Composed by Antonio Lauro (1917-1986), edited by Albert Valdes Blain. For solo g...(+)
Composed by Antonio Lauro
(1917-1986), edited by
Albert Valdes Blain. For
solo guitar. Format:
guitar solo single. With
standard guitar notation
(no tablature) and
fingerings. 20th century.
E Minor. 3 pages. 9x12
inches.
SKU: M7.KC-3002-50 Composed by Agustin Barrios Mangore, Antonio Lauro, Fe...(+)
SKU: M7.KC-3002-50
Composed by Agustin
Barrios Mangore, Antonio
Lauro, Federico Mompou,
Fernando Sor, Gaspar
Sanz, Manuel Ponce, and
Regino Sainz De La Maza.
Recording mediums. MDS
(Music Distribution
Services) #KC 3002-50.
Published by MDS (Music
Distribution Services)
(M7.KC-3002-50).
Guitar - advanced SKU: M7.KC-2005 Seis por derecho, Pasaje AragüeÃ...(+)
Guitar - advanced
SKU:
M7.KC-2005
Seis
por derecho, Pasaje
Aragüeño.
Composed by Antonio
Lauro. Arranged by Alirio
Diaz. This edition:
Saddle-wire stitching.
Sheet music. 32 pages.
MDS (Music Distribution
Services) #KC 2005.
Published by MDS (Music
Distribution Services)
(M7.KC-2005).
Guitar - advanced SKU: M7.KC-2008 La Gatica, Momoti, Merengue. Com...(+)
Guitar - advanced
SKU:
M7.KC-2008
La
Gatica, Momoti,
Merengue. Composed by
Antonio Lauro. Arranged
by Alirio Diaz. This
edition: Saddle-wire
stitching. Sheet music.
24 pages. MDS (Music
Distribution Services)
#KC 2008. Published by
MDS (Music Distribution
Services) (M7.KC-2008).
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
By Bill Piburn. For Guitar (Fingerpicking). Solos. Bluegrass and Country. Level:...(+)
By Bill Piburn. For
Guitar (Fingerpicking).
Solos. Bluegrass and
Country. Level:
Intermediate. Book. Size
9.5x11.75. 384 pages.
Published by Mel Bay
Publications, Inc.
Guitar SKU: PR.ZC2010 Arrangements: El Totumo de Guarenas - Flores de ...(+)
Guitar
SKU:
PR.ZC2010
Arrangements: El
Totumo de Guarenas -
Flores de la Montana -
Cueca Chilena.
Composed by Antonio
Lauro. With Standard
notation. 28 pages.
Handelsware #ZC2010.
Published by Handelsware
(PR.ZC2010).
Venezuelan Pieces, 3, Guitar by Antonio Lauro (1917-1986). Arranged by John W. D...(+)
Venezuelan Pieces, 3,
Guitar by Antonio Lauro
(1917-1986). Arranged by
John W. Duarte. For
Guitar. Guitar Series
(J.W.Duarte). Full score
(study). Standard
notation. Published by
Universal Edition
Guitar SKU: PR.ZC2003 Maria Luisa, El nino, Natalia, El negrito. C...(+)
Guitar
SKU:
PR.ZC2003
Maria
Luisa, El nino, Natalia,
El negrito. Composed
by Antonio Lauro. With
Standard notation. 36
pages. Handelsware
#ZC2003. Published by
Handelsware (PR.ZC2003).
Seis Por Derecho Guitare [Conducteur] Libreria Musicale Italiana
Guitar or Lute SKU: BT.GZ-00568300 Joropo, Al Estilo Del Harp Venezola...(+)
Guitar or Lute
SKU:
BT.GZ-00568300
Joropo, Al Estilo Del
Harp Venezolana - Para
Guitarra. Composed by
Antonio Lauro. Score
Only. Composed 1998.
Libreria Musicale G.
Zanibon #GZ 00568300.
Published by Libreria
Musicale G. Zanibon
(BT.GZ-00568300).
Guitar SKU: PR.ZC2002 El Marabino, Angostura, Carora. Composed by ...(+)
Guitar
SKU:
PR.ZC2002
El
Marabino, Angostura,
Carora. Composed by
Antonio Lauro. With
Standard notation. 36
pages. Handelsware
#ZC2002. Published by
Handelsware (PR.ZC2002).
Venezuelan Waltzes, 2, Guitar by Antonio Lauro (1917-1986). Arranged by John W. ...(+)
Venezuelan Waltzes, 2,
Guitar by Antonio Lauro
(1917-1986). Arranged by
John W. Duarte. For
Guitar. Guitar Series
(J.W.Duarte). Full score
(study). Standard
notation. Published by
Universal Edition
Concerto Guitare, Orchestre [Conducteur] Libreria Musicale Italiana
Guitar and Orchestra SKU: BT.GZ-00587300 Para Guitarra Y Orquesta....(+)
Guitar and Orchestra
SKU:
BT.GZ-00587300
Para Guitarra Y
Orquesta. Composed by
Antonio Lauro. Solo &
Concerto. Score Only.
Composed 2004. Libreria
Musicale G. Zanibon #GZ
00587300. Published by
Libreria Musicale G.
Zanibon (BT.GZ-00587300).
Piano - advanced SKU: M7.KC-2040 Natalia Valse No. 3. Composed by ...(+)
Piano - advanced
SKU:
M7.KC-2040
Natalia
Valse No. 3. Composed
by Antonio Lauro.
Arranged by Alirio Diaz.
This edition: Saddle-wire
stitching. Sheet music.
Incl. the original
Version for guitar. 28
pages. MDS (Music
Distribution Services)
#KC 2040. Published by
MDS (Music Distribution
Services) (M7.KC-2040).