Piano

SKU: HL.50486923

By Victor Ekimovsky_Nikolay Tolstoi. By Anatoly K. Liadov. EMB. Book [Softcover]. 96 pages. Editio Musica Budapest #K305. Published by Editio Musica Budapest (HL.50486923).

ISBN 9789639155435. 9.25x12.25x0.286 inches.

Book/Online Audio. Composed by Various. String Solo. Collection, Classical. Softcover Audio Online. 184 pages. Published by G. Schirmer

By Steven Reineke. Concert Band. Grade 3.5. Score and set of parts. Composed 1997. Duration 0:05:44

Composed by Peter Ilyich Tchaikovsky. For solo piano. Format: piano solo book. Romantic period. Series: The World's Great Classical Music. 216 pages. 9x12 inches. Published by Hal Leonard.

Edited by Albert Weir, Amy Appleby. For piano. Format: piano solo book. With fingerings. Baroque, classical period and romantic period. 400 pages. 9x12 inches. Published by Music Sales.

Clarinet - Intermediate

SKU: FH.WC6

Clarinet Series, 2013 Edition. Composed by The Royal Conservatory. Clarinet Series, 2013 Edition. Book/CD. 68/32 pages. The Frederick Harris Music Company #WC6. Published by The Frederick Harris Music Company (FH.WC6).

ISBN 978-1-55440-582-4.

This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.
Technical Repertoire:
A Canticle for Ryan, op. 127 - Michael Conway Baker
Canzonetta in E flat Major, op. 19 - Gabriel Pierne
Clarinet Concerto in B flat Major: First Movement - Franz Anton Hoffmeister, arr. Mihaly Hajdu
Grande Sonate for Clarinet and Piano: Fourth Movement - Wolfgang Amadeus Mozart, arr. Franz Xavier Gleichauf
Concertino in E flat Major, op. 26, J 109 - Carl Maria von Weber, arr. Cyrille Rose
Lyrical Repertoire:
Grand duo concertante, op. 48, J 204: Second Movement - Carl Maria von Weber, arr. Carl Baermann
Sonatina for Clarinet: Second Movement - Joseph Horovitz
Sonata in E flat Major for Clarinet and Piano, op. 167: First Movement - Camille Saint-Saens
Clair matin (Idylle pour clarinette et piano) - Paul Jeanjean
Concertino in B flat Minor: First Movement - Gaetano Donizetti, arr. Raymond Meylan
Lied - Luciano Berio
Bee Navigation - Libby Larsen.

Mixed choir (SATB) with soloists (AB), speakers and small orchestra or 2 pianos and percussion (STP) - advanced

SKU: HL.49033080

3 morality plays after Aesop's fables. Composed by Hans Werner Henze. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Study score. Composed 1967. 154 pages. Duration 23'. Schott Music #ED9417. Published by Schott Music (HL.49033080).

ISBN 9790001131483. 8.25x11.75x0.389 inches. English - German.

'I. Frosche wunschen sich einen Konig. Sie missverstehen die Warnung Jupiters vor diesem dummen Wunsch, darauf schickt er ihnen einen Kranich, der sie frisst. II. Fruher konnten die Krahen wunderschon singen. Doch als sie versuchen, das modische Gewiehere von Pferden nachzuahmen, verlieren sie diese Fahigkeit. III. Eine Schiffsgesellschaft gerat in einen Seesturm und fleht zu den Gottern um Hilfe. Nach dem schadlos uberstandenen Seegang lachen sie in der wiedergewonnenen Lebensfreude alle Autoritaten aus und feiern ein ausgelassenes Fest.' (Einfuhrungstext im Programmheft des Jugendmusikfestes Deutschlandsberg 1991) 'Dies sind drei Lehrstucke oder Schulopern, komponiert Anfang 1967 fur das Musikfest in Cincinnati, wo sie im Mai 1968 uraufgefuhrt wurden. Ich stelle mir vor, dass sie in Musikschulen, Opernstudios und Colleges aufgefuhrt werden konnen, konzertant oder szenisch. [...] Das erste Lehrstuck handelt von der Schwierigkeit, die Vorzuge anarchistischer Lebensweise zu erkennen, das zweite vom Modernismus und das dritte vom schnellen Vergessen einer Gesellschaft, die glaubt, noch einmal davongekommen zu sein. Jedes der drei Operchen ist in Nummern aufgeteilt, es sind Kurzformen, kleine Arien, Rezitative, Chorensembles.' (Hans Werner Henze)

1 (auch Picc. ad lib.) * 1 * 1 * 1 - 1 * 1 * 1 * 0 - P. S. (hg. Beck * 3 Tomt. * Tamb. * Mil. Tr. * gr. Tr. * 3 Woodbl. * Glsp. * Bassxyl. * Xyl. [ad lib.]) (5 Spieler) - Klav. - Str.Reduzierte Fassung fur Schulauffuhrungen mit Orff-Instrumentarium: 2 Klav. (o. 2 Klav. u. Cemb.) - P. S. (3 hg. Beck * 3 Tomt. * Schellentr. * Mil. Tr. * gr. Tr. * 3 Holztr. * Glsp. * Bassxyl. [auch Xyl. ad lib.]) (5 Spieler)

1 (auch Picc. ad lib.) * 1 * 1 * 1 - 1 * 1 * 1 * 0 - P. S. (hg. Beck * 3 Tomt. * Tamb. * Mil. Tr. * gr. Tr. * 3 Woodbl. * Glsp. * Bassxyl. * Xyl. [ad lib.]) (5 Spieler) - Klav. - Str.

Reduzierte Fassung fur Schulauffuhrungen mit Orff-Instrumentarium: 2 Klav.
(o. 2 Klav. u. Cemb.) - P. S. (3 hg. Beck * 3 Tomt. * Schellentr. * Mil. Tr. * gr. Tr. *
3 Holztr. * Glsp. * Bassxyl. [auch Xyl. ad lib.]) (5 Spieler).

Guitar - Beginning

SKU: MB.31103M

Third Edition. Bluegrass, Wire bound. World. Book and online audio. 236 pages. Mel Bay Publications, Inc #31103M. Published by Mel Bay Publications, Inc (MB.31103M).

ISBN 9781513468792. 8.75x11.75 inches.

Adam Granger self-published the first edition of Grangerâ??s Fiddle Tunes for Guitar in 1979. A second edition was published in 1994. Now Mel Bay Publications presents the third edition of the book.

This 236-page book is the most extensive and best-documented collection of fiddle tunes for the flatpicking guitar player in existence, and includes reels, hoedowns, hornpipes, rags, breakdowns, jigs and slip-jigs, presented in Southern, Northern, Irish, Canadian, Texas and Old-time styles.

There are 508 fiddle tunes referenced under 2500 titles and alternate titles. The titles are fully indexed, making the book doubly valuable as a reference book and a source book.

In this new edition, all tunes are typeset, instead of being handwritten as they were in the previous editions, making the tabs easier to read.

The tunes in Grangerâ??s Fiddle Tunes for Guitar are presented in Easytab, a streamlined tablature notation system designed by Adam specifically for fiddle tunes.

The book comes with a link which gives access to mp3 recordings by Adam of all 508 tunes, each played once at a moderate tempo, with rhythm on one channel and lead on the other.

Also included in Grangerâ??s Fiddle Tunes for Guitar are instructions for reading Easytab, descriptions of tune types presented in the book, and primers on traditional flatpicking and rhythm guitar. Additionally, there are sections on timing, ornamentation, technique, and fingering, as well as information on tune sources and a history of the collection.

Mel Bay also offers The Granger Collection, by Bill Nicholson, the same 508 tunes in standard music notation.

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By ABRSM. For piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

By Vic Chiodo, bass clarinet; Paul Hartley, piano. Mark Records. Listening CD. Duration 60:49:00. Published by Mark Custom Music (MK.50436-MCD).

With Online Audio of Performances and Accompaniments. By Frank Almond. By Samuel Barber (1910-1981). Edited by Richard Walters. Arranged by Jerry Lanning, Joshua Parman, Richard Walters. String Solo. Classical. Softcover Audio Online. 96 pages. G. Schirmer #ED4473. Published by G. Schirmer

By Pyotr Ilyich Tchaikovsky. For Clarinet, Piano. Romantic. Sheet Music. 44 pages. Published by Chester Music.

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by J.O Eriksson. For 4 guitars. Grade 2-3. Score and parts. 28 pages. Published by Les Editions Doberman-Yppan

SKU: HL.50565075

Editions Durand. 64 pages. Editions Durand #DC1082800. Published by Editions Durand (HL.50565075).

9.0x12.0x0.219 inches.

Orchestra (2.1.1.1/1.0.0.0,str,clar inet solo)

SKU: TM.00789SET

Composed by Gabriel Pierne. Set Type: D. Set of parts. Lucks Music Library #A4549. Published by Lucks Music Library (TM.00789SET).

Solo/pf. Rhapsodie Hebraique.

Orchestra (2.1.1.1/1.0.0.0,str,clar inet solo)

SKU: TM.00789SC

Composed by Gabriel Pierne. Score. Lucks Music Library #A4549. Published by Lucks Music Library (TM.00789SC).

Solo/pf. Rhapsodie Hebraique.

Grade 3

SKU: CL.012-1421-01

Odyssey For Band. Composed by Forsblad. Concert Band. Extra score. Composed 1975. Duration 4 minutes, 28 seconds. Opus III Wind Orchestra Publications #012-1421-01. Published by Opus III Wind Orchestra Publications (CL.012-1421-01).

A vivid and colorful work for symphonic band, CANZONETTA makes use of energetic rhythmic figurations, and expressive melodic lines to produce a fine overture in contemporary style. Cast in three parts, the warm and flowing middle section provides excellent contrast to the vigor and excitement of the two outer parts.

Grade 3

SKU: CL.012-1421-00

Odyssey For Band. Composed by Forsblad. Concert Band. Score and set of parts. Composed 1975. Duration 4 minutes, 28 seconds. Opus III Wind Orchestra Publications #012-1421-00. Published by Opus III Wind Orchestra Publications (CL.012-1421-00).

A vivid and colorful work for symphonic band, CANZONETTA makes use of energetic rhythmic figurations, and expressive melodic lines to produce a fine overture in contemporary style. Cast in three parts, the warm and flowing middle section provides excellent contrast to the vigor and excitement of the two outer parts.

Edited by Weyer, Martin. For Organ. Playing score. Collection. 63 pages. Published by Baerenreiter Verlag (German import).

(Woodwind Solos & Ensemble/Alto Saxophone And Piano). By Gabriel Pierne (1863-1937). Arranged by Gee, Harry. Alto Sax. Woodwind Solos & Ensembles - Alto Saxophone. Southern Music. 12 pages. Southern Music Company #ST48. Published by Southern Music Company

Solo soprano voice, SATB choir, 2 clarinets, 2 bassoons, 2 violins, viola, basso continuo

SKU: CA.9106819

Motetto Pastorale. Composed by Giovanni Paisiello. Edited by Otto Biba. Pastorali Jam Concentu 1221A01. Sacred vocal music, Christmas. Set of Orchestra Parts. Carus Verlag #CV 91.068/19. Published by Carus Verlag (CA.9106819).

ISBN 9790007231903. Key: B flat major. Language: Latin.

Score and parts available separately - see item CA.9106800.

Guitar or Lute

SKU: HL.50491761

Per Chitarra Sola. Composed by Mauro Giuliani. MGB. Score Only. Composed 1984. Ricordi #ER2846. Published by Ricordi (HL.50491761).

PER CHITARRA SOLA.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-0971085-010

Composed by Jacob De Haan. Inspiration Series. Festive and Solemn Music. Set (Score & Parts). Composed 1997. De Haske Publications #DHP 0971085-010. Published by De Haske Publications (BT.DHP-0971085-010).

Jacob de Haan was commissioned to compose this concert piece by the St. Peters Wind Symphony from Brisbane, Australia. Ross Roy is the monumental late 19th century villa where St. Peters Lutheran College was founded in 1945. The villa has always remained the school symbol. In this composition, Jacob de Haan sees the Ross Roy as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of Tempo di Marcia. Thismovement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of passing through the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in a playful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the overture to the rest of one's life. The premiere of Ross Roy was conducted by Jacob de Haan in Brisbane, on August 22, 1997.

Ross Roy is de naam van de monumentale villa in Brisbane (Australië) waar in 1945 het St. Peters Lutheran College is gesticht. In opdracht van het collegeorkest componeerde Jacob de Haan dit gevarieerde concertwerk vol metaforen.De structuur en discipline van de school horen we in de met toonherhaling gepaard gaande ritmische beweging in basregister en slagwerk. Het volgende, martiale thema staat symbool voor het doorlopen van de klassen. Een schertsende,humoristische versie van het hoofdthema ontbreekt niet: op school moet immers ook tijd zijn voor vrolijkheid. Het karakteristieke slotthema mondt uit in een feestelijke apotheose.

Ross Roy ist der Name einer monumentalen Villa in Brisbane, Australien, in der 1945 das St. Peter Lutheran College gegründet wurde. Im Auftrag dieses Schulorchesters komponierte Jacob de Haan dieses Konzertwerk, das voll von Metaphern ist. Die Struktur und Disziplin dieser Schule hören wir in der mit Tonwiederholungen gepaarten rhythmischen Bewegung des Bassregisters und des Schlagwerks. Das folgende martialische Thema steht als Symbol für das Durchlaufen der Klassen bis zum Ende der Schulzeit. Eine scherzhafte, humoristische Version des Hauptthemas darf nicht fehlen, denn in der Schule muss auch Zeit für kleine Späße und Lachen sein! Das charakteristische Schlussthemamündet in einem festlichen Höhepunkt.

Ross Roy est le symbole grandiose de l’excellence du compositeur. L’œuvre tient son nom de l’imposante villa éponyme située Brisbane en Australie et qui abrite en ses murs le Collège Saint Pierre, une institution luthérienne fondée en 1945. C’est pour l’Orchestre d’Harmonie de cet établissement que Jacob de Haan composa cette œuvre riche en métaphores. « J’ai tenté de décrire les valeurs de cette école. Ainsi, le thème initial se développe-t-il sur un motif rythmique imposant qui alterne entre les instruments graves et la batterie. Ce motif symbolise l’autorité et le cadre structuré de l’école. On retrouve ce thème plusieurs reprises et notamment sousune forme humoristique et espiègle : nous découvrons les bons côtés de l’école, la joie des élèves, les sentiments de fierté, d’amour et d’amitié. Autre élément thématique, une marche qui symbolise la progression des élèves dans leur cursus pour arriver leurs examens de fin d'étude. » En guise de conclusion, Jacob de Haan nous offre un thème grandiose qui s’élargit en apothéose.

Commissionato dalla St. Peter’s Wind Symphony Orchestra di Brisbane, è dedicato alla monumentale villa tardo-ottocentesca dove il collegio dell’orchestra ha avuto la sua storica sede. Metafora degli anni della formazione, è caratterizzato da un finale in stile ouverture, come se gli anni della scuola rappresentassero una sorta di ouverture al resto della vita.

(100 Songs in the Key of C). By Various. Fake Book. Softcover. 198 pages. Published by Hal Leonard