Composition SKU: FP.FTJ06 Composed by John Turner. Sheet Music and Books....(+)
Composition
SKU:
FP.FTJ06
Composed by
John Turner. Sheet Music
and Books. Recorder
virtuosi and composer
John Turner's
indispensible new guide
for composers writing for
the solo recorder. This
hugely useful book
features chapters on the
history of recorder
composition, as well as
the instrument's range,
player technique, dynami.
Classical, Instructional.
Reference Book. Forsyths
Publications #FTJ06.
Published by Forsyths
Publications (FP.FTJ06).
ISBN
9780951479537.
Comp
osing for the recorder
can be intimidating for
those with limited or no
experience playing the
instrument. John Turner's
new book is the ideal
primer, taking the would
be recorder composer on a
journey through the
history of recorder
composition, and onwards
to explore player
techniques and the
musicality offered by
this versatile
instrument. Each section
is extensively referenced
to exisiting
compositions, providing a
fantastic platform for
further research by the
reader.
About the
Author:
JOHN
TURNER is one of the
leading recorder players
of today. Born in
Stockport, he was Senior
Scholar in Law at
Fitzwilliam College
Cambridge before pursuing
a legal career, acting
for many distinguished
musicians and musical
organisations alongside
his many musical
activities. These
included numerous
appearances and
recordings with David
Munrow's Early Music
Consort of London, the
Academy of Ancient Music,
the English Chamber
Orchestra, the Academy of
St. Martin-in-the-Fields
and the English Baroque
Soloists. He now devotes
his time to playing,
writing, reviewing,
publishing, composing and
generally
energising.
He has
played as recorder
soloist with the Halle
Orchestra, the Royal
Liverpool Philharmonic
Orchestra, the Manchester
Camerata, the English
Baroque Soloists, the
English Chamber
Orchestra, and many other
leading orchestras and
ensembles. Concertos and
works with orchestra have
been written for him by
Gordon Crosse, Anthony
Gilbert, Peter Hope,
Kenneth Leighton, Elis
Pehkonen, Alan Bullard,
John Casken, and many
other distinguished
composers. His recordings
include no less than five
sets of the Brandenburg
Concertos, as well as the
F Major version of
Brandenburg Concerto No.
4 with Menuhin and George
Malcolm, but lately he
has madenumerous
acclaimed recordings of
the recorder’s
contemporary concerto and
chamber music repertoire,
including several
concerto discs, all of
which have received
critical acclaim. In all,
he has given the first
performances of over 600
works for the recorder,
with works by many
non-British composers,
including Leonard
Bernstein, Ned Rorem,
Peter Sculthorpe, Douglas
Lilburn and Petr
Eben.
Many of the
works he has premiered
have now entered the
instrument’s
standard repertoire, and
these and his own
recorder compositions are
regularly set for
festivals and
examinations. He edits
series of recorder
publications for both
Forsyths and Peacock
Press, and founded the
periodical Manchester
Sounds, in response to
the perceived threat to
music libraries in Great
Britain. In addition he
was responsible for the
rediscovery of several
works for his instrument,
including the Rawsthorne
Recorder Suite, Antony
Hopkins' Pastiche Suite,
Herbert Murrill’s
Sarabande, the Handel F
Major Trio Sonata and
John Parry's Nightingale
Rondo (the only
substantial known British
nineteenth century work
for a fipple flute). He
was awarded an Honorary
Fellowship by the Royal
Northern College of Music
in 2002 for his services
to British music, and is
a Visiting Distinguished
Scholar of Manchester
University.
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Romantic; Late-romantic.
Set of parts. 68 pages.
Duration 25'. Breitkopf
and Haertel #OB 15132-30.
Published by Breitkopf
and Haertel
(BR.OB-15132-30).
ISBN
9790004341995. 10 x 12.5
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
Clarinet - Early Intermediate SKU: FH.WC3 Clarinet Series, 2013 Editio...(+)
Clarinet - Early
Intermediate
SKU:
FH.WC3
Clarinet
Series, 2013 Edition.
Composed by The Royal
Conservatory. Clarinet
Series, 2013 Edition.
Book/CD. 48/20 pages. The
Frederick Harris Music
Company #WC3. Published
by The Frederick Harris
Music Company (FH.WC3).
ISBN
978-1-55440-579-4.
This new series offers a
sequenced approach to the
study of clarinet from
the beginner to advanced
levels. With a
progressive collection of
Repertoire, Etudes,
Recordings, Orchestral
Excerpts, and Technique,
the Clarinet Series, 2014
Edition provides complete
support for teachers and
students at every level
of study. Nine
progressive volumes of
Repertoire expose
students to a wealth of
music from the earliest
works for clarinet to
accompanied and
unaccompanied
contemporary
compositions. Students
will explore some of the
most definitive solo
pieces written for
clarinet, along with
popular folk tunes,
Klezmer melodies,
Classical solos, and
contemporary compositions
that incorporate
traditional and extended
techniques. Technical
Repertoire: Le petit
negre - Claude Debussy,
arr. Sidney
Lawton Allegro -
Xavier Lefevre, arr.
David
Rowland Tarantella,
op. 63, no. 41 - Carl
Baermann, arr. Paul
Harris and Emma
Johnson Potpourri, op.
45, no. 3 - Franz Danzi,
arr. Paul
Harris Variations on
La ci darem la mano
(Excerpt) - Ludwig van
Beethoven, arr. Simeon
Bellison Anitra's
Dance, from Peer Gynt -
Edvard Grieg, arr. James
Rae Lyrical
Repertoire: Largo -
Johann Friedrich Fasch,
arr. Richard
Platt Freylach Suite -
Martin van de Ven, arr.
Jason Gray Romance -
Edward German Adagio -
Johann Melchior Molter,
arr. Pamela
Weston Siciliano -
Gerhard
Wuensch Siciliana -
Paul Harvey Dance
Prelude No. 4 - Witold
Lutos_awski Alone -
Elena Firsova.
Concert band - Grade 2 SKU: CL.026-4437-01 Composed by Shaffer. Concert B...(+)
Concert band - Grade 2
SKU:
CL.026-4437-01
Composed by Shaffer.
Concert Band.
Build-A-Band. Extra full
score. Composed 2016.
Duration 3 minutes, 38
seconds. C.L. Barnhouse
#026-4437-01. Published
by C.L. Barnhouse
(CL.026-4437-01).
David Shaffer's
Legend of the Eagles has
been a contest/festival
favorite of bands for
many years, and this new
Build-A-Band series
arrangement makes this
appealing and energetic
work accessible to bands
with instrumentation
limitations. Bold and
rhythmic at the
beginning, it also
contains a slower
expressive section which
will help musicians learn
legato phrasing
techniques. An
exceptional
composition!
About
Build-A-Band
Series
The
Build-A-Band Series
provides educational and
enjoyable music for bands
with incomplete or
unbalanced
instrumentation. Written
using just four or five
parts (plus percussion),
these effective
arrangements will work
with any combination of
brass, woodwind, string
and percussion
instruments as long as
you distribute the parts
so that each of the five
parts is covered. All of
the publications in the
Build-A-Band Series have
been arranged to be
playable with any
instrumentation as long
as each part is used: 1st
Part, 2nd Part, 3rd Part,
4th Part, and Bass Part.
(Please note: In some of
these arrangements the
4th Part, and the Bass
Part are the same, making
it possible to play those
arrangements with only 4
parts.)
Class of 1915 Flûte, Clarinette, Piano (trio) Lauren Keiser Music Publishing
Clarinet, Flute, Piano Trio SKU: HL.102760 Score and Parts. Compos...(+)
Clarinet, Flute, Piano
Trio
SKU:
HL.102760
Score
and Parts. Composed
by David Schiff. LKM
Music. Classical. 92
pages. Lauren Keiser
Music Publishing
#X652708. Published by
Lauren Keiser Music
Publishing (HL.102760).
ISBN 9781476814629.
UPC: 884088676223.
8.75x11
inches.
“Clas
s of 1915” was
written in celebration of
the dual centenaries of
Reed College and Arnold
Schoenberg's celebrated
work, “Pierrot
Lunaire.” Though
the work shares the same
instrumentation, which
has become popular among
new music ensembles,
Schiff's work is a
celebration of popular
song and dance styles
from the mid-1910's
arranged in a suite that
makes an ideal
curtain-raiser for
“Pierrot”
concerts.
The many faces of the guitar, Volume 2. By Various. Arranged by Collectif. For g...(+)
The many faces of the
guitar, Volume 2. By
Various. Arranged by
Collectif. For guitar
solo. Level: 1.5. 32
pages. Published by Les
Productions d'OZ. (DZ
1042CD)
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 9'.
Breitkopf and Haertel #OB
32034-53. Published by
Breitkopf and Haertel
(BR.OB-32034-53).
ISBN
9790004350959. 10 x 12.5
inches.
The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring.
Trombone (tuba) SKU: M7.AHW-2011 For All Bass Clef Instruments. Co...(+)
Trombone (tuba)
SKU:
M7.AHW-2011
For
All Bass Clef
Instruments. Composed
by David Chesky. Sheet
music. 64 pages. Charles
Colin Corp. #AHW 2011.
Published by Charles
Colin Corp.
(M7.AHW-2011).
English.
It is
so easy to dismiss a
rhythm book as something
for beginners, not worth
a serious musician's time
and energy. We can
already read, what more
do we need? I felt this
way as well, then I was
VERY glad that I did not
put this book down after
the first few pages. Once
you get past the first 10
pages of basics you are
left with a book of such
creative jazz and rock
etudes that you wouldn't
even consider it to have
been written with the
intention of improving
your reading. This is a
fully fledged
contemporary jazz rock
etude book that gets you
reading complex grooves
that will keep you coming
back for more.
Concert band - Grade 2 SKU: CL.026-4338-01 Composed by Shaffer. Concert B...(+)
Concert band - Grade 2
SKU:
CL.026-4338-01
Composed by Shaffer.
Concert Band.
Build-A-Band. Extra full
score. Composed 2014.
Duration 3 minutes, 3
seconds. C.L. Barnhouse
#026-4338-01. Published
by C.L. Barnhouse
(CL.026-4338-01).
A terrific easy
overture by David Shaffer
for less experienced
bands that is now made
playable by the smallest
of bands in this
delightful Build-A-Band
version. It will sound
great as long has you
have the four essential
parts covered. Optional
percussion and keyboard
parts can add to the
overall effect.
About
Build-A-Band
Series
The
Build-A-Band Series
provides educational and
enjoyable music for bands
with incomplete or
unbalanced
instrumentation. Written
using just four or five
parts (plus percussion),
these effective
arrangements will work
with any combination of
brass, woodwind, string
and percussion
instruments as long as
you distribute the parts
so that each of the five
parts is covered. All of
the publications in the
Build-A-Band Series have
been arranged to be
playable with any
instrumentation as long
as each part is used: 1st
Part, 2nd Part, 3rd Part,
4th Part, and Bass Part.
(Please note: In some of
these arrangements the
4th Part, and the Bass
Part are the same, making
it possible to play those
arrangements with only 4
parts.)
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Romantic; Late-romantic.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 15132-16.
Published by Breitkopf
and Haertel
(BR.OB-15132-16).
ISBN
9790004341957. 10 x 12.5
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
Concert band - Grade 2 SKU: CL.011-4452-01 Composed by Shaffer. Young Con...(+)
Concert band - Grade 2
SKU:
CL.011-4452-01
Composed by Shaffer.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR389). Extra full
score. Composed 2016.
Duration 4 minutes, 23
seconds. C.L. Barnhouse
#011-4452-01. Published
by C.L. Barnhouse
(CL.011-4452-01).
This exciting
piece has all of David
Shaffer’s
signature trademarks for
younger bands, including
musical energy, flowing
melodies and beautiful
lush harmonies. Written
in overture form, a
powerful introduction is
the prelude to the main
theme, a whimsical
melody, that is passed
through several choirs of
instruments. The lyrical
middle section, a
variation of the primary
melody, allows for
development of your
musicians' expressive
performance. Scored to
make your band sound
their best, this is a
perfect selection for
concert or festival
use.
About
C.L. Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Concert band - Grade 3 SKU: CL.026-4227-01 Composed by Shaffer. Concert B...(+)
Concert band - Grade 3
SKU:
CL.026-4227-01
Composed by Shaffer.
Concert Band.
Build-A-Band. Extra full
score. Composed 2013.
Duration 2 minutes, 7
seconds. C.L. Barnhouse
#026-4227-01. Published
by C.L. Barnhouse
(CL.026-4227-01).
A delightful
lyrical piece by popular
composer David Shaffer
that works wonderfully in
the Build-A-Band format.
Playable as long as you
have the four main parts
covered by the
instruments of your
choice. Arrangement
includes optional parts
for piano, timpani,
percussion and mallet
percussion. Will sound
great with bands with
extreme instrumentation
issues and very small
groups. Extremely
nice!
About
Build-A-Band
Series
The
Build-A-Band Series
provides educational and
enjoyable music for bands
with incomplete or
unbalanced
instrumentation. Written
using just four or five
parts (plus percussion),
these effective
arrangements will work
with any combination of
brass, woodwind, string
and percussion
instruments as long as
you distribute the parts
so that each of the five
parts is covered. All of
the publications in the
Build-A-Band Series have
been arranged to be
playable with any
instrumentation as long
as each part is used: 1st
Part, 2nd Part, 3rd Part,
4th Part, and Bass Part.
(Please note: In some of
these arrangements the
4th Part, and the Bass
Part are the same, making
it possible to play those
arrangements with only 4
parts.)
Clarinet and Piano SKU: HL.14006460 Music Sales America. Exam Material. B...(+)
Clarinet and Piano
SKU: HL.14006460
Music Sales America. Exam
Material. Book
[Softcover]. 46 pages.
Music Sales #BOE005035.
Published by Music Sales
(HL.14006460).
ISBN
9781783056651.
9.0x12.0x0.15
inches.
A Bit Of A
Blow was originally
written for the Saxology
Quartet in 1996 and has
been recorded by them on
Meridian. The version for
clarinet and piano
received its premiere on
5th June 1999 at St. John
the Baptist, Chipping
Barnet, performed by
David Kirby with the
composer at the piano.
This arrangement was made
for clarinet and piano in
1998.
By Mario Davidovsky. For soprano, flute (piccolo), clarinet (bass clarinet), gui...(+)
By Mario Davidovsky. For
soprano, flute (piccolo),
clarinet (bass clarinet),
guitar, contrabass.
(written in 2001).
Duration 10'. Published
by C.F. Peters.
Composed by Dale Jergenson. For 2-part women's voices, piano. General, Memorial....(+)
Composed by Dale
Jergenson. For 2-part
women's voices, piano.
General, Memorial.
Moderately Difficult.
Choral score. Published
by Laurendale Associates