Arranged by Jonathon Robbins. For piano, voice, guitar solo. Solo. Best of Christmas series. Christmas. Sheet Music. Text Language: English. 8 pages. Published by Santorella Publications . Sheet Music. Christmas.

Rockin' Around The Christmas Tree and Up On The Housetop arranged by Jonathon Robbins. For piano, voice, guitar solo. Solo. Best of Christmas series. Christmas. Sheet Music. Text Language: English. 8 pages. Published by Santorella Publications

Chamber Music Piano

SKU: PR.140401340

Sketches for Piano. Composed by Harry T. Burleigh. Edited by Lara Downes. 16 pages. Duration 18 minutes. Theodore Presser Company #140-40134. Published by Theodore Presser Company (PR.140401340).

ISBN 9781491134450. UPC: 680160684953.

Best known for his settings of spirituals and influence on Dvorák, Henry T. Burleigh was a celebrated baritone, and a prolific composer of original works. FROM THE SOUTHLAND is a suite of six atmospheric scenes of the American south, inspired by Black musical and cultural traditions. FROM THE SOUTHLAND is within reach of intermediate pianists and artistically suited for professional recitals.
In 1835, Henry T. Burleigh’s maternal grandfather purchased his own release from slavery for the sum of $50, and traveled north out of Maryland to begin a new life as a free man. He established his family in Ithaca, NY, and then moved to the bustling lakefront city of Erie, PA, where three decades later his grandson Henry would be born and raised.For Burleigh, the “Southland” that inspired this collection of piano sketches was a distant place that could not have been more different from the physical world he knew, up there in the northern snowbelt. And yet these southern landscapes and vignettes must have been intensely present in his consciousness, absorbed through the stories and songs he first learned at his grandfather’s knee.The music of the South – the spirituals and work songs he heard as a child –would travel with Burleigh throughout his long and illustrious musical life. Even as he progressed through his early classical training, his career as a baritone soloist in Erie’s churches and synagogue, his move to New York to study at the National Conservatory of Music, and his rise to national prominence as a concert soloist, these ancestral melodies stayed firmly centered in his musical identity.When he wrote From the Southland, his only composition for solo piano, Burleigh was just beginning his career as a composer. The art songs that would establish him as one of America’s best known composers in the genre were still to come. And so were his iconic arrangements of spirituals that would bring the songs of slavery onto concert stages around the world, transformed into timeless and uniquely American music.These little piano sketches bring together all the things that made Burleigh the musician he was – the lush, late-romantic style of his time; a broad vision for American music; and a profound respect for his heritage, a memory of the world his grandfather left behind, and a love of the music he brought with him.

Rudolph, The Red Nosed Reindeer and Jolly Old St. Nicholas arranged by Jonathon Robbins. For piano, voice, guitar solo. Solo. Best of Christmas series. Christmas. Sheet Music. Text Language: English. 8 pages. Published by Santorella Publications

Carol Of The Bells and O Little Town Of Bethlehem arranged by Jonathon Robbins. For piano, voice, guitar solo. Solo. Best of Christmas series. Christmas. Sheet Music. Text Language: English. 8 pages. Published by Santorella Publications

By Various. Transcontinental Music Folios. Jewish. Size 8x10 inches. 194 pages. Published by Transcontinental Music Publications.

Violin Duet and Piano with optional Viola and Cello - Grade 2.5

SKU: AP.36-52711050

Composed by Catherine McMichael. Duet or Duo; Performance Music Ensemble; Violin Duet. Ludwig Masters. Sacred. Score. 56 pages. Latham Music Enterprises #36-52711050. Published by Latham Music Enterprises (AP.36-52711050).

ISBN 9781628762013. UPC: 679360706787. English.

The word "hymn" comes from the Greek "hymnos", meaning a festive song.  To hymnologists (people who study hymns), the HYMN is the poetry, the lyrics, which is then set to a HYMN TUNE.  Many wonderful hymn tunes have been used over the centuries with several completely different sets of words.  The name of a hymn tune seldom matches the name of its hymn, and most people refer to hymns by their poetic names rather than their tune names.  However, some hymn tunes are so powerful, so flexible and so rooted in the collective social consciousness that they transcend whatever poetry is put with them.  Several tunes in this set have been used for many poems, most of which are unfamilar.  But we know the melody instantly!  Written for two violins and piano, both a viola and cello part are include to substitue for the 2nd violin.  Hymns (tunes) include: 1. All Glory, Laud and Honor (St. Theodulph), 2. Crown Him With Many Crowns (Diademata), 3. Glorious Things of Thee Are Spoken (Austria), 4. I Love to Tell the Story (Hankey), 5. Immortal, Invisible, God Only Wise (St. Denio), 6. O For a Thousand Tongues to Sing (Axnon), 7. O Worship the King (Lyons), 8. Praise Ye the Lord, the Almighty (Lobe Den Herren).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

By Gyorgy Kurtag. Arranged by Jatekok. EMB. Size 9x12 inches. 25 pages. Published by Editio Musica Budapest.

By Gyorgy Kurtag. Arranged by Jatekok. EMB. Size 9x12 inches. Published by Editio Musica Budapest.

By Gyorgy Kurtag. Arranged by Jatekok. EMB. Size 9x12 inches. 52 pages. Published by Editio Musica Budapest.

(solos: 2vl.va.vc - 4(4picc.A-fl).3.3.B-clar. 3.dble bsn - 4.3.3.1 - perc(4) - hp - pno - str: 10.10.8.8.6)

SKU: BR.PB-5714

Music for Orchestra with String Quartet. Composed by Helmut Lachenmann. Softcover. Partitur-Bibliothek (Score Library). Solo concerto; Dances/marches; Music post-1945. Sheet Music. Composed 1979/80. 176 pages. Duration 36'. Breitkopf and Haertel #PB 5714. Published by Breitkopf and Haertel (BR.PB-5714).

ISBN 9790004216514. 10.5 x 14 inches.

More than my earlier works, this one is interspersed with metrically bound rhythms and musicianly characters that constantly recrystallize and drift towards or away from familiar situations.The familiar: These are dance-like figures and music-making formulas, but also songs and, in two cases fragments of Bach's music - playfully collected memories of impressions in which - consciously and unconsciously - I am embodied with that collective comfort in whose protection bourgeois thinking and feeling, magically protected, grow up and emerge apart.(It is well known that such security has its fetishes from the childlike to the adult stage: Home, religious bond, holidays, tradition, longing for childhood - the superficiality may have little idea of the depth that opens up underneath. There is also no question that we are still marked by such security even when the contradictions and alienation of existence force us to step out of their protection, to recognize and act upon reality, and to oppose the domination of such inner bonds where their original truth has become the fatal untruth of comfortable illusion, stubbornly and fearfully conjured idyll and reactionary narrow-mindedness.My music feeds on figures in which such memories are encapsulated. It deals with them not much differently than in other pieces with the elements of the traditional musical concept of material, having already always reflected compositionally as a product of sociality and anticipation of musical expression, i.e. it moved into a structurally expanded context and expressively redefined from there.Such an approach aims at overcoming lack of freedom: grasping as part of conceiving, i.e. not philosophical reflection, but rather an artistically gripping reflex by intervening in the physical immediacy of such predetermined elements. These penetrate and infect the structural events, inducing a musicianship that cannot be relied upon; the music jumps onto rhythms like onto moving vehicles, allows for being carried by them until they deform or disintegrate. This creates an incline of rhythmically shaped situations: sequence and interweaving of dances and structures.The role of the solo string quartet is versatile, obbligato and concertante, leading and accompanying in a changing sense. Set as a chamber music apparatus in an orchestral landscape, it repeatedly forces its own sound dimensions onto the orchestra, it must accept being drowned out at times, it nests in the holes of tutti fields, it acts as a louse in the fur, forcing one to listen in and out.The Tanzsuite with Deutschlandlied is structured as follows:I. Section. 1. Introduction - 2. Waltz - 3. March - 4. Bridge -II. Section. 5. Siciliano - 6. Capriccio - 7. Valse lente -III. Section. 8. Bridge - 9. Gigue - 10. Tarantelle - 11. Bridge -IV. Section. 12 Aria I - 13 Polka - 14 Aria IIV. Section. 15. Introduction - 16 Gallop - 17 Coda (Aria III)All 17 parts merge into one another.(Helmut Lachenmann, 1980)CDs/LP/DVD:Arditti-Q uartett, Deutsches Symphonie-Orchester Berlin, cond. Olaf HenzoldCD Montaigne Auvidis MO 782019Berner Streichquartett, Sinfonieorchester des SWF, cond. Sylvain Cambreling (Excerpt)CD BMG/RCA 74321 73510 2 (Musik in Deutschland 1950-2000)Berner Streichquartett, Sinfonieorchester des SWF, cond. Sylvain CambrelingLP DMR 1028-30Arditti Quartet, SWR Sinfonieorchester Baden-Baden und Freiburg, cond. Hans Zender Excerpt on CD ,,Auswahl von zehn Urauffuhrungen aus 70 Jahren, SWR Sinfonieorchester Baden-Baden und Freiburg Arditti Quartet, Staatsorchester Stuttgart, cond. Sylvain Cambreling DVD ,,Lachenmann-Perspektiven 6 (Breitkopf & Hartel, BHM 7816) Bibliography:Cavalotti, Pietro: Differenzen. Poststrukturalistische Aspekte in der Musik der 1980er Jahre am Beispiel von Helmut Lachenmann, Brian Ferneyhough und Gerard Grisey (= Sonus. Schriften zur Musik, hrsg. von Andreas Ballsteadt, Band 8), Schliengen: Argus 2006, pp. 79-128.Das sind doch alles Deutschlandlieder! Helmut Lachenmann im Gesprach mit Michael Rebhahn, in: Der Taktgeber. Das Magazin der Jungen Deutschen Philharmonie, Heft 40 (Sommer 2019), S. 6f.Stawowy, Milena: Fluchtversuche in die Hohle des Lowen. Helmut Lachenmanns Tanzsuite mit Deutschlandlied, in: MusikTexte 67/68 (1997), pp. 77-90.Toop, Richard: Concept and Context: A Historiographic Consideration of Lachenmanns Orchestral Works, in: Helmut Lachenmann Inward Beauty, hrsg. von Dan Albertson, Contemporary Music Review 23 (2004), Heft 3/4, pp. 125-144.

World premiere: Donaueschingen (Donaueschinger Musiktage), October 18, 1980.

(New Holiday Songbook). By Various. By Various. For Melody/Lyrics/Chords. Transcontinental Music Folios. Softcover with CD. 58 pages. Transcontinental Music #993468. Published by Transcontinental Music

Holly Jolly Christmas and Silver and Gold arranged by Jonathon Robbins. For piano, voice, guitar solo. Solo. Best of Christmas series. Christmas. Sheet Music. Text Language: English. 8 pages. Published by Santorella Publications

Angels We Have Heard On High and Away In A Manger arranged by Jonathon Robbins. For piano, voice, guitar solo. Solo. Best of Christmas series. Christmas. Sheet Music. Text Language: English. 8 pages. Published by Santorella Publications

Jingle, Jingle, Jingle and O Christmas Tree arranged by Jonathon Robbins. For piano, voice, guitar solo. Solo. Best of Christmas series. Christmas. Sheet Music. Text Language: English. 8 pages. Published by Santorella Publications

Arranged by Jonathon Robbins. For piano, voice, guitar solo. Solo. Best of Christmas series. Christmas. Sheet Music. Text Language: English. 8 pages. Published by Santorella Publications