| Essay for Strings [Conducteur] Theodore Presser Co.
Orchestra Violin 1, Violin 2, Viola, Cello, Contrabass SKU: PR.11640110S ...(+)
Orchestra Violin 1,
Violin 2, Viola, Cello,
Contrabass SKU:
PR.11640110S Composed
by Adolphus Hailstork.
Full score. Duration 8
minutes. Theodore Presser
Company #116-40110S.
Published by Theodore
Presser Company
(PR.11640110S). UPC:
680160682744. The
Essay for Strings was
written in 1986 in memory
of Glenn Hull, a
colleague and the choir
director at Norfolk State
University during my
early years there. His
sudden passing was a
shock, and I expressed my
sadness in this work. It
was premiered that year
by the NSU orchestra at
their Winter concert. In
w000, after
conductor-composer
Coleridge Taylor
Perkinson gave the work
its second performance in
Chicago (with the
ensemble of the Center
For Black Music
Reasearch), I decided to
add it to my catalog of
orchestra works. The
designation Essay refers
to the fact that the
piece is based on one
idea (like a literary
essay). In this case the
musical idea (or motive)
is made from the initials
of my deceased friend,
Glenn Hull (G and H in
music are represented by
the pitches G and
B-natural). These two
notes are sounded
throughout the work in
tribute to him. $16.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Essay for Strings Theodore Presser Co.
Orchestra Violin 1, Violin 2, Viola, Cello, Contrabass SKU: PR.11640110L ...(+)
Orchestra Violin 1,
Violin 2, Viola, Cello,
Contrabass SKU:
PR.11640110L Composed
by Adolphus Hailstork.
Large Score. Duration 8
minutes. Theodore Presser
Company #116-40110L.
Published by Theodore
Presser Company
(PR.11640110L). UPC:
680160682751. The
Essay for Strings was
written in 1986 in memory
of Glenn Hull, a
colleague and the choir
director at Norfolk State
University during my
early years there. His
sudden passing was a
shock, and I expressed my
sadness in this work. It
was premiered that year
by the NSU orchestra at
their Winter concert. In
w000, after
conductor-composer
Coleridge Taylor
Perkinson gave the work
its second performance in
Chicago (with the
ensemble of the Center
For Black Music
Reasearch), I decided to
add it to my catalog of
orchestra works. The
designation Essay refers
to the fact that the
piece is based on one
idea (like a literary
essay). In this case the
musical idea (or motive)
is made from the initials
of my deceased friend,
Glenn Hull (G and H in
music are represented by
the pitches G and
B-natural). These two
notes are sounded
throughout the work in
tribute to him. $22.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 20th Century Orchestra Studies for Trumpet Trompette [Partition] Schirmer
Trumpet Solo. By Various. Arranged by G Johnson. (Trumpet). Brass Method. Size ...(+)
Trumpet Solo. By Various.
Arranged by G Johnson.
(Trumpet). Brass Method.
Size 9x12 inches. 128
pages. Published by G.
Schirmer, Inc.
(1)$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Brenda Stubbert's - The Second Collection Violon [Partition] - Intermédiaire Cranford Publication
Edited by Paul Stewart Cranford. Arranged by Melissa Emmons. For Fiddle. Solos. ...(+)
Edited by Paul Stewart
Cranford. Arranged by
Melissa Emmons. For
Fiddle. Solos. Cranford
Publications.
Canadian-Maritime.
Intermediate. Book. 80
pages
$19.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ein Spanier fur Elise ( CD) 1 Piano, 4 mains [Partition + CD] Breitkopf & Härtel
By Michael Proksch. For Piano, 4-hands. This edition: Piano, 4-hands. Edition Br...(+)
By Michael Proksch. For
Piano, 4-hands. This
edition: Piano, 4-hands.
Edition Breitkopf.
Attached. 48 pages.
Published by Breitkopf
and Haertel (German
import).
$31.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Laurel Tree Piano seul Theodore Presser Co.
Chamber Music Two Flutes, Piano SKU: PR.114408650 For 2 Flutes and Pia...(+)
Chamber Music Two Flutes,
Piano SKU:
PR.114408650 For 2
Flutes and Piano.
Composed by Robert
Maggio. Spiral, Saddle,
Tape. Set of Score and
Parts. With Standard
notation. 56 + 32 pages.
Duration 20 minutes.
Theodore Presser Company
#114-40865. Published by
Theodore Presser Company
(PR.114408650). UPC:
680160013180. 8.5 x 11
inches. The Laurel
Tree is rooted in the
world of mythology, for
it reflects the legend of
Daphne and Apollo. As the
story goes, Cupid, in a
fit of spite, shot Apollo
with an arrow that rouses
love, then shot Daphne
with an arrow that
vanquishes love. Upon
seeing Daphne, Apollo
fell passionately in
love. When he approached
her, Daphne fled in
terror, and Apollo chased
after her. Just as she
was about to be caught by
Apollo, Daphne cried for
help to her father, the
river-god Peneus. She
begged him to change her,
to destroy her beauty, so
that Apollo would no
longer persue her. And
so, Peneus turned her
into a radiant laurel
tree. The Laurel Tree
looks at the legend of
Daphne in psychological
terms. In an essay titled
Schizophrenia - the
Inward Journey, Joseph
Campbell refers to the
image of Daphne turning
into a laurel tree as the
image of a psychosis, and
shows that the imagery of
the mythological hero
journey matches that of
schizophrenic fantasy.
The movement titles and
the structure of the
piece are influenced by
Campbell's writings on
mythology, particularly
his universal formula of
the hero's journey. The
first movement is based
on the legend as
described above, up to
the moment Daphne is
turned into a laurel
tree. The second movement
explores Daphne's inward
retreat, deep into her
psyche and backward in
time, toward chaotic and
terrifying experiences,
to recover something
missed or lost. The third
movement tracks Daphne's
return journey of rebirth
to life, in harmony, at
peace, richer, stronger,
and more joyous. $65.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Farewell Wish Carl Fischer
Choral alto 1, alto 2, solo Voices, soprano 1, soprano 2 SKU: CF.CM9768 C...(+)
Choral alto 1, alto 2,
solo Voices, soprano 1,
soprano 2 SKU:
CF.CM9768 Composed by
Z. Randall Stroope.
Duration 3 minutes, 19
seconds. Carl Fischer
Music #CM9768. Published
by Carl Fischer Music
(CF.CM9768). ISBN
9781491160343. UPC:
680160923298. Key: G
major.
English. About the
WorkThe text of this work
is most often attributed
to Ralph Waldo Emerson,
although it doesn't
mirror his style, and no
research credits an
essay, book or letter
with its source. Other
individuals are
occasionally suggested as
possible authors, but
equally unsubstantiated.
Even whether the textis a
poem or a quote seems
unclear. But there is one
thing that is without
question: that this
beloved text has inspired
countless people and
contributed toward a view
of the world through eyes
of hope, resilience,
courage, beauty, and joy.
Music for this text
flowed more easily than
about any text I have
ever set. It has an
emotional connection that
is mystical, and after I
read it for the first
time, I immediately sat
down and wrote this work
without stop.Rehearsal
NotesIn many cases, art
is more expressive and
reaches a wider range of
human emotions when
multiple artistic fields
are fused together. Such
is the case with choral
music: the intertwining
of literature, music, and
very often dance, visual
arts, and more. The story
in choral music is often
quite specific, much like
film scoring. At times,
the music is the picture
frame (score) around the
picture (text), while at
others the music is the
leading
dramatic/emotional
impetus.In the present
case (My Farewell Wish),
the text is sincere,
innocent, heartfelt, and
earnest. By all accounts,
the message is
altruistic, expressing
selfless desire for
another's present/future
happiness. Capturing this
message has a strong
reliance on the
performers to not only
carry the emotional
intent of the moment (a
phrase of text or a
measure), but the the
energy and continuance of
the message
throughout.The use of the
[o] vowel functions
almost as instrumental
interludes or
underpinning of strings.
The conductor may use the
[o] as indicated in the
score, or a [u] vowel, a
hum (with [o] as the
vowel inside the mouth),
or all three at different
times for different
reasons. In an acoustical
performance (no mic), the
soloist and the ensemble
are a reflection of each
other's natural sound.
And, even gentle, warm
solo voices should have
no trouble projecting.Two
final thoughts: 1) the
obbligato or added voice
or two on high passages
(m. 66) or a single note
(final chord) will be
best delivered by
lyrical, pure voices with
demonstrated control; and
2) the metronome marking
of 80 bpm (mm.
1–81) was strongly
considered and should be
followed.About the
ComposerZ. Randall
Stroope is an American
composer and conductor.
His composition teachers
were Normand Lockwood and
Cecil Effinger, both
students of the Nadia
Boulanger, the famous
French teacher (and
student of Gabriel
FaureÌ). Randall is
the artistic director of
two international summer
music festivals, is an
Honorary Board Member of
the NationalAssociation
of Italian Choral
Directors, and has
conducted in 25
countries. He has
directed over 40 times at
Carnegie Hall, and is a
frequent conductor at
other prestigious concert
venues. Randall has 190
published works, and his
music can be heard on
Spotify, YouTube and
other platforms,
including his website
(www.zrstroope.com). $2.30 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bläserbuch zum Gotteslob Barenreiter
Voice 4 (Bass)in B (Notviolin)(Tsecond romb,Tthird romb,horn-Bar,Euph,B-Tuba ) (...(+)
Voice 4 (Bass)in B
(Notviolin)(Tsecond
romb,Tthird
romb,horn-Bar,Euph,B-Tuba
) (4. Voice (Bass) in B
(Treble clef) (2.
Trombone, 3. Trombone,
Baritone horn, Euphonium,
B-Tuba)) SKU:
BA.BA11242-49 Edited
by Andreas Dewey,
Bernhard Blitsch, and
Richard Mailänder.
Ring stitching. Eigenteil
des Erzbistums Köln.
Single part. 82 pages.
Baerenreiter Verlag
#BA11242_49. Published by
Baerenreiter Verlag
(BA.BA11242-49). ISBN
9790006563630. 15 x 21 cm
inches. The
acclaimed percussionist
Christian Dierstein has
joined forces with a
research group at the
Basel Academy of Music to
examine the techniques of
percussion playing from
an innovative
perspective. The main
focus falls less on the
instruments than on their
sound producers: beaters,
mallets, sticks, bows,
specific manual
techniques up to and
including electronic
pulse generators. This
book describes all of
them in detail and
illustrates their range
of application in
carefully selected and
annotated examples from
the repertoire.
Many essays by guest
authors such as Nicolaus
A. Huber, Steven Schick,
Fritz Hauser and Bernhard
Wulff relate the
performance descriptions
to ongoing aesthetic
debates. They reveal that
sound production and
interaction with
sound-generating objects
have moved centre stage
in contemporary
composition and its
expanded concepts of
material and performance.
The result is a
comprehensive reference
book for composers and
performers that will also
serve as a source of
inspiration for future
innovative approaches in
percussion
playing.
The
authors Christian
Dierstein completed his
musical studies with
Bernhard Wulff
(Freiburg), Gaston
Sylvestre (Paris) and
Wassilios Papadopulus
(Mannheim). A multiple
prize-winner at music
competitions, he has
played percussion
withEnsemble
Recherchesince 1988
andTrio Accantosince 1994
together with Nic Hodges
and Marcus Weiss. In
addition he has been
professor of percussion
and contemporary chamber
music at the Basel
Academy of Music since
2001.
Michel Roth
is professor of
composition and music
theatre at the Basel
Academy of Music and a
member of its research
department. As a composer
he is a regular guest at
music festivals, recently
with a focus on music
theatre. In 2017
Barenreiter published
hisTechniques of Trombone
Playingco-written with
Mike Svoboda. This was
awarded theBest
Editionprize by the
German Music Publishers
Association in
2018.
Jens Ruland
studied percussion with
Carlos Tarcha at the
Cologne University of
Music (2007-12) where he
completed his performance
and teaching degree with
distinction. Since 2012
he has consolidated his
studies with Christian
Dierstein in Basel. He is
a founding member ofhand
werk(Cologne),232
percussion(Cologne),Ensem
ble New4Art(Switzerland)
and the music theatre
duoAkt-tkA(Spain and
Switzerland).
$15.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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