By Irish Traditional. Arranged by Ervin Monroe. For Flute Choir. Classical, Chamber Music. Score and parts. Published by Little Piper

(Little Shop of Horrors, Part 1). By Howard Ashman, music by Alan Menken. Arranged by Michael Story and Mike Story. Marching Band. Marching Band; Score. Big and Easy. Broadway; Movie. Grade 2. 12 pages. Published by Alfred Music Publishing

(Little Shop of Horrors, Part 1). By Howard Ashman, music by Alan Menken. Arranged by Michael Story and Mike Story. Marching Band. Marching Band; Part(s); Score. Big and Easy. Broadway; Movie. Grade 2. 232 pages. Published by Alfred Music Publishing

By Hans Zimmer And James Newton Howard. Arranged by Victor Lopez. For Marching Band. Marching Band. Mega Sounds for Marching Band. Movie. Level: 3 (Medium) (grade 3). Score. Published by Alfred Publishing.

By Queen. Arranged by Tom Wallace. For Marching Band (Score and Parts). Arrangers' Publ Marching Band. Grade 3. Published by Arrangers' Publishing Company

By Sting. By Sting. Arranged by Michael Brown and Will Rapp. For Marching Band (Score and Parts). Contemporary Marching Band. Grade 3-4. Published by Hal Leonard

By Jerry Herman. Arranged by Jay Bocook and Omar Carmenates. For Marching Band (Score and Parts). Contemporary Marching Band. Grade 3-4. Published by Hal Leonard

Arranged by Richard L. Saucedo. Easy Contemporary Marching Band. Published by Hal Leonard.

By The Beatles. Arranged by M Sweeney. Contemporary Marching Band. Published by Hal Leonard.

By Freddie Mercury. Arranged by Richard L. Saucedo. (Score and Parts). Esprit (Marching Band). Published by Hal Leonard.

Composed by Hugh Cregg, John Colla, Sean Hopper, Chris Hayes, William Gibson and Mario Cipollina. Arranged by Allen Gray. For Marching Band. Production Number. Pop. Medium Easy. Score and parts. Published by Matrix Publishing

Fanfare Band - Grade 3

SKU: BT.DHP-1135394-120

Bad Orb Impressions. Composed by Jacob De Haan. Concert and Contest Collection CBHA. Concert Piece. Score Only. Composed 2013. De Haske Publications #DHP 1135394-120. Published by De Haske Publications (BT.DHP-1135394-120).

9x12 inches. English-German-French-Dut ch.

The inspiration for this three-part work goes back to the International European Youth Wind Music Festival, of which the patron has been Jacob de Haan several times. It begins in a festive march tempo, then sacred music, instrumental groups playing off_x001E_stage and a little march for brass and _x001D_flutes. The third movement is a parade in which the various sections of the ensemble head towards the stage from different directions. Even without the effective choreography of the musicians, Call of the Valley is an impressive concert band composition.

Jacob de Haan haalde zijn inspiratie voor dit driedelige werk bij het Hessische kuuroord Bad Orb en het tweejaarlijkse Blaasmuziekfestival van de Europese Jeugd, waarvan hij meerdere keren beschermheer was. In het werk verwerkte de componist verschillende e_x001D_ecten die betrekking hebben op het festival. Zo hoort men in de vallei verschillende orkesten door elkaar spelen, een indrukwekkend e_x001D_ect dat ook in de compositie werd verwerkt. Ook kan men ervoor kiezen om tijdens het werk het orkest op te splitsen en het podium te laten verlaten en marcherend weer richting podium te stappen. Een spectaculair en vernieuwend werk!

Die Inspiration für dieses dreiteilige Werk geht auf das Internationale Blasmusikfest der Jugend Europas zurück, dessen Schirmherr schon mehrfach Jacob de Haan war. Es beginnt in festlich marschierendem Tempo, gefolgt von sakraler Musik, abseits der Bühne spielenden Instrumentengruppen und einem kleinen Marsch für Blechbläser und Flöten. Der dritte Satz ist eine Parade, bei der sich das geteilte Orchester aus verschiedenen Richtungen auf die Bühne zu bewegt. Auch ohne die effektvolle Positionierung der Musiker ist Call of the Valley ein eindrucksvolles Blasorchesterwerk.

Call of the Valley s’ouvre sur un tempo festif en forme de marche. Des sonorités majestueuses dessinent un concert de musique sacrée. Puis deux groupes instrumentaux quittent la scène et exécutent leurs parties distance. Un groupe de saxophones interprète une valse, un autre groupe réunissant cuivres et _x001D_fl tes joue une marche. la fin de l’oeuvre, l’orchestre reprend les thèmes des deux groupes tandis que ceux-ci reviennent vers la scène. Une fois arrivés, ils restent face au public alors que résonne l’accord _x001C_final.

Un festival di musica per _x001E_ati per banda giovanile che si tiene a Hesse in Germania, e al quale Jacob de Haan ha più volte partecipato in veste di giurato, è servito da ispirazione per comporre questo brano. L’inizio vede un tempo festivo che simboleggia l’arrivo delle bande. Sonorit maestose disegnano un concerto di musica sacra, seguite da suoni che evocano le interpretazioni di varie orchestre. Un gruppo di sax interpreta un piccolo valzer, un altro gruppo che unisce ottoni, _x001D_auti e ottavino suona una piccola marcia. Nel _x001E_finale dell’opera, l’orchestra riprende i temi dei due gruppi.

Fanfare Band - Grade 3

SKU: BT.DHP-1135394-020

Bad Orb Impressions. Composed by Jacob De Haan. Concert and Contest Collection CBHA. Concert Piece. Set (Score & Parts). Composed 2013. De Haske Publications #DHP 1135394-020. Published by De Haske Publications (BT.DHP-1135394-020).

9x12 inches. English-German-French-Dut ch.

The inspiration for this three-part work goes back to the International European Youth Wind Music Festival, of which the patron has been Jacob de Haan several times. It begins in a festive march tempo, then sacred music, instrumental groups playing off_x001E_stage and a little march for brass and _x001D_flutes. The third movement is a parade in which the various sections of the ensemble head towards the stage from different directions. Even without the effective choreography of the musicians, Call of the Valley is an impressive concert band composition.

Jacob de Haan haalde zijn inspiratie voor dit driedelige werk bij het Hessische kuuroord Bad Orb en het tweejaarlijkse Blaasmuziekfestival van de Europese Jeugd, waarvan hij meerdere keren beschermheer was. In het werk verwerkte de componist verschillende e_x001D_ecten die betrekking hebben op het festival. Zo hoort men in de vallei verschillende orkesten door elkaar spelen, een indrukwekkend e_x001D_ect dat ook in de compositie werd verwerkt. Ook kan men ervoor kiezen om tijdens het werk het orkest op te splitsen en het podium te laten verlaten en marcherend weer richting podium te stappen. Een spectaculair en vernieuwend werk!

Die Inspiration für dieses dreiteilige Werk geht auf das Internationale Blasmusikfest der Jugend Europas zurück, dessen Schirmherr schon mehrfach Jacob de Haan war. Es beginnt in festlich marschierendem Tempo, gefolgt von sakraler Musik, abseits der Bühne spielenden Instrumentengruppen und einem kleinen Marsch für Blechbläser und Flöten. Der dritte Satz ist eine Parade, bei der sich das geteilte Orchester aus verschiedenen Richtungen auf die Bühne zu bewegt. Auch ohne die effektvolle Positionierung der Musiker ist Call of the Valley ein eindrucksvolles Blasorchesterwerk.

Call of the Valley s’ouvre sur un tempo festif en forme de marche. Des sonorités majestueuses dessinent un concert de musique sacrée. Puis deux groupes instrumentaux quittent la scène et exécutent leurs parties distance. Un groupe de saxophones interprète une valse, un autre groupe réunissant cuivres et _x001D_fl tes joue une marche. la fin de l’oeuvre, l’orchestre reprend les thèmes des deux groupes tandis que ceux-ci reviennent vers la scène. Une fois arrivés, ils restent face au public alors que résonne l’accord _x001C_final.

Un festival di musica per _x001E_ati per banda giovanile che si tiene a Hesse in Germania, e al quale Jacob de Haan ha più volte partecipato in veste di giurato, è servito da ispirazione per comporre questo brano. L’inizio vede un tempo festivo che simboleggia l’arrivo delle bande. Sonorit maestose disegnano un concerto di musica sacra, seguite da suoni che evocano le interpretazioni di varie orchestre. Un gruppo di sax interpreta un piccolo valzer, un altro gruppo che unisce ottoni, _x001D_auti e ottavino suona una piccola marcia. Nel _x001E_finale dell’opera, l’orchestra riprende i temi dei due gruppi.

By John Philip Sousa. Arranged by David Lovrien/James Gann. For concert band. Sousa's long-lost march, available at last. March. Full score and set of parts. Duration 2:30. Published by Lovebird Music. (105) Level: Grade 4 (Intermediate).

By Franz Shubert. Arranged by Robert D. Mccashin. String Orchestra. FJH String Orchestra. Schubert's March Militaire in D Major was originally composed for piano, 4 hands. It, along with two other march militaires (G and E-flat), is believed to have been written in the late summer or fall of 1818. Little else is known about these works, except that they are full of spontaneity and zest. Score for this title: ST6110S. Extra part for this title: ST6110P. Level: 3. Published by The FJH Music Company Inc.