A)
TB) What is our life?
(SAA (or T) TB) Yet
if that age (SS (or A) T
(or A) TB).
Composed by Joseph
Compello. SWS FS. Young
String Orchestra. Set of
Score and Parts. With
Standard notation.
16+16+4+10+10+10+4+8
pages. Carl Fischer Music
#YAS103. Published by
Carl Fischer Music
(CF.YAS103).
ISBN
9780825889080. UPC:
798408089085. 8.5 x 11
inches. Key: B
minor.
Joseph
Compello depicts the
planet Mars with The Red
Planet, a heavy, brooding
piece in 5/4. This piece
provides cross-curricular
opportunities to work
with the school’s
science department. Best
of all, it will allow
your group to show off
the maturity of their
playing. The Red
Planet is an original
concert piece in time for
a string ensemble with at
least one year’s
training. The opening
section should be played
in a boldly aggressive
style. To give the parts
a less complex
appearance, staccato
quarter-notes are used in
lieu of eighth-notes
followed by eight-rests.
This notation will enable
young players to count
with greater ease.Notes
on the
performance:Measure 7
introduces the main theme
in the first
violins.Measure 15
introduces a secondary
theme which becomes
increasingly important as
thepiece
progresses.Measure 24
introduces a third theme
and its counter-melody.
This section should be
played in a lyrically
flowing style, in
contrast to the main
theme from m. 9.Measure
35, marked fugato, will
require particular
attention to entrances.
The playing style reverts
to the boldness of the
opening mood.Measure 55
is the recapitulation
with an addition of a new
chromatic line. This
line, given to first
violins, should be
soaring and equal in
volume to the main theme.
Note that the secondary
theme (originally played
in m. 15) is played only
after the repeat.Measure
66 should be played much
more slowly and in a
grandiose manner. Here,
the main theme should be
given much more weight
than it received in the
opening statement.Note
that at m. 68 the
secondary theme concludes
the piece ponderously in
thelow strings. The
conductor may dictate
each note at this point
and disregard the
meter.This arrangement
has been recorded by Carl
Fischer. The performance
is available on line free
of charge.Thank you for
choosing this
composition. I hope your
students and audience
will find it
instructiveand
enjoyable.Joseph
CompelloGlen Arm,
Maryland.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
A Cantata for Christmas (SATB Choral Score). Composed by Mark Hayes (1953-) an...(+)
A Cantata for Christmas
(SATB
Choral Score). Composed
by
Mark Hayes (1953-) and
Lloyd
Larson. This edition:
SATB
Choral Score. Choral
(Sacred); Choral Worship
Cantata; Church Musicals;
Performance Music
Ensemble;
Worship Resources.
Jubilate
Music. Christmas; Sacred.
Choral score. Jubilate
Music
Group #00-47944.
Published by
Jubilate Music Group
String Quartet (2vl,va,vc) SKU: BR.PB-5622-07 Urtext. Composed by ...(+)
String Quartet
(2vl,va,vc)
SKU:
BR.PB-5622-07
Urtext. Composed
by Joachim Raff. Edited
by Severin Kolb and
Stefan Konig. Chamber
music; Softbound.
Partitur-Bibliothek
(Score Library).
With
his first String Quartet
in D minor, op. 77,
composed in 1855, the
native Swiss composer
Joachim Raff (1822-1882)
bid a brilliant farewell
to Weimar.
Romantic
period. Study Score. 176
pages. Breitkopf and
Haertel #PB 5622-07.
Published by Breitkopf
and Haertel
(BR.PB-5622-07).
ISBN
9790004215197. 6.5 x 9
inches.
With his
first String Quartet in D
minor, op. 77, composed
in 1855, the native Swiss
composer Joachim Raff bid
a brilliant farewell to
Weimar. He had been there
as Franz Liszt's
assistant since 1850 and
had made a name for
himself in the city's art
scene - now he embarked
on new paths. He composed
his second Quartet in A
major, op. 90, already in
1857 in Wiesbaden, the
spa town that was to
become his home for 21
years. The two quartets
are unequivocal works:
orchestrally-conceived,
full of energetic vigor,
and at times
uncompromisingly modern.
They confidently continue
the Beethoven tradition
and attest at the same
time to Raff's intensive
confrontation with
Richard Wagner's music
during the Weimar years.
In his chamber music, the
composer wanted to
achieve progress in an
inherently historical way
and to ground the
individual substance in
existing forms, as he
told the Viennese
violinist Josef
Hellmesberger, who
launched opus 77. The
quartets, first published
in 1860/62, found
illustrious interpreters,
among them, the Muller
brothers' renowned
ensemble, to which opus
90 was also dedicated,
and Joseph Joachim.In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality.
Urtext. Composed
by Joachim Raff. Edited
by Severin Kolb and
Stefan Konig. This
edition: Urtext. Chamber
music; Folder. Edition
Breitkopf.
Orchestrally-conceived,
full of energetic vigor,
and at times
uncompromisingly modern:
The two captivating
quartets are now
available as Urtext
editions. Romantic
period. Set of parts. 88
pages. Breitkopf and
Haertel #EB 8939.
Published by Breitkopf
and Haertel (BR.EB-8939).
ISBN
9790004186084.
With
his first String Quartet
in D minor, op. 77,
composed in 1855, the
native Swiss composer
Joachim Raff bid a
brilliant farewell to
Weimar. He had been there
as Franz Liszt's
assistant since 1850 and
had made a name for
himself in the city's art
scene - now he embarked
on new paths. He composed
his second Quartet in A
major, op. 90, already in
1857 in Wiesbaden, the
spa town that was to
become his home for 21
years. The two quartets
are unequivocal works:
orchestrally-conceived,
full of energetic vigor,
and at times
uncompromisingly modern.
They confidently continue
the Beethoven tradition
and attest at the same
time to Raff's intensive
confrontation with
Richard Wagner's music
during the Weimar years.
In his chamber music, the
composer wanted to
achieve progress in an
inherently historical way
and to ground the
individual substance in
existing forms, as he
told the Viennese
violinist Josef
Hellmesberger, who
launched opus 77. The
quartets, first published
in 1860/62, found
illustrious interpreters,
among them, the Muller
brothers' renowned
ensemble, to which opus
90 was also dedicated,
and Joseph Joachim.In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality.
Choral (Studiotrax CD) SKU: HL.35031199 Theme from The Weeping Tree(+)
Choral (Studiotrax CD)
SKU: HL.35031199
Theme from The Weeping
Tree. Composed by
Joseph M. Martin. Shawnee
Sacred. Anthem, Easter,
General Worship, Good
Friday, Holy Week, Maundy
Thursday, Sacred. CD.
Duration 265 seconds.
Published by Shawnee
Press (HL.35031199).
UPC: 888680640705.
5.0x5.0x0.155
inches.
Uses: Holy
Week Scripture: Mark
15:30, I Corinthians
1:18, I Peter 2:24 The
main theme from the
best-selling cantata The
Weeping Tree is now
available as a standalone
anthem. With a
heart-affirming portrait
of the crucifixion and a
gentle celebration of
grace, the simple
folk-like melody carries
the weighty message of
redemption in the
sensitive arms of
expressive music. A
chamber orchestration
option offers directors a
way to incorporate this
piece into a concert or
passion pageant.
Profoundly moving! Score
and Parts (fl, ob, cl,
bn, hn, perc, pno, vn
1-2, va, vc, db)
available as a digital
download.
A Cantata for Christmas (Preview Pack). Composed by Lloyd Larson and Mark Ha...(+)
A Cantata for Christmas
(Preview Pack). Composed
by
Lloyd Larson and Mark
Hayes
(1953-). This edition:
Preview Pack (SATB Choral
Score & Listening
CD).
Choral (Sacred); Choral
Worship Cantata; Church
Musicals; Performance
Music
Ensemble; Worship
Resources.
Jubilate Music.
Christmas;
Sacred. CD; Score.
Jubilate
Music Group #00-47953.
Published by Jubilate
Music
Group
String Quartet SKU: BR.PB-5622 Urtext. Composed by Joachim Raff. E...(+)
String Quartet
SKU:
BR.PB-5622
Urtext. Composed
by Joachim Raff. Edited
by Severin Kolb and
Stefan Konig. Chamber
music; Softbound.
Partitur-Bibliothek
(Score Library). Romantic
period. Study Score.
Breitkopf and Haertel #PB
5622. Published by
Breitkopf and Haertel
(BR.PB-5622).
ISBN
9790004215197. 6.5 x 9
inches.
With his
first String Quartet in D
minor, op. 77, composed
in 1855, the native Swiss
composer Joachim Raff bid
a brilliant farewell to
Weimar. He had been there
as Franz Liszt's
assistant since 1850 and
had made a name for
himself in the city's art
scene - now he embarked
on new paths. He composed
his second Quartet in A
major, op. 90, already in
1857 in Wiesbaden, the
spa town that was to
become his home for 21
years. The two quartets
are unequivocal works:
orchestrally-conceived,
full of energetic vigor,
and at times
uncompromisingly modern.
They confidently continue
the Beethoven tradition
and attest at the same
time to Raff's intensive
confrontation with
Richard Wagner's music
during the Weimar years.
In his chamber music, the
composer wanted to
achieve progress in an
inherently historical way
and to ground the
individual substance in
existing forms, as he
told the Viennese
violinist Josef
Hellmesberger, who
launched opus 77. The
quartets, first published
in 1860/62, found
illustrious interpreters,
among them, the Muller
brothers' renowned
ensemble, to which opus
90 was also dedicated,
and Joseph Joachim.In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality.
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Traditional pop
and vocal standards.
Series: Hal Leonard Fake
Books. 424 pages. 9x12
inches. Published by Hal
Leonard.
For voice and keyboard (right hand only). Format: easy piano/vocal/chords songbo...(+)
For voice and keyboard
(right hand only).
Format: easy
piano/vocal/chords
songbook. With vocal
melody, lyrics, chord
names, big note notation
and introductory text.
Traditional pop and vocal
standards. Series: Hal
Leonard E-Z Play Today.
248 pages. 9x12 inches.
Published by Hal Leonard.
Piano, Voix et Guitare [Partition] - Facile Hal Leonard
For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vo...(+)
For voice, piano and
guitar chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Vocal
Standards. 544 pages.
9x12 inches. Published by
Hal Leonard Corporation.