Choral (SATB Choir) SKU: HL.48021234 From Cantata academica, Carmen ba...(+)
Choral (SATB Choir)
SKU: HL.48021234
From Cantata
academica, Carmen
basiliense. Composed
by Benjamin Britten.
Boosey & Hawkes Sacred
Choral. Classical.
Octavo. 16 pages. Boosey
& Hawkes #M051482474.
Published by Boosey &
Hawkes (HL.48021234).
ISBN 9781458423542.
UPC: 884088642037.
6.75x10.5
inches.
Text: in
Latin compiled from the
charter of the
University, and from
older orations in praise
of Basle by Bernhard
Wyss.
Publisher:
Boosey &
Hawkes
Difficulty
level: 4 (for
chorus)
Britten's
genius lifts this work
above being just a worthy
celebration of the 500th
anniversary of the
foundation of Basle
University. It is
tongue-in-cheek and
mockingly non-academic
while referring all the
time to academic musical
forms and formulae. It is
written in two parts
(everything is in the
statutory Latin including
the titles of the parts -
Pars I and Pars II). The
titles of the movements
show Britten's intention
to show off a wide
variety of techniques.
Here are some examples:
Chorale/Alla Rovescio
(the theme is given and
responded to with the
same melody upside
down)/Recitativo/Tema
seriale con fuga/Canone
ed ostinato. There is a
good deal of humour
here.
There are
seven movements in Pars I
and six in Pars II. The
tenor soloist is given
three florid recitatives,
accompanied only by a
piano, which act as
bridges between other
orchestrally accompanied
movements. Of these the
most noteworthy are the
Arioso con canto popolare
for soprano solo with
tenors and basses who hum
a student song; another
terrific Britten scherzo;
and a wonderfully raucous
final pair of movements
(Canon ed ostinato and
Corale con canto) where
Britten seems to be aping
the Vivat Regina! cries
in Parry's I was glad or
encouraging the kind of
noisy 'I'm from the best
university' kind of
student touchline shout.
This has outrageously
high notes for the tenors
(top B) which further
endorse this feeling.
There are real echoes of
the Spring Symphony (see
separate entry) final
movement here which are
further underlined by the
last section of the
Cantata which brings in
the bells, piano, huge
percussion and the
inevitable chorale in
which the choir sings
'that a free academy may
thrive in a free
community, for ever the
ornament and treasure of
illustrious
Basle'.
This may
not be Britten at his
most soul-searching but,
as always, there is
plenty here to enjoy,
especially if the work is
not taken too seriously.
It is a celebratory,
occasional piece and it
could be well taken up by
other academic
establishments
celebrating big
anniversaries. The chorus
parts are not very
difficult, though they do
present challenges for
the choir - not least in
having tenors capable of
those very high notes at
the end. The Tema seriale
con fuga is sinewy and
needs careful tuning. It
also has the subject
regularly given upside
down after its initial
sounding by the basses.
All good
fun.
Composed by Tedd Smith.
Arranged by John F.
Wilson. Piano
Accompaniment with
Optional Orchestra.
Hope's All-Time Best
Sellers Series.
Contemporary, General
Worship, Sacred. Set of
Instrumental Parts. Hope
Publishing Company
#CF167O. Published by
Hope Publishing Company
(HP.CF167O).
UPC:
763628248192. Acts
2:42-47, Deuteronomy
8:16, Exodus 16:31,
Isaiah 30:15, John
6:31,49, Matthew 18:20,
Mark 6:30-34,53-:56,
Psalms 133:1, Psalms
23:1-6.
Popular
worship song This
John F. Wilson classic is
appropriate for services
where love is the theme
and is especially useful
for weddings. The
familiar words are a
paraphrase of 1
Corinthians 13 and the
haunting tune is based on
the traditional English
melody, O WALY WALY. The
SAB voicing, String
Quartet setting and
Performance/Accompaniment
CD are new for this year
(2012). The String
Quartet setting can be
for strings only or used
as an accompaniment for
the choral settings or
the vocal solo, but not
for the TTBB version
which is in the Key of C.
String Parts come in the
two keys, A & G, and
include parts for Violin
1 & 2, Viola and
Cello.
(based on Ternovka
Sher). Composed by
Traditional. Arranged by
Julie Lyonn Lieberman.
Solo or Ensemble. Voyager
String Orchestra. Kendor
Music Inc #09206S.
Published by Kendor Music
Inc (KN.09206S).
UPC:
822795092066.
Where
energy, humor, dance, a
tinge of sorrow, and the
joy to be alive meet --
that's where you'll find
Klemzer music. This
soulful melody with its
spirited rhythms will
animate your orchestra
and bring your audience
to its feet. The Junior
(grade 2+) and Senior
(grade 4) editions
interlock to create a
wonderful multi-level
edition that's perfect
for all-district concerts
and festivals. Duration
ca. 2:35. An interlocking
score can be downloaded
for free here. Available
in SmartMusic.
SATB choir SKU: HP.A679S Composed by Hal H. Hopson. Arranged by Hal H. Ho...(+)
SATB choir
SKU:
HP.A679S
Composed by
Hal H. Hopson. Arranged
by Hal H. Hopson. Piano
with Optional String
Parts. Christmas, Sacred.
String Parts. Hope
Publishing Company
#A679S. Published by Hope
Publishing Company
(HP.A679S).
UPC:
763628249373. John 1:14,
Luke 2:35, Luke 2:6-20,
Matthew 2:1-12,
Revelation 17:16,
Revelation
19:16.
Traditional
16th century English
melody Choral Setting by
Hal H. Hopson. Hal
Hopson's appealing choral
setting takes on a global
flavor with the addition
of handbellls and
tambourine.
S Is Silent, The Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire Kendor Music Inc.
Jazz Ensemble standard jazz ensemble with opt. vibes - Grade 3.5 SKU: KN.4337...(+)
Jazz Ensemble standard
jazz ensemble with opt.
vibes - Grade 3.5
SKU:
KN.43371
Composed by
Kris Berg. Jazz
Samba/Swing. Jazz
Ensemble Series. Jazz
Samba/Swing. Score and
parts. Kendor Music Inc
#43371. Published by
Kendor Music Inc
(KN.43371).
UPC:
822795433715.
Commi
ssioned by the jazz
division of the Illinois
Music Education
Association for the 2021
Illinois All-State Honors
Jazz Band, this Kris Berg
chart will be an exciting
addition to any library.
With feels that alternate
between samba and swing,
a strong melody and lots
of full ensemble work,
this chart makes sure
that everyone gets in on
the action. Solo space is
provided for alto
saxophone and trumpet.
Standard instrumentation
with optional
vibes.
Jazz Ensemble standard jazz ensemble (playable by 12-17 players) with opt. flute...(+)
Jazz Ensemble standard
jazz ensemble (playable
by 12-17 players) with
opt. flute, clarinet, F
horn, tuba and vibes -
3.2
SKU: KN.42027S
Composed by George
Shutack. First Edition
Series. Kendor Music Inc
#42027S. Published by
Kendor Music Inc
(KN.42027S).
UPC:
822795420272.
This
swing original features
great scoring and a solid
melody. The minor
harmonies provide an easy
entry into the world of
improvisation for medium
easy groups. Written with
reduced instrumentation
(12-17 players), optional
flute, clarinet, horn in
F, tuba and vibes parts
are included in each set.
Duration 3:40.
Beg, Borrow And Steal Ensemble Jazz [Conducteur et Parties séparées] Kendor Music Inc.
Jazz Ensemble standard jazz ensemble (playable by 12-17 players) with opt. flute...(+)
Jazz Ensemble standard
jazz ensemble (playable
by 12-17 players) with
opt. flute, clarinet, F
horn, tuba and vibes -
3.2
SKU: KN.42027
Composed by George
Shutack. First Edition
Series. (playable by
12-17 players). Swing.
Score and parts. Kendor
Music Inc #42027.
Published by Kendor Music
Inc (KN.42027).
UPC:
822795420272.
This
swing original features
great scoring and a solid
melody. The minor
harmonies provide an easy
entry into the world of
improvisation for medium
easy groups. Written with
reduced instrumentation
(12-17 players), optional
flute, clarinet, horn in
F, tuba and vibes parts
are included in each set.
Duration 3:40.
Jazz Ensemble standard jazz ensemble with opt. vibes - Grade 3.5 SKU: KN.4337...(+)
Jazz Ensemble standard
jazz ensemble with opt.
vibes - Grade 3.5
SKU:
KN.43371S
Composed by
Kris Berg. Jazz Ensemble
Series. Kendor Music Inc
#43371S. Published by
Kendor Music Inc
(KN.43371S).
UPC:
822795433715.
Commi
ssioned by the jazz
division of the Illinois
Music Education
Association for the
2022Illinois All-State
Honors Jazz Band, this
Kris Berg chart at the
medium advanced level
will be an exciting
addition to any library.
With feels that alternate
between samba and swing,
a strong melody and lots
of full ensemble work,
this chart makes sure
that everyone gets in on
the action. Solo space is
provided for alto
saxophone and trumpet.
Duration 4:35.
Composed
by Satoshi Yagisawa. De
Haske Concert Band.
Concert Piece. Score
Only. Composed 2006. De
Haske Publications
#1074188. Published by De
Haske Publications
(HL.44007247).
With
this work, commissioned
by a prestigious girls?
school with morethan a
hundred years of
tradition and history,
the composer aimed
towrite a universal work
with love as its theme.
He succeeded in doingthis
with Sinfonia - a
delightfully charming
interlude with a
transparentsound and a
striking melody.
In 2005 maakte de
Japanse Hamamatsu
Municipal Senior High
School een nieuwe start
als middelbare school
voor zowel meisjes als
jongens. Voor die
gelegenheid schreef
Satoshi Yagisawa op
verzoek een nieuw
schoollied. In januari
2006componeerde hij
Sinfonia voor het
schoolharmonieorkest,
geleid door Atsuo
Yamagata. Het werd een
universeel werk met
liefde als thema, een
soort interludium met een
transparante klank en een
treffende
melodie.
Mit
diesem Werk, das er zur
Umwandlung einer
traditionsreichen
Madchenschule zu einer
gemischten Schule
schrieb, wollte der
japanische Komponist ein
universelles Werk uber
das Miteinander und die
Liebe schaffen. Dies
gelang ihm mit
Sinfonia, einem
interessanten
Zwischenspiel von
transparentem Klang mit
einer eindruckvollen
Melodie.
Le Lycee
Municipal d'Hamamatsu au
Japon fut un prestigieux
lycee de filles
s'appuyant sur plus de
cent ans d'histoire et de
traditions. En 2005,
l'etablissement prit un
nouvel envol en devenant
un lycee mixte. Pour
celebrer cet evenement,
Satoshi Yagisawa fut
charge de composer un
nouveau chant
emblematique de
l'ecole.En janvier 2006,
il compose
Sinfonia, une
œuvre de commande
pour l'Orchestre
d'Harmonie du Lycee
(Atsuo Yamagata, dir.).
L'œuvre se veut
universelle developpant
le theme eternel de
l'amour : une sorte
d'interlude sur une trame
sonore cristalline et une
ligne melodique
enivrante.
Composed
by Satoshi Yagisawa. De
Haske Concert Band.
Concert Piece. Score
Only. Composed 2006. Hal
Leonard #1074188.
Published by Hal Leonard
(HL.44007246).
With this work,
commissioned by a
prestigious girls? school
with morethan a hundred
years of tradition and
history, the composer
aimed towrite a universal
work with love as its
theme. He succeeded in
doingthis with Sinfonia -
a delightfully charming
interlude with a
transparentsound and a
striking melody.
In 2005 maakte de
Japanse Hamamatsu
Municipal Senior High
School een nieuwe start
als middelbare school
voor zowel meisjes als
jongens. Voor die
gelegenheid schreef
Satoshi Yagisawa op
verzoek een nieuw
schoollied. In januari
2006componeerde hij
Sinfonia voor het
schoolharmonieorkest,
geleid door Atsuo
Yamagata. Het werd een
universeel werk met
liefde als thema, een
soort interludium met een
transparante klank en een
treffende
melodie.
Mit
diesem Werk, das er zur
Umwandlung einer
traditionsreichen
Madchenschule zu einer
gemischten Schule
schrieb, wollte der
japanische Komponist ein
universelles Werk uber
das Miteinander und die
Liebe schaffen. Dies
gelang ihm mit
Sinfonia, einem
interessanten
Zwischenspiel von
transparentem Klang mit
einer eindruckvollen
Melodie.
Le Lycee
Municipal d'Hamamatsu au
Japon fut un prestigieux
lycee de filles
s'appuyant sur plus de
cent ans d'histoire et de
traditions. En 2005,
l'etablissement prit un
nouvel envol en devenant
un lycee mixte. Pour
celebrer cet evenement,
Satoshi Yagisawa fut
charge de composer un
nouveau chant
emblematique de
l'ecole.En janvier 2006,
il compose
Sinfonia, une
œuvre de commande
pour l'Orchestre
d'Harmonie du Lycee
(Atsuo Yamagata, dir.).
L'œuvre se veut
universelle developpant
le theme eternel de
l'amour : une sorte
d'interlude sur une trame
sonore cristalline et une
ligne melodique
enivrante.
Jazz Ensemble - Grade 3 SKU: KN.61203S Composed by Jeff Jarvis. Jazz Jour...(+)
Jazz Ensemble - Grade 3
SKU: KN.61203S
Composed by Jeff Jarvis.
Jazz Journey. Kendor
Music Inc #61203S.
Published by Kendor Music
Inc (KN.61203S).
UPC:
822795612035.
Los
Angeles-based jazz
composer Jeff Jarvis has
composed yet another
tuneful funk chart for
advancing groups that
grooves from start to
finish. This chart has
all the characteristics
that make Jarvis' best
selling funk charts so
popular with jazz bands
everywhere. If you like
Critical Mass, Honk, Old
School, and Mohave
Breakdown - then you've
got to check this one
out! It begins with a
contemporary piano
introduction, moving into
a catchy melody presented
initially in a two-part
writing technique.
Heavily syncopated piano
comping, supported by
staccato bass lines, will
remind you of Tower of
Power's bassist, Francis
Rocco Prestia. A guitar
chord chart by Jim
Greeson is included in
each set. Duration
5:10.
Times Gone By Ensemble Jazz [Conducteur] Kendor Music Inc.
Jazz Ensemble - Medium Easy SKU: KN.EDB2201FS Alto Sax or Trumpet Feat...(+)
Jazz Ensemble - Medium
Easy
SKU:
KN.EDB2201FS
Alto
Sax or Trumpet
Feature. Composed by
Doug Beach. First Edition
Series (E). Score Only.
Kendor Music Inc
#EDB2201FS. Published by
Kendor Music Inc
(KN.EDB2201FS).
12 x 9
inches.
Doug Beach
has crafted a dramatic
ballad the features
either Alto Saxophone or
Trumpet. The haunting
melody over minor changes
will be an excellent
showcase for your
soloist. Doug uses a
variety of colors in the
background figures to
keep things interesting
and give the chart a lot
of personality.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, End of the
church year, Trinity,
Praise and thanks. Single
Part, Violin 1. Composed
1724. BWV 139. 12 pages.
Duration 20 minutes.
Carus Verlag #CV
31.139/11. Published by
Carus Verlag
(CA.3113911).
ISBN
9790007208240. Text
language: German/English.
Text: Rube, Johann
Chr.
Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900.