(Fall (September, October, and November) - for S.A.T.B. Chorus and Piano). By Peter Schickele. SATB chorus. For SATB, Piano. Choral. Piano reduction/vocal score. Standard notation. 27 pages. Duration 6 minutes, 30 seconds. Published by Theodore Presser Company

(For Piano Solo and S.A.T.B. Chorus Accompaniment). By Peter Schickele. SATB chorus. For Piano Solo, SATB. Elkan-Vogel Choral Music. Classical. Piano reduction/vocal score. Standard notation. Composed AUGUST 26 1987. 14 pages. Duration 28 minutes. Published by Theodore Presser Company

(1. Prologue). By Peter Schickele. For SATB, Piano. Classical. Piano reduction/vocal score. Standard notation. 12 pages. Duration 3 minutes. Published by Theodore Presser Company

(III. Winter). By Peter Schickele. SATB chorus. For SATB, Piano. Concerto for Piano and Chorus The Twelve Months. Choral. Piano reduction/vocal score. Standard notation. 19 pages. Duration 5 minutes. Published by Theodore Presser Company

Piano

SKU: M7.BP-1713

12 Pianoforte Pieces. Composed by Theodor Kirchner. Edited by Harry Joelson. Sheet music. Op. 78. 36 pages. Amadeus Verlag #BP 1713. Published by Amadeus Verlag (M7.BP-1713).

ISBN 9790015171307.

Guitar solo - Advanced

SKU: DZ.DZ-4244

Composed by Konstantin Bliokh. Score. Les Productions d'OZ #DZ 4244. Published by Les Productions d'OZ (DZ.DZ-4244).

ISBN 9782898521614.

La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. � ce moment-là, ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.

Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.

Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.

Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.

Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol# â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.

Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ?? Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.

La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.

Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.

Sona ta No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.
Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.
The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.
The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.
The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ? ?B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.
Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.
The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.
I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.

Score (Vocal Score)

SKU: HL.49045653

Vocal Score. Composed by Rodion Shchedrin. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical, Opera. Softcover. Composed 2014-2015. 432 pages. Duration 120'. Schott Music #ED22785. Published by Schott Music (HL.49045653).

ISBN 9790001165716. UPC: 841886032118. 9.0x12.0x1.136 inches. Russian. - Shchedrin -.

Bozena Nemtsova is one of the foremost Czech authors of the 19th century and among the greatest storytellers, with her treasure trove of fairy tales. Her stories also enjoy great popularity in Russia: The Twelve Months translated by Nikolai Leskov, provides the basis for Rodion Shchedrin's opera, A Christmas Tale. With traces of familiar fairy tales such as Cinderella and Snow White, the story tells of a beautiful, hardworking but unloved stepdaughter and her search for a violet in the snow. Ultimately she receives help from the months of the year and her kindheartedness is rewarded.

Study Score. Composed by Rodion Shchedrin (1932-). Schott. Softcover. 404 pages. Schott Music #ED22786. Published by Schott Music

Solo voices, orchestra (Soprano Voice Solo, Mezzo-Soprano Voice Solo, 2 Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, 2 recorder-A, 2 Fl, 2 Ob, 2 clarinet, Str, Continuo)

SKU: BA.BA04052

Dramma per musica in three Acts. Composed by George Frideric Handel. Edited by Terence Best. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Serie II, Band 15. Complete edition, Score. HWV 18. Duration 3 hours. Baerenreiter Verlag #BA04052_00. Published by Baerenreiter Verlag (BA.BA04052).

ISBN 9790006495702. 33.1 x 26 cm inches. Nicola Francesco Haym.

Handel began the composition of Tamerlano, one of the supreme masterpieces of Baroque opera seria, on 3rd July 1724. The libretto was an adaptation by Nicola Haym of Agostino Piovene's Tamerlano, Tragedia per musica, which had been set to music by Francesco Gasparini, and performed in Venice in 1711. When Handel dated the last page of the autograph on 4rd July the work appeared to be complete; but during the three months which passed before the premiere at the King's Theatre in the Haymarket on 31 October, so many alterations and revisions were made that a fresh performing-score had to be writtern very late in the proceedings, to replace an earlier one which is now 1ost.

There were twelve performances between 31 October 1724 and 8 May 1725. Handel revived the opera only once, in 1731, for three performances. For this revival he marked in the performing score a number of cuts in the recitatives, which are reproduced in the present edition; there is more recitative in Tamerlano than in any other Handel opera.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Violin and Guitar

SKU: AP.36-M139591

Arranged by Nicolo Paganini and ed./arr. by Erwin Schwarz-Reiflingen. String Duo & Ensemble, Duo, Parts. Master String Series. Part(s). LudwigMasters Publications #36-M139591. Published by LudwigMasters Publications (AP.36-M139591).

ISBN 9798888529737. UPC: 659359734151. English.

Niccolò Paganini's (1782-1840) wrote two installments (Op. 2 and Op. 3) of six sonatas each for violin and guitar between 1805 and 1809 while he lived in Florence with a guitar-playing noblewoman. Paganini kept both his love for the guitar and the noblewoman secret, and these twelve sonatas were written for more intimate settings rather than the larger public performances we often associate with Paganini's virtuosity. Reprint of guitarist Erwin Schwarz-Reiflingen's (1891-1964) edition. Both Op. 2 and Op. 3 are available from the publisher.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Composed by Lennie Niehaus. Jazz. Book with CD. 24 pages. Hal Leonard Europe #TRY1058. Published by Hal Leonard Europe

Op. 29 & 32 Piano. Composed by Henri Bertini. Edited by Ruth Taneda. This edition: Paperback/Soft Cover. Sheet music. Piano. Classical. Softcover. Op. 29 und op. 32. 120 pages. Schott Music #ED22309. Published by Schott Music

By Johannes Brahms (1833-1897). Edited by Christopher Hogwood. For violin, horn (viola, cello), piano. This edition: Stapled, Urtext edition. Performance score, Set of parts. Text Language: German/English. Opus 40. 54/11/11/11/11 pages. Published by Baerenreiter Verlag

By Fanny Mendelssohn Hensel. Edited by Barbara Heller/ Liana Gavrila Serbescu/Ayako Suga Maack. For piano. First Publication. Level: advanced. Full score. Composed 1841. Duration 47'. Published by Furore-Verlag (German import).